The inaugural Neighbors Art Fair has launched in Chicago, situated within a historic residence in the city's Gold Coast neighborhood. Founded by Mirka Serrato and curated by Jonny Tanna, the fair rejects the traditional high-spectacle trade show model in favor of a "micro-fair" format. By utilizing a domestic setting and an invitation-based entry system, the event prioritizes architectural intimacy, timed entry, and deliberate engagement between galleries and visitors.
The Evanston History Center has launched "Unveiling Evanston Women Artists," a new exhibition dedicated to the historical contributions of female creators in the Illinois city. The show was sparked by a recent donation of works by the late artist Blanche Gildin, who rarely exhibited during her lifetime, and features approximately a dozen local artists including Lucile Roebuck Keeler and Rosemary Zwick. Spanning the early 20th century through the 1970s, the collection includes paintings, sculptures, and commercial illustrations that reflect the creative shifts of the civil rights era.
The Art Sonje Centre in Seoul has launched "Spectrosynthesis Seoul," the first large-scale exhibition in South Korea dedicated to LGBTQ themes and queer artists. Featuring works by 74 artists and artist groups, the project was initiated by Patrick Sun of the Sunpride Foundation and curated by Sun-jung Kim and Yong-woo Lee. The exhibition marks a significant cultural milestone in a country often characterized by its rigid social traditions and conservative values.
A major investigation has revealed that UK museums, universities, and local authorities hold more than 263,000 human remains, including mummies, skeletons, and skulls. Of these, approximately 37,000 originate from overseas, largely from former British colonies, often acquired without consent. The findings have sparked intense criticism from scholars and curators who argue that the sheer scale of these collections reflects a distressing colonial legacy and necessitates a systemic shift toward repatriation and more ethical storage practices.
The Barbican Centre in London has announced a massive immersive exhibition titled 'In Other Worlds,' set to open in May 2026. Led by BAFTA-nominated filmmaker and 'speculative futurist' Liam Young, the exhibition marks his first major solo show in the UK and will feature collaborations with creators from major productions like Westworld, Fallout, and Lord of the Rings. The installation will span three locations within the institution, including the Curve gallery and a car park, utilizing film, soundscapes, and costumes to explore imagined futures.
Sotheby's is returning to Saudi Arabia with an art-only auction, marking a significant re-entry into the regional market. The event signals a deepening engagement with the kingdom's burgeoning cultural scene.
The National Endowment for the Humanities (NEH) has awarded $75.1 million to 84 projects across the United States, marking the first grants since the Trump administration dismissed most members of the National Council on the Humanities. Major recipients include the University of Texas at Austin and the Foundation for Excellence in Higher Education, each receiving $10 million for programs focused on civics, strategy, and "Great Books." Other notable grants include $2.2 million for Philadelphia's Museum of the American Revolution and $2 million for Grand Central Atelier, a small art school in Queens that teaches classical realist techniques.
Contemporary Art Month (CAM) has announced the eight artists selected for its flagship CAM Perennial exhibition in March 2026. The artists are Eva Gabriella Flynn (Las Cruces, NM), Brenda Melgoza Ciardiello (Fort Worth), Tina Linville (Waco), Adrienne Simmons (Houston), Jesselyn Gordon and Daniela Oliver de Portillo (San Antonio), and Yuliya Lanina and Matt Rebholz (Austin). In celebration of its 40th anniversary, CAM invited past Perennial curators to nominate artists from their regions. CAM board members Casie Lomeli and Leslie Moody Castro selected the finalists and will co-curate the exhibition across five San Antonio venues: Casa Pink, Outrider Gallery, Rojo Gallery, Sala Diaz, and Un Grito Gallery.
This episode of The Art Newspaper's 'The Week in Art' podcast covers three major stories. Ben Sutton and Kabir Jhala report from Art Basel Miami Beach, discussing top sales and the overall mood at the fair. Ben Luke speaks with Paris correspondent Vincent Noce about the deepening crisis at the Musée du Louvre following a staff strike and a recent robbery, as the museum plans to raise ticket prices for non-EU visitors by 45%. The episode also features a 'Work of the Week' segment on Helene Schjerfbeck's painting 'The Tapestry' (1914-16), with curator Dita Amory discussing the work ahead of a new exhibition at the Metropolitan Museum of Art.
The Philadelphia Art Museum has appointed Daniel H. Weiss as its George D. Widener Director and CEO, effective December 1, 2025. Weiss, former President and CEO of The Metropolitan Museum of Art (2015–2023), brings decades of leadership experience from major cultural and educational institutions, including presidencies at Haverford College and Lafayette College, and a recent role as Homewood Professor of the Humanities at Johns Hopkins University. The Board of Trustees, led by Chair Ellen Caplan, selected Weiss to guide the museum through at least 2028, providing stability during a transitional period.
Toi Tauranga Art Gallery in New Zealand reopens on November 15, 2025, after a two-year closure and transformation. The revamped space features a new entrance at Masonic Park, a Mauri Stones installation, a gallery store highlighting regional artists, a creativity centre, improved accessibility, and a café. The reopening exhibitions include 'Whakairo' by Kereama Taepa, 'Old Friends' curated by Dr Penelope Jackson, 'Glimmer' in the new Meldrum Gallery, and works by Pusi Urale, Vaimaila Urale, and Darcy Nicholas, among others.
Little Rock artist Aj Smith has been selected to have their work exhibited at the newly renovated Studio Museum in Harlem. The exhibition marks a significant milestone in Smith's career, bringing their art to one of the most prestigious institutions dedicated to artists of African descent. The Studio Museum recently completed a major renovation, expanding its gallery spaces and programming capacity.
A report from the Cour des comptes, France's state auditing body, has deemed the Louvre's €666 million plan for a new entrance and subterranean complex around the Mona Lisa as "financially unsound." The report, released on November 6 by chairman Pierre Moscovici, criticizes the museum's management under director Laurence des Cars, highlighting severe delays in security upgrades—only 4% of an €83 million infrastructure budget has been spent since 2018. The audit follows an audacious heist of French crown jewels on October 19, which the report says was enabled by inadequate security. It urges the Louvre to prioritize a €450 million infrastructure plan over the grand renovation project, which has already seen a 45% cost overrun from its initial €450 million estimate.
Heritage experts, antiquities officials, and Syrian community members convened at a conference organized by the University of Lausanne and the Aliph foundation in Switzerland, marking the first comprehensive international meeting on Palmyra since the fall of Bashar Al Assad's regime in 2024. The group issued recommendations including the creation of an international expert task force to work toward removing Palmyra from the UNESCO List of World Heritage in Danger, and outlined three key priorities: rehabilitating the looted and damaged Palmyra museum, restoring artefacts currently held at the Damascus Museum, and repairing the foot bridge to the site. Aliph executive director Valery Freland aims to begin work in January 2026.
The McMichael Canadian Art Collection in Kleinburg, Ontario, has selected Toronto-based Hariri Pontarini Architects (HPA) to lead a transformative redevelopment of its campus, the first major investment in the museum in over 40 years. The announcement was made during the opening night of the Art Toronto fair, where the museum hosted a fundraiser. The project, which includes expanded exhibition, education, and public programming spaces, is backed by up to C$50 million from the Ontario government (contingent on matching funds) and a previous C$25 million federal investment, though additional funding is still being sought.
International dealer Almine Rech is reopening in London with a downsized first-floor space in Mayfair, near Sotheby's on George Street, after closing her former London gallery in August and putting the UK business into voluntary liquidation. The new venue, roughly a quarter of the size of the previous one, will operate by appointment starting next month, showcasing curated presentations of 20th- and 21st-century works. A new company, Almine Rech Advisory, was registered on 30 September, with Rech as the controlling person and Maximilian Lefort as director. The liquidation was described as a technical step to restructure a lease that no longer aligned with the gallery's plans; Companies House filings showed a deficit of £6.3m, mostly from intercompany and shareholder loans, with no unpaid obligations to artists, employees, or suppliers.
Frieze London's 22nd edition in October 2025 will retain a bold floor plan debuted in 2024 that places emerging galleries near the main entrance, pushing blue-chip heavyweights like Gagosian and David Zwirner further inside. Fair director Eva Langret confirms the layout is permanent, citing overwhelmingly positive feedback and renewed energy. The Focus section for galleries under 12 years old gets a boost, with a rotating system ensuring fresh stands near the entrance each year. A new curated section, Echoes in the Present, explores artistic links between West Africa, Brazil, and their diasporas. Meanwhile, Frieze Masters, dedicated to pre-20th-century art, will be run by new director Emanuela Tarizzo.
More than 150 US arts organizations and over 320 artists and cultural workers have signed a public statement affirming their commitment to resisting political pressure. Organized by the National Coalition Against Censorship (NCAC) and the Vera List Center for Art and Politics (VLC) at the New School, the statement does not explicitly name President Donald Trump or his administration's actions, but was precipitated by Trump's pressure campaigns against the Smithsonian Institution and the Kennedy Center, as well as deep cuts to the NEA, NEH, and IMLS. Signatories include institutions from both Democratic- and Republican-controlled states, such as the Museum of Contemporary African Diasporan Arts in New York and Diverseworks in Houston, Texas.
The White House has released a list of Smithsonian Institution exhibits it finds objectionable, targeting displays that it claims promote divisive narratives or undermine traditional American values. The list includes specific exhibitions across multiple Smithsonian museums, such as those related to race, gender, and historical figures, which the administration argues should be revised or removed.
The Modern Art Museum of Fort Worth is presenting 'David-Jeremiah: The Fire This Time,' a solo exhibition featuring the Oak Cliff-based multidisciplinary conceptual artist David-Jeremiah. The show, on view from August 16 to November 2, includes new polychromatic paintings from his EE (Emma Esse) series and works from his I Drive Thee tondo series, which explore themes of transcendence, ritual, and the dichotomy of beauty and violence through the motif of fire and the Lamborghini automobile. The exhibition is guest-curated by Christopher Blay, a Liberian-born American artist and curator who serves as Director of Public Programs at the National Juneteenth Museum in Fort Worth.
Singapore is celebrating its 60th anniversary of independence from British rule on 9 August with a series of cultural offerings under the banner SG60. National Gallery Singapore launched a signature exhibition, *Singapore Stories: Pathways and Detours in Art*, featuring over 400 works from the 19th century to the present, housed in the former supreme court and city hall buildings. The show, curated by Adele Tan, reduces colonial imagery and opens with John Turnbull Thomson's *The Esplanade from Scandal Point* (1951) to present a more complex, multicultural picture of Singapore's history.
Art Basel Miami Beach (ABMB) will return from December 5 to 7, 2025, with 285 galleries, including 41 first-time exhibitors—a significant increase from previous years. The fair will emphasize Latinx, Indigenous, and diasporic artistic currents, and will feature galleries from 44 countries, with over two-thirds operating in the Americas. New participants include New York galleries such as David Peter Francis, Candice Madey, and Margot Samel, as well as Erin Cluley Gallery from Dallas, Miami’s Nina Johnson, and Voloshyn Gallery, the first Ukrainian exhibitor at the fair. Returning mega-galleries include Gagosian, Hauser & Wirth, David Zwirner, Pace Gallery, and White Cube. The fair will also debut the Art Basel Awards, with gold medalists announced on December 4.
The Yale University Art Gallery has withdrawn two federal grant requests totaling $200,000 for a forthcoming exhibition on Southeast African art, citing concerns that the show does not meet the National Endowment for the Arts (NEA) and National Endowment for the Humanities (NEH) criteria under President Trump's executive order banning Diversity, Equity, and Inclusion (DEI) programs. The museum will instead use its endowment to fund the exhibition, which focuses on the migration of the Nguni peoples in southern Africa and is set to open next fall. Additionally, the NEA cancelled a $30,000 grant for another exhibition, Nusantara: Six Centuries of Indonesian Textiles, prompting the museum to draw on its Robert Lehman Endowment Fund.
The City of Las Vegas is partnering with the future Las Vegas Museum of Art (LVMA) to present a contemporary art exhibition titled "Family Album" at the newly unveiled Las Vegas Civic Center Art Gallery. Organized by the Los Angeles County Museum of Art (LACMA), the show features family photographs from over 20 intergenerational artists, including Dannielle Bowman and Janna Ireland, and runs from September 4, 2025 through January 9, 2026. This marks the first public-facing program for LVMA, which has been in development since 2023 and is expected to break ground on a $150 million facility in Symphony Park as early as 2026, with a projected 2028 opening.
The article reports that the Art x Climate Gallery has achieved a notable success at the Smithsonian Institution, though the specific details of the triumph are obscured by a security verification page that blocks access to the full content. The gallery, which likely focuses on the intersection of art and climate change, appears to have been recognized or celebrated within the Smithsonian's prestigious museum network.
Italy's National Archaeological Museum of Naples (MANN) launched a photography competition in March inviting young people aged 18 to 30 to submit images of objects from its collections, including artifacts from Pompeii and Herculaneum. The museum offered no payment, only exposure via social media and banners on its façade, sparking criticism from cultural workers' group Mi Riconosci and Italian media, who accused the institution of exploiting unpaid labor. Museum administrator Raffaella Bosso defended the initiative as a dialogue with youth, but the museum has not withdrawn or modified the contest.
Staff at the Musée du Louvre, the world's most visited museum, walked off the job on Monday morning, forcing an unscheduled closure. Thousands of visitors with pre-booked tickets were left waiting outside I. M. Pei’s glass pyramid in 27°C heat as gallery attendants, ticket agents, and security personnel gathered in the auditorium to protest overcrowded galleries and worsening visiting conditions. The walkout lasted a few hours; management representatives met with staff, and the museum reopened around 2:30pm. It was the second walkout this year.
Sámi artists from Norway are gaining international recognition, with milestones including the rebranding of the Nordic Pavilion as the Sámi Pavilion at the 2022 Venice Biennale, a major mural by Outi Pieski in Oslo, and a forthcoming Hyundai commission by Maret Anne Sara at Tate Modern. Despite this visibility, decades of advocacy have failed to establish a dedicated Sámi art museum; thousands of works purchased with government funds remain in storage. The Norwegian parliament's recent truth and reconciliation report acknowledged historical injustices, but activists like Synnøve Persen and scholars like Katrine Rugeldal argue that existing institutions are insufficient and that a museum must be built on Sámi terms, potentially nomadic or pan-Nordic.
This article highlights nine visual art exhibitions in Seattle for June, curated as staff picks to embrace themes of change, regeneration, and healing. Featured shows include "Taking Care: Embrace with Tenderness" at Seattle University's Hedreen Gallery, which closes next year when the building is razed for a new museum; "Jill Kyong: Between Spaces" at SlipStitch Studio; "Mel Carter: bitter, the mourning" at Gallery 4Culture; "Gina Ariko: Ikebana and the Art of Resilience" at Gallery 110; "Healing Our Roots" at The Fishbowl gallery; and "Third Eye" at Base Camp Studios, among others. The exhibitions span photography, glass art, floral arrangements, and group shows, all free and open to the public.
Museums across the United States are increasingly turning to guest curators, community advisors, and outside scholars to reinterpret their collections, often highlighting marginalized or overlooked histories. The New York Times article profiles several institutions, including the Museum of Fine Arts, Boston, and the Brooklyn Museum, that have invited new voices to rehang permanent collections or organize temporary exhibitions that challenge traditional narratives, such as centering Indigenous perspectives or recovering stories of enslaved people.