art collector mistake guide

The article compiles personal anecdotes from several art collectors—Laurent Asscher, Suzanne Syz, Rob and Eric Thomas-Suwall, Toby Milstein Schulman, and Danielle Falls—who share mistakes they made while building their collections. Asscher recounts buying a lesser Basquiat at Christie's before quickly reselling it to acquire a superior work at Phillips; Syz regrets buying a piece because others wanted it; the Thomas-Suwalls missed out on a Dominique Fung diptych; Schulman accidentally bought a work attributed 'after Keith Haring' at a charity auction; and Falls reflects on her early eagerness as a young trustee of the Bronx Museum.

architecture hamptons barns

The article explores the architectural and cultural significance of barns in the Hamptons, tracing their evolution from medieval agricultural structures to modern design icons. It highlights how the barn typology has been adapted in local buildings, including the Parrish Art Museum designed by Herzog & de Meuron, and features four case studies of historic barns, such as the Sayre Barn in Southampton, which was converted into an antique store and later donated to a museum.

aspen summer guide exhibition art fair

Aspen's summer 2025 art scene is packed with exhibitions and fairs. Highlights include a mini-survey of photographer Anastasia Samoylova at Casa Tua Aspen, a major Sherrie Levine retrospective at the Aspen Art Museum (June 6–Sept. 29), Enrique Martínez Celaya's 'The Pale Threshold' at Baldwin Gallery (June 20–July 20), the Intersect Aspen Art + Design Fair (July 29–Aug. 3) featuring Shepard Fairey and Michael Stipe, Anderson Ranch's Summer Series with talks by Issy Wood and Titus Kaphar, and the Aspen Art Fair (July 29–Aug. 2) at Hotel Jerome.

jon neidich nightlife cool young collectors

Jon Neidich, a 43-year-old New York nightlife entrepreneur and collector who chairs the board of Creative Time, discusses his art collection in an interview. He shares that his first purchases were works from Robert Longo's "Men in the Cities" series and a Tracey Emin neon titled "Trust Yourself," which offered a wholesome counterpoint to his nightlife-focused world. Neidich credits his mother, Brooke Garber Neidich, a voracious collector of mid-century and contemporary artists, for teaching him to navigate the art world. He also recounts a hard-won acquisition of Victor Moscoso and Lee Conklin rock posters from Matthew Marks gallery, and highlights John Baldessari's "Throwing Three Balls in the Air to Get a Straight Line" as a piece he often stares at.

art collector tia tanna london young collectors

Tia Tanna, a 24-year-old London-based collector and curator who serves on Tate's photography acquisitions committee, discusses her collecting journey in an interview with Cultured. She began collecting with a Sterling Ruby ashtray and now actively builds a collection that includes Middle Eastern contemporary art, textiles, fashion photography, and couture. Her father sparked her interest by starting a collection on her behalf when she was a child, and she now manages around 70 loans for exhibitions.

jill magid solo show esther kim varet congress

Conceptual artist Jill Magid has turned her dealer Esther Kim Varet's campaign for U.S. Congress into the subject of her latest solo exhibition, "Heart of a Citizen," at Various Small Fires in Los Angeles. The show features a replica of the White House Briefing Room platform, which Magid offered for Varet's political use, leading to complex negotiations around campaign finance law. The campaign plans to host a political debate on the platform in July, and a collector purchased the sculpture to donate to Varet's campaign, intertwining art, law, and politics.

amy sillman dia bridgehampton show abstract painting

Amy Sillman, a 69-year-old abstract painter based in New York, is preparing for a new solo exhibition titled "Alternate Side (Permutations #1–32)" at Dia Bridgehampton, opening June 28. The show will feature a series of recently completed silkscreen and painted works, which Sillman describes as being like Sol LeWitt's line forms but less structured. She plans to paint the gallery walls herself, creating an improvised backdrop for the works. The article also discusses her recent institutional survey "Oh, Clock!" at the Kunstmuseum Bern and Ludwig Forum Aachen, where she curated selections from their collections and painted the walls on a whim.

rodrigo padilla whitney museum collector

Rodrigo Padilla, a hairstylist who built his career at Sally Hershberger and now serves on the Whitney Museum’s Drawing and Print Acquisitions Committee, discusses his art collection with his husband Elliott Trice. The couple’s Midtown flat features works by Latin American and diaspora artists including Wura-Natasha Ogunji, Amy Bravo, Verónica Vázquez, Angel Otero, Paul Mpagi Sepuya, Dagoberto Rodríguez, and others. Padilla credits Whitney trustee Brooke Garber Neidich with inspiring his collecting journey by advising him to “see everything.”

arrival art fair guide to the berkshires

A new art fair called Arrival will debut in the Berkshires from June 12 to 15, hosted at the Tourists hotel in North Adams. Conceived by artist Crystalle Lacouture, gallerist Yng-Ru Chen, and advisor Sarah Galender Meyer, the invitational event features three dozen exhibitors selected by curatorial ambassadors including Amy Smith-Stewart of the Aldrich, Sayantan Mukhopadhyay of the Portland Museum of Art, and Natalie Diaz of Art Omi. Participants range from the Wassaic Project to Jonathan Carver Moore and Abigail Ogilvy Gallery. Beyond the main fair, programming includes Lodge Talks on university museums and alternative funding, plus studio visits with local artists Jenny Holzer, Mary Lum, and Willie Binnie.

rose art museum gala exhibition fund

The Rose Art Museum held its first-ever New York benefit gala, marking its return to the fundraising circuit after two decades. Co-chaired by advisor Abigail Ross Goodman and Christie’s Sara Friedlander, the event honored sculptor Hugh Hayden and philanthropist Lizbeth Krupp, the longtime chair of the museum’s board of advisors. The evening raised $900,000 toward a new $2 million Exhibition Endowment Fund, with Krupp making the first gift. Guests included artists Salman Toor, Leilah Babirye, Ali Banisadr, and Ilana Savdie, as well as gallerist Jeanne Greenberg Rohatyn and Public Art Fund’s Nicholas Baume.

david cancel tina knowles nancy magoon

CULTURED magazine revisits its weekly series on top art collectors, offering a peek into the homes and collections of David Cancel, Jarl Mohn, Nancy Magoon, César and Mima Reyes, and Nicola Erni. The article highlights Cancel's journey from graffiti and Keith Haring's Pop Shop to supporting Puerto Rican and Afro-Caribbean artists, Mohn's dramatic installation of a four-ton Michael Heizer sculpture, and the Reyes' commitment to women artists and Puerto Rican cultural institutions.

salman toor paintings luhring augustine

Salman Toor's largest exhibition to date, "Wish Maker," opened May 2 across Luhring Augustine's Chelsea and Tribeca galleries in New York. The Chelsea space features new paintings, while the Tribeca show is the artist's first dedicated presentation of works on paper. The two-venue presentation is Toor's first major New York showing since his solo exhibition at the Whitney Museum of American Art in 2020, which launched him to art stardom. The article includes an interview conducted by CULTURED contributor Adam Eli, where Toor discusses his creative process, his attachment to finished paintings, and how his need to come out as queer through painting drove the development of his distinctive style.

"A Radical Change": Art Brussels Reinvents Itself for Its Collectors

« Un changement radical » : Art Brussels se réinvente pour ses collectionneurs

Art Brussels, the Belgian art fair, is implementing a significant strategic overhaul for its 42nd edition. The fair is reducing its size by 18%, featuring 136 galleries, and consolidating into a more compact layout to prioritize visitor experience and quality over quantity. It is introducing a new artistic advisory desk to guide collectors and launching a curated section for monumental works.

Valie Export, Avant-Garde Icon and Feminist Trailblazer, Dies at 85

Valie Export, the Austrian avant-garde artist known for her radical feminist performances, films, and sculptures, has died at age 85. Her gallery, Thaddaeus Ropac, announced her death, noting her groundbreaking work in the 1960s and 1970s introduced a new form of embodied feminism to Europe. Export, born Waltraud Lehner in Linz, Austria, changed her name in 1967 and became known for provocative works such as "Aktionshose: Genitalpanik" (1969) and "Tap and Touch Cinema" (1968–1971), which challenged voyeurism and the sexualization of women's bodies. She also co-founded the Austrian Filmmakers Cooperative in 1968 and was commissioned by the Austrian Broadcast Corporation for her film "Facing the Family" (1971).

Photographer and Activist Claudia Andujar, Known for Documenting Yanomami People of Brazil, Is the Subject of a New Biopic

A new biopic titled *The Outsider (A Estrangeira)* will tell the story of photographer and activist Claudia Andujar, known for documenting the Yanomami people of Brazil. The film is written and directed by Sandra Delgado, produced by São Paulo’s Maria Farinha Filmes, and stars Inga Ibsdotter Lilleaas in the lead role, with Wagner Moura as an executive producer and cast member. The project is based on two decades of research and focuses on Andujar’s journey from Holocaust survivor to Brazilian artist who used photography to resist the military dictatorship’s destruction of Yanomami land in the 1970s.

Independent art fair makes the most of more spacious digs

The Independent art fair in New York has relocated from Spring Studios in Tribeca to Pier 36 on the East River, doubling its footprint while slightly reducing the number of exhibitors from 87 to 76. The move creates a more spacious, single-level layout with larger stands and improved circulation, allowing for more ambitious installations. Dealers report strong early collector turnout, with over a third of exhibitors presenting solo stands by artists showing in New York for the first time, including Omar Mismar and Julia Maiuri. Notable presentations include Charles Moffett’s revival of late textile artist Silvia Heyden, James Fuentes’s cross-generational downtown New York showcase, and a large-scale installation by Gretchen Bender.

'I get strong gut reactions': Jonathan Travis on what he collects and why

Jonathan Travis, a realtor and art collector who has helped drive the migration of New York galleries to Tribeca, discusses his collecting habits in an interview with The Art Newspaper. Travis, a partner at Redwood Property Group, has found Tribeca homes for around 40 galleries and co-founded the Wolf Hill artist residency in Chappaqua, New York, with Ethan Rafii. He shares details about his first purchase (a Nicole Eisenman painting), his most recent acquisition (a Masanori Tomita painting), and his strong gut reactions when buying art in person. He also mentions works in his collection by artists such as Sasha Gordon, Jenna Gribbon, and Arcmanoro Niles, and expresses excitement for the Salvador Dalí show at Di Donna and the May auctions.

Lucy Liu Paints the ‘Emotional Truth’ of Family Memories

Lucy Liu, best known for her acting career in films like "Kill Bill" and the TV series "Elementary," is currently presenting a new exhibition of paintings titled "Hard Feelings" at Alisan Fine Arts in New York. The show features works that explore family memory and personal history, including pieces like "Family Portrait" (2016) and newer, more gestural paintings such as "What Stays" (2023) and "Hourglass" (2026). Liu, who studied at the New York Studio School from 2004 to 2007, uses layered and obscured imagery to reflect the unstable, fragmentary nature of memory, drawing on family photographs and her own childhood experiences following her father's death.

With New Tribeca Outpost, Gratin Gallery Doubles Down on Young Artists

Gratin Gallery, founded by Talal Abillama, is opening a new outpost in Tribeca at 15 White Street, leased for ten years. The space will debut on May 15 with “Blinds and Shutters,” the first U.S. solo exhibition of Spanish sculptor Mónica Mays. The gallery, which started on Avenue B in 2022 and later moved to Grand Street, is expanding despite a challenging art market. Abillama cites the need to be closer to collectors who avoid the 15-minute walk from Tribeca to Chinatown. The new location sits near Luhring Augustine and Ortuzar Projects, and will officially open in November after renovations.

New fund helps museums make purchases at Frieze New York

The Sherman Family Foundation Acquisition Fund has launched at Frieze New York, providing $50,000 annually to help US museums acquire works from the fair's Focus section, which features solo stands by galleries under 12 years old. In its first year, the Baltimore Museum of Art acquired works by Reika Takebayashi, Seba Calfuqueo, and Joanne Burke, while the Brooklyn Museum acquired two works by Bettina (Bettina Grossman). Each artist also receives an unrestricted $5,000 award.

Dinosaurs roam New York’s Bowery

Amanita gallery in New York’s Bowery is presenting a rare exhibition pairing a John Chamberlain sculpture, *Gondola Marianne Moore* (1982), with three full, mounted Maiasaura dinosaur skeletons from the Upper Cretaceous period. The fossils, which are 62% to 85% real bone, have never before been exhibited in New York, let alone in a commercial gallery. Amanita partner Jacob Hyman emphasizes the show is not a gimmick but a serious exploration of sculpture, compression, and time, linking Chamberlain’s crushed automobile-part gondolas to the natural preservation of fossils.

Coco Fusco and Jeffrey Gibson’s Public Lectures, Free Admission at MCA Denver, and More: Industry Moves for May 13, 2026

This week's art industry moves include Coco Fusco and Jeffrey Gibson being named speakers for Johns Hopkins University's Sam Gilliam Lecture Series, with free talks scheduled in Washington, D.C. Other notable developments: MCA Denver received a $1 million gift from the Precourt Foundation for free youth admission through 2031; Xavier Hufkens now represents painter Richard Aldrich; Galatea will represent the estate of Brazilian self-taught painter Grauben do Monte Lima; Green Art Gallery added Sharjah-based artist Fatma Al Ali; Chris Sharp Gallery now represents sculptor Richard Rezac; and the Oakland Museum of California received a ceramics gift and $1 million endowment from the Brian and Edith Heath Foundation. Additionally, a Banksy painting from the "Crude Oils" series is estimated at $18 million for an upcoming Fair Warning auction at Tiffany & Co.

Mary Lovelace O’Neal, Abstract Painter Who Refused to Conform, Dies at 84

Mary Lovelace O’Neal, an abstract painter known for her gestural, unruly works that defied categorization, died on Sunday in Mérida, Mexico, at age 84. Her galleries, Jenkins Johnson and Marianne Boesky, announced her passing. O’Neal produced sprawling paintings characterized by tangles of drippy strokes, often using lamp black pigment to create intensely black canvases. She rejected labels like Abstract Expressionist or Minimalist, insisting she was simply a painter. Her series "Whales Fucking" (1979) and a 2020 exhibition at Mnuchin Gallery revived her profile, leading to inclusion in the 2024 Whitney Biennial.

What Does a Booth Cost at a New York Art Fair?

Hyperallergic surveyed 13 New York art fairs about their booth pricing, revealing a wide range of costs from $3,500 at NADA Projects to over $105,000 for large booths at Frieze. The article details specific pricing tiers at Frieze ($31,977–$105,717), NADA ($3,500–$11,000), and Independent ($110 per square foot), noting that Frieze has kept 2025 prices for its 2026 edition and that NADA's costs have remained stable since 2022. The investigation also highlights the debut of the Sherman Family Foundation Acquisition Fund at Frieze and the partnership between Independent and the Henry Street Settlement.

Tiny Cranach Painting That Vanished During WWII Returns to Dresden

A miniature portrait of Friedrich III (Frederick the Wise) by Lucas Cranach the Elder, missing since World War II, has been returned to the State Art Collections of Dresden, Germany. The painting was last documented in May 1945 in a limestone quarry shelter near Pockau-Lengefeld before vanishing. It resurfaced in 2024 when consigned to Parisian auction house Artcurial, whose provenance investigation revealed a matching inventory number from 1722–1728. The Dreyfus family in France, the modern owners, returned the work after negotiations and a financial agreement. It is now on view at the Coin Cabinet of the Royal Palace in a special exhibition marking the 500th anniversary of Friedrich III's death, and will later be permanently displayed in the Semper Gallery.

Eva Helene Pade Paints the Thin Line Between Ecstasy and Violence

Danish painter Eva Helene Pade, born in 1997, has been working in a borrowed London studio while her Paris home undergoes renovations. Three of her new monumental paintings—Jagt (Hunt), Nærmere (Closer), and Opstand (Surge)—will debut with Thaddaeus Ropac at TEFAF New York this week. Known for tempestuous, large-scale nocturnal scenes filled with writhing naked female bodies, Pade draws on influences from Edvard Munch, James Ensor, and Gustav Klimt, though she now works more intuitively. She signed with Thaddaeus Ropac in 2024 as the gallery's youngest represented artist and was featured in Artnet's Intelligence Report 'Zero to Hero' list for a major spike in search interest.

Tuan Vu Paints Vietnam Through the Haze of Memory and Imagination

Self-taught Vietnamese artist Tuan Vu presents his solo exhibition "Annam" at Kristin Hjellegjerde Gallery in Berlin, featuring paintings that blend memory, imagination, and history. The show includes works such as *Tranquil South* (2026), *A Usual Day* (2026), and *The Official Portrait* (2026), which explore Vu's childhood recollections of Vietnam and the country's colonial past. Vu, who relocated from Ho Chi Minh City to Quebec, Canada, for his studies and now resides there, uses the exhibition's title to reference the term used for Vietnam during Chinese and French colonial periods, highlighting the distance and interpretive nature of memory.

‘This is an opportunity that will never happen again’: Syrian artist Sara Shamma on rebuilding her country

Syrian artist Sara Shamma has been selected to represent Syria at the 2026 Venice Biennale, marking the country's return to the event with a single-artist national pavilion for the first time. Her immersive installation, 'The Tower Tomb of Palmyra,' curated by Yuko Hasegawa and commissioned by Syria's ministry of culture, combines painting, architecture, light, sound, and scent. It draws on the ancient funerary towers of Palmyra destroyed by Islamic State in 2015, addressing cultural loss and the possibility of reconstruction. Shamma, who returned to Syria in September 2024 after eight years abroad, describes living through the fall of the Assad regime and the country's rebirth as a transformative personal and national moment.

Shirin Neshat's Venice exhibition explores identity, exile and a social media tragedy

Shirin Neshat presents a new film trilogy, *Do U Dare!*, at the 16th-century Palazzo Marin in Venice alongside the Biennale. The work explores exile, fractured identity, and power through a female protagonist whose public isolation transforms into empowered expression in private. The trilogy is directly inspired by the story of Nasim Aghdam, an Iranian American known as the 'YouTube Shooter,' who in 2018 attacked YouTube's headquarters before taking her own life. Neshat interprets Aghdam's double life as a recluse and a social media star, focusing on the unstable boundary between self and performance in digital culture.

The US pavilion's curator on the controversial choice of Alma Allen for the Venice Biennale

The US pavilion at the Venice Biennale has selected Alma Allen, a Utah-born, Mexico-based sculptor, as its representative artist—a controversial and surprising choice given his relative obscurity compared to past pavilion artists. The selection process was unusually fraught: the first artist chosen was dropped before official announcement, and the announcement was delayed by the US government shutdown. The pavilion's curator, Jeffrey Uslip, discusses the exhibition titled "Call Me the Breeze," which will feature Allen's sculptures in stone, bronze, and wood that appear to defy their own weight, emphasizing artistic autonomy despite the State Department's framing of the choice as showcasing "American excellence."