Polish artist Karol Radziszewski has opened a new installation titled "The Classroom" at Moderna Museet in Stockholm. The work meticulously recreates a 1990s Polish classroom environment, but subverts its traditional educational content by integrating materials from the artist's Queer Archives Institute into the school furniture, walls, and blackboard.
Brooklyn-based artist Nick Doyle creates large-scale wall sculptures using layered and bleached denim, exploring American mythology and its contradictions. His solo exhibition "Collective Hallucinations" at Perrotin features works such as stylized cacti, landscapes, tarot cards, and a fortune teller's shop, all rendered in denim. Doyle's practice began after finding a discarded roll of denim in 2018, which he saw as a metaphor for the complexities of American history, including slavery, masculinity, and Manifest Destiny.
The Mississippi Museum of Art is hosting "Love Is a Sensation," a major exhibition dedicated to the work of L.V. Hull, a self-taught Black artist who transformed her Kosciusko home into a vibrant, immersive art environment. The show features a diverse array of Hull’s assemblages and painted found objects, ranging from Rock’Em Sock’Em Robots to glass bottles and straw hats, many of which were preserved by the Kohler Foundation.
Kopfüber in die Ewigkeit
Conceptual artist Timm Ulrichs, who died on April 29 at age 86, has been buried in a self-designed grave in the Künstlernekropole (artists' necropolis) near Kassel, Germany. His tomb features a life-size bronze cast of his body buried head-first in the earth, with only the soles of his feet visible above ground. Ulrichs, a pioneer of West German postwar conceptual art known for provocative works like tattooing himself and locking himself inside a hollowed boulder, was laid to rest in the forest cemetery founded by artist Harry Kramer in 1992.
Was uns Hans Memlings Jüngstes Gericht noch sagt
Hans Memling's 15th-century triptych "The Last Judgment" is currently undergoing restoration at the National Museum in Gdańsk, Poland, and is expected to be off view until the end of the year. The artwork, painted before 1465, has a dramatic provenance, having been captured at sea by a privateer en route from Bruges to Florence and eventually finding a permanent home in Gdańsk after various displacements.
The article is an interview with Ramuntcho Matta about the exhibition "Brion Gysin: The Last Museum" at the Musée d’Art Moderne de Paris. It explores the life and work of Brion Gysin, a multifaceted artist associated with Surrealism, the Beat Generation, and the invention of the Dreamachine. The exhibition traces Gysin's career through his calligraphy, painting, and multimedia works, including collaborations with William S. Burroughs and Ian Sommerville. A complementary show, "Underwood 2246449-5 (Les diables de Brion)," organized by Matta at New Galerie, features Burroughs's typewriter and related instruments.
Fondazione Sandretto Re Rebaudengo in Turin presents "Theatre of the Mind," the first Italian institutional solo exhibition by German-born painter Lenz Geerk. The show features recent works from 2022 to 2024, exploring painting as a perceptual device where figures, objects, and domestic interiors exist in unstable, unresolved configurations. Installation views by Giorgio Perrottino accompany the exhibition, which runs at the foundation's space.
The article surveys 11 art exhibitions opening across the Hudson Valley in May 2026, highlighting a regional preoccupation with structure, materiality, and resistance to singular narratives. Featured shows include "Surface, Structure, String" at Hudson Hall, a textile survey curated by Richard Saja with artists like Portia Munson and Laleh Khoramian; "Jose Picayo: 35 Years in Photographs" at Robin Rice Gallery; "The Linda McCartney Retrospective: From the Light" at the Fenimore Art Museum; "Carol Seitz: Growth in Difficult Places" at Convey/er/or; and "Stephen Olivier: Hazmat" at ASK in Kingston, among others.
A roundup of new art and cultural exhibitions opening in Paris and the Île-de-France region in May 2026 is announced. Highlights include the annual Rambolitrain toy train fair at Rambolitrain museum on May 1, free evening hours at the Bourse de Commerce on May 2, free entry to castles and museums in Yvelines and Seine-et-Marne on May 3, the Tour Auto classic car display under the Grand Palais glass roof on May 3-4, the Circle of Parisian Artists' 24th annual exhibition at Parc Floral from May 4-31, a new garden art exhibition "Jardin des Lumières" at the Grand Trianon in Versailles from May 5 to September 27, and a major Hilma af Klint exhibition at the Grand Palais.
Untitled Art, the contemporary art fair, is returning to Houston for its second edition this October. To kick off plans, the fair has commissioned two artist projects that will be unveiled at the city's 39th annual Art Car Parade.
The Peabody Essex Museum (PEM) in Salem is highlighting the work of its curatorial team, specifically focusing on how Lydia Peabody, Lan Morgan, and Ruthie Dibble are revitalizing the institution's collections. A primary focus is the exhibition 'Edmonia Lewis: Said in Stone,' where Peabody integrated contemporary photography and video by artist Gisella Torres to create a dialogue with Lewis’s 19th-century neoclassical marble sculptures. Other initiatives include Lan Morgan’s 'Beyond the Broom' project, which uses short films to showcase a community-focused perspective of Salem beyond its 'witch city' reputation.
The Knoxville Museum of Art has debuted a major new exhibition by Chattanooga-born artist and puppeteer Wayne White titled "Revenge of the Knoxville Girl." The centerpiece of the show is a ten-foot-tall marionette of the titular character from the famous Appalachian murder ballad, depicted as having crawled out of the river to claim the severed head of her killer, Willy. The installation blends local folklore with references to Cormac McCarthy’s novel *Suttree* and Tennessee Volunteers football culture.
Glasstire has announced the second installment of its "Talking Texas Art" panel series, scheduled for April 23, 2026, at the Louise Hopkins Underwood Center for the Arts (LHUCA) in Lubbock. Part of the publication’s 25th-anniversary celebrations, the event focuses on the Texas Panhandle's creative landscape. The panel features prominent regional figures including Judy Tedford Deaton of The Grace Museum, Jon Revett and Amy Von Lintel of West Texas A&M University, and Charles Adams of CASP, moderated by Glasstire’s William Sarradet.
Denver’s art scene is currently highlighting several intimate yet impactful exhibitions during the transitional spring season. Key highlights include a multi-venue celebration of Colorado artist Ana María Hernando with solo shows at the Museum of Contemporary Art Denver and the Colorado Springs Fine Arts Center, alongside a group showing at Robischon Gallery. Additionally, the Denver Art Museum is showcasing its textile and photography archives through two distinct exhibitions: "Conversation Pieces," featuring high-fashion acquisitions from Chanel to McQueen, and "What We’ve Been Up To: People," a survey of portrait photography spanning from the 19th century to the present.
The National Portrait Gallery in London has opened a major exhibition dedicated to Lucian Freud's works on paper, featuring 170 drawings, etchings, and paintings. The show, drawing heavily from the Lucian Freud Archive acquired by the gallery after the artist's death, includes 48 sketchbooks, unfinished works, and childhood drawings, alongside 12 new acquisitions from the estate.
The Studio Museum in Harlem officially opens its purpose-built new home on West 125th Street on November 15, 2025, marking the first time the institution has had a building designed specifically for its program. Designed by Adjaye Associates with architect Pascale Sablan, the 82,000-square-foot museum features a double-height street-level window, a 'reverse stoop' entrance, expanded exhibition and public spaces, artist-in-residence studios, and a roof terrace. The facade uses dark-grey precast concrete and bronze-toned glass to reference Harlem's masonry architecture while signaling a refined contemporary presence.
Nine new art exhibitions are opening in Houston in July, spanning traditional paintings, sculptures, high-tech immersive shows, and textile works. Highlights include Nick Vaughan and Jake Margolin's "Town Meeting 1978-2028" at Art League Houston, which uses wind-drawing techniques to explore pre-Stonewall queer histories; Jeffly Gabriela Molina's "Fragmentos de un sueño que yo también soñé," focusing on immigrant experiences of home and memory; and Lin Qiqing's "Every Fiber of Their Bodies," weaving narratives of gender, immigration, and human relationships. The Menil Collection also re-installs René Magritte paintings after their return from a major retrospective in Sydney.
Truckee Meadows Community College (TMCC) is hosting its 2nd annual summer group exhibition from July 1–31, 2025, featuring forty-two Northern Nevada artists. The show, titled "Myself/My Space: Collage Interpretations of Self-portraits & Environment," is presented by WEDGE OUTSIDE THE BOX in connection with Artown 2025. An opening reception will be held July 9 at TMCC’s Main Art Gallery in the V. James Eardley Student Center, Reno, NV. The exhibition explores identity and place through two- and three-dimensional mixed-media collage works.
The Los Angeles County Museum of Art (LACMA) opened its new David Geffen Galleries, designed by Swiss architect Peter Zumthor in collaboration with SOM, for a summer preview before the building's official opening in April 2026. The 110,000-square-foot exhibition space, elevated on seven pavilions and made of concrete and glass, was opened to the public for three days with performances by 120 musicians. The preview also includes outdoor sculptures, commissioned artworks by Mariana Castillo Deball and Sarah Rosalena, and new dining and retail spaces.
The LOOK25 Gala in Calgary, held on May 31 and presented by MAWER, raised over $1.2 million for Contemporary Calgary. Themed “Noir Nouveau” after textile artist Simone Elizabeth Saunders, the event featured a VIP dinner by Holt Renfrew, performances by Justine Tyrell and Timothonius, and a live auction led by Heather Edwards that included works by Saunders, June Clark, Evan Penny, and a circa-1960 Jean-Paul Riopelle. An after party sponsored by Masters Gallery drew 600 guests. Separately, the Butterfly Ball in Toronto, now in its 26th year, raised $1.27 million for Boost Child & Youth Advocacy Centre, with co-chairs Claire MacNamara and Trish Del Sorbo, and an auction handled by Christie’s consultant Brett Sherlock.
During the Architecture Biennale preview in Venice, two major new art spaces opened: the Nicoletta Fiorucci Foundation's new home in a historic palazzo on the San Barnaba canal, and SMAC (San Marco Art Centre), a contemporary art center on Saint Mark's Square designed by David Chipperfield. Additionally, Belgian artist Luc Tuymans accepted a last-minute commission from the Abbot of San Giorgio Maggiore to replace two Tintoretto paintings with his own large-scale works. The Fiorucci Foundation's palazzo, acquired in December 2024, opened May 10 with an exhibition by Georgian artist Tolia Astakhishvili, featuring works made from found materials and drawings on walls, alongside pieces by Thea Djordjadze and Maka Sanadze. SMAC, restored by Chipperfield, currently hosts two exhibitions: one on Australian modernist architect Harry Seidler and another on Korean landscape architect Jung Youngsun.
This article surveys the visual arts scene in Westchester County, New York, highlighting museums, galleries, public displays, and artist profiles north of Manhattan. It features institutions such as the Neuberger Museum of Art, ArtsWestchester, Hammond Museum & Japanese Stroll Garden, Hudson River Museum, and Hudson Valley MOCA, noting specific exhibitions like "Smoke in Our Hair: Native Memory and Unsettled Time" and "Bill Viola: Moving Stillness." The piece emphasizes that Westchester offers a vibrant, bucolic alternative to New York City's art scene, with historic estates and contemporary spaces showcasing both established and emerging artists.
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A new exhibition in Rome offers fresh insight into the haunting and influential work of American photographer Francesca Woodman, who died by suicide at age 22. The show presents her ethereal, often unsettling self-portraits and other images, exploring the depth and enduring power of her brief but prolific career.
Nine artists, including Hiroshi Sugimoto, Irene Neuwirth, and Umberto Pasti, share personal reflections on unforgettable gardens from around the world. Each contributor describes a specific garden that left a lasting impression, ranging from historic estates to wild natural landscapes, highlighting the sensory and emotional impact of these spaces.
Ten prominent artists and designers have curated a selection of cinematic flora that has significantly influenced their creative practices. From the surreal, hand-shaped topiaries in *Edward Scissorhands* to the symbolic, scene-setting bouquets in *The Age of Innocence*, these creators analyze how botanical elements on screen transcend mere decoration to become vital narrative and aesthetic tools.
Art historians and curators are re-evaluating the legacy of Frederic Church, arguing that his contributions extend far beyond his traditional classification as a Hudson River School landscape painter. New research highlights his sophisticated engagement with 19th-century science, his architectural achievements at his estate, Olana, and his role as a global traveler who captured the spirit of the Andes and the Arctic.
Jill Westwood's 1980s photographic and sculptural work exploring feminine power, kink, and queer identity is being exhibited at NEVEN gallery in London. The exhibition presents archival material that was largely unseen for decades, focusing on themes of dominance, submission, and the female gaze within subcultural scenes.
LUCY + JORGE ORTA: FROM ROOT TO RAIN
Lucy and Jorge Orta present their third solo exhibition at Jane Lombard Gallery in New York, titled "From Root to Rain." The show features a diverse range of media, including paintings, embroideries, tapestries, and film, all stemming from over three decades of collaborative research into ecological instability. The works bridge disparate geographic regions, from the Amazon rainforest to the Saudi Arabian desert, translating scientific data and field research into poetic visual forms that address climate change, migration, and environmental resilience.