First Look: See What’s Inside the Met Gala’s “Costume Art” Exhibition

Vanity Fair art and style correspondents Nate Freeman and José Criales-Unzueta preview the Metropolitan Museum of Art's Costume Institute spring exhibition "Costume Art," which inaugurates the Condé M. Nast Galleries. The exhibition arrives amid controversy over the Met Gala being sponsored by Lauren Sánchez Bezos and Jeff Bezos, leading to boycott calls and New York Mayor Zohran Mamdani skipping the event. Despite this, Anna Wintour and Met director Max Hollein announced the gala raised a record $42 million. Head curator Andrew Bolton presents fashion as art, pairing garments with artworks like Warhol's Skull and Sarah Lucas's Nud Cycladic 9.

Marietta Museum of Art & Whimsy closing for summer, but 37 other exhibitions on view at museums in May

The article provides a roundup of museum exhibitions on view in Southwest Florida during May, highlighting five new openings, eight closings, and 25 continuing shows across museums from Sarasota to Naples. Featured exhibitions include Molly Hatch's site-specific ceramic installation "Amalgam" at Sarasota Art Museum, Jillian Mayer's interactive "Slumpies" sculptures, a group show "Something Borrowed, Something New" with works by Louise Bourgeois, Chuck Close, David Hockney, Yoko Ono, Kara Walker, and Ai Weiwei, and Maria A. Guzman Capron's solo textile exhibition "Penumbra." The Marietta Museum of Art & Whimsy is noted as closing for the summer.

Peter Doig and Marina Abramović celebrated at star-studded Praemium Imperiale ceremony

Peter Doig and Marina Abramović were honored at the Praemium Imperiale Awards ceremony in Tokyo, hosted by the Japan Arts Association at the Meiji Kinenkan hall. Princess Hitachi presented the laureates with gold medals; other winners included Eduardo Souto de Moura (architecture), András Schiff (music), and Anne Teresa De Keersmaeker (theatre/film). Each received 15 million yen. Attendees included international advisors Hillary Rodham Clinton, Lord Patten, and Lamberto Dini, as well as past laureates Hiroshi Sugimoto and Lee Ufan. Clinton spoke about art's unifying power, while Dini warned of declining arts education worldwide.

Ready for their close-ups: celebrity passport photos

Dave Sharkey, a former professional boxer, and his wife Ann founded a photographic studio on Oxford Street in London in 1953, offering passport photos with a 10-minute turnaround. The studio, later run by their son Philip, became a popular spot for celebrities including Muhammad Ali, Mick and Bianca Jagger, David Hockney, and Tilda Swinton. A new book titled 'Passport Photo Service,' published by Phaidon Press, compiles over 300 of these celebrity passport portraits from the 1950s to the 2010s.

Meet the ‘Bop Artist’ Who Was Inspired by Dreams and Hosted Some Surreal Salons in Her Chicago Brownstone

Gertrude Abercrombie, a self-taught Chicago painter dubbed the "bop artist" by jazz legend Dizzy Gillespie for translating the spirit of bebop into visual art, is receiving her largest-ever traveling retrospective. The exhibition, "Gertrude Abercrombie: The Whole World Is a Mystery," organized by the Milwaukee Art Museum, highlights her dream-inspired, surrealist paintings and celebrates her role as a bohemian salon hostess who brought together iconic jazz musicians and writers in her home.

Miles Davis Emerged From Middle America to Become the ‘Picasso of Jazz’ and Taught Us All How to Be Cool

Miles Davis, born in 1926 in Illinois, rose from a middle-class background to become a transformative figure in jazz. He left formal studies at Juilliard to play with Charlie Parker, but soon forged his own iconic sound characterized by intimate tone and phrasing, most famously on the seminal *Birth of the Cool* sessions. His career was defined by constant reinvention, pioneering multiple major movements from cool jazz and modal recording to jazz fusion, earning him the nickname "the Picasso of Jazz" from Duke Ellington.

Work in Progress: Akinsanya Kambon

Akinsanya Kambon’s work is featured as a highlight in a curated guide of six must-see exhibitions during the EXPO Chicago 2026 art fair. The selection spans a diverse range of media and venues, including Josh Brainin’s frantic two-channel video installations at Tala and a thematic exploration of urban infrastructure hosted at the Chicago Cultural Center.

Screening and Conversation with Sophie Calle

Art21 hosted an advance screening of Sophie Calle's segment from the upcoming Season 12 of "Art in the Twenty-First Century" at the SAG-AFTRA Robin Williams Center in New York. Following the first public showing of the documentary, which follows Calle preparing exhibitions in Paris, Arles, and Minneapolis, the artist participated in a conversation with filmmaker Bette Gordon. They discussed the influence of 1980s New York and themes of identity and vulnerability in her work.

Riyadh Art Extends Its Citywide Permanent Collection

Riyadh Art, a public art initiative led by the Royal Commission for Riyadh City, is expanding its Permanent Collection with 115 new installations planned through 2026 and beyond, adding to the 75 works already installed across the Saudi capital. The collection includes works by international artists such as Alexander Calder, Anish Kapoor, Jeff Koons, Giuseppe Penone, and Ugo Rondinone, alongside Saudi practitioners like Zaman Jassim and Mohammed Al Saleem, with recent additions including Calder's 'Janey Waney' and Nobuo Sekine's 'Phase of Nothingness'.

Michael Clark’s Controlled Movements

Choreographer Michael Clark's 2003 work *Satie Studs* was revived as part of the live event programme for Peter Doig's exhibition *House of Music* at London's Serpentine Galleries. Dancer Jules Cunningham performed the minimalist solo, set to Erik Satie's piano preludes, showcasing controlled, precise movements that distilled ballet and yoga poses into a stark, deliberate sequence.

Angus, Thongs and Imperfect Staging

The art collective MSCHF saved a cow named Angus from slaughter after a two-year project called 'Our Cow Angus'. The project allowed fans to preorder burgers or a leather bag made from Angus, but also provided a 'Remorse Token' to cancel orders. If 50% of tokens were used by the deadline, Angus would be spared and sent to a sanctuary. With ten hours remaining, the threshold was met, and the cow's life was saved.

The Sprawling New David Geffen Galleries At LACMA Open To The Public On Sunday, May 3

The David Geffen Galleries at the Los Angeles County Museum of Art (LACMA) will open to the public on Sunday, May 3, after 20 years of development. Designed by architect Peter Zumthor, the 900-foot-long horizontal glass and concrete structure overlooks the La Brea Tar Pits and stretches over Wilshire Boulevard. The main floor, elevated 30 feet above street level, offers 110,000 square feet of gallery space for LACMA’s permanent collection. The inaugural exhibition is inspired by four major bodies of water—the Pacific, Indian, and Atlantic oceans, and the Mediterranean Sea—and features works by artists including Todd Gray, Do Ho Suh, Lauren Halsey, Tavares Strachan, Jeff Koons, and Diego Rivera. The building also includes open plazas, an outdoor public space, and an Erewhon Cafe, with a larger restaurant and wine bar planned for fall 2026.

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Ukraine has requested the extradition from Poland of Russian archaeologist Oleksandr Butyagin, who was detained in Warsaw on December 4 on suspicion of conducting illegal excavations in Russian-occupied Crimea. Butyagin, an employee of the State Hermitage Museum in St. Petersburg, faces charges from Ukraine's Prosecutor General's Office for unauthorized digs at the ancient Greek colony of Myrmekion between 2014 and 2019, allegedly causing significant damage. A Polish court has ordered his custody until January 13 while the extradition process proceeds; if convicted in Ukraine, he could face up to 10 years in prison.

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A California antiquities dealer, Aaron Mendelsohn, surrendered a 2,000-year-old bronze statue of a Roman emperor, known as the Nude Emperor, to New York prosecutors. The statue, valued at $1.33 million, was purchased in 2007 from a defunct New York gallery but is believed to have been looted in the late 1960s from a Roman shrine in Bubon, Turkey. In a deal filed in New York Criminal Court, Mendelsohn relinquished claims to the statue without admitting wrongdoing, and prosecutors withdrew an arrest warrant. The statue was repatriated to Turkey in a restitution ceremony on Monday, alongside dozens of other objects, including an $800,000 marble head of Demosthenes seized from the Metropolitan Museum of Art.

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The White House fired the vast majority of the National Council on the Humanities, the advisory body for the National Endowment for the Humanities (NEH), on Wednesday during a government shutdown. A letter from Mary Sprowls of the Presidential Personnel Office informed council members that their positions were terminated effective immediately. Only four members remain—all white men—despite a statutory requirement for equitable representation of women, minorities, and individuals with disabilities. The council typically comprises 26 scholars and humanities leaders appointed for six-year terms, and its meetings require at least 14 members. The dismissals come as the NEH has already faced severe cuts, including a two-thirds staff reduction in June and a proposal to eliminate the agency entirely in the 2026 budget.

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The inaugural Aral Culture Summit (ACS) took place in Nukus, Uzbekistan, organized by the Uzbekistan Art and Culture Development Foundation (ACDF). The summit brought together around 500 attendees to explore how arts, cultural heritage, and design can support environmental regeneration in the Aral Sea region, which has suffered catastrophic ecological collapse due to Soviet-era river diversions for cotton farming. Speakers included Ivana Živković of the UNDP, Elena Kan of KIVA Center for Agroinnovations, Kazakh biodesigner Dana Molzhigit, and Belgian landscape architect Bas Smets, who discussed afforestation, climate resilience, traditional knowledge, and microclimate design.

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The Art Institute of Chicago has partnered with the Tuscany-based sculpting studio Ten X to create two marble reimaginations of a rare 8th-century Tang dynasty Bodhisattva. The original limestone sculpture, a centerpiece of the museum’s Asian art collection, has been missing its left arm since it was acquired in 1930, leaving its meditative gesture a mystery. Rather than attempting a traditional restoration, curator Dr. Tao Wang commissioned two distinct versions that explore different historical possibilities for the figure's hand placement based on extensive cross-cultural research.

Remembering James Hayward, LA’s Adored Cowboy Painter

Abstract painter James Hayward, known for his monochromatic oil and wax impasto works, died last week at age 82. A legendary figure in the LA art scene, Hayward was equally celebrated for his magnetic personality, ribald humor, and storytelling. He rose to prominence in 1977 when included in the group show "Less is More" at Sidney Janis Gallery in New York, and was admired by art-world giants such as Dave Hickey, Chris Burden, Nancy Rubins, Ed Moses, and Mike Kelley. Hayward also taught at colleges across the country, including a guest seminar at the University of Southern California, and was a longtime supporter of the LA contemporary art magazine Artillery.

Parallax(e): Perspectives on the Canada–US Border

The exhibition "Parallax(e): Perspectives on the Canada–US Border" at The Reach Gallery Museum in Abbotsford, British Columbia, brings together archival materials from the Northwest Boundary Survey (1857–62) with new works by five Indigenous artists. The show features photographs, maps, and watercolors from British and American surveyors alongside commissions by Dr. Shawn Brigman, Dr. Michelle Jack, Deb Silver, Xémóntalot Carrielynn Victor, and Dr. T’uy’t’tanat Cease Wyss, who respond to the legacy of the border's creation through canoe culture, transboundary identity, and place-based knowledge.

These Are the Winners of the 2026 Guggenheim Fellowship

The John Simon Guggenheim Memorial Foundation has announced its 2026 fellowship recipients, naming 223 individuals across 55 disciplines. The cohort includes 76 professionals from the visual arts, photography, and fine arts research sectors, featuring notable figures such as Sheida Soleimani, American Artist, Kenneth Tam, and Sonya Clark. This year's selection process was notably competitive, drawing 5,000 applicants—a significant increase from previous years.

Beacons in a Grim World

Two concurrent solo exhibitions at Alexander Berggruen Gallery feature the work of artists Kevin McNamee-Tweed and Tajh Rust. McNamee-Tweed presents enigmatic, tenderly absurd ceramic scenes, while Rust debuts in New York with figurative paintings that explore perception and Black identity through portraits of leisure and experimental silvered glass works.

CISCO MEREL: LA CHANTIN

CISCO MEREL: LA CHANTIN

Kunsthalle Lissabon in Lisbon, Portugal, is presenting 'La Chantin,' the first solo exhibition in the country by Panamanian artist Cisco Merel. The exhibition features a site-specific installation exploring the house as an open, collective, and evolving system, inspired by the mobile, wooden 'shanty' structures built by the Afro-Caribbean diaspora during the construction of the Panama Canal.

4 exhibitions to visit this summer in London, Kyoto and Venice

The article highlights four art exhibitions to visit this summer across London, Kyoto, and Venice. In London, the Design Museum presents "Nigo: From Japan with Love," showcasing over 700 objects from the Japanese designer's three-decade career, including collaborations with Nike and Louis Vuitton. In Kyoto, the Kyoto City Kyocera Museum of Art hosts "YBA & Beyond: British art in the 1990s from the Tate Collection," featuring works by Damien Hirst, Tracey Emin, and other Young British Artists. At the Venice Biennale, Hong Kong artist Wallace Chan presents "Vessels of the Other World," a show of titanium sculptures inspired by sacred Catholic oils, curated by James Putman.

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Conductor: Art Fair of the Global Majority will hold its first full edition at Powerhouse Arts in Brooklyn from April 30 to May 3, 2026, following a soft-launch invitational in 2025. Directed by Adriana Farietta, the fair will feature over 50 galleries and artists from Africa, Latin America, the Caribbean, South and Southeast Asia, the Middle East, Oceania, and Indigenous nations. Returning exhibitors include Carmo Johnson Projects (Brazil), while new participants include Yehudi Hollander-Pappi with Ana Raylander and Monique Meloche Gallery (Chicago) presenting Ebony G. Patterson. The 2026 edition will also include an installation by La Vaughn Belle, The House That Freedoms Built, originally commissioned for the Cooper Hewitt’s 2024 Triennial, along with symposia, talks, and fabrication activations.

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Hundreds of items from filmmaker David Lynch’s personal estate are being auctioned by Julien’s in Los Angeles, with online bidding already exceeding $56,000. The nearly 450 lots include movie props, musical gear, Polaroids, and more, spanning Lynch’s career. Top-performing items include his personalized director’s chair (bidding at $15,000), a red curtain from Twin Peaks ($2,750), a photo of a nuclear explosion from Twin Peaks: The Return ($6,000), a personal 35mm print of Eraserhead ($7,000), a vintage boomerang sofa ($4,500), and a signed Man Ray photograph ($3,500). The sale also features musical instruments from his home studio, such as a custom five-neck Ferrington guitar and a Roland synthesizer. The auction officially ends on June 18 and is held in collaboration with Turner Classic Movies.

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Christie's marquee auctions in New York generated $489 million across two sales, led by the $272 million 'Leonard & Louise Riggio: Collected Works' sale and a $217 million 20th century art evening auction. The house guaranteed all 39 lots in the Riggio sale and used third-party guarantees on many others to mitigate risk in a soft market. Top lots included Piet Mondrian's *Composition with Large Red Plane, Bluish Gray, Yellow, Black, and Blue* (1922) at $47.6 million, Claude Monet's *Peupliers au bord de l'Epte, crépuscule* (1891) at $49.2 million, and Mark Rothko's *No. 4 (Two Dominants) [Orange, Plum, Black]* (1950–51) at nearly $39 million. Two Warhols were pulled before the sale, highlighting ongoing challenges in selling high-value works at auction.

Les pionniers de la photographie à connaître

Beaux Arts Magazine publishes a dossier on the pioneers of photography, marking the medium's 200th anniversary. The article profiles key figures such as Nicéphore Niépce, Louis Daguerre, Anna Atkins, Gustave Le Gray, Nadar, Eugène Atget, Girault de Prangey, Alfred Stieglitz, Julia Margaret Cameron, and Edward Steichen, highlighting their innovations in heliography, cyanotype, daguerreotype, and pictorialism. It also includes a focus on the oldest known photograph.

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Canadian artist Nicole Young has joined Vancouver's Kostuik Gallery as its represented artist. Her work, which blends painting and textile collage using reclaimed fabrics and natural pigments, is noted for its minimalist, Color Field-inspired compositions and its focus on sustainable artistic practices.

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Artist Ai Weiwei returned to his native China after 10 years in exile, making a quiet three-week trip to Beijing last month. It was his first visit since authorities returned his confiscated passport in 2015, allowing him to leave China and live in Europe. During the trip, Ai was briefly interrogated at the airport but otherwise faced no interference. He shared photos and videos on Instagram, and told CNN the visit felt like a reconnection after a decade-long disconnection. The trip was partly motivated by a desire for his 17-year-old son and 93-year-old mother to meet.

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London's Roman Road gallery presents "Lize Bartelli: The Hour of the Star," the artist's third solo exhibition, opening January 23, 2026, at Pipeline Contemporary as part of the Visiting Curators Initiative. The show features 14 new paintings that explore feminine expression, identity, and the tension between becoming and performing the self, drawing inspiration from Clarice Lispector's 1977 novel of the same name. Bartelli's graphic style reduces subjects to elemental forms, with red emerging as a structural color that embodies contradiction.