filter_list Showing 3286 results for "Rem" close Clear
dashboard All 3286 museum exhibitions 1028article news 634trending_up market 462article local 290article policy 249article culture 220gavel restitution 128person people 109candle obituary 108rate_review review 53article museums & heritage 1article event 1article museums 1article museum 1article school 1
date_range Range Today This Week This Month All
Subscribe

La Rocabella : une résidence d’artistes paradisiaque qui croise les disciplines près de Toulon

La Rocabella, a Belle Époque villa near Toulon, France, has been transformed into an interdisciplinary artist residency by Jean-Baptiste Rudelle, co-founder of Criteo. Built in 1898 by architect Hans-Georg Tersling, the estate now hosts ceramic sculptors, comic artists, documentary filmmakers, and musicians in two-month sessions, with themes like 'Les Gardiennes de la mer' linking their work. The residency, funded entirely by Rudelle, aims to foster cross-disciplinary collaboration in a serene Mediterranean setting.

Under pressure, the jury of the 61st Venice Biennale will exclude Russian and Israeli pavilions from the awards

Sous pression, le jury de la 61e Biennale de Venise exclura les pavillons russe et israélien du palmarès

The 61st Venice Biennale, titled "In Minor Keys" and running from May 9 to November 22, 2026, has been embroiled in political controversy after organizers decided to reinstate the Russian pavilion, which had been excluded since Russia's 2022 invasion of Ukraine. Under pressure from the European Commission, which threatened to suspend a €2 million grant, the jury announced it will exclude artists from the Russian and Israeli pavilions from winning prizes, citing that leaders Vladimir Putin and Benjamin Netanyahu face International Criminal Court charges for crimes against humanity. The Russian pavilion will remain closed to the public but open for VIP press previews, while the Israeli pavilion stays open to the public. Italian Culture Minister Alessandro Giuli has refused to attend the opening ceremony in protest.

Kengo Kuma: "The first time architecture moved me, it was a church"

Kengo Kuma : « La première fois qu’une architecture m’a ému, c’était celle d’une église »

Renowned Japanese architect Kengo Kuma discusses his design philosophy and his recent intervention at the Angers Cathedral in France. He emphasizes a "dialogue with the place" over architectural ego, focusing on topography, local materials, and the Japanese concept of wabi-sabi, which finds beauty in the aging of materials over time. Kuma reflects on how his first emotional encounter with architecture occurred in a Christian chapel as a child, an experience that continues to inform his use of light and verticality.

At Centquatre, Circulation(s) Highlights the Diverse Perspectives of Young European Photographers

Au Centquatre, Circulation(s)s met en lumière la diversité de regards des jeunes photographes européens

The 16th edition of the Circulation(s) festival has opened at Centquatre-Paris, showcasing the work of 26 emerging photographers from 15 European countries. Organized by the Fetart collective, this year’s festival features Ireland as the guest country and emphasizes the hybridization of photography with other mediums, such as embroidery, tapestry, and digital installations.

The True Story of the Caravaggio Theft by the Sicilian Mafia Behind the 'Le Complot Caravaggio' Series on Arte

La véritable histoire du vol du Caravage par la mafia sicilienne derrière la série « Le Complot Caravaggio » sur Arte

The article details the infamous 1969 theft of Caravaggio's masterpiece, "Natività con i santi Lorenzo e Francesco d'Assisi" (The Nativity with Saint Francis and Saint Lawrence), from the Oratory of San Lorenzo in Palermo, Sicily. The painting, a large-scale work measuring three by two meters, was expertly cut from its frame and has never been recovered, remaining second on the FBI's Top Ten Art Crimes list. The theft is widely attributed to the Sicilian Mafia, with theories suggesting it was stolen to order or for use in secret mafia gatherings.

The true story of the Caravaggio theft by the Sicilian Mafia behind the Arte series 'The Caravaggio Conspiracy'

La véritable histoire du vol du Caravage par la mafia sicilienne derrière la série « Le Complot Caravaggio » sur Arte

The theft of Caravaggio’s 'Nativity with Saint Francis and Saint Lawrence' from the Oratory of San Lorenzo in Palermo remains one of the world's most notorious unsolved art crimes. Stolen in October 1969 by professional thieves who cut the massive three-meter canvas from its frame, the masterpiece has been missing for over 50 years. Investigations have long pointed toward the Sicilian Mafia, with various theories suggesting the work was displayed at secret summits, hidden in Switzerland, or tragically destroyed.

Light on the water

The Victoria Art Gallery in Bath has announced 'The Transience of Light,' the first posthumous exhibition dedicated to the celebrated British printmaker Norman Ackroyd CBE RA. Opening on May 22, the retrospective features over five decades of etchings, ranging from his early 1980s works to his final pieces. Co-curated by the gallery’s senior curator Nathalie Levi alongside Ackroyd’s family and studio manager, the show includes archival material and a diverse range of subjects including his iconic remote coastal landscapes, cityscapes, and interiors.

New Exhibition Explores the Timeless and Perplexing Tradition of “Trompe l’Oeil”

A new exhibition titled "Fool Me Twice" has opened at Robert Lange Studios in Charleston, South Carolina, featuring 20 international artists who explore the tradition of trompe l’oeil—a technique that uses hyperrealistic illusion to blur the line between reality and representation. Works include George Ayers’s "Swamp Frog," where a frog appears to break through the canvas, and Sharon Moody’s "The Year of Great Shocks," a meticulously painted comic book spread. The show runs through May 25, 2025.

Street Artists Take On Monumental Infrastructure in ‘Impossible’ Photos

Photographer Joseph Ford collaborates with street artists like Antonyo Marest, Alex Senna, and MadC on his 'Impossible Street Art' series. The artists create trompe-l'œil interventions on Ford's photographs of massive infrastructure sites, which he then documents on an easel placed in front of the actual location, creating the illusion of monumental, site-specific street art.

A Short Film Joins In the Timeless Swiss Masked Tradition of Silvesterchlausen

A new short film titled 'Silvesterchlausen' by writer and director Andrew Norman Wilson documents the centuries-old Swiss New Year's tradition of the same name. The film captures groups of men and boys in the Appenzell regions who don elaborate, handmade masks and headdresses made from natural materials like pinecones and moss, forming groups to yodel, ring bells, and visit homes over 18-hour days to mark the turn of the year on both the Gregorian and Julian calendars.

Myth, Masks, and LEGO: Ekow Nimako’s Elaborate Afrofuturistic Sculptures

Ghanaian-Canadian artist Ekow Nimako creates intricate Afrofuturistic sculptures using exclusively black LEGO bricks. His work explores African diaspora mythology, folklore, and cultural phenomena, with recent series drawing inspiration from ceremonial masks, interstellar travel, and geometric forms.

‘A Language We Share’ Traces a Photographic Lineage Between Gordon Parks and Beverly Price

‘A Language We Share’ Traces a Photographic Lineage Between Gordon Parks and Beverly Price

A new exhibition, "A Language We Share," opens this month at the Center for Art and Advocacy, placing the work of photographer Beverly Price in direct conversation with the legendary Gordon Parks. The show highlights their shared focus on social advocacy through imagery, particularly documenting the lives of children and communities in areas like Southeast Anacostia in Washington D.C., a location both photographers have captured across different eras.

Can a Venice Biennale Pavilion Be Rock ‘n’ Roll? At the Belgium Pavilion, Miet Warlop Makes the Case.

Miet Warlop, a Belgian artist known for her avant-garde theater work, is representing Belgium at the 2026 Venice Biennale with a performance-installation titled "IT NEVER SSST." The project transforms the Belgian Pavilion into a chaotic, sensory-filled space where performers climb wooden structures, bang drums, and break plaster boards inscribed with multilingual text, reflecting the noise and misunderstandings of contemporary life. Curated by Caroline Dumalin, the pavilion blurs the line between theater and visual art, with live performances occurring only part of the time while sculptors continuously remake plaster reliefs throughout the Biennale's run.

How a Remote California Artists’ Retreat Inspired Vhernier’s Latest Ring Collection

Italian jewelry maison Vhernier has collaborated with artist Pae White to create a 10-design limited-edition ring collection inspired by White's childhood memories of Sea Ranch, a remote artists' retreat in Sonoma County, California. The collection translates the architecture of crustaceans and abalone into precious materials, using sapphires, diamonds, and rock crystal set in white or rose gold, with only two versions of each design produced.

literature darkology rhae lynn barnes blackface minstrelsy

Rhae Lynn Barnes, a scholar at Princeton, has published a new book titled "Darkology: Blackface and the American Way of Entertainment," which examines the pervasive history of amateur minstrelsy in American life from the 19th through 20th centuries. Drawing on two decades of archival research, Barnes reveals how blackface performances were not confined to professional theaters but were common in living rooms, schools, USO shows, fraternal lodges, and even Japanese internment camps, involving figures like Shirley Temple, Frank Sinatra, and Bing Crosby.

parties filmmakers cooperative anniversary john waters

The Film-Makers’ Cooperative celebrated its 65th anniversary with a gala at Judson Memorial Church in New York City on a recent Friday. The event featured performances by Isaiah Barr, a recreation of Yvonne Rainer's Trio A by Brittany Bailey, and a closing set by musician Kinlaw. Notable attendees included photographer Nan Goldin, video artist Joan Jonas, and filmmaker John Waters, who was honored in absentia. The evening included speeches, a shoppable collection of film ephemera, and a crowd of artists, actors, and filmmakers.

parties art21 chanel yana peel screening

Chanel and Art21 hosted a screening event at the Roxy Cinema in New York to celebrate the launch of their new docuseries "IRL/url," which premieres on TikTok. The evening featured remarks by Yana Peel, Chanel’s President of Arts, Culture & Heritage, and a screening of selected films from the series, followed by a conversation between Art21’s Executive Director Tina Kukielski and seven of the eight featured artists: Neïl Beloufa, Jacky Connolly, Julien Creuzet, Sara Cwynar, Xin Liu, Rachel Rossin, and Jacolby Satterwhite. The event also drew a crowd of notable artists, advisors, curators, and cultural figures.

parties national academy of design morgan library

The National Academy of Design celebrated its 200th anniversary with a gala at the Morgan Library & Museum in New York. The event honored the 2025 class of Academicians, including artists Tacita Dean, Nanette Carter, Sheila Hicks, and Nina Yankowitz, as well as architects Trey Trahan, Julie Snow, and Kim Yao. The evening featured an induction ceremony where new members were invited to contribute works to the Academy’s ongoing collection.

parties art contemporary austin art dinner

The Contemporary Austin hosted its annual Art Dinner 2025 at the historic Driscoll Villa along the Colorado River, transforming the museum grounds into a festive gala reminiscent of Studio 54. The event featured an auction with works by RF. Alvarez, Sarah Crowner, Lubaina Himid, and Ed Ruscha, where participating artists could receive up to 50 percent of the winning bid. Attendees included film producer Bettina Barrow, Nike CEO Elliot Hill, athletes Chris Bosh and Zach Martin, collector Suzanne Deal Booth, and actors Jamie-Lynn Sigler and Elizabeth Reaser, with live performances by TheBrosFresh and Mama Duke.

Sanna Helena Berger “Difference” at Matteo Cantarella, Copenhagen

Berlin-based Swedish artist Sanna Helena Berger makes her Danish debut with "Difference" at Matteo Cantarella in Copenhagen. The exhibition explores the concept of the remainder—the mathematical and physical space left behind when one value is subtracted from another—through a series of sculptural and spatial interventions.

Protests and Shutdowns Engulf 61st Venice Biennale Opening

The 61st Venice Biennale preview week, opening to press and professionals ahead of its May 9 public launch, has been engulfed by protests and institutional crises. On May 5, around 60 artists from Koyo Kouoh's exhibition “In Minor Keys” staged a Solidarity Drone Chorus outside the Giardini, drawing on Gazan composer Ahmed Muin's Drone Song (2025) to highlight victims of warfare. On May 6, the Art Not Genocide Alliance (ANGA) organized protests outside Israel's pavilion at the Arsenale, leading to a security-enforced closure, while Pussy Riot and FEMEN demonstrated outside the Russian pavilion. The jury resigned on April 30 after controversy over award eligibility tied to ICC arrest warrants, prompting the Biennale to scrap Golden Lions and transfer prize voting to the public. Iran withdrew its pavilion on May 4, and Russia's will close on May 9, with only exterior video projections remaining. ANGA and Italian unions have announced a 24-hour strike on May 8.

Mongolia Pavilion Announces Artistic Team for 2026 Venice Biennale

Mongolia has selected artists Nomin Bold, Dorjderem Davaa, Gerelkhuu Ganbold, and Tuguldur Yondonjamts to represent the country at the 61st Venice Biennale in 2026. The pavilion, titled 'Entanglements: Connectivities Across Borders,' will be curated by Uranchimeg Tsultem and Thomas Eller and will explore interspecies relations, spirituality, and historical trade links, specifically the Mongol Empire's 13th-century connections to Venice.

Gregorian Art Exhibition Debuts in Lagos in Honour of Bruce Onobrakpeya

The inaugural Gregorian Art Exhibition opened at Jubilee Hall, St. Gregory’s College, Ikoyi, Lagos, honoring renowned artist Bruce Onobrakpeya. Organized by the St. Gregory’s College Old Boys Association, the three-day event runs from April 25 to April 27, 2026, under the theme “Celebrating Legacy, Excellence and Continuity.” It features an intergenerational mix of artists including Victor Uwaifo, David Dale, Mike Omoighe, and others, and attracted Nigeria’s cultural, political, and religious figures. Speeches by Dr. Michael Omolayole and Francis Oluwole Kudayah highlighted the exhibition as a cultural tradition and platform for mentorship, with plans for an annual art clinic and a digital “Gregorian Art Mart” to support alumni welfare and the college endowment fund.

“Young Lords in Chicago” Reminds Us, the Struggle for Social Justice Only Ends if We Concede

The DePaul Art Museum is presenting "Tengo Lincoln Park en mi corazón: Young Lords in Chicago," an exhibition that chronicles the history of the Young Lords Organization (YLO), a Puerto Rican street gang turned socio-political movement founded by José "Cha Cha" Jiménez. Through artifacts like Jiménez's purple beret, newly-commissioned murals by Sam Kirk, and a range of ephemera, the show traces the YLO's fight against displacement and for social justice in Chicago's Lincoln Park neighborhood, linking past struggles to present-day activism.

Apre a Venezia una nuova fondazione per l’arte. Il progetto dell’artista curdo Ahmet Güneştekin a Palazzo Gradenigo

Kurdish artist Ahmet Güneştekin has opened a new foundation in Venice at Palazzo Gradenigo, a 16th-century building in the Castello district. The foundation's inaugural exhibition, titled "Sessizlik/Silenzio/Silence," will open on May 6 during the Venice Biennale. The show features 11 new bronze sculptures and 11 oil paintings. The palace, closed to the public for 17 years, was purchased by the artist and is undergoing a conservative restoration led by architects Alberto Torsello and Elisa Santoro, set to complete by late 2026. The foundation, entirely self-funded through sales of Güneştekin's works and royalties, aims to provide exhibition and training opportunities for young artists, especially from Turkey, in an international context.

Construction of White House ballroom must stop, federal judge orders

A federal judge has ordered an immediate halt to the construction of a new ballroom at the White House's East Wing, a project initiated by former President Donald Trump. Judge Richard J. Leon's injunction stops all work except for safety and security measures, ruling that the president lacks the authority to undertake such a construction on federal property without explicit approval from Congress.

How Much Did It Cost to Paint a Pompeii Room Egyptian Blue?

How Much Did It Cost to Paint a Pompeii Room Egyptian Blue?

A new study has calculated the staggering cost of painting a room in Pompeii with Egyptian blue pigment. Researchers determined that covering the walls of a recently discovered "Blue Room," a sacred shrine, would have required between 2.7 and 4.9 kilograms of the prized synthetic pigment. Based on prices recorded by Pliny the Elder, this quantity of high-grade pigment would have cost between 50% and 90% of a Roman legionary's annual salary, highlighting it as an extreme luxury.

Pepperdine Closes Exhibit Featuring “Overtly Political” Art

Pepperdine University in Malibu, California, closed the exhibition “Hold My Hand In Yours” at the Frederick R. Weisman Museum of Art on October 6, after artists discovered their works had been removed or altered for being “overtly political.” The show, curated by museum director Andrea Gyorody, explored the imagery of hands in relation to labor and care. One artist found her video turned off at the university’s request, and a sculpture was modified to hide text reading “Save the Children” and “Abolish ICE.” The affected artists requested their pieces be removed, and others withdrew in solidarity. University officials cited a policy to avoid overtly political content consistent with its nonprofit status, and offered apologies while honoring compensation agreements.

New York City provides long-term support to five local arts organisations

The New York City Department of Cultural Affairs (DCLA) has inducted five new members into its Cultural Institutions Group (CIG), an exclusive program that provides long-term operational subsidies to private arts organizations operating on public land. The new members—Bric (Brooklyn), Pregones/Puerto Rican Traveling Theater (Manhattan), the Bronx Children’s Museum, the Noble Maritime Collection (Staten Island), and the Louis Armstrong House Museum (Queens)—represent each of the city’s five boroughs. This is the largest expansion of the program, now totaling 39 members, since the 1970s. A celebratory event was held at Bric on September 30, featuring remarks from DCLA Commissioner Laurie Cumbo and Deputy Mayor Adolfo Carrión Jr., along with musical performances by each institution.

‘I had all kinds of altercations’: the photographer who captures humanity at close quarters

A new book titled 'Trespass' introduces the work of photographer Mark Cohen, known for his invasive, close-quarters street photography primarily in Wilkes-Barre, Pennsylvania. Cohen's method involved using flash and fast color film to capture unsuspecting subjects, often leading to physical altercations, and his images are characterized by extreme blur and sudden points of sharp focus.