We had to make difficult decisions

"Wir mussten schwierige Entscheidungen treffen"

Investor Andrew E. Wolff has stepped down as CEO of Artnet after orchestrating a merger of the company's US operations with Artsy, another major art market platform he recently acquired. Jeffrey Yin, previously the interim head of Artsy, has been appointed as the permanent CEO of the combined entity. The restructuring involves significant layoffs, the closure of Artnet's Berlin office, and a consolidation of management teams, though both brands will continue to operate with distinct editorial voices.

What You Shouldn't Miss at Art Düsseldorf

Das sollten Sie auf der Art Düsseldorf nicht verpassen

The eighth edition of Art Düsseldorf is set to launch at the Areal Böhler with its most diverse lineup to date, featuring 119 galleries. This year's iteration marks a significant organizational shift with the appointment of Gilles Neiens as the fair's first Artistic Director, a role created to oversee the event's curatorial and programmatic direction. The fair continues to balance its strong regional roots in the Rhineland with an increasingly international selection of painting, sculpture, and experimental works.

The Most Important Thing is That Art Remains Accessible

"Das Wichtigste ist, dass die Kunst zugänglich bleibt"

Gilles Neiens has been appointed as the first-ever artistic director of Art Düsseldorf, marking a strategic shift for the eight-year-old regional art fair. In his new role, Neiens aims to elevate the fair's profile by focusing on high-quality curation, thematic depth, and fostering closer collaborative relationships with participating galleries. This structural change signals a move away from purely organizational management toward a more distinct, content-driven identity.

Exhibition brings together 23 contemporary artists in exploration of styles across generations | Hindustan Times

An exhibition titled "The Contemporary Lore: Sojourn of Styles and Generations Unfurled" has opened at Bikaner House in New Delhi, bringing together 23 contemporary Indian artists. Curated by Kiran K Mohan with a critical essay by art historian Johny ML, the show features works by veterans like Ashok Bhowmick and emerging talents like Nilisha Phad, spanning paintings, sculptures, and mixed media. The non-chronological arrangement aims to present artistic lineages as a landscape rather than a linear progression, encouraging dialogue across generations. The exhibition runs until May 14 before moving to Shailja Art Gallery in Gurugram from May 17 to June 13.

Tom Vattakuzhy’s Mumbai exhibition follows the feeling a story leaves behind

Tom Vattakuzhy's new exhibition "Where Words End" opens in Mumbai from May 3–17, 2026, at ICIA Gallery in Kalaghoda. The show presents a series of "story paintings" that explore the emotional residue left behind after reading a narrative, focusing on moods and sensations rather than plot or illustration. Vattakuzhy, who began his career as an illustrator, shifts here toward open-ended scenes where figures appear mid-gesture and rooms feel charged with unspoken meaning, drawing from literary sources as points of departure rather than literal subjects.

Where Words End Exhibition Brings Tom Vattakuzhy’s Story Paintings to Mumbai

Mumbai will host the first exhibition of artist Tom Vattakuzhy's work in the city, titled 'Where Words End,' at the Institute of Contemporary Indian Art (ICIA) from May 3–17, 2026. The exhibition presents a series of his "story paintings," which explore experiences that elude verbal expression, moving beyond his illustrative background to create ambiguous, emotionally resonant works.

Art exhibition in Delhi explores the many facets of space today

Gallery Art Motif in New Delhi is hosting "Space Making: Making Space," a group exhibition curated by Kunal Shah that brings together artists, architects, and designers. The show investigates how contemporary spaces have moved beyond strict, dedicated functions to become fluid environments shaped by physical, social, and spiritual dimensions. Featured works range from RMA Architect’s man-nature intersections to Indrajit Khambe’s photography of sari land markers and Chiaki Maki’s textile privacy barriers.

In Kelantan, 'After Monsoon: Tera-Kota' project connects art with local community

The National Art Gallery of Malaysia, in collaboration with Art Matters Trading, launched the 'After Monsoon Project: Tera-Kota' exhibition series from October 24–30 at Pantai Pulau Kundur in Kota Baru, Kelantan. Themed 'Tanah, Tubuh, Tapak' (Land, Body, Site), the site-specific event featured clay sculptures, a community art feast (bekwoh), cultural performances, and a traditional ceramic firing facility (gok), engaging local residents—nearly 90% of whom practice traditional crafts like batik, pottery, and weaving—alongside students from Universiti Malaysia Kelantan.

SOLO CSV Is a New Madrid Art Venue That Should Be On Your Radar

SOLO CSV, a new art venue in Madrid, Spain, has opened as part of the international SOLO arts project led by Ana Gervás and David Cantolla. The space, located near Parque del Oeste, was transformed from a 4,000-square-meter former printworks by Spanish architecture firm Estudio Herreros into an unconventional art labyrinth. Its inaugural exhibition at the Bowman Hal gallery featured William Mackinnon, followed by Aaron Johnson's current show 'WE ALL SHINE ON.' The venue also houses the SOLO arts incubator, including the ONKAOS digital arts initiative, a conservation lab, and the newly announced Movimiento 37 program.

A New Generation of Gallerists Is Redefining Artist Representation

A new generation of gallerists is rethinking traditional artist representation models, moving away from rigid exclusivity clauses and transactional relationships. Figures like Bryce Watanasoponwong of The Charoen AArt in Bangkok, Storm Ascher of Superposition, and Lorraine Han of Unveil Gallery are adopting flexible, collaborative approaches that reflect the realities of contemporary artists, who often juggle multiple roles and prefer non-exclusive arrangements. These gallerists emphasize open dialogue, shared responsibility, and long-term relationship-building over strict contracts, as seen in Ascher's seven-year support of artist Haleigh Nickerson, which culminated in a solo show at NADA New York 2025.

La loi sur les restitutions des biens culturels pillés pendant la colonisation définitivement adoptée

The French Parliament has definitively adopted a permanent law on the restitution of cultural property looted during colonization, replacing the previous case-by-case legislative approach. The Senate unanimously approved the final text on May 7, 2026, following agreement in a joint committee on April 30, and the National Assembly had approved it the day before. The law creates a general derogation from the principle of inalienability of public collections, establishing a bilateral scientific committee to examine provenance, with final decisions made by decree of the Council of State. Key amendments from the National Assembly—including binding parliamentary votes on restitution and conditions on conservation and public access—were removed by the joint committee to avoid perceptions of neocolonial tutelage.

La loi-cadre sur les restitutions définitivement adoptée par le Parlement

The French Parliament has definitively adopted a framework law on the restitution of cultural property that was illicitly acquired. The Senate unanimously approved the conclusions of the joint committee on May 7, following the National Assembly's approval on May 6, after an agreement was reached on April 30. The law establishes a general mechanism for returning objects from French public collections without requiring a specific law for each case, covering items acquired through looting, theft, forced sale, or other illicit means before the 1970 UNESCO Convention. It creates a permanent national commission and a bilateral scientific committee to assess claims, with restitution ultimately decided by government decree subject to legal review by the Council of State.

The Rapprochement Between Artnet and Artsy Takes Shape

Le rapprochement entre Artnet et Artsy prend corps

Artnet and Artsy, two major online art market platforms, have announced a strategic merger under the common ownership of British investment fund Beowolff Capital. The companies will retain their distinct brands and websites but will be led by a unified management team, with Artsy's CEO Jeffrey Yin taking the helm. The consolidation has already resulted in dozens of job cuts, particularly at Artnet News, and follows a period of economic strain for Artnet, which reported a 12% revenue drop in the first half of 2025.

The Nicéphore-Niépce Museum is Standing Still

Le Musée Nicéphore-Niépce fait du surplace

The Musée Nicéphore-Niépce in Chalon-sur-Saône remains in a state of stagnation as long-promised modernization plans continue to stall. Despite over twenty-five years of proposals for a new facility or a "Cité de l'image," the project has become a political "sea serpent," hampered by budget cuts, staff reductions, and shifting municipal priorities. Most recently, the city declined to renew the contract of Fannie Escoulen, a former Ministry of Culture official hired to steer the project, further signaling a lack of progress.

The Musée de La Poste becomes the "Musée Postal" once again

Le musée de La Poste redevient le « musée postal »

The Musée de La Poste in Paris has rebranded itself as the "Musée Postal," reclaiming its original 1946 name as it approaches its 80th anniversary. Alongside a new visual identity featuring a blue and white "M" logo, the institution is shifting its focus from a strictly corporate museum to a "museum of society" with a more universal outlook. Under the leadership of director Guillaume Goy, the museum aims to modernize its permanent collection and recover its pre-pandemic attendance figures, targeting 150,000 annual visitors.

The Journal of Antiquarians and Galleries No. 10 Has Just Been Published

Le Journal des Antiquaires et Galeries n°10 vient de paraître

The tenth issue of Le Journal des Antiquaires et Galeries has been released, focusing on the resilience of the art market amidst geopolitical and economic headwinds. The publication highlights major spring events including Art Paris, Art Brussels, and the Paris Gallery Weekend, while introducing the newly formed Federation of Art Market Actors (FAM’Art).

Maia Taber Ayerza at Tureen

Tureen gallery in Dallas is presenting "Compositions, 1950-2026," a solo exhibition of works by artist Maia Taber Ayerza, running from April 25 to May 30, 2026. The show spans over seven decades of the artist's practice, from 1950 through 2026, and is documented with 74 images on the Contemporary Art Daily platform.

Sheung Yiu “(Inter)faces of Predictions” at C/O Berlin

Finland-based artist researcher Sheung Yiu presents his long-term project "(Inter)faces of Predictions" at C/O Berlin, exploring how faces have been used across cultures and the implications of facial reading technologies. The exhibition examines the shift from spiritual to economic imperatives in facial interpretation, highlighting the progressive deterioration of human agency.

Bespoke Glass Studio’s Sculptures Challenge Traditional Conventions of Stained Glass

Lesley Green, founder of Bespoke Glass Studio, creates stained glass sculptures that break from traditional window-mounted forms. Her work includes three-dimensional pieces that project colored light onto walls, functional room dividers, and sculptural objects made using hand-cut copper foil techniques. Green aims to shift perception of stained glass from architectural feature to standalone art object, emphasizing pure color and texture.

This Risograph Studio Celebrates 400 Artist Postcards Mailed Around the Globe

Glasgow-based design studio Risotto is celebrating a major milestone for its Riso Club subscription service with a retrospective exhibition at the Glue Factory. Since 2017, the club has commissioned and mailed four artist postcards monthly to subscribers worldwide, reaching a total of 400 unique works. The exhibition, running from April 11 to 19, marks the 100th mailing and showcases the full collection of prints together for the first time.

12,000 Years Ago, Native Americans Were Playing Games of Chance with Handmade Dice

Archaeologists have discovered that Native Americans were engaging in games of chance using handmade dice as far back as 12,000 years ago, during the Late Pleistocene. A new study by researcher Robert Madden reveals that these artifacts, found in sites across Wyoming, Colorado, and New Mexico, predate the previously oldest known dice from Mesopotamia and the Indus Valley by over 6,000 years. These early dice, often made of bone and decorated with pigments, were used by the hunter-gatherer Folsom culture.

Hillary Waters Fayle Creates ‘Portraits of Place’ from Seeds, Foliage, and Petals

Artist Hillary Waters Fayle has developed a unique series titled 'Portraits of Place,' which utilizes foraged botanicals to create intricate cyanotypes. By collecting and drying seeds, petals, and foliage from specific locations like Grace Farms and Maymont Park, Fayle arranges them into symmetrical, mandala-like compositions on UV-sensitive paper. The resulting bright blue prints serve as a botanical record of a specific geography and moment in time.

Echoes of Memory and Quiet Revolutions

The Henrike Grohs Art Award concludes its final edition, naming Tanzanian artist Rehema Chachage as the 2026 laureate. Chachage, who works across performance, video, text, scent, and installation, creates a "performative archive" in collaboration with her mother and grandmother, transforming personal and ancestral memory into shared sensory experiences. The two finalists are Younès Ben Slimane, a Tunisian filmmaker and visual artist whose silent, disorienting works challenge cinematic narrative structures, and Egyptian artist Rania Atef, whose participatory practice turns domestic spaces into stages for revealing power dynamics. The award received over 600 applications from more than 30 African countries.

Speaking in Signs: Kwame Akoto’s Worlds Across Contexts.

Ghanaian painter Kwame Akoto, known for his vibrant signboard works blending bold imagery with urgent text, is the subject of his first major French exhibition, 'Almighty God Art Works', at the Musée du quai Branly – Jacques Chirac in Paris. In an interview with ART AFRICA, Akoto discusses how his paintings transform when moving from the streets of Kumasi—where they function as everyday spiritual and commercial communication—into a European museum context, addressing themes of translation, shared authorship, and the shifting meanings of images across cultural and institutional boundaries.

HOW TO READ A POROUS WORK AT PINTA LIMA 2026

Casa Miraflores presents the RADAR section titled "Porous Systems" at Pinta Lima 2026, curated by Ilaria Conti. The section features Guatemalan center La Galería Rebelde and artist Angélica Serech, whose textile works draw from Maya Kaqchikel knowledge, alongside artists Diana Eusebio, Luciano Giménez, Alberto Casari, and Carlos Luis "Pajita" García Bes. The exhibition explores permeability, process, and the meeting of inherited knowledge with contemporary languages.

film mohamad abdouni michael bailey gates cold cuts

Lebanese photographer, filmmaker, and Cold Cuts magazine creative director Mohamad Abdouni has released a new documentary titled "Treat Me Like Your Mother," which documents the lives of trans women in Lebanon. The film, drawn from an Arabic expression asking for mercy, reframes motherhood as an ethical position rooted in responsibility for the trans community. Rather than extracting trauma, Abdouni allows the women to tell their own histories in personal, nonlinear, and surprising forms. The documentary evolved from a book project featuring oral histories of ten women, and the film centers Abdouni's own reflections on what these women represented to him growing up. In a dialogue with photographer Michael Bailey-Gates for CULTURED, Abdouni discusses the importance of letting trans women define the terms of their own visibility.

design studio valle de valle

Design studio Valle de Valle, formerly known as Studio Giancarlo Valle, has rebranded to reflect the equal partnership of founders Jane Keltner de Valle and Giancarlo Valle. The New York-based studio, which designs interiors, furniture, and architecture, announced the name change nearly a decade after its founding. The duo met at a holiday party 20 years ago—Jane was a style director at AD and previously at Teen Vogue, while Giancarlo worked at SHoP Architects. In 2024, they opened Casa Valle, a Tribeca gallery, and recently reissued Antoni Gaudí’s Batlló chair with BD Barcelona. Upcoming projects include designer Ulla Johnson’s Madison Avenue flagship, a Manhattan wine bar, and the transformation of a 500-acre island in the Bahamas.

art young photographer ashley mclean

Ashley McLean, a young photographer recognized by Dior and Aperture, is entering the second year of her MFA program at Columbia University. Her intimate, introspective portraiture explores themes of Black identity, dignity, fragility, and homecoming, as seen in works like her "Ringin" series (2025) and "Doney & Solomon (I)" (2020). She describes her practice as resisting the culture of urgency by creating conditions for subjects to surrender into themselves.

art young photographer michael wolever

Cultured magazine profiles Pennsylvania-born photographer Michael Wolever, nominated by David Brandon Geeting as part of its "28—NEW YORK" series. Wolever creates images that evoke surrealist ’90s filmmaking, exploring themes of shame, attraction, and melodrama through soft lighting, monsters, and woodland scenes. His work draws heavily on his own "pretty weird life" and memories, using photography as a "funhouse mirror" and "shame ritual." The article includes several of his titled works—Big Flirt, Evidence, Tove, and Untitled—and quotes Wolever reflecting on the culture of picture-taking, mass self-awareness, and his critical approach to intention in photography.

art young photographer best emerging

Cultured magazine has announced its annual selection of 12 emerging photographers, aged 24 to 35, chosen by top names in the photography world. The list includes artists such as Adali Schell, Ashley McLean, Camille Farrah Lenain, Charlie Denis, Chris Cook, Hannah Altman, Hero Bean Stevenson, Iva Sidash, Jak Bannon, Jasmine Clarke, Michael Wolever, and Sara Messinger, who work across traditional darkroom techniques and AI tools, drawing on personal histories and community perspectives.