Mashonda Tifrere, a former singer turned curator and art advisor, discusses her journey from the music industry to becoming a prominent figure in the visual arts. Through her organizations ArtLeadHER and Art Genesis, she has curated over 40 exhibitions focusing on women and underrepresented artists, including a recent Faith Ringgold show at the University of California, San Diego.
Two concurrent exhibitions in Plymouth, England, are re-evaluating the work of the late British artist Beryl Cook, long dismissed by critics for her popular, humorous paintings of plump, joyful people. The Box gallery presents "Beryl Cook: Pride and Joy" (until 31 May), which places Cook within the Western art canon by tracing her influences from Peter Paul Rubens and Pieter Brueghel the Younger to Stanley Spencer and Edward Burra. The show features over 80 paintings, sculptures, textiles, and a personal archive, and is curated by Terah Walkup. A parallel exhibition at Karst gallery, "Discord and Harmony" (until 18 April), pairs Cook's legacy with contemporary artists like Olivia Sterling, Rhys Coren, and Flo Brooks, who similarly champion overlooked communities.
Several museums in East and South Texas have announced their spring 2026 exhibition schedules. The Beeville Art Museum will open a solo show of landscape painter William Anzalone in January. The Art Museum of South Texas in Corpus Christi will present 'In Nature’s Studio: Two Centuries of American Landscape Painting,' a traveling exhibition from the Reading Public Museum. The Longview Museum of Fine Arts will host a retrospective of photographer Frank Armstrong. The International Museum of Art and Science in McAllen will open three shows: 'Piñatabstract' by Josuè Rawmirez, 'Voces del Arte Popular' featuring Mexican folk art, and 'Aviary,' a bird-themed exhibition. South Texas College will also present two exhibitions in January and February, including Leila Hernández's 'The Lessons of the Empress.'
Scottish artist Nnena Kalu has won the 2025 Turner Prize, becoming the first learning-disabled person to receive the prestigious award. Her winning work includes suspended sculptures bound with rope and tape, along with swirling vortex drawings, currently on display at Cartwright Hall Art Gallery in Bradford as part of the UK City of Culture festival. Kalu, who is autistic and has limited verbal communication, was nominated for her contributions to the Conversations exhibition at the Walker Art Gallery in Liverpool and for her work Hanging Sculpture 1 to 10 at Manifesta 15 in Barcelona. The jury, chaired by Tate Britain director Alex Farquharson, praised the visual and aesthetic quality of her abstract art, noting its powerful presence and enigmatic expressiveness.
Tidawhitney Lek, a 33-year-old first-generation Cambodian American artist based in Long Beach, CA, is profiled in CULTURED's 2025 Young Artists list. Her densely layered, brightly colored paintings collapse distinctions between interior and exterior, past and present, and foreground and background, reflecting her life and heritage. She gained attention at the Hammer Museum's "Made in L.A." biennial in 2023 and has upcoming shows at Victoria Miro in London and Art Basel Miami Beach with Night Gallery. The profile highlights her painting "Refuge," currently at the Henry Art Gallery, which depicts a bomb exploding outside a home and addresses themes of disconnect, erasure, violence, and generational trauma.
Southwest Florida museums are hosting 31 exhibitions in December, including three new openings and two closings. Highlights include "Art Deco: The Golden Age of Illustration" at Sarasota Art Museum, featuring 100 rare posters from the Crouse Collection celebrating the Art Deco centennial; "Selina Roman: Abstract Corpulence," a photo-based installation exploring body politics and femininity; and Molly Hatch's site-specific ceramic installation "Amalgam" (2023-24), commissioned for the museum's "Inside Out" program. Other venues from Sarasota to Naples continue ongoing shows from their permanent collections and traveling exhibitions.
Six major museum exhibitions opening across the U.S. this winter are profiled, including 'Austrian Expressionism and Otto Kallir' at LACMA, which features a newly acquired Gustav Klimt painting and works by Egon Schiele; 'Divine Color: Hindu Prints from Modern Bengal' at the Museum of Fine Arts, Boston, the first U.S. exhibition to explore how lithography transformed Hindu devotional art; 'Frida: The Making of an Icon' at the Museum of Fine Arts, Houston, examining Kahlo's rise from local painter to global brand; 'Conversation Pieces: Stories from the Fashion Archives' at the Denver Art Museum, showcasing garments from its permanent collection; and 'Grandma Moses: A Good Day’s Work' at the Smithsonian.
Southwest Florida museums are hosting a busy month of exhibitions in November, with four new shows opening, two closing, and 23 continuing. At the Sarasota Art Museum, highlights include "Art Deco: The Golden Age of Illustration," featuring 100 rare posters from the Crouse Collection by master graphic designers of the 1920s and 1930s, alongside sculptural works and Art Deco furniture. Also on view is "Selina Roman: Abstract Corpulence," a photography and abstraction series exploring beauty and body politics, and "Molly Hatch: Amalgam," a site-specific installation of over 450 hand-painted earthenware plates commissioned through the museum's Inside Out Program. The Museum of Whimsy is also set to reopen during this period.
Baltimore-based artist Linling Lu, who trained as a classical pianist in southern China, discusses her work *Circle Dance* on view at the Frary Gallery in the Hopkins Bloomberg Center. The metal print features ten concentric orbs inspired by circle dances, geometry, and Renaissance tondos. Lu explains how her background in music informs her visual art, comparing color to a musical element and citing influences from Henri Matisse, Stravinsky, and tribal Miao circle dances. She also previews her upcoming solo exhibition *Fugue in 3 Voices* at Artis—Naples, The Baker Museum, which will respond to compositions by Dvořák, Stravinsky, and Beethoven.
Philadelphia's spring exhibition season features nine must-see shows across the city, including Kelly Kozma's solo exhibition 'Watch Me Backflip' at Paradigm Gallery + Studio, which presents a massive 22-foot installation of 35,000 hand-stitched circles made from repurposed materials. Other highlights include 'Soft/Cover' at The Fabric Workshop and Museum, exploring fabric and screenprinting in relation to the human body; 'Preserving Assyria' at the Penn Museum, focusing on Iraqi archaeologists reclaiming cultural heritage after ISIS destruction; and 'The Battle of the Bathers' at the Barnes Foundation, examining a media kerfuffle involving two Paul Cézanne paintings.
Defne Ayas has been appointed director of the Van Abbemuseum in Eindhoven, Netherlands, replacing Charles Esche, who held the post for two decades. Ayas, previously director of Kunstinstituut Melly in Rotterdam and co-curator of major biennials including the 13th Gwangju Biennale, will take over ahead of the museum's 90th anniversary in 2026. She describes the role as a "dream vessel" and emphasizes the museum's commitment to decolonization, social engagement, and accessibility.
Joe Feddersen, a 71-year-old artist and member of the Colville Confederated Tribes, has gained widespread acclaim for his prints, paintings, weavings, glass sculptures, ceramics, photography, and digital imagery. His work draws on the Plateau pictorial style and ancient petroglyphs, blending traditional Indigenous motifs with contemporary icons like chain-link fences and high-voltage towers. A traveling retrospective, a new book titled "Earth, Water, Sky," and a 2024 Governor's Arts & Heritage Award mark a particularly busy period, culminating in the exhibition "Past/Present" at studio e gallery in Seattle. Feddersen also addresses painful history, such as the 2021 discovery of unmarked graves at the Kamloops Indian Residential School, through works covered with skull outlines.
London's National Gallery will conclude its bicentenary celebrations on 26 July with a large-scale public event in Trafalgar Square titled "The Triumph of Art," conceived by artist Jeremy Deller. Billed as the largest event of its kind in the UK, the free, family-friendly day will feature processions, performances, parades, and live music, drawing on British folklore and traditions. Deller has also collaborated with organizations across the UK on standalone projects, including events in Derry/Londonderry, Dundee, Llandudno, and Plymouth, which will feed into the London celebration. A new exhibition of works from Deller's archive, including pieces by emerging artists, will accompany the event.
Casa Batlló in Barcelona will open its second floor as a contemporary art gallery starting January 2026. The space, previously used as apartments, offices, and a maintenance workshop, has been redesigned by Barcelona-based studio Mesura with a curved metal ceiling echoing Gaudí’s forms, while preserving original woodwork and stained glass. The gallery extends the Casa Batlló Contemporary program, which commissions artists for two exhibitions per year, accessible with general admission or a standalone ticket.
Romanesco im Max-Mara-Mantel
Evelyn Taocheng Wang's first institutional solo exhibition in Italy, "Sweet Landscape," opens at the Museion in Bolzano. The Chinese-born, Rotterdam-based artist presents silk paintings, pastel canvases, and painted garments that probe the region's complex history beneath its idyllic Alpine scenery. Works such as "Frog Princess Checks Her Smartphone in front of Window of August Macke’s Hat Shop" (2026) and "Ancient Roman bust for Sale" (2026) blend local food motifs, cultural translation, and hybrid identity, questioning who gets to write history and how landscapes are perceived through secondhand experiences.
Anzia Yezierska, a Polish-Jewish immigrant who arrived in New York in 1890, defied traditional gender expectations to become a leading literary voice of the 1920s. Dubbed the 'Queen of the Ghetto,' she documented the raw struggles of immigrant women on the Lower East Side using a unique 'immigrant English' style that captured Yiddish idioms. After escaping a restrictive marriage and pursuing an education at Columbia University, she channeled her personal frustrations into stories of poverty, ambition, and the psychological toll of assimilation.
Saurez-vous reconnaître les photographes qui se cachent derrière ces 15 clichés iconiques ?
Beaux Arts Magazine published a quiz challenging readers to identify 15 iconic photographs and their creators, from Nicéphore Niépce to Cindy Sherman. The quiz marks the bicentennial of photography in 2026–2027, featuring pioneers of the 19th century alongside contemporary masters, covering genres from photojournalism to intimate portraiture and formal experimentation.
Lisson Gallery in London presents 'Zanzibar' (1999–2023), a collaborative installation by artists Lubaina Himid and Magda Stawarska. The exhibition reunites Himid's abstract diptychs from 1999 with Stawarska's eight-channel soundscape composed in 2023, creating an immersive meditation on loss, migration, and belonging. Himid's geometric canvases depart from her signature figurative style, evoking fragments of Zanzibar, the East African archipelago where she was born, and memories of her migration to London after her father's death. Stawarska's sonic composition weaves archival recordings, Taraab music, opera, and spoken text through the gallery space, guiding viewers through overlapping histories and imagined geographies.
Ball State University's David Owsley Museum of Art is hosting its annual 'Art in Bloom' event from May 15 to 17, 2026, in Muncie, Indiana. Regional floral designers create arrangements inspired by works from the museum's collection, with a free public preview party on May 15 featuring jazz by the Mark Buselli Trio. The weekend includes extended hours, paper flower-making workshops, live music by pianist Mikael Darmanie, and a People's Choice Award vote. This year's event is dedicated to the late David T. Owsley, the museum's namesake and main benefactor. A special exhibition, 'Nora Krug: Belonging,' organized by the Norman Rockwell Museum, is also on view through June 13.
Frieze New York 2026 returns to The Shed in Hudson Yards from May 13–17, featuring over 65 international galleries in its 15th edition. The fair emphasizes Latin American art with new committee members Fátima González and Omayra Alvarado, and includes highlights such as Southern Guild's expansion into Tribeca and Yeni Mao's cyborg sculptures in the Focus section. Collectors and enthusiasts can explore a diverse range of contemporary and blue-chip works across multiple fairs during Art Week.
Art galleries and institutions across West Texas and the Panhandle have announced their summer exhibition schedules. Highlights include the El Paso Museum of Art's "From the Collection: Portraiture, 1903-2021," featuring works by César Martínez, Edward Curtis, and Andy Warhol; Ballroom Marfa's solo show "Raven Halfmoon: Flags of Our Mothers" with colossal stoneware sculptures; and The Grace Museum in Abilene's "Memory Painters: The Art of Memories," showcasing Texas intuitive painters. Other venues include the Rubin Center for the Visual Arts, the Louise Hopkins Underwood Center for the Arts in Lubbock, and the Museum of the Southwest in Midland, with exhibitions spanning portraiture, student art, memory painting, and immersive installations.
Marina Abramović, the Serbian pioneer of performance art, inaugurated her latest exhibition "Transforming Energy" at the Gallerie dell’Accademia in Venice, days before the official opening of the Biennale International Art Exhibition. The show features a pile of plaster bones and crystal objects, with guides in white coats encouraging visitors to interact with the crystals to detox from modern technology. Abramović is the first living woman artist to present an exhibition at the Gallerie, which is known for its Renaissance masterpieces.
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Boulder Museum of Contemporary Art (BMoCA) is hosting its annual Artmix fundraiser on May 8, 2026, a fast-paced evening featuring a silent auction of works by 100 regional artists. The event includes a VIP preview with early access, champagne, and a guided tour, followed by a general admission party where bidding runs from 6 p.m. to 8 p.m. Tickets range from $150 for members to $300 for VIP access, with proceeds supporting BMoCA's exhibitions and education programs.
The Smithsonian American Art Museum will present "Much Here Is Beautiful: Photography Surveys of the U.S. Bicentennial," a landmark exhibition opening September 18, 2026, that brings together for the first time photography surveys created through a federally funded grant program by the National Endowment for the Arts (NEA) around the 1976 U.S. Bicentennial. Featuring 225 photographs by more than 70 photographers, the show draws on the museum's holdings and collections nationwide, including previously unseen works, and places them in the context of federal survey photography dating back to the 19th century.
Los Angeles is expanding its cultural offerings with several new and renovated art institutions. The Museum of AI Arts, called Dataland, is set to open this spring at the Grand L.A. complex, created by artist Refik Anadol. It claims to be the world's first museum dedicated to AI art, featuring immersive installations like an Infinity Room with AI-generated scents. Meanwhile, the Natural History Museum completed a $75 million renovation in 2024, adding a 60,000-square-foot wing and displaying a unique green-boned dinosaur named Gnatalie, along with Barbara Carrasco's previously censored mural. The Los Angeles County Museum of Art is opening the David Geffen Galleries on May 4, a 110,000-square-foot space for its permanent collection.
The American Folk Art Museum has launched "Self-Made: A Century of Inventing Artists," an exhibition exploring the work of self-taught creators who operated outside traditional institutional frameworks. Featuring a diverse array of drawings, paintings, and sculptures by figures such as Henry Darger, Bill Traylor, and Sister Gertrude Morgan, the show examines how these artists used their practice to construct identities and narratives in environments that often offered little formal recognition.
A sexual assault lawsuit against the estate of the late First Nations artist Norval Morrisseau (1932-2007) has been dismissed. The plaintiff, Mark Anthony Jacobson, had sought C$5 million in damages, alleging Morrisseau assaulted him in 2006. The dismissal was signed by Jacobson and the estate's lawyer, Jason Gratl, and filed in the BC Supreme Court on 6 January. The estate argued Morrisseau was physically incapacitated by advanced Parkinson's disease at the time, and Gratl stated that after cross-examination, Jacobson's lawyer withdrew and Jacobson consented to the dismissal without payment.
Frieze Masters London opened with notable sales including a 68-million-year-old Triceratops skull priced at £650,000, sold by dealer David Aaron to a private collector. Other strong sales included small drawings by Alexandre-Louis Leloir from Charles Ede, priced between £150 and £10,500, with twenty sold on opening day. Berry Campbell sold four paintings by Janice Biala, priced $18,000 to $55,000, and Stephen Friedman Gallery sold five works by Anne Rothenstein to private collectors. Hauser & Wirth reported the only seven-figure deals, while a €7.5m Rubens painting remained unsold.
On Indigenous Peoples' Day, nonprofit media lab Amplifier launched an unsanctioned augmented reality exhibition titled “Encoded” at New York's Metropolitan Museum of Art. The project features 17 Native artists who have digitally altered 25 iconic American artworks from the Met's collection—such as Thomas Cole's *View on the Catskills – Early Autumn* and Emanuel Leutze's *Washington Crossing the Delaware*—overlaying Indigenous perspectives onto the museum's American Wing. Visitors can view the AR works on smartphones or iPads, and Amplifier representatives are on-site to distribute guides and offer tours through the end of the year.