Four Dozen Artists Celebrate Marine Wildlife and Lore in ‘Common Waters’

Arch Enemy Arts in Philadelphia is presenting 'Common Waters,' a group exhibition running from June 5 to July 5, featuring 60 artists from around the world. The show celebrates marine wildlife and lore through square-format works that range from fantastical depictions of coral-haired sirens and octopuses to miniature paintings and sculpted paper reliefs of sea turtles. A portion of sales proceeds will be donated to PangeaSeed, a non-profit that uses art to advocate for ocean conservation.

In Monica Rohan’s Paintings, Tablecloths and Chairs Uncannily Perch in Remote Landscapes

Monica Rohan, a Brisbane-based artist, creates vibrant oil paintings in which domestic objects like patterned tablecloths and bentwood dining chairs appear in remote, natural landscapes. Her recent works, including those from her upcoming solo exhibition "Invitations" at Sophie Gannon Gallery in Melbourne this June, increasingly omit human figures, allowing the objects themselves to become stand-ins for people. The scenes are inspired by her hiking trip through Tasmania, featuring alpine summits, streams, and meadows.

Italian culture minister will not attend opening of Venice Biennale

Italian culture minister Alessandro Giuli has announced he will not attend the opening of the Venice Biennale next week, protesting Russia's involvement in the exhibition. Russia, which has a permanent pavilion in the Giardini, has been absent from the Biennale since 2022 but is returning this year, sparking widespread criticism. The European Union recently cut its €2 million grant to the Biennale following Russia's return, and Golden and Silver Lion jurors have stated they will not consider pavilions from countries whose leaders are charged with crimes against humanity by the International Criminal Court, effectively excluding Russia.

Da Carrà e de Chirico a Giorgio Morandi, ecco le nuove aste di Farsetti a Prato

Farsettiarte in Prato will hold two auctions at the end of May 2026, featuring modern and contemporary art. The Contemporary Art sale takes place on May 29, followed by the Modern Art sale on May 30, with highlights including works by Giorgio Morandi, Carlo Carrà, Giorgio de Chirico, Afro, Giuseppe Capogrossi, Piero Dorazio, and Hans Hartung. A rare Morandi still life from 1921 is estimated at €1.3-1.6 million, while de Chirico's 'Piazza d'Italia' (1963) carries an estimate of €220,000-320,000.

In Milan there is an art gallery where you can buy works by important artists all under 1000 euros

A Milano c’è una galleria d’arte dove si possono comprare opere di artisti importanti tutte a meno di 1000 euro

IONOI Gallery has opened in Milan at Via Perugino 24, founded by Alessia Rosato. The gallery debuts on April 15, 2026, with the exhibition "anew spring – prima che tutto accada," featuring 28 artists including Cesare Fullone, Giuseppe Frangi, Franko B., Antonio Marras, and Ercole Pignatelli. All works—prints, objects, and multiples—are priced under €1,000, aiming to make art collecting accessible. The space was formerly a showroom for designer Fabio Novembre.

Who the great jazz musician Miles Davis was, 100 years after his birth

Ecco chi era il grande musicista jazz Miles Davis a 100 anni dalla nascita

Miles Davis, the legendary jazz trumpeter and composer, is commemorated on the centenary of his birth. The article traces his career from his early days with Charlie Parker's bebop quintet in 1944, through his pioneering of cool jazz with "Birth of the Cool" (1949) and modal jazz with "Kind of Blue" (1959), to his later fusion experiments with electric instruments and funk-rock on albums like "Bitches Brew" (1970). It also highlights his lesser-known work as a painter, creating abstract, expressionist works influenced by Kandinsky, Basquiat, and Picasso, which were only exhibited after his death.

From crime to culture. In Ville Couëlle opens the first museum of the Costa Smeralda

Dalla criminalità alla cultura. A Ville Couëlle apre il primo museo della Costa Smeralda

The former Ville Couëlle complex in Sardinia's Costa Smeralda, an iconic example of organic architecture designed by French visionary Jacques Couëlle, has been officially transferred to the municipality of Arzachena after being seized from organized crime by Italy's National Agency for Seized and Confiscated Assets. The 37-million-euro property, spanning 30,000 square meters in the Abbiadori district, will be transformed into the first museum of the Costa Smeralda, featuring exhibition spaces, conference halls, educational labs, a bookshop, and a café.

The Forgotten of Art: The Story of Artist Valeria Alberti

I dimenticati dell’arte. La storia dell’artista Valeria Alberti

Valeria Alberti (1930-2011), a courageous, rebellious, and nonconformist Italian artist, had a brief but intense career before disappearing from the art world. Recent research by scholar Manuel Barrese reconstructs her trajectory as the only woman in a circle of artists and intellectuals around poet Emilio Villa and the Galleria Appia Antica. Alberti debuted in 1957 alongside Alberto Sartoris, collaborated with ceramist Mario Molli, and created painted panels for the transatlantic liners Leonardo Da Vinci and Michelangelo. She exhibited at Galleria Ferro di Cavallo and Galleria Azimuth, and received Piero Manzoni's Certificate of Authenticity No. 26 in 1961. Her later work included geometric metal sculptures, but she ultimately vanished from the art scene.

Omaggio a Luigi Ghirri ad Artbox su Sky Arte

The new episode of Artbox on Sky Arte, airing May 26, focuses on the exhibition "Luigi Ghirri. A series of dreams. Paesaggi visivi e paesaggi sonori" at the Musei Civici and Teatro Valli in Reggio Emilia, which explores the unique relationship between Luigi Ghirri's photography and music. The episode features curator Ilaria Campioli and Adele Ghirri, president of the Fondazione Luigi Ghirri and the artist's daughter. Additionally, Maria Vittoria Baravelli's segment "Invito al viaggio" examines female royalty through art, cinema, and fashion, and the program visits the Galleria d’Arte Moderna Ricci Oddi in Piacenza to discuss recent renovations by architect Piero Lissoni. The episode also includes a book review of "Histoire des galeries d’art en France" by Alice Ensabella.

Sculpture as a Form of Architecture: Happening at the Foundation of Super Artist Anish Kapoor in Venice

La scultura come forma di architettura. Succede alla Fondazione del super artista Anish Kapoor a Venezia

Anish Kapoor has opened a major solo exhibition at Palazzo Manfrin in Venice, a 16th-century building he purchased in 2018, now home to his foundation. The show, running until August 8 during the 61st Venice Biennale, spans over fifty years of his practice, featuring models, studies, and installations that blur the line between sculpture and architecture. Works include the Monte Sant'Angelo metro station in Naples, the ArcelorMittal Orbit tower for the 2012 London Olympics, the inflatable concert hall Ark Nova, and the environmental installation Temenos. The palazzo itself remains under restoration, with exposed construction elements and workspaces visible, reinforcing the exhibition's theme of continuous transformation.

The regeneration of Rome's former barracks begins, where the Museum of Science will also rise. Objectives and timeline of the construction site

Parte la rigenerazione delle ex caserme di Roma, dove sorgerà anche il Museo della Scienza. Obiettivi e tempi del cantiere

The Italian government, through Cassa Depositi e Prestiti (CDP) and COIMA Sgr, has launched the regeneration of the former Guido Reni military barracks in Rome's Flaminio district. The 5-hectare site, abandoned since 2019 and located opposite the MAXXI museum, will be transformed into a mixed-use urban district including housing, retail, a hotel, green spaces, and a new Museum of Science. Demolitions are set to begin in October 2026, with the project expected to be completed by 2029. The museum will be designed by Rome-based studio ADAT, which won an international competition in 2023.

In Milan, the first exhibition-market dedicated entirely to 20th-century modernariato arrives

A Milano arriva la prima mostra-mercato dedicata interamente al modernariato del Novecento

The article announces the arrival of SOMO (Solo Modernariato), Italy's only fair dedicated entirely to 20th-century modernariato, in Milan. After two years in Alzano Lombardo near Bergamo, the event will take place at Superstudio Più in Via Tortona 27 on May 23-24, 2026. It will feature over 70 exhibitors from across Italy, showcasing furniture, lamps, and objects produced between the post-war period and the 1980s, targeting collectors, architects, interior designers, and a new generation of enthusiasts.

Nella Tenuta Todini in Umbria sta per aprire un parco di sculture d’arte contemporanea. Le immagini

A new contemporary sculpture park, Parco Sculture Todini, is set to open on May 23 within the Tenuta Todini estate in Collevalenza, near Todi, Umbria. The debut features two site-specific works: "VITE" by Matteo Attruia, which plays on the double meaning of vine and lives, and "Tempus Mirabilis" by Silvia Ranchicchio, a reflective environmental sculpture that changes with light and seasons. The park is curated by Massimo Mattioli and supported by the Arvedi steelworks of Terni and entrepreneur Luisa Todini.

La grande artista Carla Accardi e l’arte italiana sono da record nell’asta da Dorotheum a Vienna

Dorotheum opened its Contemporary Week in Vienna on May 19, 2026, with modern and contemporary art sales that achieved strong results, particularly for Italian artists. Carla Accardi set a new auction record when her 1986 triptych *Fonda Notte Pieno Giorno* sold for €520,000, while works by Piero Dorazio, Emilio Vedova, Marino Marini, and Gino Severini also far exceeded their estimates. Top lots included Claude Monet’s *Waterloo Bridge* (€611,000) and Mikuláš Medek’s *Too Deep a Sleep V* (€546,000).

The archive of the great architect Piero Portaluppi opens to the public: it happens at Villa Necchi in Milan

L’archivio del grande architetto Piero Portaluppi apre al pubblico: succede a Villa Necchi a Milano

The Fondo Ambiente Italiano (FAI) has opened a new permanent archive space dedicated to the architect and intellectual Piero Portaluppi (1888-1967) inside Villa Necchi Campiglio in Milan, the architect's own masterpiece. The archive, acquired by FAI in December 2025 from the closing Fondazione Portaluppi, is housed in three attic rooms and includes thousands of original documents, drawings, photographic prints, sketchbooks, caricatures, postcards, and 16 mm film reels totaling eight hours of footage shot between the 1930s and 1960s. The collection also features Portaluppi's personal library of three thousand volumes and architecture journals, which will be made available for study in collaboration with the Soprintendenza Archivistica e Bibliografica della Lombardia and the Politecnico di Milano.

The Finale Cut: Lucio Fontana e la sua arte al cinema

A new documentary titled "The Final Cut" explores the life and artistic journey of Lucio Fontana, the Italian-Argentine artist famous for his slashed canvases (Concetti Spaziali). Produced by Good Day Films and Nexo Studios, directed by Andrea Bettinetti and narrated by Miriam Leone, the film will screen in Italian cinemas on May 25–27 as part of the "La Grande Arte al Cinema" season. It features archival footage, interviews with artists such as Doug Wheeler, Antony Gormley, Carsten Höller, Alfredo Jaar, Michelangelo Pistoletto, Heinz Mack, and scholars Luca Massimo Barbero and Daniela Alejandra Sbaraglia, highlighting Fontana's revolutionary approach and his first immersive installation, "Ambiente Spaziale a luce nera" (1949).

Story of Max Peiffer Watenphul, the Bauhaus painter who found his new homeland in Italy

Storia di Max Peiffer Watenphul, il pittore del Bauhaus che trovò in Italia la sua nuova patria

A major retrospective titled "Max Peiffer Watenphul. Pittore del Bauhaus" has opened at the Galleria Nazionale d'Arte Moderna e Contemporanea (GNAMC) in Rome, curated by Gregor H. Lersch, director of the Museo Casa di Goethe. The exhibition explores the complex artistic journey of Max Peiffer Watenphul (1896–1976), a German Bauhaus-trained painter who found a second home in Italy. It highlights his multidisciplinary approach, his troubled painting style marked by unusual materials and scratched surfaces, and his deep connection to Italy, where he fled after Nazi persecution and where he lived until his death.

In Venice two new cultural realities in the Civic Museums circuit: a contemporary art center is born in Mestre and the Wagner Museum enters the network

A Venezia due nuove realtà culturali nel circuito dei Musei Civici: nasce un centro d’arte contemporanea a Mestre e entra nella rete il Museo Wagner

The Fondazione Musei Civici di Venezia (MUVE) has opened a new contemporary art museum called MUVEC (Casa delle Contemporaneità) at the Centro Candiani in Mestre, inaugurated on April 24. Simultaneously, MUVE has signed an agreement with the Casinò di Venezia and the Associazione Richard Wagner to bring the Museo Wagner in Ca' Vendramin Calergi into its network starting in 2027, expanding the MUVE circuit to 14 museums (excluding MUVEC). MUVEC features a permanent collection spanning from 1948 to the present, drawn from the Galleria d'Arte Moderna di Venezia Ca' Pesaro, and will host temporary exhibitions including a 2026 show on Klimt, Schiele, Kokoschka and the body.

Da Medardo Rosso a Josef Albers: il Novecento va in asta da Il Ponte a Milano

Il Ponte auction house in Milan will hold sales of Modern and Contemporary Art on May 26-27, 2026, followed by Prints and Multiples, with previews from May 22-24 at Palazzo Crivelli. Highlights include Josef Albers' *Study for Homage to the Square: Full Tenor* (1959, estimate €200,000-300,000), Medardo Rosso's wax sculpture *Enfant juif* (€70,000-80,000), and works by Giorgio Morandi, Bruno Munari, Felice Casorati, Giorgio de Chirico, and others spanning the 20th and 21st centuries.

The great artist who designed precious rings for an Italian brand inspired by crabs

La grande artista che ha disegnato preziosissimi anelli per un brand italiano ispirandosi ai granchi

American multidisciplinary artist Pae White has collaborated with Milanese jewelry house Maison Vhernier to create a limited-edition ring collection inspired by crabs and marine life. The collection was unveiled in Venice during the launch days of the Venice Biennale, following a preview in Los Angeles at collector Eugenio Lopez's home. White drew inspiration from crab exoskeletons and shells found on the California coast, working with Vhernier's master artisans in Valenza to produce ten ring designs—each limited to two pieces—featuring abalone mother-of-pearl, jade, rock crystal, sapphires, and diamonds set in white gold.

You can retrace the entire career of the legendary designer Alessandro Mendini in this exhibition in Verbania

Si può ripercorrere tutta la carriera del mitico designer Alessandro Mendini in questa mostra a Verbania

A new exhibition titled "Alessandro Mendini. COSE. Stanze come mondi" has opened at Villa Giulia in Verbania, Italy, running until September 27. Curated by art historian Loredana Parmesani, the show condenses the career of legendary designer Alessandro Mendini (1931–2019) into seven rooms, each centered on one of his iconic objects—such as the Poltrona di Paglia (1974) and the Poltrona di Proust (1978)—alongside 130 total pieces including drawings, paintings, and texts. The selection was made with Mendini's daughters Elisa and Fulvia, and the layout follows the villa's 19th-century plan, turning each space into a distinct chapter of his creative journey.

Video interview with Cecilia Canziani and Chiara Camoni, curator and artist of the Italy Pavilion at the Venice Biennale

Video intervista a Cecilia Canziani e Chiara Camoni curatrice e artista del Padiglione Italia alla Biennale di Venezia

The article is a video interview with curator Cecilia Canziani and artist Chiara Camoni about the Italy Pavilion at the 61st Venice Biennale. Camoni's installation, titled "Con te e con tutto," features large, monumental figures called "Sisters" that evoke ancient yet contemporary presences, created through a slow, collective, and materially responsive process. The pavilion is divided into two spaces: a vertical, sacred-like area and a horizontal, convivial one that includes a sub-exhibition called "Dialoghi." The project builds on years of friendship and collaboration between Canziani and Camoni, and involves a fluid community of international students, weavers, midwives, and artists working at Camoni's studio in Fabbiano, on the Apuan Alps.

7 new art and culture books in bookstores. Maps of the present: between art, work, memory and forms of perception

7 nuovi libri d’arte e cultura in libreria. Mappe del presente: tra arte, lavoro, memoria e forme della percezione

This article from Artribune presents a curated selection of seven new art and culture books recently released in Italy. The featured titles range from a theoretical lexicon for 21st-century arts edited by Nicolas Martino, which redefines key terms like 'author,' 'AI,' and 'care,' to a poetic pop-up book by Japanese designer Katsumi Komagata titled 'Piccolo Albero,' which uses paper engineering to narrate the cycle of life. Other works explore themes of labor, memory, domestic space (Giorgio Morandi), inner labyrinths (Andrea Bocconi), and direct testimony from Gaza, all aiming to provide new frameworks for understanding a fractured present.

Rediscovering Jorge Luis Borges as an Architectural Critic. 40 Years After His Death

Riscoprire Jorge Luis Borges come critico d’architettura. A 40 anni dalla morte

The article commemorates the 40th anniversary of Jorge Luis Borges's death, reflecting on his legacy as a writer and his lesser-known role as an architectural critic. It highlights a 2025 book by Estela Canto, a close friend, which reveals Borges's personal fragility and contradictions, such as his love for popular cinema over classical music. The piece also explores Borges's fictional architectural criticism, particularly his 1967 work *Cronache di Bustos Domecq* co-written with Adolfo Bioy Casares, where he satirized functional architecture through invented pioneers like Adam Quincey and Alessandro Piranesi.

Obey racconta la sua mostra a Napoli ad Artbox su Sky Arte

The article covers the latest episode of Artbox on Sky Arte, focusing on the exhibition "OBEY: Power to the peaceful" at Gallerie d'Italia in Naples, running until September 6. Curator Giuseppe Pizzuto, artist Shepard Fairey (OBEY), and Michele Coppola of Intesa Sanpaolo discuss the show, which features over 130 works addressing global imbalances and peace as a political act. The episode also includes a segment on overtourism by Maria Vittoria Baravelli, a book review of "Misia e Basta" by Francesca Frigerio, and a feature on the interdisciplinary exhibition "La Maddalena di Piero di Cosimo" at Palazzo Venezia in Rome, curated by Edith Gabrielli.

There is an absent pavilion at the 2026 Venice Art Biennale that no one has talked about: Venezuela

C’è un padiglione assente alla Biennale d’Arte di Venezia 2026 di cui nessuno ha parlato: il Venezuela

The Venezuelan pavilion at the 2026 Venice Art Biennale remains closed, an absence that has gone largely unnoticed amid other controversies surrounding the Russian, Israeli, South African, and Iranian pavilions. Designed by architect Carlo Scarpa and built between 1953 and 1956, the pavilion now displays a trilingual sign stating it will "rise again soon," reflecting the country's collapse after the kidnapping and imprisonment of President Nicolás Maduro by the United States and the installation of a fragile pro-American interim government.

Provincia Cosmica. Interview with Giuseppe Stampone, the artist who chose Gran Sasso as his home

Provincia Cosmica. Intervista a Giuseppe Stampone, l’artista che ha scelto il Gran Sasso come casa

Italian contemporary artist Giuseppe Stampone, born in Cluses in 1974, has returned to his native Abruzzo after years living in New York, Rome, and Brussels. Following the loss of his parents, he established his studio in the province of Teramo, where he is restoring a farmhouse under the Gran Sasso mountain to house the Archivio Giuseppe Stampone-Maria Crispal and an artist residency called Abruzzo Mon Amour. Stampone won the PAC2021 prize for his project "La natura delle cose," which explores his bond with the region and will create an archive dedicated to the flora and fauna of the Monti della Laga, Parco Nazionale d’Abruzzo, and Gran Sasso areas.

Il grande artista Michelangelo Pistoletto apre un hotel d’arte a Biella

Michelangelo Pistoletto has opened Hotel Cittadellarte in Biella, Italy, within his Cittadellarte Fondazione Pistoletto. The 31-room hotel houses the exhibition "L'ospite inatteso" by Giuseppe Stampone, curated by Ilaria Bernardi, with each room containing a unique artwork designed to be lived with rather than quickly viewed. The exhibition includes Stampone's "Fotocopie intelligenti" and large tapestries from the Brioni manufactory, addressing themes of migration, belonging, memory, and coexistence. The building was sustainably renovated with PNRR funds.

Mimmo Paladino torna a Milano con una grande mostra dopo anni. Sotterranea e immersiva

Mimmo Paladino returns to Milan with a major exhibition after 15 years, opening on May 16 at Palazzo Citterio's underground Sala Stirling. The show features his iconic series "Dormienti" (Sleepers), 32 anthropomorphic terracotta sculptures in fetal positions, arranged in a theatrical, immersive installation. The exhibition also includes a soundscape by Brian Eno and a selection of 15 drawings on paper from 1973, curated by Lorenzo Madaro and organized by Grande Brera and the Archivio Paladino. It runs until July 26, 2026.

Body as Device. Guide and Reflection on the Performances of the Venice Biennale

Corpo come dispositivo. Guida e riflessione sulle performance della Biennale di Venezia

The article analyzes the role of performance art at the 2026 Venice Biennale, arguing that performance is no longer a rediscovered genre but a structurally institutionalized primary form of experience production. It examines how the body reemerges not as an alternative to image-based works but as an internal interruption of the artwork system, preventing closure and reintroducing instability. Key pavilions are discussed: Austria's Florentina Holzinger with "Sancta" draws on 1970s radical performance and feminist body art, creating an immersive environment of continuous movement; Belgium's Miet Warlop with "IT NEVER SSST" engages post-dramatic theater and postmodern dance repetition; Japan's Ei Arakawa-Nash with "Grass Babies, Moon Babies" activates Gutai avant-garde legacies through viewer interaction with soft dolls.