The New York Times examines the enduring power of Felix Gonzalez-Torres's 1991 performance piece "Untitled" (Go-Go Dancing Platform), in which a go-go dancer performs on a pedestal for a brief, scheduled period each day. The work, currently on view at the Art Institute of Chicago, uses the dancer's absence as a central component, creating a poignant metaphor for queer presence and loss.
A new hotel, the Ace Hotel Kyoto, has opened in the historic Umekoji neighborhood, housed within a renovated 1920s brick building that was once the Kyoto Central Telephone Office. The project, a collaboration between Ace Hotel Group and Japanese developer NTT Urban Development, blends the original structure's industrial character with contemporary design by Kengo Kuma and Commune Design, featuring guest rooms, restaurants, and a gallery space.
Cultured magazine's editors have published a holiday gift guide featuring a curated selection of items ranging from books and film memberships to robes, facials, and art-related products. Recommendations include Elaine Kraf's novel "The Princess of 72nd Street," an AAA24 membership from production company A24, a Hanro shawl collar cotton robe, a facial from Cali Strauhs, and a set of architecture-themed notebooks and books from the New Museum and Special Special. The guide also highlights a bronze sculpture by artist Ryan Schneider, tying the list to contemporary visual art.
Cultured magazine has published a guide to gallery and museum exhibitions taking place during Miami Art Week, spanning from December 2025 through early 2026. The roundup highlights solo shows by Studio Lenca at David Castillo Gallery, Aneta Grzeszykowska at Voloshyn Gallery, and Woody De Othello at Pérez Art Museum Miami, alongside a posthumous survey of Richard Hunt at the Institute of Contemporary Art, Miami, and a pop-up exhibition organized by Jeffrey Deitch in the Miami Design District. Other featured presentations include Shayla Marshall's installation at a Walgreens storefront, Lawrence Lek's "NOX Pavilion" at the Bass, and a show by Thomas Houseago.
Paul Morley's new biography of Yoko Ono, *Love Magic Power Danger Bliss*, attempts to reframe the artist beyond her reputation as a 'Beatles wife' but ultimately fails, according to this critical review. The book covers Ono's first three decades, from her birth in Japan in 1933 to meeting John Lennon in 1969, but is dominated by lengthy asides on male avant-garde figures like George Maciunas and Pete Townshend, leaving Ono a passive presence in her own story. Morley promises not to mention Lennon but breaks that promise, and the review argues the book is aimed more at 'rock dads' still upset about the Beatles breakup than at understanding Ono's artistic contributions.
The ArtReview Podcast episode 7 features artist and photographer Zineb Sedira in conversation with digital editor Alexander Leissle. Sedira discusses Algerian cinema, the Scopitone, and her new Tate Britain Commission titled "When Words Fall Silent, Cinema Speaks," a site-specific installation in the Duveen Galleries open until January 2027. The episode explores three works chosen by Sedira, including Agnès Varda's "Salut les Cubains" (1963) and William Klein's "The Pan-African Festival of Algiers" (1969), as lenses into her practice and themes of displacement, identity, and cinema as a tool of resistance.
Mongolian artist Tuguldur Yondonjamts explores the habitat of the saker falcon through a series of accordion-style books titled *The Secret Mountain of Falcons* (2011–14), created during fieldwork across Mongolia. The drawings, presented in Perspex vitrines at his solo exhibition *Wolf Loving Princess* at Gallery Ver in Bangkok, depict the falcon's perspective as imagined by the artist, blending black-and-white film-like imagery with abstract textures. The work responds to the falcon trade, particularly to the Middle East, and the species' declining population, which led to its designation as Mongolia's national bird in 2012.
The 25th Biennale of Sydney, titled "Rememory" and curated by Hoor Al Qasimi, features 143 works by 83 artists and collectives from 37 countries across five venues. The exhibition explores marginalized, fragmented, and repressed histories, drawing on Toni Morrison's concept of 'rememory' as a space between remembering and forgetting. Key works include Tuan Andrew Nguyen's film on Vietnam War trauma, Basel Abbas and Ruanne Abou-Rahme's immersive installation on Palestinian displacement, Khalid Albaih's photographs of Sudan, and Massinissa Selmani's drawings on Algerian socialist building projects.
The article, published by ArtReview, examines the upcoming 61st Venice Biennale (2026), titled *In Minor Keys*, which was conceived by artistic director Koyo Kouoh before her death from cancer in May 2025 at age 57. The exhibition, based on Kouoh's drafted concept and completed by a curatorial team including Rory Tsapayi, Siddhartha Mitter, Marie Hélène Pereira, Gabe Beckhurst Feijoo, and Rasha Salti, adopts a musical metaphor of "minor-ness" and aims to avoid the pitfalls of previous Biennales by focusing on soul frequencies and dissonant harmony rather than direct commentary on world crises. The author, Martin Herbert, questions how critics will respond to a posthumous exhibition of this unprecedented scale, noting that previous artistic directors like Robert Storr, Cecilia Alemani, Christine Macel, and Adriano Pedrosa have faced varied critical receptions.
Taiwan’s National Culture and Arts Foundation has revoked the National Award for Arts granted to artist Sakuliu Pavavaljung in 2018, ordering him to return the NTD 1 million prize. The revocation follows a Supreme Court ruling on 1 April that upheld a January 2025 conviction by the Pingtung District Court, which found the artist guilty of rape and sentenced him to four years and six months in prison.
The Venice Biennale, with its national pavilion structure, has always been a platform for political expression and soft power, a reality evident from its early 20th-century origins. Contemporary critic Arturo Lancellotti's 1909 review of the German and British pavilions was steeped in geopolitical context, revealing how national artistic displays were interpreted through the lens of imperial power and military alliances.
British artist Anne Hardy presents a suite of floor-based installations and assemblage sculptures titled "Interloper" at Visual. The exhibition features a series of "Beings"—twisted, life-size humanoid entities constructed from rusted wire, crushed cans, soil, and the artist’s own cast body parts and clothing. These figures, often posed in yoga-like positions or meditative stances, appear as hollow, faceless outlines that blend a sense of vitality with physical disintegration.
Artist John Skoog has premiered a new black-and-white feature film, 'Redoubt' (2025), starring Denis Lavant, and opened a concurrent exhibition at Moderna Museet in Malmö. The film follows a farmhand building an apocalyptic shelter, while the museum installation features the full-scale, fabricated bunker from the film's production.
Art21 will honor artists Paul Pfeiffer and Charles Gaines at its 2026 Spring Gala on April 14, alongside a tribute to philanthropist Agnes Gund. The event, held at Tribeca Rooftop, features a live auction of exclusive experiences and a marching band procession, and serves as the centerpiece of the organization's year-long 25th-anniversary celebration.
7 expériences hôtelières inédites à travers le monde pour voyageurs inspirés
Beaux Arts Magazine presents a curated selection of seven unique hotel experiences worldwide, designed for art-loving travelers. The featured properties include a converted convent in Nice (Hôtel du Couvent, opened summer 2024), a Louis XIII-era castle near Fontainebleau (Domaine de Fleury), a five-star hotel in Amboise (Relais d'Amboise) with artworks by Bernar Venet, and a mountain inn in Sils-Maria, Switzerland (Chesa Marchetta) operated by art dealers Iwan and Manuela Wirth. Each destination blends historic architecture, exceptional landscapes, and artistic elements to offer immersive stays.
Les meilleures expos du moment à voir à Paris
Beaux Arts Magazine has published a guide to the best current exhibitions in Paris for spring 2026, highlighting major shows such as "Martin Parr. Global Warning" at the Jeu de Paume, "Matisse. 1941–1954" at the Grand Palais, "Michel-Ange Rodin" at the Musée du Louvre, "Renoir et l'amour" at the Musée d'Orsay, "Calder. Rêver en équilibre" at the Fondation Louis Vuitton, and "Splendeurs du baroque" at the Musée Jacquemart-André. The article also features retrospectives of Hilma af Klint at the Grand Palais, Károly Ferenczy at the Petit Palais, Henry Taylor at the Musée Picasso, a Lee Miller exhibition at the Musée d'Art moderne de Paris, a Giovanni Segantini show at the Musée Marmottan Monet, and a Nan Goldin multimedia presentation at the Grand Palais.
L’art vu par… Louise Bourgoin
French actress Louise Bourgoin discusses her deep-rooted connection to the visual arts, stemming from her studies at the Beaux-Arts de Rennes. She reflects on her first art purchase in the Czech Republic, her obsession with line drawing, and how the abstract works of Mark Rothko have informed her acting performances. Bourgoin also reveals her upcoming project: illustrating a children's book written by Arthur Dreyfus, set for release in September.
Le marché asiatique porte Art Basel Hong Kong
Art Basel Hong Kong 2026 concluded with strong attendance and significant sales, demonstrating the fair's central role in the Asian art market. The event attracted over 91,000 visitors and featured 240 galleries, with a strong presence from the Asia-Pacific region, Europe, and the United States. Major international galleries like Gagosian, Hauser & Wirth, and David Zwirner reported multimillion-dollar sales of works by artists such as Louise Bourgeois, Liu Ye, and Marlene Dumas, alongside notable transactions for works by Tracey Emin and Antony Gormley.
À New York, les expositions-ventes de Sotheby’s font salle comble
Sotheby's New York has experienced an unprecedented surge in public attendance at its exhibition-sales held in the iconic Breuer Building. In just two weeks, over 25,000 visitors—a 3.8-fold increase from the previous year—queued around the block to see works by artists like Gustave Klimt, Maurizio Cattelan, and René Magritte, with total attendance from November to late January reaching 46,325. The crowds, reminiscent of a major museum show, initially overwhelmed staff, who had to manage the flow to preserve the viewing experience for high-value clients.
Manuel Segade, director of the Museo Nacional Centro de Arte Reina Sofía in Spain, has been threatened with removal by lawmakers if he does not complete a full inventory of the museum’s over 25,000 artworks by December 31, 2025. The pressure comes from Spain’s Court of Auditors, which has criticized the museum’s cataloguing methods for years, and is backed by the far-right and the conservative Popular Party. Segade, appointed in 2023, has been overseeing a multi-year renovation and has increased the representation of women artists to 35%, though only 15% of the collection’s 26,000 pieces are by women. The museum recently refused to lend Picasso’s *Guernica* to the Guggenheim Bilbao, and a pro-Israel group filed a complaint over a Palestinian flag display and a seminar series.
The Brandywine Conservancy & Museum of Art in Chadds Ford, Pennsylvania, has selected Tokyo-based architecture firm Kengo Kuma & Associates to lead a $100 million transformation of its campus. The project will expand the current 15-acre site into a 325-acre public preserve and garden with ten miles of trails, including a new 40,000-square-foot freestanding museum and a renovation of the existing 19th-century grist mill building. Kengo Kuma will add 14,000 square feet of gallery space, and the new trails will connect the two museums to the original studios of N. C. Wyeth and Andrew Wyeth.
The Athens-based cultural institution NEON, founded by prominent art collector Dimitris Daskalopoulos in 2012, is closing after 14 years. Operating without a permanent building, NEON organized 44 exhibitions across unconventional spaces, including ancient archaeological sites, commissioning works by artists such as Marina Abramović, Anastasia Douka, and Danh Vo. Its final project is a trilogy by artist Michael Rakowitz titled "Michael Rakowitz & Ancient Cultures," which began at the Old Acropolis Museum and will conclude later this year.
The Metropolitan Museum of Art has received a $23 million donation from newly elected trustee Jennifer Rubio and her husband Stewart Butterfield, made through the Rubio Butterfield Foundation. The principal gift will endow the museum's undergraduate and graduate internship program in perpetuity, which will be renamed after the couple starting September 2026. An additional donation supports the Met's new Tang Wing for modern and contemporary art, set to open in 2030.
A Manhattan jury has ordered art publisher Michael McKenzie to pay $102.2 million in damages for creating unauthorized or adulterated versions of works by the late Pop artist Robert Indiana. The lawsuit, brought by Indiana’s former business partner the Morgan Art Foundation, alleged that McKenzie produced Indiana-related junk products that infringed trademark and copyright, including reproductions of Indiana’s iconic “LOVE” design and the artworks *The Ninth American Dream* (2001) and *USA FUN* (1965). The jury found McKenzie liable for exploiting Indiana in the final years of his life, after the artist granted power of attorney to his caretaker, Jamie Thomas.
Raphael Fonseca, a prominent curator specializing in Latin American art, has been appointed as the new visual arts programmer at Culturgest in Lisbon. He will relocate to Portugal in June, succeeding Bruno Marchand, while maintaining a curator-at-large position with the Denver Art Museum, where he has served since 2021.
A major portrait by Pierre-Auguste Renoir, "La femme aux lilas (Portrait de Nini Lopez)" (1876–77), will be sold at Christie's on May 18. The painting, which has been held privately by the Whitney Payson family for 97 years, is expected to fetch between $25 and $35 million.
Swiss art historian Maria Schnyder has been appointed as the new director of the De Pont Museum of Contemporary Art in Tilburg, Netherlands. She will succeed the retiring director Martijn van Nieuwenhuyzen in October. Schnyder is an internal promotion, having joined the museum in 2013 and served as its deputy director for the last four years.
The John Simon Guggenheim Memorial Foundation has announced its 101st class of fellows for 2026, awarding 223 individuals across 55 disciplines. This year’s cohort includes a significant number of visual artists and art professionals, such as American Artist, John Ahearn, Sonya Clark, and Fia Backström, alongside scientists, writers, and scholars. The fellowships provide varying monetary awards, typically ranging from $30,000 to $45,000, to support the recipients' ongoing creative and intellectual projects.
Thai artist Rirkrit Tiravanija will headline the Qatar Pavilion at the 61st Venice Biennale with a collaborative project titled “Untitled (a gathering of remarkable people).” Curated by Tom Eccles and Ruba Katrib, the exhibition will be housed in a temporary tent in the Giardini on the site of Qatar’s future permanent pavilion. The presentation features a multidisciplinary roster including filmmaker Sophia Al-Maria, sound artist Tarek Atoui, sculptor Alia Farid, and chef Fadi Kattan, blending live performance, cinema, and Middle Eastern culinary traditions.
The Getty Center in Los Angeles will close for a full year starting March 15, 2027, to undergo its first major renovation since opening in 1997. The "modernization initiatives" include updates to the galleries, a redesign of the Welcome Hall with a new café, and the replacement of the iconic tram system to increase passenger capacity. During the closure, the Getty Villa in Malibu will remain open and display highlights from the Center’s permanent collection, while additional programming will be held at a temporary space on Sepulveda Boulevard.