Heart Café and Church in Liverpool is hosting an art exhibition titled 'Rebirth' until May 3rd. Curated by café employee Emily Blackmore, the show features 25 works by 21 local artists, interpreting themes of spring and new beginnings. It opened on Good Friday to align with ideas of spiritual transformation.
The Circle of Parisian Artists is holding its 24th annual exhibition at the Parc Floral in Paris from May 4 to 31, 2026. The event will feature over 500 works by more than 130 artists, spanning painting, sculpture, photography, engraving, and pastel, and will include participatory workshops led by the artists on weekends and holidays.
Ogden City’s quarterly Community Art Show at Union Station has become a staple of the local creative scene, offering a low-barrier platform for artists of all ages and skill levels. Managed by Ogden City Arts, the program accepts a diverse range of media—including poetry, textiles, and 3D works—with no entry fees for participants. The initiative, which began in 2020 as a way to activate the historic Union Station lobby during the pandemic, now showcases between 25 and 75 pieces per exhibition.
The 25hours Hotel Jakarta The Oddbird has launched the inaugural Room Art Fair 2026 to coincide with World Art Day. In collaboration with the Indonesian Art Galleries Association (AGSI), the event transforms the hotel’s 10th-floor guest rooms into immersive gallery spaces featuring 13 different galleries. By removing the formal barriers of traditional white-cube settings, the fair allows visitors to engage with contemporary Indonesian art in a domestic, intimate environment.
The Pikesville Armory has been transformed into an immersive walk-through installation titled "Resonant Site," featuring the collaborative work of local artists. Utilizing a complex arrangement of video projections, soundscapes, and dozens of screens, the exhibit captures the industrial and natural landscapes of Baltimore’s Curtis Bay, focusing on the delicate intersection of water, industry, and residential life.
The group exhibition "Virgin Islands Contemporary" is set to open at Salt of the Earth Tattoo in St. Thomas, featuring the work of ten local artists. Curated by Lucien Downes, the show highlights a diverse range of visual mediums that move beyond traditional Caribbean iconography like seascapes and historical narratives. The participating artists, including Brenda L. Cotto and Jon Euwema, explore themes of cultural evolution and identity through experimental materials and modern techniques.
The Dittmar Gallery at Northwestern University is hosting a community art exhibition titled “I was here,” featuring works by 24 local artists. Curated by Jasmine Ametovski and Clare Kirwan, the show highlights diverse mediums ranging from photography of the Berlin Wall to beeswax sculptures and multimedia installations. The exhibition focuses on how personal perspectives can redefine traditional art spaces and reclaim cultural identities through creative practice.
The Museum of the African Diaspora (MoAD) in San Francisco is celebrating the 10th anniversary of its Emerging Artists Program (EAP) by announcing its 2026-2027 cohort. Selected from hundreds of applicants, Bay Area artists Jasmine Ross, Demetri Broxton, Dorian Reid, and Tahirah Rasheed will each receive a fully supported solo exhibition at the museum. The program, which has supported 30 artists since 2015, provides crucial institutional backing, including curatorial guidance and production resources, to creatives at pivotal career moments.
Artist Jax Foster has launched Bowling Green’s Tiny Gallery, a miniature exhibition space located outside the Grounds for Thought cafe in downtown Bowling Green. The gallery officially opened on April 5 and features hand-crafted miniature works created by local artists, with the display rotating on a monthly basis to ensure a wide variety of community members can showcase their talent.
The Representational Art League has launched its latest group exhibition at the Hagopian Gallery, located within the Humboldt County Library in Eureka, California. This showcase features a diverse array of studio and plein-aire works created by local artists using mediums such as watercolor, acrylics, pastels, and oils. Featured participants include Paul and Nancy Rickard, Michelle Murphy-Ferguson, and several other regional creators.
The Chaffee Arts Center in Rutland, Vermont, is launching a new exhibition dedicated to the art of miniatures. Opening this Friday and running through May 22, the showcase is a collaborative effort featuring works from the Festival of Miniatures in Brattleboro, the Dollhouse and Toy Museum of Vermont, and approximately ten local artists, including watercolorist Lorraine Dewey.
The Rollins Museum of Art has unveiled "Souvenir," a new exhibition that explores the intersection of physical objects and personal or collective memory. Featuring works such as Cruz Castillo’s "Loss Came First"—a piece constructed from discarded lottery tickets—the show examines how everyday items, from kitsch keychains to historical relics, serve as vessels for nostalgia and reminders of the past.
Blanchland Village Hall in rural Northumberland is hosting the "Art at the Hall" exhibition, a multi-disciplinary showcase featuring more than 21 established and emerging artists. Running through April 12, the event displays an eclectic range of works including painting, sculpture, photography, and digital art, while offering visitors free demonstrations and opportunities to meet the creators.
The Springfield Museum of Art has launched “Black Lives as Subject Matter III,” a major exhibition featuring over 40 works by more than 20 Black artists from the Ohio region. Curated by the renowned Dayton-based artist Willis “Bing” Davis, the show spans a diverse range of mediums including digital art, photography, and mixed media. Notable works include Jimi Johnson’s tribute to his late daughter and Nathan Conner’s poignant montage addressing the contemporary Haitian experience in Springfield.
Serakai Studio has launched its inaugural exhibition, "Certainly," at its new Wong Chuk Hang space, Gold, in Hong Kong. Curated by Tobias Berger, the show features 50 works by 11 international artists and takes its conceptual cue from La Monte Young’s 1960 Fluxus score, "Draw a straight line and follow it." The exhibition explores the impossibility of perfection and the necessity of embracing unpredictability and experimentation in a volatile global climate.
Gold by Serakai Studio has launched its inaugural exhibition, "Certainly," in Hong Kong’s Wong Chuk Hang district. Curated by Tobias Berger, the former head of art at Tai Kwun, the show features 50 works by 11 diverse artists that explore themes of unpredictability and experimentation. The exhibition takes its conceptual cue from La Monte Young’s 1960 Fluxus score, "Draw a straight line and follow it," using the impossibility of that task as a metaphor for navigating global instability.
Baltimore-born artist Mark Anthony West Jr. is debuting a new body of work titled "Seven Stars Between Two Skies" at the Lord Baltimore Hotel. Created during a residency in Rio de Janeiro, the exhibition features portraits of American and Brazilian creatives depicted as sovereign forces, utilizing signature elements like terra cotta noses, metallic leaf, and symbolic ribbons to explore Afro-diasporic themes and spiritual lineage.
A new report from Art Basel and UBS reveals that the global art market grew by 7% in 2024, reaching an estimated $67.8 billion. This recovery was primarily driven by a surge in high-value sales at auction, particularly in the $10 million-plus segment, which saw a 42% increase in value. The United States retained its position as the world's largest art market, while the UK overtook China to reclaim second place.
The Prison Creative Arts Project (PCAP) is celebrating the 30th anniversary of its Annual Exhibition of Artists in Michigan Prisons at the University of Michigan’s Duderstadt Center Gallery. The landmark show features over 800 works by more than 600 incarcerated artists across 26 facilities, ranging from traditional paintings to sculptures made from soap and found materials. This year’s edition is curated by guest artist Omari Booker, whose own work is displayed in dialogue with the incarcerated artists, and includes a collaborative musical component titled "New Art // New Music."
The Colorado Springs Fine Arts Center at Colorado College has launched "Where I Learned to Look: Art from the Yard," an exhibition featuring works by more than 30 artists. Curated by artist and art historian Josh T. Franco, the show explores how residential yards serve as creative spaces between the private home and the public world. The display includes a diverse range of objects, from a functional windmill and an oversized cornhole set to a decorated Volkswagen Beetle and sculptures inspired by real estate signs.
The Bridge at 909 art exhibit recently held a reception in the lobby of Evanston’s City Hall, featuring a dialogue between the works of established local artist Chris Froeter and emerging Chicago artist Gabi Bozeman. Curated by Juelle Daley, the exhibition juxtaposes Froeter’s large-scale, monochromatic portraits of activists from his “Voices” series with Bozeman’s vibrant, surrealist canvases focused on young Black women. The pilot program aims to transform public municipal spaces into accessible galleries that engage passersby in their daily routines.
A collection of 666 artworks by 135 Afro-Brazilian artists has been voluntarily repatriated to Brazil from Detroit, Michigan, marking the largest return of its kind in the nation's history. The works, which include sculptures, paintings, and ritual objects, were returned to the National Museum of Afro-Brazilian Culture (Muncab) in Salvador after being held in the United States for three decades.
The 'Living in Color' exhibition opened at the chapel in Dorothea Dix Park in Raleigh, North Carolina. The show, curated by the Raleigh Film and Art Festival, features work from more than 40 visual artists and performers, blending visual art with live music, spoken word, and dance. It is free to the public and will run throughout February in celebration of Black History Month.
Upstairs Artspace in Tryon, North Carolina, has opened its second biennial Salon d’Upstairs exhibition. The show features over 100 works by more than 70 local artists, ranging from high school students to professionals, displayed in a dense, salon-style format. The exhibition serves as both a community engagement initiative and a fundraiser, with sales proceeds split between the artists and the gallery.
The Anton Art Center in Mount Clemens, Michigan, is presenting two winter exhibitions: the Michigan Annual LIII, featuring over 50 works from 35 artists across the state, and “Heartwork,” a themed show with nearly 40 works from 30 local artists. The Michigan Annual, now in its 53rd edition, received a record 390 submissions, making it the most competitive yet. The exhibitions run from January 31 to February 28, with an opening reception and awards ceremony on January 31.
The San Bernardino County Museum (SBCM) presents "Rudy C. Ramirez: A Retrospective, 1969–The Present," the first comprehensive survey of local Latino artist Rudy C. Ramirez, a Vietnam veteran. Running from January 17 to April 12, 2026, the exhibition features over 70 works spanning more than 50 years, showcasing his diverse styles and media, including influences from his time as a sign painter for the U.S. Air Force and his leadership in the Inland Empire Latino Art Association. The show was curated with his daughter Annette Ramirez, granddaughter Carina Lizarde, and museum educator Erica Watkins.
Three Suffolk women—journalists Mai Noman and Nicola Gooch, and curator Mary George—organized a weekend art exhibition titled 'From Suffolk to Gaza with Love' at Noman Studio in Monks Eleigh, raising over £25,000 for the UK charity Medical Aid for Palestinians. The event featured paintings and sculptures donated by 70 artists, attracted 200 attendees on opening night, and included Palestinian cultural elements such as oud music by Reem Anbar, Arabic cakes, and a talk by a Suffolk aid worker.
Canada's monument to the victims of communism in Ottawa, officially opened a year ago, will no longer include individual names on its Wall of Remembrance after a federal government report revealed that many of the unvetted "victims" had ties to Nazi or fascist groups. Originally designed by architect Paul Raff to feature 553 entries, the Department of Canadian Heritage reversed its decision following alarms raised by Jewish groups and independent media outlets like Ricochet and The Maple, which found that more than half of the 550 names should be removed. The department stated that the wall will now feature only thematic content aligned with Canadian values of democracy and human rights.
Google has launched Gradient Canvas, an exhibition of 13 newly commissioned artworks from multidisciplinary artists that explore the co-evolving relationships between people, nature, and machines. Inspired by the Bay Area’s local ecology, the works were created using Google tools and AI, and are presented both online via Google Arts & Culture and in a physical installation at Google's Gradient Canopy office in Mountain View. The initiative celebrates over a decade of artistic experimentation with AI, tracing back to Google researcher Alex Mordvintsev's development of DeepDream in 2015 and earlier residency programs.
In December 2025, a commemorative exhibition reunites twenty artists who first showed together in 2005 in 'Portugal through the Eyes of Artists,' hosted by Dr. Pedro Alexandre Amor de Fonseca Cabral Adão, then Consul General of Portugal in Goa. The original groundbreaking group show, held at his official residence in Altinho, was the largest of its kind in Goa at the time and reshaped the local art landscape. Now, two decades later, the same artists—joined by three emerging talents—present works in diverse media including painting, mixed media, and textile, honoring the late diplomat who championed their early careers.