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‘Drastic turmoil and change’: Tokyo show explores Japan's post-boom society through its art

The exhibition 'Prism of the Real: Making Art in Japan 1989-2010' at the National Art Center, Tokyo (NACT), explores Japanese contemporary art from the late Shōwa era through the Heisei era, a period of economic turmoil and social change. Curated by Doryun Chong, Isabella Tam, Kamiya Yukie, and Jihye Yun, the show originated from a friendship between Osaka Eriko and Suhanya Raffel, who collaborated on the 1999 Asia-Pacific Triennial. It features works by artists like Joseph Beuys, Nam June Paik, Lee Bul, Tsuyoshi Ozawa, Gimhongsok, Chen Xiaoxiong, and Navin Rawanchaikul, tracing Japan's artistic exchanges with Asia and the world, and addressing themes of gender, immigration, and national identity.

Lima’s historic city centre to be restored after years of earthquake damage and abandonment

The Metropolitan Municipality of Lima has launched an ambitious revitalization project called Lima 2035 to restore the city's historic center, a UNESCO World Heritage Site since 1991. Decades of neglect, earthquakes, and urban flight have left many buildings abandoned and damaged, particularly those made of adobe and quincha. The project, led by architect Luis Martín Bogdanovich Mendoza, involves over 500 professionals working since 2019 to rehabilitate the area, with completion timed for Lima's 500th birthday in 2035.

An expert’s guide to late Pablo Picasso: five must-read books on the second half of his career

Pablo Picasso remains one of the most prolific and studied artists in history. This article presents a curated reading list of five essential books focused on the second half of his career, timed to coincide with the exhibition 'Late Picasso' at Stockholm's Moderna Museet. The books, selected by curators Dieter Buchhart and Anna Karina Hofbauer, include 'Picasso: Painting Against Time' (2006), 'A Life of Picasso: The Triumphant Years, 1917-1932' (2008), 'Picasso: Endlessly Drawing' (2024), 'Picasso's Animals' (2014), and 'Pablo Picasso: A Retrospective' (1980), each offering unique insights into his later works, personal life, and artistic evolution.

Review: Art museum’s big fall fashion show is captivating, sexy and fun, albeit with glitches

The Cleveland Museum of Art has opened a major fall exhibition titled "Renaissance to Runway: The Enduring Italian Houses," featuring roughly 80 garments and accessories from top Italian fashion houses such as Gucci, Pucci, Armani, Versace, Valentino, Ferragamo, Max Mara, and Missoni. The show juxtaposes these modern and contemporary designs with over 40 Renaissance, Mannerist, and Baroque artworks from the museum's collection, exploring how Italian couture has drawn inspiration from art history. A digital video installation by filmmaker Francesco Carrozzini and photographer Henry Hargreaves, using AI technology, humorously depicts models "invading" the museum, underscoring fashion's disruptive cultural power. Despite some pacing and spatial choreography issues, the exhibition makes a compelling case for fashion as high art.

Two more mega museums open in Abu Dhabi

Abu Dhabi has opened two new mega museums on Saadiyat Island: the Zayed National Museum (ZNM) and the Natural History Museum, coinciding with the country's 54th National Day. The ZNM, one of five original institutions planned for the Saadiyat Cultural District in 2007, tells the story of the UAE from ancient civilizations to the present, featuring a reconstructed Bronze Age sailing ship and over 1,500 archaeological objects. The openings follow news that Frieze Abu Dhabi will launch next year and that Sotheby's will hold its first auctions in the emirate, with Abu Dhabi's sovereign wealth fund ADQ now holding a minority stake in the auction house.

Adrián Villar Rojas's new sculpture explores 'existential anxieties'

Argentine artist Adrián Villar Rojas unveiled a new untitled sculpture in Le Brassus, Switzerland, co-commissioned by Audemars Piguet Contemporary and the Aspen Art Museum. The bronze Triceratops skull, part of his series *The Language of the Enemy*, features a rendering of the Venus of Lespugue emerging from one horn and explores themes of communication, conflict, and prehistoric art. The work will travel to the Aspen Art Museum next spring for a solo exhibition.

New Exhibition is a Compelling Rummage Through the Relics of an Artist's Radical Life

The New Mexico Museum of Art's Vladem Contemporary has opened "Lucy Lippard: Notes from the Radical Whirlwind," an exhibition curated by Alexandra Terry that showcases artworks gifted to the influential art critic and activist Lucy R. Lippard by artists she championed. The show features pieces by Melanie Yazzie, Ana Mendieta, and others, tracing Lippard's journey from a young art history graduate working at MoMA to a writer for Artforum and Art International, and ultimately to a vocal advocate for social justice who merged art with activism.

Making fashion out of art: Students hit the runway with designs inspired by BYU Museum of Art exhibit

BYU students staged a runway show at the BYU Museum of Art, presenting fashion and makeup designs inspired by paintings from the exhibition "The Sense of Beauty: Six Centuries of Painting from Museo de Arte de Ponce." Students in a sewing class taught by Amber Williams created looks based on specific artworks, such as a dress evoking Dante Gabriel Rossetti's "The Roman Widow" and a contemporary two-piece inspired by Frederic, Lord Leighton's "Flaming June." Hair and makeup were done in collaboration with Theater and Media Arts students led by Jennine Hollingshaus. The exhibition, on view until Jan. 3, features works from the Museo de Arte de Ponce in Puerto Rico.

Frenemies or rivals? Tate Britain show explores Turner and Constable's turbulent relationship

Tate Britain will present "Turner and Constable," a major exhibition spanning 2025–2026 that explores the intertwined careers and rivalry of J.M.W. Turner (1775–1851) and John Constable (1776–1837). For the first time, a show is devoted to both artists, featuring historical reconstructions such as the famous 1831 Royal Academy Summer Exhibition pairing of Turner's *Caligula’s Palace and Bridge* (1831) and Constable's *Salisbury Cathedral from the Meadows* (1829–31). Curated by Amy Concannon, the exhibition includes loans from private collections and rarely seen works, including Turner's *The Burning of the Houses of Lords and Commons, 16 October 1834* (1835) from the Cleveland Museum of Art, on show in the UK for the first time since 1883.

Theaster Gates redeems discarded materials in Smart Museum’s ‘Unto Thee’

Theaster Gates's first solo exhibition in his hometown of Chicago, 'Unto Thee,' opens at the Smart Museum of Art, featuring materials collected over his career that are tied to the University of Chicago. The show includes slate from Rockefeller Chapel, glass lantern slides from the art history department, and the 4,500-volume archive of a late colleague, all transformed into sculptural installations that explore the changing meaning of objects.

Interview: Jon Seydl, John G.W. Cowles Director of the Allen Memorial Art Museum

Jon Seydl has been appointed as the new John G.W. Cowles Director of the Allen Memorial Art Museum at Oberlin College. Seydl, who previously served as director of the Krannert Art Museum at the University of Illinois Urbana-Champaign and worked at the Cleveland Museum of Art, brings extensive experience in university museums and a background in early modern Italian art history. In an interview, he discusses his deep appreciation for the Allen's collection, particularly self-portraits by Michael Sweerts and William Hogarth, and his vision for the museum as a sanctuary for mental health and interdisciplinary learning.

Explore the Studio Museum in Harlem’s Legacy of Artistic Innovation and Impact Through These Archival Gems

The Studio Museum in Harlem reopened its newly renovated space in Harlem on November 15, 2025, marking a new chapter for the 57-year-old institution. The article highlights archival gems from the museum's history, including the 1969 exhibition "Harlem Artists 69," which featured over 100 works by 53 local Black artists, and the long-running Artist-in-Residence program launched in 1969. These moments underscore the museum's role in championing Black artistic innovation and community engagement, supported by partnerships with Columbia University and local nonprofits.

Picasso Museum Malaga undergoes transformation to revisit artist's relationship with his father

The Picasso Museum Malaga (MPM) has opened a major exhibition titled "Memory and Desire," featuring 112 works from museums across Europe and the United States. The show centers on Picasso's 1925 painting "Studio with Plaster Head," on loan from MoMA in New York, and aims to rehabilitate the reputation of José Ruiz Blasco, Picasso's father and first art teacher. Curated by Eugenio Carmona, the exhibition challenges the long-held critical view that the father-son relationship was stormy, instead tracing the profound artistic influence José had on Picasso, from early academic works to surrealist masterpieces.

‘This is how art history is built’: unprecedented Mumbai exhibition unites works of Indian and Arab Modernism

A new exhibition titled 'Resonant Histories' has opened at Mumbai's Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS) museum, running until 16 February 2026. It is the first show to focus on the relationship between Indian and Arab Modernism, featuring over 40 works lent by the Sharjah-based Barjeel Art Foundation alongside pieces from Mumbai's Jehangir Nicholson Art Foundation (JNAF). The exhibition highlights visual and thematic resonances between artists from both regions, such as Syrian painter Marwan Kassab-Bachi and Indian master Francis Newton Souza, and addresses shared post-colonial struggles through works by artists like Chittaprosad Bhattacharya, Krishen Khanna, Abdul Qader Al Rais, and Naim Ismail. It also explores direct cultural exchanges, for example Egyptian artist Nazek Hamdi's adaptation of Bengali folk-art.

In 1960s New York, three single mothers bought a house together and turned it into a thriving live/work space

A new documentary film, *Artists in Residence*, premiered on November 14 at the DOC NYC film festival, telling the story of three single mothers—painters Lois Dodd and Eleanor Magid and the late sculptor Louise Kruger—who bought a former factory in New York's East Village in 1968. Denied a mortgage because single women could not apply for credit until 1974, they secured a loan from their landlord and transformed the building into a live/work space where they raised their children and pursued their art. The film, produced by Katie Jacobs, explores how each woman prioritized her creative practice while contributing to the city's cultural fabric.

4 Art Exhibits in Orange County Sure to Spark Inspiration This Winter

This article lists four art exhibitions in Orange County, California, that are recommended for winter viewing. The featured shows include a survey of contemporary painting at a local museum, a solo presentation by a rising West Coast artist, a group show exploring ecological themes, and a historical photography exhibition at a university gallery. Each exhibit is described briefly with location and key highlights to encourage public attendance.

The Woman Question 1550–2025 The City of Women

The Museum of Modern Art in Warsaw (MSN Warsaw) will launch two concurrent exhibitions, "The Woman Question 1550–2025" and "The City of Women," running from November 21, 2025, to May 3, 2026. Featuring nearly 200 women artists from around the world—spanning from Artemisia Gentileschi and Frida Kahlo to Yoko Ono and Tala Madani—the shows aim to present five centuries of art by women, curated by Alison M. Gingeras and a team of researchers including Julia Bryan-Wilson, Michalina Sablik, Vera Zalutskaya, Karolina Gembara, and Wiktoria Szczupacka. The exhibitions include works borrowed from major international institutions such as the Uffizi Gallery, Mathaf: Arab Museum of Modern Art, and the Nasjonalmuseet.

New Exhibition Reflects on “MAD” Magazine at the CAM

The Cincinnati Art Museum (CAM) will host "What, Me Worry? The Art and Humor of MAD Magazine," a traveling exhibition from the Norman Rockwell Museum in Stockbridge, Massachusetts, opening November 21. The show traces MAD's evolution from a satirical comic book launched in 1952 to a magazine format adopted in 1955 after clashes with the Comics Code Authority, featuring original covers, illustrations, interactive galleries, and thematic sections on mascot Alfred E. Newman, fold-ins, Spy vs. Spy, and spoofs of famous artworks.

Smithsonian American Art Museum presents blockbuster Grandma Moses exhibition

The Smithsonian American Art Museum in Washington, D.C., will present "Grandma Moses: A Good Day's Work" from November 25, 2025, through July 12, 2026. The exhibition features 88 works by Anna Mary Robertson "Grandma" Moses (1860–1961), drawn from the museum's collection, private collections, and public institutions. It repositions Moses as a multidimensional force in American art, exploring her artistic evolution from farmwife to famous artist in Cold War America, and includes photographs, ephemera, and excerpts from her autobiography. The show is organized by Leslie Umberger, senior curator of folk and self-taught art, and former Randall Griffey, with support from curatorial assistant Maria R. Eipert.

Pakistani artist Shahzia Sikander navigates her country’s complex past—a new monograph tells her story

Shahzia Sikander, a Pakistani artist born in Lahore after the Partition of India, is the subject of a new monograph by art historian Jason Rosenfeld. The article traces her rise from the National College of Arts (NCA) in Lahore, where she studied contemporary miniature painting—a genre uniquely associated with Pakistan—to international prominence. It highlights her graduate thesis, *The Scroll* (1989-90), which used the traditional Indo-Persian miniature form to critique General Zia ul Haq's military dictatorship, and positions her alongside Imran Qureshi as one of the best-known living artists of Pakistani origin.

Portland Art Museum to unveil $116m transformation with Mark Rothko at its heart

The Portland Art Museum (PAM) will unveil a $116 million expansion and renovation on November 20, the largest single-organization arts investment in Oregon history. The centerpiece is the new Mark Rothko Pavilion, a multi-story glass structure designed by Hennebery Eddy Architects and Vinci Hamp Architects, which bridges the museum's 1932 building with a former Masonic Temple. The project adds 100,000 square feet of renovated space, including new plazas with sculptures by Ugo Rondinone, Roy Lichtenstein, Anthony Caro, and Clement Meadmore. The Rothko family is lending major paintings from their private collection for display over two decades, with a promised gift at the end of that period, and made a six-figure donation to the museum's $146 million capital campaign.

Inside the 19th-century Parisian club that became a safe haven for female artists

Art historian Jennifer Dasal's new book "The Club" tells the story of the American Girls' Club, a Parisian safe haven founded in 1893 by Elisabeth Mills Reid at 4 Rue de Chevreuse in Montparnasse. The club provided affordable housing and meals for aspiring female American artists who faced obstacles their male counterparts did not, including societal pressure toward marriage, financial constraints, and safety concerns. Notable residents and participants included painters Anne Goldthwaite, Florence Lundborg, and sculptors Meta Vaux Warrick Fuller and Alice Morgan Wright, whose works and lives are chronicled in Dasal's account.

With end of US government shutdown, National Gallery of Art and Smithsonian museums start reopening

Federal museums in Washington, DC, including the National Gallery of Art and multiple Smithsonian Institution branches, began reopening after the longest US government shutdown in history ended on Wednesday night (12 November). The National Gallery of Art reopened its West Building and sculpture garden on 14 November, with the rest of the campus following on 15 November. Its postponed exhibition *The Stars We Do Not See: Australian Indigenous Art* opened on 15 November instead of 18 October. Three Smithsonian museums reopened on 14 November, five more on 15 November, and all remaining venues—including the Cooper Hewitt, Smithsonian Design Museum in New York—by 17 November. The Smithsonian American Art Museum’s exhibition *Grandma Moses: A Good Day’s Work* was postponed from its original 24 October opening.

The Met Presents First Exhibition of Works by Finnish Painter Helene Schjerfbeck in a Major U.S. Museum

The Metropolitan Museum of Art in New York will present "Seeing Silence: The Paintings of Helene Schjerfbeck," the first major U.S. museum exhibition dedicated to the Finnish painter (1862–1946). Featuring nearly 60 works on canvas, including loans from the Finnish National Gallery / Ateneum Art Museum and private collections, the exhibition runs from December 5, 2025, to April 5, 2026. It traces Schjerfbeck's artistic evolution from early naturalist works to her spare, experimental style, highlighting her resilience amid civil war, world wars, and Finland's independence.

Jenny Saville to present unseen Venice-inspired works to coincide with 61st Biennale

Jenny Saville will present previously unseen works in Venice next year as part of a major exhibition at the International Gallery of Modern Art at Ca’ Pesaro, running from 28 March to 22 November 2026. The show will feature around 30 works from the last 30 years, including a new cycle created in homage to the lagoon city, and coincides with the 61st Venice Biennale (9 May-22 November 2026). The exhibition draws from private and public collections, placing Saville's monumental canvases in dialogue with the great painters of Venice's artistic heritage.

Groundbreaking Art Takes Spotlight at O’Donnell Athenaeum Exhibit

A new exhibition titled “Groundbreakers: Post-War Japan and Korea from the Dallas Museum of Art and The Rachofsky Collection” has opened at the Edith and Peter O’Donnell Jr. Athenaeum at The University of Texas at Dallas, running through July 2026. Curated by Dr. Natalia Di Pietrantonio of the Crow Museum of Asian Art, the show features works from three major postwar movements—Mono-ha, Dansaekhwa, and Gutai—using unconventional materials like white glue, bells, wires, tin, and rocks. Highlights include Kazuo Shiraga’s foot-painted canvases, Takesada Matsutani’s vinyl glue sculptures, Atsuko Tanaka’s interactive wire installation, and Do Ho Suh’s translucent polyester corridor inspired by homesickness.

A new hope: Lucas Museum of Narrative Art sets September 2026 opening date

The Lucas Museum of Narrative Art in Los Angeles has announced its opening date of September 22, 2026, more than a decade after the project was first conceived by filmmaker George Lucas and his wife Mellody Hobson. The museum, which moved from San Francisco to Chicago before settling in Los Angeles's Exposition Park, has grown from a $700 million budget to a reported $1 billion and will house over 40,000 works across 100,000 square feet of exhibition space. The collection spans ancient artifacts, canonical artists like Frida Kahlo and John Singer Sargent, comic book legends such as Jack Kirby and Alison Bechdel, photography by Gordon Parks and Dorothea Lange, and the Lucas Archives of film memorabilia.

The Interview: Thelma Golden

Thelma Golden, director and chief curator of the Studio Museum in Harlem, is interviewed ahead of the museum's reopening in a new Adjaye Associates-designed building following a $300 million capital campaign. Golden reflects on her career, including curating the politically charged 1993 Whitney Biennial and the landmark exhibition "Black Male: Representations of Masculinity in Contemporary American Art" (1994–95), as well as her influential 2001 show "Freestyle," which introduced the concept of "post-Black" art. The article also highlights the museum's first exhibition in the new building, focusing on artist Tom Lloyd, whose work was featured in the museum's inaugural show in 1968.

New York’s Studio Museum—known for championing Black artists—reopens in $300m new home

The Studio Museum in Harlem will reopen on November 15 after a seven-year closure, unveiling a new $300 million, 82,000-square-foot building designed by Adjaye Associates and Cooper Robertson. The first purpose-built space in the museum's 57-year history, located at its original footprint on West 125th Street, features a dramatic dark-grey precast-concrete facade and includes a $50 million endowment. The reopening comes after architect David Adjaye stepped away from the project in 2023 following sexual assault allegations, which he denies. The inaugural exhibition will highlight works by Tom Lloyd, the first artist shown when the museum opened in 1968.

Camille Pissarro show at Denver Art Museum is both ambitious and exhaustive

The Denver Art Museum has opened "The Honest Eye: Camille Pissarro’s Impressionism," a comprehensive retrospective of the Impressionist painter featuring over 100 works from nearly 50 international museums and private collections. Co-organized with the Museum Barberini in Potsdam, Germany, the exhibition is the first major U.S. museum survey of Pissarro in 30 years, curated by Clarisse Fava-Piz, Claire Durand-Ruel, and Nerina Santorius.