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Iranian artworks sold at Bonhams' online auction of Modern and Contemporary Middle Eastern Art

Two works by Iranian artists were sold at Bonhams London's online auction of Modern and Contemporary Middle Eastern Art on August 14, 2025. The auction featured 45 pieces from Middle Eastern artists, including 10 by Iranian artists such as Sirak Melkonian, Ebrahim Olfat, Babak Kazemi, Marcos Grigorian, and YZ Kami. Only two works found buyers: an untitled 2020 oil on canvas by the late Sirak Melkonian (1930-2024) sold for $13,888, and Ebrahim Olfat's calligraphy painting "Eshgh (Hafez Poem)" (2012) sold for $5,207. The article provides extensive background on Melkonian, an Iranian-Armenian modernist pioneer and co-founder of the Azad Art Group, and on Olfat, a calligraphy specialist with a medical degree.

Climate protestors install Anish Kapoor work on North Sea gas platform

Climate activists from Greenpeace installed a new artwork by Anish Kapoor on a Shell gas platform in the North Sea. Titled "BUTCHERED," the 12m by 8m canvas was attached to the platform and drenched with a blood-red liquid made from seawater, beetroot powder, and non-toxic pond dye to symbolize the environmental destruction caused by fossil fuel companies. The protest coincided with record-breaking heatwaves in Europe. Kapoor described the work as a tribute to activists and a "visual scream" against the climate crisis, while Shell condemned the action as dangerous and illegal trespassing.

Behind the scenes of assembling SAM's large-scale Ai Weiwei exhibition

The Seattle Art Museum (SAM) team faced an extraordinary challenge installing the retrospective “Ai, Rebel: The Art and Activism of Ai Weiwei,” which required handling eight tractor-trailers of artwork—far more than the usual two—within just three weeks. The exhibition features 130 complex works, including a giant tree sculpture, a life-size jail cell replica, and a Lego rendition of the Mueller report, many arriving without instruction manuals and requiring creative assembly by a 12-person crew led by lead preparator Joshua Gosovich.

Artists who didn’t make Minnesota State Fair get second chance in ‘Rejects’ show

The article reports on the 2025 'State Fair Rejects' show at Douglas Flanders & Associates Gallery in Minneapolis, which accepts artworks that were not selected for the Minnesota State Fair's juried fine arts exhibition. Artist Attila Ray Dabasi, who had been accepted regularly in the past but was rejected this year, is among about 75 participants displaying works like his sculpture 'Armageddon.' The gallery, led by owner Doug Flanders, started the show last year to give rejected artists a second chance to exhibit and sell their work, with all drop-offs accepted. The State Fair received 2,834 submissions but only 337 were chosen, highlighting the competitive nature of the fair.

Preston Park Museum's new exhibition space to open with host of exciting exhibitions celebrating the railway

Preston Park Museum is opening a new multi-million pound exhibition space in 2025 with a series of railway-themed exhibitions called 'Tracks of Change', part of the S&DR200 festival celebrating the bicentenary of the Stockton and Darlington Railway. Highlights include 'Corridors', a suspended floral installation by internationally acclaimed artist Rebecca Louise Law; 'All Aboard', an interactive playscape for children; 'Gateway to the World', a collection of nationally significant paintings; and 'Perfume', a light-and-sound installation by visual artist Yann Nguema. All exhibitions will be free with museum admission.

Time for a survey? New programme provides museums with advice on long-term sustainability

Verge, a human-resources and recruiting agency, has launched a new membership program offering museums and art organizations a proprietary employee survey called the Workplace Advancement Instrument (WAI). The survey assesses organizational health across areas like communication, compensation, retention, and psychological safety. Members receive results, access to workshops, and an annual benchmarking report, with early adopters including the Dia Art Foundation, Corita Art Center, Helen Frankenthaler Foundation, and Denniston Hill. The program costs $5,000 per year and grew out of Verge's recruitment work, which found that many arts workers of color were leaving jobs due to unsupportive workplace cultures.

Yale University Art Gallery withdraws federal funding applications over anti-diversity regulations

The Yale University Art Gallery has withdrawn two federal grant applications submitted to the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH) for an upcoming exhibition on African art exploring the migration of Nguni peoples, scheduled for 2026. The gallery objected to new anti-DEI (Diversity, Equity, and Inclusion) restrictions imposed by the Trump administration, which require that funded projects do not promote certain ideologies based on race or gender. The gallery will instead use Yale University's $46 billion endowment to cover the $200,000 exhibition costs. This follows a previous instance where the gallery opted out of NEA funding, and a separate $30,000 NEA grant for the exhibition "Nusantara: Six Centuries of Indonesian Textile" was rescinded, though that show will proceed with support from the Robert Lehman Endowment Fund.

Final Weeks to Experience Kent Monkman: History is Painted by the Victors

The Denver Art Museum is hosting 'Kent Monkman: History is Painted by the Victors,' a major exhibition of the Cree artist's provocative, large-scale paintings that challenge Western art history through an Indigenous lens. The show, co-organized with the Montreal Museum of Fine Arts, runs until August 17 before traveling to Montreal in September. It has drawn widespread critical acclaim and emotional visitor responses, with reviewers praising its blend of humor, beauty, and political urgency.

At this Houston-area art museum, you can walk right up and touch the paintings

The Pearl Fincher Museum of Fine Arts in Spring, Texas, has opened an interactive exhibition called "Art Unleashed" that invites visitors to touch tactile recreations of famous artworks, including Leonardo da Vinci's "The Mona Lisa" and Vincent van Gogh's "Starry Night." The show features contoured bronze and three-dimensional reproductions, fabric sculptures, and woven textiles, all designed to be handled. Each piece includes braille placards, and the exhibition is free and runs through August 30.

Fancy a date at the Tate? London galleries are staying open later to fuel surging Gen Z interest

Tate Modern will resume regular late-night openings until 9pm every Friday and Saturday starting September 26, responding to a surge in younger visitors. The decision follows a record-breaking 25th birthday weekend in May, where 70% of the 76,000 attendees were under 35. The gallery has also run monthly Tate Late events since 2016, and the new extended hours aim to make the museum more accessible for working people and cash-strapped Gen Zers, offering free cultural date nights. Other London institutions like the National Gallery, V&A, and British Museum have similarly reinstated late hours post-pandemic.

Wandering Between Worlds Exhibition at Pullen Arts Center

Pullen Arts Center in Raleigh, North Carolina, is presenting the group exhibition "Wandering Between Worlds" in its Main Gallery, featuring seven local artists: Alison Coleman, Ari Ferro, Jenn Hales, K. Orr Ambrose, Nancy Goodrich, Marcia Moran, and Min Zhong. The show explores landscapes both real and imagined, with a closing reception scheduled for October 25 and an artist talk on September 18. The exhibition is free and open to the public, and artwork is available for purchase through the center.

The new era of fashion’s art exhibitions

LACMA's upcoming David Geffen Galleries, opening in 2026, will feature over 130 costumes and textiles in its inaugural installations—more than any other time since the museum opened in 1965. The museum also plans exhibitions such as 'Fashioning Chinese Women: Empire to Modernity' (with mannequins by Jason Wu) and 'Fashioning Fashion' (1900–2025). Other major fashion exhibitions include 'Virgil Abloh: The Codes' at Paris's Grand Palais, 'Westwood Kawakubo' at the National Gallery of Victoria, and 'Schiaparelli: Fashion Becomes Art' at London's V&A. The article notes that fashion exhibitions are increasingly popular and profitable for museums, citing the Met's Costume Institute and its record-breaking Met Gala fundraising.

Exhibition at The Met Highlights Role of Photography in Cross-Dressing Community in 1960s New York

The Metropolitan Museum of Art's exhibition "Casa Susanna," on view from July 21, 2025 to January 25, 2026, brings together approximately 160 photographs and publications created by and for a community of cross-dressers who gathered in New York City and the Catskills Mountains during the 1960s. The works, discovered at a Manhattan flea market in 2004, document safe spaces provided by Susanna Valenti and Marie Tornell at two modest resorts, where guests used cameras—especially Polaroids—to affirm their femme identities and connect a nationwide community. The exhibition is organized by the Art Gallery of Ontario and Les Rencontres d’Arles in collaboration with The Met, and includes collections from the Art Gallery of Ontario, artist Cindy Sherman, and donor Betsy Wollheim.

Sea State: restored Norfolk mansion puts on water-themed exhibition by Maggi Hambling and Ro Robertson

Wolterton Hall, an 18th-century Palladian country house in Norfolk, England, has reopened to the public after a restoration completed by its new owner Richard Ellis. The estate is launching a water-themed exhibition titled "Sea State," featuring site-specific works by artists Maggi Hambling and Ro Robertson. Robertson's outdoor steel sculpture "The Swell" will be the first permanent outdoor artwork on the grounds, while Hambling presents new pieces from her "Wall of Water" series and an installation called "Time" dedicated to her late partner. The exhibition is co-curated by Simon Oldfield and Gemma Rolls-Bentley.

“She’s a Real 20th Century Figure”: Thelma Golden on the ICA’s Mavis Pusey Retrospective

The Institute of Contemporary Art Philadelphia, in collaboration with the Studio Museum in Harlem, has opened "Mavis Pusey: Mobile Images," a retrospective of the Jamaican-born abstract artist Mavis Pusey (1928–2019). The exhibition spans two floors of Pusey's paintings and archival materials, showcasing her geometric abstractions that translate urban construction and gentrification into fractured planes and rhythmic blocks of color. The show was sparked by Studio Museum director Thelma Golden's discovery of Pusey's work in an online auction catalog a decade ago, leading to a collaboration with curator Hallie Ringle.

NYU’s Grey Art Museum Presents ‘June Leaf: Shooting From the Heart’ Sept. 9–Dec. 13

NYU’s Grey Art Museum will present the exhibition ‘June Leaf: Shooting From the Heart’ from September 9 to December 13. The show focuses on the work of American artist June Leaf, known for her expressive drawings, paintings, and sculptures that explore the human figure and emotional states.

Phillips Sues Wealthy Scion for Failure to Come Through on Pollock Purchase

Phillips auction house has filed a lawsuit against film producer David Mimran, alleging he failed to pay $14.5 million for a Jackson Pollock painting after serving as a third-party guarantor. The untitled ca. 1948 white-on-black drip painting, which had appeared in a 1998 retrospective at the Museum of Modern Art, received no bids at a November auction in New York, leaving Mimran legally obligated to purchase it. Mimran missed two payment deadlines and later claimed he could not meet a third, prompting Phillips to file a complaint with the Supreme Court of New York.

Moving On Up: 24 Museum Curators and Art Leaders Who Took on New Appointments in First Half of 2025

Culture Type has published its annual list of new appointments among museum curators and arts leaders for the first half of 2025, highlighting two dozen hires and promotions at major institutions. Notable appointments include Deana Haggag as program director for arts and culture at the Andrew W. Mellon Foundation, Ann Collins Smith as chief curator at the New Orleans Museum of Art (the first Black American in a full-time curatorial role there), and Vincent van Velsen as head of exhibitions at Eye Filmmuseum in Amsterdam. The list also features curators such as Alisa Chiles at the Virginia Museum of Fine Arts and Brittany Webb at the Museum of Fine Arts, Houston.

“Feeling Color” at The Modern Art Museum of Fort Worth

The article reviews "Feeling Color: Aubrey Williams and Frank Bowling" at the Modern Art Museum of Fort Worth, an exhibition that pairs works by two artists from Guyana who worked in London in the late 20th century. Both explore abstraction, materials, and sociopolitical themes, with Bowling's color field paintings and Williams' geometric, Pre-Columbian-inspired works displayed in alternating galleries. The reviewer describes the show as dense and vibrant, noting the sensory experience of the paintings and the subtle dialogue between the artists.

Meyer Riegger and Jocelyn Wolff Open Joint Seoul Gallery Ahead of Frieze

Berlin's Meyer Riegger and Parisian Galerie Jocelyn Wolff will open a joint gallery in Seoul's Hannam-dong district on 2 September 2025, marking their first permanent Asian outpost. The new space, named Meyer Riegger Wolff and led by director Gaia Musi, will represent artists from both galleries including Clemens von Wedemeyer, Miriam Cahn, and Marcel Duchamp. The inaugural exhibition, "Heute Nacht geträumt (Dreamed Last Night)" (2 September–7 November 2025), will explore drawing across four centuries in a salon-style format.

Avignon becomes artist Jean-Michel Othoniel's gallery in his biggest ever exhibition

French artist Jean-Michel Othoniel has mounted his largest-ever exhibition across the city of Avignon, installing 270 artworks—140 of them new—in 10 locations including the Palais des Papes, city museums, public courtyards, building facades, and the medieval St Bénezet bridge. The show, commissioned to mark Avignon’s 25th anniversary as European Capital of Culture and 30th year as a UNESCO World Heritage site in 2025, took nearly six weeks to install and involved a team of hundreds, including glassblowers, metalworkers, gilders, and dancers. Othoniel took the 14th-century Italian poet Petrarch as his thematic starting point, exploring different facets of love across the venues.

Capitalism, cityscapes and the climate crisis take centre stage at Luma Arles

Peter Fischli's exhibition "People Planet Profit" at Luma Arles presents hundreds of cheap, poorly designed business books he photographed over seven years, exploring the tension between capitalism, climate crisis, and social wellbeing. The show includes sculptures and screen prints that critique late-stage capitalism and mass tourism. Alongside it, landscape architect Bas Smets presents "Climates of Landscape," a practical exhibition proposing urban ecological solutions to rising temperatures and tides, featuring a microclimate installation within the former industrial building.

Art & the Book* and Spineless Wonders: The Power of Print Unbound**

Two concurrent exhibitions in central London this summer—'Art & the Book' at the Warburg Institute and 'Spineless Wonders: The Power of Print Unbound' at Senate House Library—celebrate the contemporary and historical impact of print and small-press publishing. The shows feature a spectrum of materials from socialist pamphlets and activist flyers to artists' books and ephemera, drawn from special collections to highlight the deep history of paper and print as a medium for autonomous production. The Warburg exhibition, curated by Matthew Harle with guest curators Arnaud Desjardin and Hlib Velyhorskyi, centers on artists' books and includes residencies, talks, and an art bookfair, all open to the public.

Hallie Ford Museum of Art showcases Oregon’s foremost Modernist painter with ‘C.S. Price: A Portrait’

The Hallie Ford Museum of Art in Salem, Oregon, has opened 'C.S. Price: A Portrait,' a retrospective exhibition of more than 40 works by Clayton Sumner Price, a Modernist painter who helped shape America’s view of the West. The show was organized by Roger Saydack, a retired attorney and self-taught scholar who first encountered Price’s painting 'The Fisherman' as a boy at the Detroit Institute of Arts and spent decades researching the artist. It runs through August 30 and is the first solo exhibition of Price’s work in over 25 years, accompanied by a 312-page catalog.

Your weekly dose of wonder: introducing The Specialist, a new podcast by Sotheby's

Sotheby's has launched a new podcast series titled "The Specialist," featuring its global specialists who share behind-the-scenes stories about extraordinary artworks and objects. Each episode focuses on a specific narrative, such as the restitution of a Kandinsky painting lost in Nazi-era Germany, the rediscovery of Rubens' "The Massacre of the Innocents," the story of the shredded Banksy artwork "Love is in the Bin," and the decade-long attribution project for a Vermeer painting. The podcast is available on Apple Podcasts and Spotify.

At the Amon Carter Museum, two exhibitions explore the American West

Two concurrent exhibitions at the Amon Carter Museum of American Art in Fort Worth explore the American West from distinct perspectives. "Richard Avedon at the Carter" marks the 40th anniversary of Avedon's landmark 1985 series "In the American West," featuring 124 unflinching portraits of working-class subjects like oilfield workers and ranchers, alongside archival photographs by Laura Wilson that show the project's human side. Across the hall, "East of the Pacific: Making Histories of Asian American Art" presents 48 works from the Cantor Arts Center at Stanford University, spanning from the 1849 gold rush to the present, highlighting Asian American artists including Bernice Bing, Roger Shimomura, Chiura Obata, and Toshiko Takaezu.

Less than two years after opening, the Museum of Censored Art in Barcelona has closed its doors

The Museu de l’Art Prohibit (Museum of Censored Art) in Barcelona, the world's first museum dedicated to censored artworks, has closed indefinitely less than two years after opening. Founded in October 2023 by Catalan journalist and businessman Tatxo Benet, the museum housed over 200 banned works by artists including Ai Weiwei, David Wojnarowicz, and Abel Azcona. The closure, announced on June 27, was attributed to financial losses caused by four months of picketing by the Solidarity and Unity of Workers union (SUT), which protested the museum's termination of a contract with management company Magma Cultura. The union demanded better working conditions, including improved air conditioning, more breaks, and higher pay.

New world record for Canaletto as view of Venice sells for £31.9m

A Canaletto painting, *Venice, the Return of the Bucintoro on Ascension Day* (circa 1732), sold for £27.5 million (£31.9 million with fees) at Christie’s in London on July 1, setting a new auction record for the artist. The work, once owned by Britain’s first prime minister Robert Walpole, exceeded its $20 million estimate and was purchased by an anonymous phone bidder. The sale drew five bidders from Asia, Europe, and North America, and the painting was backed by a third-party guarantor.

Minneapolis Institute of Art will host a crop art exhibition after the State Fair wraps

The Minneapolis Institute of Art (Mia) will host a crop art exhibition titled "Cream of the Crop: A Minnesota Folk Art Showcase" opening September 6, 2025, after the Minnesota State Fair concludes on September 1. The show will feature 10 works of crop art, including winners of two new awards sponsored by Mia: best interpretation of an artwork at Mia and best interpretation of a Minnesota landmark, story or figure. A curatorial team from Mia, including director Katie Luber, will judge entries at the State Fair, and the winning pieces will be displayed in the museum's rotunda alongside eight additional notable works. The exhibition builds on Mia's history with crop art, including a 2004 show of portraits by crop art legend Lillian Colton and a 2015 centennial commission of a large-scale crop art field.

National Gallery of Art lends historic works to the Figge Art Museum

The Figge Art Museum in Davenport, Iowa, has opened an exhibition titled "The Golden Age: Featuring Northern European Artworks from the Collection of the National Gallery of Art," featuring 10 masterworks from 1537 to 1700 on loan from the National Gallery of Art in Washington, D.C. The show includes paintings by Lucas Cranach the Elder, Anthony van Dyck, Frans Hals, and Louis Vallée, and runs through April 4, 2027. The Figge is one of ten small to mid-size museums selected for the National Gallery's "Across the Nation" initiative, which sends key works to institutions nationwide to commemorate the 250th anniversary of the United States.