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Uffizi director to ‘limit’ selfies after posing visitor damages 18th-century painting

The director of the Uffizi Galleries in Florence announced plans to restrict selfies after a tourist damaged an 18th-century portrait while posing for a photograph. The visitor was mimicking the pose of Ferdinando de' Medici in a 1712 painting by Anton Domenico Gabbiani when he stumbled backward, tore the canvas, and left a hole near the prince's boot. The painting has been removed for repair, and the tourist will be prosecuted. The incident follows a similar event at Palazzo Maffei in Verona, where a visitor damaged a crystal-studded sculpture by Nicola Bolla.

Amid geopolitical tensions, Pakistani and Indian art worlds unite in London exhibitions

Amid ongoing geopolitical tensions between India and Pakistan, multiple art exhibitions in London are fostering cross-border cultural exchange. The Barbican is showing Pakistani artist Huma Bhabha alongside Swiss sculptor Alberto Giacometti, curated by Shanay Jhaveri. At SOAS, a South Asian group show organized by Pakistani artist Salima Hashmi and Indian curator Manmeet K. Walia features over 25 artists, including a collaborative textile work by Maheen Kazim and Purvai Rai. Two Indian galleries in central London have also exhibited Pakistani artists, though gallerists requested anonymity due to safety concerns in India.

One Fine Show: “Alex Da Corte, The Whale” at the Modern Art Museum of Fort Worth

The Modern Art Museum of Fort Worth has opened “Alex Da Corte, The Whale,” a solo exhibition dedicated to the painting practice of artist Alex Da Corte (b. 1980). Featuring more than forty paintings, the show highlights Da Corte’s lesser-known work in two dimensions, as he is more widely recognized for his installations and video pieces. The exhibition includes works such as *Siren (After E K Charter)* (2015) and *Electronic Renaissance* (2021), and places Da Corte’s paintings alongside those of Robert Mapplethorpe and Vija Celmins to explore themes of self-representation and perception.

Special exhibit on artist Mary Cassatt opens at Honolulu Museum of Art

A special exhibition titled "Mary Cassatt at Work" has opened at the Honolulu Museum of Art (HoMA), running from June 21 through October 12. The show features 35 works, including 22 on loan from the Philadelphia Museum of Art, eight from HoMA's own collection, and five Japanese prints from the museum's holdings. Curator Alejandra Rojas Silva highlights Cassatt's deep connection to HoMA—founder Anna Rice Cooke owned a Cassatt print—and the artist's fascination with Japanese woodblocks, which influenced her printmaking. The exhibition traveled from the Legion of Honor in San Francisco, with artworks carefully shipped across the Pacific.

Guest Artists Space Foundation announces ambitious 2025–26 programme exploring African art archives

Guest Artists Space (G.A.S.) Foundation and Yinka Shonibare Foundation have announced the 2025–26 edition of 'Re:assemblages', a programme focused on African and Afro-diasporic archives as sites for artistic inquiry and decolonial practice. Curated by Naima Hassan with contributions from Maryam Kazeem, Ann Marie Peña, and Jonn Gale, the initiative includes international convenings, symposia, fellowships, and micro-publications, anchored by a two-day symposium in Lagos during Lagos Art Week (4–5 November 2025). The programme draws on the Picton Archive at G.A.S.'s Lagos campus and is supported by the Terra Foundation for American Art, featuring four curatorial themes: Ecotones, The Short Century, Annotations, and The Living Archive. It also launches the African Arts Libraries Lab (AAL Lab), a pan-African network of libraries and publishers across Lagos, Dakar, Marrakesh, Cairo, Nairobi, Cape Town, and Limbe.

Vitra Design Museum celebrates the enduring influence of egalitarian religious sect, the Shakers

The Vitra Design Museum in Germany has opened "The Shakers: A World in the Making," an exhibition exploring the minimalist designs and democratic beliefs of the Shakers, an egalitarian religious sect founded in the 18th century. Organized with the Milwaukee Art Museum, the Institute of Contemporary Art Philadelphia, and Germany's Wüstenrot Foundation in collaboration with the Shaker Museum in Chatham, New York, the show features historic Shaker objects like oval boxes and ladder-back chairs alongside newly commissioned works by contemporary artists including Amie Cunat, David Hartt, and Kameelah Janan Rasheed.

Landmark Exhibition at the National Museum of Women in the Arts Reframes an Iconic Historical Era

The National Museum of Women in the Arts (NMWA) in Washington, D.C., will present "Women Artists from Antwerp to Amsterdam, 1600–1750" from September 26, 2025, to January 11, 2026. This landmark exhibition features nearly 150 artworks by 40 Dutch and Flemish women artists, including Judith Leyster, Rachel Ruysch, and Clara Peeters, alongside works by unnamed textile makers. Co-curated by Virginia Treanor and Frederica van Dam, the show includes loans from over 50 institutions such as the Rijksmuseum, the Metropolitan Museum of Art, and the Prado Museum. It will travel to the Museum of Fine Arts in Ghent, Belgium, from March to May 2026.

Ahead of new fair in 2026, Qatar takes centre stage at Art Basel

Qatar is making a major push at Art Basel this week, highlighted by the announcement of Art Basel Qatar, a new fair launching in February 2026. Models of upcoming cultural venues, including the Herzog & de Meuron-designed Lusail Museum, are on display in the Collectors Lounge, while Qatar Airways has announced a global partnership with Art Basel. Sheikha Al-Mayassa bint Hamad bin Khalifa Al Thani made a rare public appearance, speaking on a panel about the country's cultural ambitions and the role of art in addressing post-colonial identity and conflict.

John Middleton's art collection to be featured in 2-museum show in Philadelphia for U.S.'s 250th anniversary

John Middleton, managing partner of the Philadelphia Phillies, and his family are lending over 120 paintings and furniture pieces from their private collection to a two-museum exhibition in Philadelphia titled "A Nation of Artists." The show is a collaboration between the Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts, featuring more than 1,000 works to celebrate the U.S. semiquincentennial. Works by Edward Hopper, Charles Willson Peale, John Singer Sargent, and Horace Pippin will be included. The exhibition runs from April 2026 to September 2027.

‘The works I add to my collection need to give me goosebumps’: Nicola Erni on the art she collects and why

Swiss collector Nicola Erni discusses her private art collection built over 25 years, focusing on photography from the 1960s and 70s, fashion photography by Helmut Newton, Mario Testino, and Annie Leibovitz, and contemporary works by Jean-Michel Basquiat and Andy Warhol. She recounts acquiring Warhol's 'Sixty Last Suppers' (1986), now on loan to Fondation Beyeler, and reveals her emotional decision-making process for purchases, as well as a regret over missing a Basquiat-Warhol collaboration at auction.

A natural history of the studio

William Kentridge presents his first exhibition with Hauser & Wirth in New York, titled "A natural history of the studio." The show features his acclaimed episodic film series "Self-portrait as a coffee-pot" (completed in 2024) alongside over seventy works on paper and sculptures. Spanning two floors at 542 West 22nd Street and extending to the gallery's 18th Street location, the exhibition includes charcoal drawings used in the film's animation, Paper procession sculptures, and the animated video "Fugitive words" (2024). The installation, designed by longtime collaborator Sabine Theunissen, evokes Kentridge's Johannesburg studio environment.

The Denver Art Museum celebrates A Century of Art in Latin America

The Denver Art Museum (DAM) has announced its upcoming Fox Gallery exhibition, *A Century of Art in Latin America*, opening June 15, 2025, and running through June 15, 2027. The exhibition will be held in the Latin American Art galleries on level four of the museum’s Martin Building and is included in general admission, which is free for visitors 18 and under and for museum members. Featuring works exclusively from the John and Sandy Fox Collection, the show includes sculptures, paintings, textiles, prints, and mixed media pieces spanning the 20th and 21st centuries, offering a broad survey of artistic movements across the region.

Cezanne family home opens to the public as Aix-en-Provence fetes its famous former resident

The French city of Aix-en-Provence is launching Cezanne 2025, a year-long program of events and exhibitions celebrating its most famous resident, Paul Cézanne. The season begins with two major openings: the Bastide du Jas de Bouffan, Cézanne's family home, now open to the public after extensive renovations, and a major exhibition at the Musée Granet titled "Cezanne au Jas de Bouffan" (28 June to 12 October), which explores the painter's work during his 40 years at the estate. A highlight of the exhibition is the reconstruction of the Grand Salon, featuring a recently discovered mural fragment, *Entrée du port* (1864), and loans from institutions including the National Gallery in London and the Petit Palais in Paris.

HIGH MUSEUM OF ART TO PRESENT FAITH RINGGOLD CHILDREN’S BOOK ART EXHIBITION

The High Museum of Art in Atlanta will present "Faith Ringgold: Seeing Children" from June 27 to October 12, 2025, the most comprehensive exhibition to date of the late artist's original paintings and drawings for her children's books. Featuring more than 100 works from a dozen titles including "Tar Beach" and "We Came to America," the show includes several never-before-exhibited artworks and is the eighth in the museum's series celebrating children's book art, presented in conjunction with a production by the Alliance Theatre.

Ernst Ludwig Kirchner painting thought to be lost for decades goes on display in Basel

A long-lost Ernst Ludwig Kirchner painting, *Tanz im Varieté* (Dance at the Varieté, 1911), has gone on display at the Kunstmuseum Basel after being rediscovered and purchased at auction. The work, previously known only through photographs, was sold at Ketterer Kunst in Munich for around €7 million to the Im Obersteg Foundation, which loans its collection to the museum. The painting depicts a cakewalk dance and had not been exhibited since 1923 in Berlin. Its provenance includes ownership by a German collector during the Nazi era, when Kirchner's art was deemed 'degenerate,' and damage by French soldiers who discovered it in a crate after World War II.

A brush with Cezanne in Aix-en-Provence, France: a blockbuster retrospective comes to town

Paul Cezanne's hometown of Aix-en-Provence is staging a major retrospective at the Musée Granet, bringing together over 130 works including still lifes, portraits, and landscapes. The exhibition coincides with the reopening of two key sites after an eight-year restoration: the artist's atelier in Les Lauves and the Bastide du Jas de Bouffan, the family estate where Cezanne painted for 40 years. The Bastide, acquired by Cezanne's banker father in 1859, had fallen into disrepair and closed in 2017; it reopens on 28 June with guided tours and grounds open to visitors.

The Brooklyn Museum to Present Monet and Venice, the First Major Exhibition in over a Century Dedicated to Claude Monet’s Venetian Cityscapes

The Brooklyn Museum will present "Monet and Venice" from October 11, 2025, to February 1, 2026, the first major exhibition in over a century dedicated to Claude Monet's Venetian cityscapes. The show reunites nineteen of Monet's Venetian paintings alongside more than one hundred artworks, books, and ephemera, placing them in context with works by Canaletto, John Singer Sargent, J. M. W. Turner, and Pierre-Auguste Renoir. It is cocurated by Lisa Small of the Brooklyn Museum and Melissa Buron of the Victoria & Albert Museum, and sponsored by Bank of America.

A biography of Turner and Constable that goes beyond the stereotypes

Nicola Moorby, curator of British art 1790-1850 at Tate, has published a new book titled *Turner & Constable: Art, Life, Landscape*, which examines the lives and careers of J.M.W. Turner and John Constable side by side for the first time in such depth. Published in the 250th anniversary year of Turner's birth and ahead of Constable's in 2026, the study uses a thematic approach within a chronological framework to compare their approaches to landscape painting, including their treatment of rivers like the Thames and the Stour, their differing paths to success, and famous flashpoints at Royal Academy exhibitions.

Amid a wave of political hostility, the Getty Center uses photography to tell stories of queer resistance and love

The Getty Center in Los Angeles has opened a new exhibition, "Queer Lens: A History of Photography," coinciding with Pride Month amid rising political hostility toward LGBTQ+ communities. Curated by Paul Martineau over six years, the show features 300 photographs from the 19th century to the present, including works by Claude Cahun, Imogen Cunningham, and Peter Hujar, alongside anonymous and amateur images. A companion exhibition at the Getty Research Institute, "$3 Bill: Evidence of Queer Lives," displays printed ephemera from the Merrill C. Berman Collection, highlighting queer resistance and community-building.

From Origin to Future. Opening Exhibition for the Naoshima New Museum of Art by Tadao Ando

Architect Tadao Ando has designed the Naoshima New Museum of Art, the latest addition to the Benesse Art Site Naoshima project in Kagawa Prefecture, Japan. This marks Ando's tenth contribution to the site and the first museum to bear the island's name. The museum will open on May 31, 2025, with an inaugural exhibition featuring works by twelve artists and groups, including both longtime collaborators and newer voices. The building, which includes one above-ground floor and two basement levels, features a large roof integrated with the hills and a cafe overlooking the Seto Sea.

Mbare Art Space: a colonial beer hall in Zimbabwe has become a vibrant arts centre

Moffat Takadiwa, a leading figure in Zimbabwe's artist-run spaces movement, has transformed a former colonial-era beer hall in the Mbare township of Harare into the Mbare Art Space. Opened in 2019 under a long lease from the Harare City Council, the nonprofit hub now houses studios, an exhibition hall, a digital hub, and office space, serving as a vibrant center for artistic and community revival. The beer hall was originally built by British colonial authorities as a tool of social control and segregation, but Takadiwa has repurposed it into a site of creative freedom and empowerment, inspired by global precedents like Theaster Gates' Stony Island Arts Bank in Chicago.

Intuit Art Museum has its big reopening: ‘I don’t want this to be a traditional art museum’

The Intuit Art Museum in Chicago has reopened after a landmark $10 million renovation, marking a significant rebranding from its former name, "Intuit: The Center for Intuitive and Outsider Art," to simply "Intuit Art Museum" (IAM). The museum, which collects work by self-taught artists, replaced a traditional ribbon-cutting with a collaborative ribbon-tying ceremony, creating an interconnected artwork that will remain in its collection. The renovation tripled its gallery space and introduced new exhibitions, including a refurbished Henry Darger installation with LED screens and an immersive recreation of the artist's apartment, as well as a rotating permanent collection display featuring artists like Mr. Imagination, Lee Godie, and Wesley Willis. The second floor is dedicated to the special exhibition "Catalyst: Im/migration and Self-taught Art in Chicago," featuring works by artists such as Drossos Skyllas, Thomas Kong, Pooja Pittie, and Carlos Barberena.

The Met to Reopen Its Arts of Africa Galleries on May 31, Following a Multiyear Renovation

The Metropolitan Museum of Art will reopen its Arts of Africa galleries on May 31, 2025, after a multiyear renovation that began in summer 2021. The redesigned Michael C. Rockefeller Wing features some 500 works spanning from the medieval period to the present, including a 12th-century fired clay figure from Mali and Abdoulaye Konaté's 'Bleu no. 1' (2014). A quarter of the works are recent acquisitions or gifts, displayed for the first time. The project was led by Kulapat Yantrasast of WHY Architecture with Beyer, Blinder, Belle Architects LLP and the Met's Design Department, and involved a network of international scholars and digital partnerships with the World Monuments Fund and filmmaker Sosena Solomon.

Lawren Harris leads the way in Heffel’s all-Canadian marquee spring auctions in Toronto

Heffel Fine Art Auction House held its spring sales in Toronto on May 22, featuring an all-Canadian lineup of 85 lots with an estimated value of C$18m to C$22m. Despite rain and economic concerns, the two-session sale achieved C$22m total, led by Lawren Harris's *Northern Lake* (1926) at C$3.1m. Other highlights included record-breaking prices for Franklin Carmichael, Arthur Lismer, and A.Y. Jackson, plus strong results for Emily Carr and Tom Thomson works.

‘It is not good or bad’: in a frantic age, Beeple seeks a more nuanced take on technology

Digital artist Mike Winkelmann, known as Beeple, is expanding his practice beyond the record-breaking NFT sale of *Everydays: The First 5,000 Days* (2021) into interactive video sculptures and public art. His latest works, *The Tree of Knowledge* (2024) and *Diffuse Control* (2025), debut this month at SXSW London and The Shed in New York, respectively. These generative pieces allow ongoing collaboration between artist, owner, and public, building on his earlier kinetic sculpture *Human One* (2021), which has toured globally. Beeple continues his daily social media posts (Everydays) as a form of satire and commentary on technology and media noise.

Lionel Messi names his favourite ever goal

Lionel Messi has revealed his favorite goal from his 860 career scores—a 2009 UEFA Champions League final goal for Barcelona against Manchester United—as part of a collaboration with media artist Refik Anadol. Anadol will transform the goal into an AI-powered data sculpture, which will be auctioned online at Christie's New York from June 11 to July 25, with proceeds supporting educational charities in Latin America and the Caribbean through the Inter Miami CF Foundation and Unicef.

European art weeks join forces for new ‘spider network’

European art weeks across cities including Amsterdam, Berlin, London, Lisbon, and Antwerp are joining forces to form a new collaborative network called the 'Spider network.' The initiative, spearheaded by directors such as Martina Halsema of Amsterdam Art Week and Mona Stehle of Berlin Art Week, aims to share ideas, expertise, sponsorship strategies, and press coverage. Amsterdam Art Week runs until 25 May 2025 with 220 events across 70 venues, featuring artists like Melanie Bonajo, Kimsooja, and Pamela Rosenkranz. Berlin Art Week, scheduled for 10–14 September 2025, attracted 130,000 visitors last year and has grown from 11 partners in 2012 to over 100 this year.

Aboriginal art returns to Sotheby’s New York two years after pioneering dealer Tim Klingender's death

Two years after the death of pioneering Aboriginal art dealer Tim Klingender in a boating accident, his widow Skye McCardle-Klingender is organizing a multi-owner auction at Sotheby’s New York on 20 May. The sale includes 65 lots from Klingender's personal collection and other owners, featuring works by leading Aboriginal artists such as Emily Kam Kngwarray, Ginger Riley Munduwalawala, Rover Thomas, Mick Namarari Tjapaltjarri, and Richard Bell. McCardle-Klingender is working with former National Gallery of Australia curator Wally Caruana to assemble the auction, which aims to continue Klingender's legacy of elevating Indigenous Australian art on the global stage.

Kent Monkman's Miss Chief

Kent Monkman's exhibition "History is Painted by the Victors" is on view at the Denver Art Museum (DAM) through August 17, before traveling to the Montreal Museum of Fine Arts on September 27. The show centers on Miss Chief Eagle Testickle, a fictional narrator who appears throughout Monkman's work to disrupt false narratives about Indigenous history and colonization. The article excerpts a catalog essay explaining how Monkman created Miss Chief as a campy, humorous, and empowering figure who infuses Indigenous perspectives into art history, often inserting her into iconic artworks to subvert colonial tropes.

Veronica Ryan: Unruly Objects

The Pulitzer Arts Foundation and the Wexner Center for the Arts have co-organized an exhibition titled "Veronica Ryan: Unruly Objects," curated by Tamara H. Schenkenberg with curatorial assistant Molly Moog. At the Wexner Center, the presentation is further organized by Schenkenberg and Julieta González, head of Visual Arts. The exhibition is supported by a range of funders including ENGIE, the American Electric Power Foundation, and the Mellon Foundation, among others.