High school students to showcase 'Revolutionary Art' at Attleboro Arts Museum

Thirteen high schools from Massachusetts and Rhode Island are preparing installation artworks for the Attleboro Arts Museum's annual High Art exhibition, which runs May 12–18, 2026, under the theme 'Revolutionary Art.' Students from schools including Dedham High School, Hope High School in Providence, and Seekonk High School are creating pieces such as 'Americana' and 'Re-revolution,' with guidance from art instructors like Bridget O'Leary, Delsin Jean-Louis, and Elizabeth Machado-Cook.

Where to go for the next scandal?

Wo bitte geht's zum nächsten Skandal?

The article reports on the 2024 Venice Biennale preview days, where the atmosphere is dominated by political protests, media stunts, and social-media pressure rather than the art itself. Incidents include a solidarity drone choir for Gaza, a Pussy Riot and FEMEN protest at the Russian Pavilion, and a planned demonstration near the Israeli Pavilion, all amplified by PR agencies and WhatsApp alerts. A journalist describes being pressured by editors to cover scandals and political controversies instead of art reviews, which they say no longer attract clicks.

Hedwig Fijen to Depart as Founding Director of Manifesta

Hedwig Fijen, the founding director of Manifesta, the nomadic European biennial launched in 1996, has announced she will depart on October 5. Fijen began working on the platform in 1991 under a commission from the Netherlands Office for Fine Arts, and oversaw editions in cities including Rotterdam, Palermo, Pristina, and Barcelona. The supervisory board has appointed Emilia van Lynden as general director and Catherine Nichols as artistic director to lead future editions, starting with Manifesta 16 in Germany’s Ruhr Valley this year and Manifesta 17 in Coimbra, Portugal, in 2028.

Can a Venice Biennale Pavilion Be Rock ‘n’ Roll? At the Belgium Pavilion, Miet Warlop Makes the Case.

Miet Warlop, a Belgian artist known for her avant-garde theater work, is representing Belgium at the 2026 Venice Biennale with a performance-installation titled "IT NEVER SSST." The project transforms the Belgian Pavilion into a chaotic, sensory-filled space where performers climb wooden structures, bang drums, and break plaster boards inscribed with multilingual text, reflecting the noise and misunderstandings of contemporary life. Curated by Caroline Dumalin, the pavilion blurs the line between theater and visual art, with live performances occurring only part of the time while sculptors continuously remake plaster reliefs throughout the Biennale's run.

May art guide: Exhibitions in Dayton, Cincy, Columbus and more

May’s art guide highlights several exhibitions across Dayton, Cincinnati, and Columbus, including "The Future of Female" at the Dayton Society of Artists, a juried show exploring women-identifying artists' perspectives; "At This Moment" at the Main Library's 2nd Floor Gallery, reflecting on contemporary life; "Teresa Olavarria: Lichen" at The Contemporary Dayton, featuring works in vitreous enamel and bronze; and a color-themed collaborative exhibition at the Edward A. Dixon Gallery in partnership with Dayton Collaboratory. The guide also features a 35mm film series by photographer Jake Schneider documenting Greenville’s Swinging 8’s Square Dance Club.

Art House Productions Unveils "In The Wind" Public Art Installation

Art House Productions has unveiled "In The Wind," a large-scale public art installation in Lincoln Park, Jersey City, featuring artist-designed flags with original works by Hudson County artists. Curated by Tina Maneca, the exhibition celebrates the organization's 25th anniversary and includes over 80 artists who live, work, or maintain studios in Hudson County. The flags are installed around Edgewood Lake, moving with the wind to create a dynamic, ever-changing exhibition. All flags are priced at $500 and available for purchase. The installation runs from June through November 2026, with an opening reception on June 5, 2026, during ACCESS JC Fridays.

SCST: Celebrating Cultural Exchange Through Art at the Opening Reception of "Fermata: Hong Kong in Venice" Collateral Event of 61st International Art Exhibition - La Biennale di Venezia (Venice Biennale)

At the opening reception of "Fermata: Hong Kong in Venice," a Collateral Event of the 61st Venice Biennale, Hong Kong's Secretary for Culture, Sports and Tourism, Miss Rosanna Law, delivered a speech celebrating the exhibition. The event marks Hong Kong's 25th year of participation in the Biennale, featuring artists Kingsley Ng and Angel Hui, who present five new site-specific installations that explore stillness and overlooked rhythms of everyday life, in resonance with the Biennale's theme "In Minor Keys." For the first time, the Hong Kong Museum of Art co-organized the exhibition with the Hong Kong Arts Development Council, curating a dialogue between the two artists.

HK artists shine at Venice Biennale with ‘Fermata’ exhibition

Hong Kong artists Kingsley Ng and Angel Hui are showcasing their works at the 61st Venice Biennale in a collateral exhibition titled 'Fermata: Hong Kong in Venice', curated by the Hong Kong Museum of Art (HKMoA) in collaboration with the Hong Kong Arts Development Council (HKADC). The exhibition, which opened on May 8, 2026, features five installations across a courtyard and four gallery rooms, including Ng's multimedia pieces inspired by hanging laundry and Hui's works blending traditional Chinese embroidery and handcrafted iron window grilles. This marks HKMoA's first curation at the Biennale.

Internationally renowned artist to headline new exhibition

Internationally renowned ceramic artist Jin Eui Kim will present his exhibition "Simplicity and Complexity" at The Base, Greenham, from June 26 to August 30. The show features sculptural works exploring illusion and reality, alongside a program of workshops and an evening talk with the artist. Kim, originally from South Korea and now based in Cardiff, holds an MA and PhD in ceramics from Cardiff School of Art & Design, and his work is held in major public collections including Manchester Art Gallery and the National Museum Wales.

Gallery Conversation: Life and Death Lessons from Ancient Egypt (Jul 20)

The Art Institute of Chicago is hosting a gallery conversation titled "Life and Death Lessons from Ancient Egypt" on July 20, exploring ancient Egyptian objects and their reflections on mortality and living fully. The event is led by Ashley Arico, associate curator of ancient Egyptian art, and Sam Ramos, director of Gallery Activation, and will take place in Gallery 50 with folding stools provided.

Art Beat feature: A gallerist rooted in craft

Leana Hoadley has opened Hoadley Gallery West in downtown Edmonds, Washington, a boutique gallery specializing in handmade ceramics, jewelry, glass, and sculptural objects. The gallery builds on the legacy of the original Hoadley Gallery in Lenox, Massachusetts, founded over 40 years ago by her aunt and uncle, Stephanie and Thomas Hoadley. After a winding career that included studying at the School of the Museum of Fine Arts in Boston and working as a creative director for an AI company, a 2023 layoff prompted Hoadley to reassess her path and pursue opening her own gallery. The space features works including porcelain vessels by Thomas Hoadley made using the ancient Japanese Nerikomi technique, which are held in collections such as the Smithsonian American Art Museum's Renwick Gallery and the Museum of Fine Arts, Boston.

The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant

The Center for Art, Research and Alliances in New York presents "The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant," running from February 28 to May 10, 2026. The exhibition focuses on the Martinican poet and philosopher Édouard Glissant's personal art collection, tracing how his key concepts—opacity, relation, and creolization—emerged through his engagement with artworks and artists. It features works by artists such as Agustín Cárdenas, Victor Anicet, Eduardo Zamora, Gerardo Chávez, José Gamarra, and M. Emile, and travels from Instituto Tomie Ohtake in São Paulo.

Art Exhibits: What's on display in the Fort Wayne area

The article lists current and upcoming art exhibitions in the Fort Wayne, Indiana area, including shows at The Orchard Gallery of Fine Art, Garrett Museum of Art, Clark Gallery, ArtSpace/Lima, Fort Wayne Museum of Art, Artlink, Ruth Koomler Art Gallery, Foellinger-Freimann Botanical Conservatory, Visual Arts Gallery at Purdue University Fort Wayne, Allen County Public Library, Langhinrichs Art Gallery, and Atelier. Featured artists include Heidi Malott, Hope Wallace, Greg Lookerse, Jim Gabbard, Angela Green, Chuck Sperry, Jeff Schofield, Katherine Kratzer, Julie Wall, Andrea Granger, and KristinA, with exhibitions ranging from oil paintings and mixed-media to photography, printmaking, and electric vehicle art.

Jersey Arts TV: Exploring Native Knowledge and Art at Montclair Art Museum

Jersey Arts TV has released a new episode exploring Native knowledge and art at the Montclair Art Museum. The episode highlights the museum's commitment to showcasing Indigenous perspectives through its collections and exhibitions, featuring interviews with curators and artists who discuss the cultural significance and contemporary relevance of Native American art. The segment aims to educate viewers on the intersection of traditional knowledge and modern artistic expression.

Michener Art Museum's retired founding director returns with new exhibition

Bruce Katsiff, the founding director of the Michener Art Museum in Doylestown, Pennsylvania, has returned to the institution with his first-ever exhibition at the museum, titled 'Pieces of a Life.' The retrospective showcases six decades of Katsiff's photography, including series such as 'Face Maps,' 'River Town Portraits,' and 'Nature Morte,' as well as collaborative works never before exhibited. Katsiff, who led the museum from 1989 to 2012, transformed it from an arts center into a full-fledged museum, building a collection focused on regional artists from Bucks County and overseeing the installation of iconic spaces like the Nakashima Room.

And the (Senior Show and URECA Art Exhibition) Winners Are …

The Paul W. Zuccaire Gallery at Stony Brook University hosted the opening reception of the ninth annual combined Senior Show and URECA Arts Exhibition on April 29, drawing about 300 attendees including students, faculty, staff, university leaders, and local museum curators. The Senior Show, a nearly 50-year tradition, features works by senior studio art majors and minors, while the URECA exhibition highlights undergraduate research-based art selected by faculty. This year's exhibition is noted for its diversity in subject matter and materials, from chalk painting to digital media, and runs through May 22.

Aldine ISD Student Artists to Featured in Contemporary Arts Museum Houston Exhibition

Aldine Independent School District (ISD) student artists from Hall Success Academy and Eisenhower High School will have their work featured in an exhibition titled "The Sequence Is Yours," hosted by the Contemporary Arts Museum Houston. The opening reception is scheduled for May 8, 2025, at ARTECHOUSE Houston, and the promotional image features a photograph by an Eisenhower High School artist. The students were guided by art educators Ketsia Hamilton of Hall Success Academy and Óscar Medina of Eisenhower High School, with Hamilton also serving on the museum's Teacher Advisory Group.

Union Theatre exhibit at arts museum raises more than $1,000 toward revival of the Attleboro landmark

The Attleboro Arts Museum held an exhibition titled “Staging a Comeback” that raised over $1,000 to support the revival of the historic Union Theatre in Attleboro, Massachusetts. The theater, which opened in 1928 as a vaudeville house and later became a movie theater, has been closed since 2002 and is owned by the Friedman family. The exhibit featured items on loan from the theater, including vintage Gold Metal brand popcorn boxes, and a popcorn-themed artwork by local artist Billie Klegraefe.

Accessibility through art broadening experiences at expanded Gallery

Newcastle Art Gallery in Australia has unveiled two groundbreaking accessibility commissions: a digital guide named Nancy and architectural-scale sculptures by artist Fayen d'Evie. The digital guide offers a 24-stop tour with audio, Auslan-interpreted video, and written descriptions, developed through a 'by community, for community' model involving d/Deaf consultants, Auslan interpreters, and First Nations consultants. The sculptural solution addresses the gallery's original floating staircases, providing safe navigation for visitors who are blind or have low vision. A panel talk and Auslan-interpreted tour on Saturday will highlight these initiatives.

Art: Amanda Heng’s ‘A Pause’ opens at the 61st International Art Exhibition of La Biennale di Venezia to represent Singapore

Amanda Heng Liang Ngim's exhibition 'A Pause' has opened at the Singapore Pavilion of the 61st International Art Exhibition – La Biennale di Venezia. The installation transforms the historic Sale d’Armi into a contemplative space using larch wood platforms, photographs, and a dual-channel video that observes everyday gestures of rest and renewal in Venice and Singapore. The presentation also includes a reprint of her 1990 series 'Parts of My Body' and is accompanied by a comprehensive monograph, 'Amanda Heng: On and On'.

What We Saw at Buffalo Prescott’s 'Vernal 2026'

Buffalo Prescott’s Detroit headquarters is hosting 'Vernal 2026,' a spring-inspired contemporary arts exhibition running through June 27, with a public opening on May 22. The exhibition features works by resident artists including Jessica Wildman Katz, Halima Afi Cassells, Cyrah Dardas, Sara Nickleson, and Tony Printz, alongside metro Detroit and international artists. Highlights include Katz's botanical rabbit sculpture 'Kindling,' Cristina Umaña's whimsical 'Mesa De Centro' (a stack of white tables with human-like limbs), and Amelia Burns's photographic diptych 'Evil Eye' and 'Evil Eye Transmuted onto Organza, 2026,' which explores contemporary American culture through collage.

Longtime art and studio complex in downtown Wilmington is for sale

Acme Art Studios, a longtime visual arts institution in downtown Wilmington, North Carolina, has been listed for sale at $4.4 million. The one-acre complex at 711 N. Fifth Ave. includes a 12,000-square-foot warehouse with studio and gallery space, plus four vacant lots. Founded in 1991 by a collective of artists in a former carpet warehouse, Acme has become a vital hub for the local arts scene, renting to dozens of artists and hosting countless shows over more than three decades. The property is owned by five artists, including co-founder Pam Toll, who said the decision to sell was unanimous and that the timing is right for a number of reasons.

Winnipeg exhibition traces the revival of Red River Métis beadwork

The exhibition 'Beading Métis Resurgence' at the University of Winnipeg's Gallery 1C03 showcases the work of renowned Métis artist Jennine Krauchi alongside four emerging Red River Métis beadworkers she has mentored. Curated by gallery director Jennifer Gibson and history professor Cathy Mattes, the show features Krauchi's centerpiece work 'The Lady'—a beaded coat, muff, hat, and boots—and explores beadwork as contemporary art, cultural knowledge, and intergenerational practice. The exhibition runs until July 10 and includes a table and chairs evoking the kitchen-table lessons where Krauchi passed down her skills.

Bildmuseet opens the MFA exhibition from Umeå Academy of Fine Arts.

Bildmuseet in Umeå, Sweden, will host the Master's exhibition "Of Love and Care" from the Umeå Academy of Fine Arts at Umeå University, opening on 22 May 2026 with an Art Friday event featuring talks, performances, tours, live music, and a DJ. The exhibition showcases works by ten graduating artists—Christian Abrahamsson, Amanda Angeli Blombäck, Time Bohlin, Renan De Menezes Anan, Elna Dani Liljedahl, Joanne Löfling, Måns Palmberg, Sofia Tien, Fanny Åberg, and Tin Åling—whose pieces explore themes of love, care, mysticism, and the wonder of existence, moving beyond overtly political and consumerist messages. A media preview will be held on 20 May, and the exhibition runs through 23 August 2026.

DePaul student creates micro-art gallery inside locker

DePaul University senior Christa Baclia-an has created a micro-art gallery inside a rented commuter locker (No. 121) in the Schmitt Academic Center, called “Locker Room.” The project rotates exhibitions every two weeks and is open to students and passersby. It was launched in response to the planned closure of the DePaul Art Museum (DPAM) due to budget cuts, and features work from both DePaul students and international artists, such as London-based Lee Tzur. The initiative is part of a growing DIY art scene on campus, with students curating shows and fostering community engagement in unconventional spaces.

Sécurité dans les musées

This issue of Le Journal des Arts (No. 676, May 2, 2026) covers a range of visual art news: the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, an interview with Bourges mayor Yann Galut about scaling back the Bourges 2028 project, the opening of a contemporary gallery at Angers Cathedral, the abandonment of the Frigos artist site in Paris, and a profile of auctioneer Hubert L'Huillier.

L’architecte du Musée Gandur

The article covers several art news items from the May 2, 2026 issue of Le Journal des Arts, including the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, an interview with Bourges mayor Yann Galut about the resized Bourges 2028 project, the unveiling of a contemporary gallery at Angers Cathedral, the abandonment of the Frigos artist site in Paris, and a profile of auctioneer Hubert L'Huillier.

Ten Political Statements By Artists At The 2026 Venice Biennale

The 61st Venice Biennale opened with unprecedented political tension, set against the backdrop of the international jury's mass resignation, the death of curator Koyo Kouoh, Russia's closed pavilion, threats from the European Commission to withdraw funding, and Italy's culture minister boycotting the opening. The article highlights ten works and moments where art and power intersected most explicitly, including Alfredo Jaar's 'Red Room' installation in the Chilean pavilion confronting humanitarian crisis, and Ukraine's collateral event 'Still Joy' at Palazzo Contarini Polignac, which frames joy as an act of resistance amid war.

Student artists bring diverse visions to IVC’s annual gallery exhibit

The 2026 IVC Student Art Exhibit opened at Imperial Valley College's Juanita Lowe Art Gallery on May 6, featuring a ribbon-cutting ceremony and a diverse range of student works including sculptures, videos, paintings, mixed media, and photography. Notable pieces include Catalina Gonsalez's acrylic series "Fire-Fuego," "Wind-Viento," "Water-Agua," and "Earth-Tierra," Stephanie Carrillo's watercolor of Salvador Dali, Kimberly Rodriguez's "Fragile Dancer," and Alejandro Mendez's "Self Portrait." Artist Daniel Barrera Jr. showcased Renaissance-inspired drawings, and author Cuauhtemoc (Chucky) Cortez presented his children's book "Joaquiner Stinker" with illustrations by Jesus Felix.

The Fabric Workshop and Museum presents Jesse Krimes: Elegy Quilts by Bucks County artist

The Fabric Workshop and Museum (FWM) in Philadelphia, in partnership with Mural Arts Philadelphia, presents "Jesse Krimes: Elegy Quilts," an exhibition featuring works from the artist's ongoing Elegy Quilt series (2020-present). The show debuts a newly commissioned quilt, "Riverside" (2026), created from used clothing collected from incarcerated people. Krimes, a Bucks County-based multidisciplinary artist who experienced incarceration himself, gathers donated clothing and textile fragments from currently and formerly incarcerated individuals and reconstitutes them into patterned quilts that meditate on memory, loss, and resilience. The exhibition also includes collages made during workshops with graduates of Mural Arts' Restorative Justice reentry program, which informed both the quilt and a forthcoming public mural in Philadelphia's Spring Arts District, to be unveiled June 3.