La nouvelle entrée du Louvre
The article, titled "La nouvelle entrée du Louvre," reports on the upcoming redesign of the main entrance to the Louvre Museum in Paris. It also covers several other art-world stories: the return of American Rousseau works to Paris, the growing trend of outsourcing museum reception services, the New Museum's expansion, the troubled Musée des Tissus project, and Art Brussels adapting to contemporary trends.
À Venise, le Musée Wagner change de statut
The Wagner Museum in Venice, currently a discreet institution housed within the Casino di Venezia in the Ca' Vendramin Calergi palace on the Grand Canal, is set to join the network of the Fondazione dei Musei Civici di Venezia (MUVE) by 2027. An agreement signed in March 2025, after thirty years of discussions, between MUVE, the Casino, and the Richard Wagner Association will make the museum the fourteenth institution under MUVE's management, alongside the Museo Correr, Ca' Pesaro, and the Museo Fortuny. The museum, established in 1995 in the rooms where Richard Wagner stayed and died in 1883, holds significant collections including the Josef Lienhart and Walter Just collections, making it one of the most important private Wagnerian collections outside Bayreuth, Germany.
Michel-Ange authentique
Jean-René Gaborit, former head of Sculptures at the Louvre, has published a major new book, "Les Sculptures de Michel-Ange. Le vrai, l'incertain et le faux," which rigorously examines the authenticity of works attributed to Michelangelo. The 500-page volume, based on fifty years of study, categorizes the master's sculptural corpus into works of certain authenticity, lost-and-found pieces that spark debate, sculptures executed by others after his designs, and works mistakenly attributed due to stylistic similarities.
The Metropolitan Museum of Art in New York is hosting the first-ever exhibition dedicated to Raphael in the United States, running until June 28. The show brings together over 200 works by the celebrated Renaissance master, including the enigmatic portrait *La Dame à la licorne* (1505–1506), which exemplifies Raphael's signature qualities of grace, light, and harmony.
A major exhibition titled 'Lillian Pitt: Art, Memory, Home' opens at The Museum at Warm Springs on May 21, featuring the contemporary art of celebrated Pacific Northwest Native artist Lillian Pitt alongside works from her personal collection and other institutions. The show, curated by Angela Anne Smith with contributions from Rebecca Dobkins, explores six themes in Pitt's life and work and includes an opening reception sponsored by The Ford Family Foundation.
The Public Works Art Center in downtown Summerville is currently hosting four concurrent exhibitions featuring local artists, including Tom Stanley, Paul Matheny, Karyn Healey, and the late Gene Merritt, as well as a showcase for student artists. The shows, which run through May 16, present a range of works from paintings reflecting Southern culture to documentary photography of the town and youth art.
American Legacy Fine Arts in Pasadena is launching a new exhibition titled 'Mastering the Mood: Atmospheric Emotion,' running from April 24 to June 6. The show features approximately 45 works by 25 contemporary-traditional artists, focusing on how light, color, and atmosphere in representational painting can evoke emotional responses in viewers.
The Arts Council of Wales has announced a 19-strong team of early-career artists, curators, and students who will travel to Venice this summer to support Wales' presence at the 61st International Art Exhibition – La Biennale di Venezia, running from May 9 to November 22, 2026. As part of the Invigilator+ programme, participants will spend at least one month in Venice acting as ambassadors for the Wales in Venice exhibition, an official collateral event. The exhibition, titled Sownd, is led by artists Manon Awst and Dylan Huw, jointly organized by Oriel Myrddin in Carmarthen and Oriel Davies in Newtown, with Steffan Jones-Hughes as Curator and Catherine Spring as Exhibition Project Director. The invigilators include Lily Tonkin Wells, Robert Oros, Ophelia dos Santos, Grace Springer, Cerian Wilshire Davies, Megan Evans, Howl Hubbard, Temeka Davies, Llyr Evans, Chloe Goodwin, Abby Pouslon, and Niamh O'Dobhain, while student team members come from Cardiff Metropolitan University, University of Wales Trinity St David, Wrexham University, and Aberystwyth University.
Un Barocco troppo barocco. Riflessioni sulla colossale mostra di Forlì
A massive exhibition titled "Barocco: il gran teatro delle idee" (Baroque: The Grand Theater of Ideas) is on view at the Museo Civico San Domenico in Forlì, Italy. The show, curated by a committee of six, ambitiously attempts to define the Baroque across the 17th and 18th centuries, extending its scope to include France and Spain, and even suggesting its echoes in the 20th century. It features approximately 300 works, including paintings, sculptures, and decorative arts.
The personal art collection and belongings of the late actor and style icon Diane Keaton will be sold at auction this June. Bonhams, in partnership with The Fine Art Group, will conduct the sales under the title "Diane Keaton: The Architecture of an Icon" across four events in New York and Los Angeles.
Anne-Claire Legendre : « Redonner de la sérénité et de la transparence à l’institution »
Anne-Claire Legendre has been appointed to succeed Jack Lang as president of the Institut du Monde Arabe (IMA) in Paris. A French diplomat, Legendre aims to restore confidence in the institution through governance reform, increased transparency, and a new strategic plan following an external financial audit.
L’écrivain Thomas Clerc pose, à travers une fiction, un regard tendre sur les « croûtes » de Montmartre
French writer and essayist Thomas Clerc has published a new fiction titled "Croûtes" as the fifteenth volume in the "Fléchette" collection by éditions sun/sun. The book draws inspiration from a single autochrome image taken from the Musée Albert-Kahn's "Archives de la planète" (1909–1931), specifically a one-minute film shot in March 1927 at the Foire aux croûtes in Montmartre, Paris. Clerc's narrative tenderly and humorously explores the life of an amateur painter and the infinite possibilities of so-called "croûtes"—a French slang term for amateurish or kitsch paintings that exist outside institutional recognition.
The American Popular Art Museum Tomás Lago (MAPA) in Chile has trained a group of children as art mediators for the 2026 Popular Arts Encounter in Cerrillos. The program, called "Art Mediators in Your School," began after the school Pedro Aguirre Cerda hosted its first community art encounter in 2022, initiated by educator Sandra Ramírez and local organizers. Ten children received training in cultural mediation and art appreciation at MAPA, then guided their peers through the exhibition. The collaboration has deepened, with MAPA now also contributing to curating and exhibit design for the 2026 edition.
Cal Poly Humboldt's Reese Bullen & Goudi’ni Native American Arts Galleries will present "In My Time, In My Place: Brian Tripp Archive," an exhibition exploring the late Karuk artist Brian D. Tripp's (1945–2022) use of personal texts, symbols, and geometric language. The show runs April 2 through May 16, 2026, featuring reproduced archival materials from Tripp's papers held in the Cal Poly Humboldt Library Special Collections. Two related events are scheduled: an Artist on Artist Talk with Bob Benson on April 29 and an Archivist Talk with Susan Gehr and Carly Marino on May 7.
A photo essay showcases fashion and decorative arts associated with Marie Antoinette, drawn from multiple museum exhibitions in France. Images include an English-style dress and skirt (circa 1780-1790) from the Palais Galliera-Paris Musées, a shoe from 1895 at the Musée des Beaux Arts de Caen, a pug on a cushion from the Berlin Manufactory (circa 1760) courtesy of Les Arts Décoratifs, and a painting titled "The Bad News" by Jean-Baptiste-Marie Pierre. The collection also features a French-style dress (circa 1755-1765), a formal corset attributed to Queen Marie Antoinette (circa 1770-1780), and a view of the exhibition "Fashion in the 18th Century: A Fantasized Legacy" at the Palais Galliera fashion museum in Paris.
Artist Raili Jänese, an Estonian-born painter now based in Kirkland, Washington, creates colorful acrylic works that capture everyday human and animal behaviors with humor and tenderness. Her practice, which began after a corporate career, focuses on observation of mundane moments—people eating, drinking coffee, riding transit, and animals in urban settings. Her upcoming solo exhibition, "E.L.U," will be on view at Ryan James Fine Arts from May 1–31, 2025, with a Gallery Night on May 22. Jänese has shown work regionally at venues including Happy Time Studio Gallery, Oxbow Montlake, and the Seattle Art Fair, and has completed public art projects in Bellevue, Kent, Kirkland, and Seattle.
Artist and arts administrator Kathleen Kirk Stoves is debuting an art exhibit at Mobile Arts Council in downtown Mobile, Alabama, in partnership with Lynn Oldshue, founder and writer of the storytelling project Our Southern Souls. The exhibit runs through May and coincides with the ArtWalk event on May 8th. Stoves created paintings inspired by Oldshue's interviews with over 2,000 people from the Mobile area, originally sparked by stories about bus riders.
Gunjan Tyagi, a multidisciplinary visual artist based in Schenectady, New York, has been selected to exhibit at Pen + Brush, one of New York's oldest nonprofit galleries, during Women's History Month. Tyagi's work spans painting, sculpture, site-specific installation, nature art, video, photography, and mixed media, often incorporating unconventional materials like cow dung and found objects to explore identity, cultural exchange, and humanity's relationship with nature. She also serves as organizer of the India chapter of the Global Nomadic Art Project and as a jury member at the Biennale of Seychelles.
AOY Art Center announced the award winners of its 14th Annual Juried Show, with David Orban taking first place for his oil on cradled wood panel, “Bi-plane and Blue Truck in Red.” Juror Amanda C. Burdan, senior curator at the Brandywine Museum, selected the piece for its surreal use of red. Second place went to Jean Burdick for “Silverton,” a silkscreen on vellum, and third place to Darlene Decker for “For the Monarchs,” an oil painting. The Frumi Cohen Memorial Award was presented to Cathy Hanville for her photograph “What’s for Dinner,” and honorable mentions were awarded to Scott Hoerl and Barbara Kaiser. The exhibition, featuring 135 works from over 425 entries by 150 local artists, is on view through May 3 at the AOY Art Center in Yardley, Pennsylvania, and online.
A group of 17 Lawrence-based artists with children have collaborated on a new exhibition titled 'Breeders' at Cider Gallery, opening April 24. Organized by local artist and teacher John Sebelius, the show explores the joys and challenges of parenthood through diverse media, including paintings, collages, and ceramics. A sister show, 'Offspring,' featuring works by the artists' children, will open simultaneously at Seedco Studios. Participating artists include Mona Cliff, Stan Herd, Angie Pickman, Kevin Willmott, Megan Embers, and Katie Winter, among others.
On The Edge Gallery, an artist-run collective in Old Town Scottsdale's Arts District, has been named one of the top 10 galleries in the Phoenix metropolitan area by Modern Luxury Magazine. The gallery operates as a co-op where local Arizona artists create the work, set their own prices, and often work on-site, allowing visitors to interact directly with the creators.
Interdisciplinary artist Jinsun Kim presents a solo exhibition titled 'C.O.C.O.O.N.: HEALING' at K Space Contemporary in Corpus Christi, Texas. The exhibition features mixed-media sculptures that create immersive, cocoon-like environments exploring themes of healing, survival, and transformation. The works are informed by Kim's childhood memories of her mother's illness and recovery, translating personal experience into universal spatial narratives.
The Grackle Art Gallery in Fort Worth, Texas, will host "BLANK," the fourth curated installation by the Kickpigeon Kids, from May 2 to May 31, 2026. The exhibition explores the concept of blankness as a prerequisite for new beginnings and limitless potential, inviting selected artists to submit work interpreting the theme, often starting from the idea of a "blank canvas."
Loyal, a gallery founded by Martin Lilja and Amy Giunta, has relocated from Stockholm to a 19th-century chapel in the university town of Lund, Sweden. The move represents a deliberate shift away from the fast-paced commercial art world towards a slower, more contemplative model of exhibition-making.
Richard MacDonald, the internationally acclaimed figurative sculptor known for his bronze works of dancers, athletes, and performers, is celebrating his 80th birthday with a two-day event on June 5 and 6, 2026, in Monterey, California. The celebration takes place at his studio and foundry, featuring a private invitation-only evening on June 5 for close friends, family, and leading collectors, followed by a public cocktail event on June 6. Activities include live performances, guided studio and foundry tours, a live bronze pour demonstration, and the unveiling of new sculptures, including a commissioned piece for the Weaver of Change Foundation in Singapore.
Eight students from Deer Park schools have been selected to have their artwork featured in an exhibition at a Long Island museum. The students' pieces were chosen from a larger pool of submissions, highlighting their creative talents and the support of their school's art program.
Depot Art Gallery in Littleton, Colorado, has opened a new juried exhibition titled “Tell Me a Story,” running until May 16. The show features 57 works by members of the Littleton Fine Arts Guild, including paintings, photographs, and jewelry, each accompanied by a printed label explaining the personal story behind the piece. The exhibition was organized by artists Mary Clark and Anastasya Kossyrev, and judged by Jo Ann Nelson of Rox Arts Gallery. Awards were given at the April 24 opening reception, with top honors going to Teresa Maone, Peggy Dietz, and others.
The Government of Yukon has added 11 new works to the Yukon Permanent Art Collection (YPAC), featuring artists Eugene Alfred, Misha Donohoe, Basia Hinton, Jane Isakson, Stephanie Luneta-Stevens, Jeneen Frei Njootli, Margret Njootli, Andy Pelletier, Dustin Sheldon, Maria Rose Sikyea, and Michelle Williams. Eight of these artists are represented in the collection for the first time. The pieces were selected from 134 submissions by 64 artists through an annual call for submissions process managed by the Yukon government and the Friends of Yukon Permanent Art Collection. An exhibition of the works is planned for fall 2026, and images are available on Yukon.ca.
McRae Art Studios, Orlando's oldest and largest professional artist collective, is celebrating its 40th anniversary with a spring open house on April 25 at its 10,000-square-foot converted garage space in urban Orlando. Founded in 1986 by George and Marty Whipple, the studio has hosted over 100 award-winning artists across five locations. The event features studio visits, original artwork sales, live music, and a cash bar, along with a new exhibition of self-portraits titled "The Faces of McRae" created by the current 22 member artists. The collective is also reorganizing as a nonprofit to strengthen the local arts community.
Two new exhibitions will open at the Brno House of Arts on Tuesday, 28 April, with a public vernissage at 6pm. The first, 'Distorted Image: Chapters from the Beginnings of Video Art', is an international show examining how artists in Czechoslovakia, Poland, and Hungary from the 1960s to the 1990s manipulated analogue and digital images to question truth in media, featuring experimental films, early animations, and independent video magazines. The second, 'Words of Dalibor Chatrný', is a retrospective marking the centenary of the Czech artist's birth, focusing on his 'word works' that explore language and the interplay between reading and seeing, while retaining painterly qualities.