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The Museums Association (MA) in the United Kingdom has proposed a new code of ethics that, for the first time, explicitly mentions fossil fuel companies. The guidelines recommend that museums transition away from sponsorship by organizations involved in environmental harm, human rights abuses, or other activities misaligned with museum values, and instead seek ethical funding that serves community interests. MA members will vote on ratifying the changes from September 15 until the annual conference on October 7, with the last code updated in 2015.

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Nearly 50,000 people have signed a petition to block the loan of the Bayeux Tapestry from France to the British Museum in London. The petition, launched in July by French art historian Didier Rykner, cites warnings from textile restorers that transporting the 1,000-year-old embroidered linen could cause irreparable damage. The tapestry is scheduled to be displayed at the British Museum from September 2026 to July 2027 while its home, the Bayeux Tapestry Museum in Normandy, undergoes renovation. The loan was announced by UK Prime Minister Keir Starmer and French President Emmanuel Macron. Prominent French cultural figures, including former Bayeux Tapestry Museum director Isabelle Attard, and British conservation watchdog ArtWatch UK director Michael Daley have voiced concerns. Rykner hopes to unite French and British opposition to stop the exchange, which also includes Anglo-Saxon and Medieval objects from the British Museum moving to France.

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The Bayeux Tapestry, a 900-year-old embroidery depicting the Norman Conquest of 1066, will be loaned from France to the British Museum for a blockbuster exhibition running from September 2026 to July 2027. French officials reportedly lobbied for discounted or free entry for French citizens, a request British negotiators dismissed as a "try-on" that was "never going to happen." The loan, first proposed in 2018 by then-Prime Minister Theresa May, was delayed over fragility concerns and finally confirmed during President Emmanuel Macron's state visit. In exchange, Britain will send the Sutton Hoo treasures and the Lewis Chessmen to France. French negotiators also floated borrowing the Rosetta Stone, but that proposal failed as the artifact is considered immovable.

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The Smithsonian's National Museum of American History has restored a placard for President Donald Trump to its impeachment display, updating it with new information. The change follows controversy after a temporary placard mentioning Trump was removed, which drew criticism from Democratic leaders and concerns about political interference at the Smithsonian. The museum stated the removal was due to the placard not meeting standards in appearance and presentation, and that no administration requested the change.

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The Smithsonian Institution is facing renewed scrutiny from the Trump administration, this time targeting the National Museum of American History's permanent exhibition "Entertainment Nation." Fox News reported that the White House has raised concerns about wall texts in the display, which opened in 2022 and explores the entertainment industry's impact on American pop culture. One text notes that Mickey Mouse's design has roots in blackface minstrelsy, while another describes pop star Selena Quintanilla-Pérez as sparking conversations about identity and Latinx influence. A 1923 circus poster is accompanied by a placard linking circuses to colonial impulses. White House lawyer Lindsey Halligan criticized the exhibition as framing American culture as "inherently violent, imperialist, or racist." The Smithsonian has stated it is reviewing content to ensure it meets its standards of unbiased scholarship.

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NSCAD University (Nova Scotia College of Art and Design) in Halifax has reported a dramatic surge in applications and acceptances from US-based students for fall 2025, driven by tightening US immigration policies under the Trump administration. Undergraduate applications from the US spiked 220%, acceptances rose 186%, and student responses increased 66%, with interest coming from 23 different states. NSCAD president Jana Macalik noted that student feedback cited concerns over trans rights, disability, same-sex marriage, and women's freedoms as motivating factors. Similar trends are being seen at other Canadian institutions like the University of Toronto, University of British Columbia, and Alberta University of the Arts.

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UOVO, a collector-founded art storage company, is seeking approval to build a second large-scale facility in Brooklyn's Bushwick neighborhood. The proposed seven-story, 240,000-square-foot building at 74 Bogart Street would expand the company's footprint near its existing 150,000-square-foot Bushwick facility opened in 2020. Founded in 2013 by real estate developer Steven Guttman, UOVO operates 30 locations across the U.S. and stores collections for museums, galleries, and high-net-worth individuals, including artworks, wine collections, and fashion archives. Architecture firm S9 will oversee the design if the plan is approved by the city.

Louisiana State Museum reaccreditation decision delayed until June 2027

The American Alliance of Museums (AAM) has tabled the reaccreditation decision for the Louisiana State Museum (LSM) system until June 2027. While the system’s ten sites remain accredited during this period, the delay indicates that the AAM requires the institution to address specific concerns regarding its governance and operational structure. The LSM, which oversees significant cultural assets like the New Orleans Jazz Museum and the Louisiana Civil Rights Museum, has recently navigated a period marked by lawsuits, public controversy, and unfavorable audits.

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The College of Visual Arts and Design Galleries at the University of North Texas abruptly canceled the solo exhibition "Ni de Aquí, Ni de Allá (Not From Here, Not From There)" by artist Victor "Marka27" Quiñonez after it had been fully installed. The show, which includes works from his "I.C.E. Scream" series critically rebranding Immigration and Customs Enforcement as "Inhumane and Cruelty Enforcement," was removed without explanation, and gallery staff ceased communication with the artist.

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Billionaire couple Jeff Bezos and Lauren Sánchez Bezos are sponsoring the Metropolitan Museum of Art’s 2026 Met Gala, the annual benefit for the Costume Institute. The news has revived speculation that Bezos may buy Condé Nast, Vogue’s parent company, which organizes the gala. Sánchez Bezos, a former TV reporter and recent Vogue cover subject, has been increasingly active in fashion circles, attending Paris Fashion Week and sitting front row at Chanel and Balenciaga shows. The 2026 gala will be the first since Anna Wintour’s retirement, with Chloe Malle taking over Vogue, and will feature a new dedicated Costume Institute gallery and the theme “Costume Art.”

What We Loved (And Didn’t) in “Greater New York”

The article presents a critical review of the 2026 "Greater New York" exhibition at MoMA PS1, a massive survey featuring over 150 works by more than 50 artists. The Hyperallergic editorial team highlights specific artists and works they loved, disliked, or found puzzling, offering a curated list of around 20 standout pieces. The review includes detailed commentary on individual works by artists like Dean Millien, the collective Red Canary Song, and Kameron Neal, capturing the diverse and often contentious reactions the show provokes.

Because the Ego Suddenly Dissolves

"Weil das Ego sich plötzlich auflöst"

The art world is facing significant structural and political shifts, highlighted by the merger of Artnet and Artsy which has resulted in mass layoffs, particularly within the Artnet News editorial team and its Berlin operations. Simultaneously, tensions are rising in German cultural policy as gallery owner Rupert Pfab raises concerns over government interference in the Stiftung Kunstfonds jury selection, reflecting a broader climate of unease that includes recent controversies at the Berlinale.

Pavel Brǎila on Representing Moldova at the 61st Venice Biennale

Pavel Brǎila is representing Moldova at the 61st Venice Biennale with an installation titled "Echoes of Harmony and Silent Cries" (2026), featuring flying carpets that fill the pavilion space at Santa Veneranda. In an interview with ArtReview, Brǎila explains that the work was driven by the constant presence of war in the news—Ukraine, Israel and Gaza, and other conflicts—and evolved into a sound installation as the propellers of the carpets created a minor-key resonance. He describes his first visit to the Biennale 25 years ago as a festive art festival, but now sees the platform as a crucial opportunity to represent his country's voice and express his urgent feelings about the world.

Shooting at Mexico’s Teotihuacán Pyramid of the Moon, Diego Rivera’s Grandson Donates Collection to Mexico’s Museo Anahuacalli, and More: Morning Links for April 21, 2026

A Canadian tourist was killed and several others, including children, were injured in a shooting at the Teotihuacán Pyramid of the Moon, a UNESCO World Heritage site near Mexico City. The gunman died by suicide, prompting security concerns ahead of a planned immersive night show and the upcoming World Cup.

Alma Allen’s US Pavilion Heads to Venice Amid Questions Over Selection Process

The selection of Alma Allen to represent the United States at the 2026 Venice Biennale has ignited controversy over the process. The U.S. State Department abandoned its traditional selection model, which involved a panel of experts convened by the National Endowment for the Arts, and instead handed control to a new nonprofit, the American Arts Conservancy, led by individuals with little museum experience. This shift has drawn criticism from prominent figures in the art world, with some artists declining to participate due to concerns over the political context and unfamiliar leadership.

DePaul Art Museum Advisory Board Calls on University to Save the Institution, Expressing ‘Anger, Frustration, and Deep Sadness’ Over Abrupt Closure

The advisory board of Chicago's DePaul Art Museum has sent a strongly worded letter to DePaul University leadership, condemning the decision to permanently close the 40-year-old museum on June 30. The letter, signed by board chair Scott J. Hunter and members including artists Brendan Fernandes and former Expo Chicago head Tony Karman, expresses "anger, frustration, and deep sadness" over the abrupt closure and the university's unilateral plans for the museum's 4,000-object collection.

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Alexander Calder’s monumental sculpture "Mountains and Clouds," located in the Hart Senate Office Building in Washington, D.C., is finally undergoing a full restoration. The 75-foot-wide "clouds" component of the mobile was dismantled in 2016 due to structural safety concerns, leaving only the stationary "mountains" portion on display for nearly a decade. Supported by private funding secured by the Calder Foundation, the project will refabricate the suspended elements and reinstall the computer-controlled motor system that allows the sculpture to rotate.

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A conservative legal group, the American Center for Law and Justice (ACLJ), has intervened after a teacher at Case Middle School in Watertown, New York, assigned 7th graders to visit the Keith Haring Foundation's website for an art project. The ACLJ claims students were exposed to "pornographic" imagery, though it did not specify which artworks. The school placed the art teacher on administrative leave and launched an investigation following parental complaints. The controversy has been amplified by conservative outlets like Libs of TikTok, with the ACLJ arguing that the school violated parents' constitutional rights.

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The School of the Art Institute of Chicago (SAIC) laid off three of five staff members at the Video Data Bank (VDB), a renowned video art distribution organization, on November 12. Former director Tom Colley announced the dismissals of digital collection manager Elise Schierbeek and distribution assistant Nicky Ni, and stated that acquisitions and programming would cease. SAIC cited financial pressures from federal policy changes and enrollment declines, insisting the VDB is not closing but needs adjusted staffing to protect its teaching mission. The VDB, founded in 1976 and approaching its 50th anniversary, holds works by major artists including Nam June Paik, Pipilotti Rist, and Bruce Nauman, and has historically received NEA funding.

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Chinese artist Cai Guo-Qiang staged a fireworks performance titled 'The Rising Dragon' at the base of the Himalayas in Shigatse, Tibet, sponsored by outdoor apparel brand Arc'teryx. The event, which involved colored smoke emitted at 18,000 feet elevation, sparked widespread online criticism over environmental concerns. Chinese authorities launched an investigation, and both Arc'teryx and Cai issued public apologies.

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President Donald Trump had lunch with Lonnie G. Bunch III, secretary of the Smithsonian Institution, on Thursday, according to the New York Times. This meeting comes amid ongoing tensions between the Trump administration and the Smithsonian, including a White House list denouncing specific artworks—such as a painting of refugees at the US-Mexico border and Amy Sherald’s portrait of a Black trans woman as the Statue of Liberty—and an executive order claiming the institution has been influenced by “divisive, race-centered ideology.” Trump has also called for a legal review of Smithsonian displays, though his authority over the institution is unclear. The lunch was described as “productive and cordial” by a White House spokesperson, but no details of the discussion were released.

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Georges Seurat's Post-Impressionist masterpiece, *A Sunday on La Grande Jatte* (1884–86), is analyzed in depth for its revolutionary technique and historical context. The painting depicts weekend day-trippers in a Parisian park, employing pointillism—which Seurat called divisionism or *peinture optique*—to fix modern life in a chromatic eternity. Influenced by his academic training under Henri Lehmann (a student of Ingres) and Michel Eugène Chevreul's color theory, Seurat used tiny dots of color that blend in the viewer's eye, merging science with art. The work was preceded by *Bathers at Asnières* (1884), which shares the same landscape and thematic concerns, together portraying both sides of the Seine.

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Two lenders to the National Museum of African American History and Culture (NMAAHC) reported that their objects were removed from the museum’s galleries earlier than expected, raising concerns about the influence of President Trump’s recent executive order targeting “anti-American content” in Smithsonian museums. Amos C. Brown, a civil rights activist and pastor, lent a 1880 book on Black history and his father’s Bible, which Martin Luther King Jr. carried during protests; the museum cited the loan’s May expiration as the reason for removal. Liz Brazelton, who lent the diary of her great-great-grandfather—a lawyer who worked on behalf of Solomon Northup—said the diary was returned in March, six months before a 10-year loan agreement was set to end in September, with the museum citing an “internal gallery rotation schedule.” At least 32 objects have reportedly been removed, though the museum denied planned removals.

Antony Gormley sculpture quietly removed and sold off by UK council

Kent County Council, led by the Reform party, has removed and sold Antony Gormley's early public sculpture 'Two Stones' (1979-81) from outside the Kent History and Library Centre in Maidstone. The council sold the work back to the artist himself in a private sale to raise funds, citing severe financial pressures and a need to avoid increasing costs for residents. The council's most recent accounts valued the work at £859,000, but the final sale price remains confidential.

The Tensions Seething Beneath the Surface of the 2026 Whitney Biennial

The 2026 Whitney Biennial has quickly generated a consensus among critics, prompting a deeper analysis of its underlying themes. The exhibition features a notable tension between works exploring artificial intelligence, such as Zach Blas's maximalist installation and Cooper Jacoby's emotionally resonant sculptures, and a contrasting trend of delicate, nostalgic art focused on domesticity and ecology, exemplified by artists like Kelly Akashi and Jasmin Sian.

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Artnet's Price Database reveals signs of recovery at the top end of the art market in 2025, following three years of contraction. The article highlights gains in high-value sales, exemplified by Gustav Klimt's "Bildnis Elisabeth Lederer" pictured at Sotheby's Marquee Sales Series in New York. It also notes a growing trend of small and emerging galleries working with artists' estates, and reports that roughly half of art-backed loans by non-bank businesses defaulted in 2024.

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Artnet News reports that AI-generated artworks are achieving record prices at art fairs and auction houses, with increasing presence in major exhibitions like the Digital Art Mile during Art Basel and a dedicated AI art auction at Christie's. The article features commentary from Artnet's European news reporter Jo Lawson-Tancred, who discusses how artificial intelligence is transforming both the market and business practices in the art world, while noting lingering concerns about market readiness and ethics.

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Citigroup is selling its Mexican retail banking operation, Citibanamex, along with a collection of approximately 2,000 Mexican artworks dating from the 18th century to the present. The collection includes works by Frida Kahlo, Diego Rivera, José Clemente Orozco, Leonora Carrington, and Remedios Varo, and is considered the most important private painting collection in Mexico. Citibanamex has stated the collection is an integral and indivisible part of the sale and will not be sold separately.

Anish Kapoor says US’s ‘politics of hate’ should exclude it from Venice Biennale

Anish Kapoor has called for the United States to be excluded from the Venice Biennale, citing the country's "abhorrent politics of hate" and "incessant warmongering." His comments follow the resignation of the five-member international jury, who stepped down in protest over the inclusion of Israel and Russia. Kapoor praised the jury's decision as "courageous" but argued they should have also targeted the US. The US pavilion, featuring artist Alma Allen and his exhibition "Call Me the Breeze," has faced scrutiny over perceived Trump administration interference and a delayed selection process. Meanwhile, the Israeli and Russian pavilions remain flashpoints, with over 200 participants signing a letter demanding the cancellation of the Israeli pavilion, and the Russian pavilion closed to the public but viewable through windows.

7 Shows to See in Milan Right Now

Milan's art scene is currently anchored by several high-profile exhibitions coinciding with the Miart fair. Key highlights include Cao Fei’s exploration of global farming and technology at Pirelli HangarBicocca, alongside Anselm Kiefer’s monumental portraits of female alchemists. The city's galleries and institutions are showcasing a diverse range of media, from immersive installations to historical retrospectives, positioning Milan as a critical hub for contemporary art during this peak seasonal moment.