The Mint Museum in Charlotte has successfully secured a rare exhibition featuring the works of Italian Baroque master Caravaggio, culminating a complex four-year negotiation process. This landmark show marks a significant achievement for the regional institution, bringing world-class masterpieces that are seldom seen outside of major European capitals or top-tier global museums to North Carolina.
The COMO Museum of Art is hosting "Traces: Drawing Practices Now," a major group exhibition curated by Hassan Sheikh featuring 19 artists. The show explores the evolution of drawing from a preparatory medium into an independent, sophisticated art form. Notable participants include Ali Kazim, Muhammad Ali Talpur, and Ghulam Mohammad, whose works range from meticulous mark-making and subverted scripts to expressive, intuitive compositions that challenge traditional linguistic and visual codes.
Portland-based artist Ami Maki has unveiled her latest exhibition, "Obese Landscapes," at the Multnomah Arts Center. The showcase features eight large-scale charcoal drawings, some reaching seven feet in height, that draw visual parallels between the human form and natural topographies like rolling hills and rock formations. By utilizing earth tones and monumental scale, Maki seeks to reframe bodies often marginalized by societal beauty standards as majestic, natural environments.
Denver Pettit is presenting her senior art exhibition, titled "From the Backyard," at the University of Arkansas at Monticello’s Glassblock Gallery from April 10–15, 2026. The showcase features a series of oil paintings, including the work "Filbert," and concludes with a public reception on the final evening.
Penn State Altoona is hosting a joint gallery reception for Visual Art Studies students Grace Brown and Richard Mitchell at the Misciagna Family Center for Performing Arts. Brown’s exhibition, "What Once Was," utilizes multimedia techniques to explore nostalgia and childhood memories, while Mitchell’s "Blood is Thicker Than Water" employs a dream-like aesthetic to examine the influence of family and personal history. Both exhibitions run from April 16 through April 24.
The exhibition of Michaelina Wautier’s work introduces audiences to a long-overlooked master of the 17th-century Baroque period. Born in Mons around 1614, Wautier operated within the elite circles of the Spanish Netherlands, sharing a studio with her brother Charles and securing patronage from the court of the Archduke Leopold Wilhelm. Despite her technical brilliance and ability to navigate complex historical and religious subjects, her name remained largely absent from the art historical canon until this recent reappraisal.
Emporia State University seniors Sydney Hickman and Michael Kidwell debuted their collaborative Bachelor of Fine Arts senior exhibition, "All That Remains," at the Eppink Art Gallery. The show features a dialogue between Hickman’s quilt-inspired ceramics and mosaics, which explore domesticity and femininity, and Kidwell’s nature-oriented paintings and wood displays that reflect on his Kansas upbringing and identity.
Franklin College is set to showcase the creative achievements of its graduating seniors through a series of public art and music events this April. The programming includes a senior art exhibition on April 20 featuring five student artists, alongside two chamber concerts scheduled for April 14 and 16. The art exhibition, held at the Johnson Center for Fine Arts, highlights diverse works from studio art, graphic design, and art therapy majors.
Leaked transcripts from the University of North Texas (UNT) reveal that Dean Karen Hutzel attributed the abrupt cancellation of artist Victor “Marka27” Quiñonez’s exhibition to fears of political retaliation. The show, titled “Ni de Aquí, Ni de Allá,” was shuttered shortly after opening at the CVAD Gallery without an initial public explanation. The transcripts indicate that administrators feared the provocative nature of the work—specifically pieces addressing incarceration and deportation—could lead Texas Republican lawmakers to slash university funding or eliminate programs, following a pattern of ideological clashes at other state institutions.
Tasmanian artist Joan Humble is presenting her final exhibition at the Lady Franklin Gallery in Hobart, featuring over 40 works that span from large-scale paintings to her signature miniatures. Despite a terminal cancer diagnosis at age 88, the internationally acclaimed artist remains dedicated to her craft, completing a three-year effort to document the rugged beauty of Tasmania’s South West Wilderness. Humble, a recipient of the prestigious Golden Bowl for miniature art, continues to work on remaining commissions, citing the intense concentration required for painting as a vital source of strength.
99CENT art exhibition
President Donald Trump has officially endorsed former Fox News host Steve Hilton for the California governorship. Hilton, who previously served as an advisor to UK Prime Minister David Cameron, is campaigning on a platform of repairing the state's relationship with the federal government and has adopted the "Make California Great Again" slogan. This endorsement positions Hilton as a primary front-runner among Republican voters, potentially consolidating the GOP base in a crowded field that includes Riverside County Sheriff Chad Bianco and several prominent Democrats.
British artist and critic Matthew Collings has sparked intense legal and ethical debate with his exhibition "Drawings Against Genocide" at Joseph Wales Studios in Margate. The show features graphic imagery, including depictions of Jewish figures consuming infants and denials of sexual violence committed on October 7, 2023. Despite calls from Israeli officials and Jewish community members for legal intervention, Kent Police have stated that no criminal offenses were identified, as the work is currently classified as political criticism rather than a direct incitement of racial hatred.
Kim Kardashian auctioned 24 outfits worn during the first season of the Hulu legal drama 'All's Fair' through her Kardashian Kloset platform, raising $247,200 for the Legal Aid Foundation of Los Angeles. The sale was dominated by two high-value archival designer sets, one by Dior and one by John Galliano, each selling for over $100,000, though a bidding glitch temporarily inflated one lot to $80 million. Ten unsold outfits remain available for immediate purchase at their original starting prices.
A new project led by master craftsman Thomas Keyes aims to recreate medieval vellum-making techniques to test theories about the origin of the Book of Kells. Keyes will build a replica of a washing tank found at the Scottish monastery of Portmahomack and use historically accurate methods, including potentially using seaweed-based lye, to produce vellum. This experimental archaeology seeks to determine if the manuscript's unique physical characteristics match the production methods used at Portmahomack.
An exhibition titled 'Origins of New Orleans Black Carnival Society: The Story of the Illinois Clubs' has opened at The Presbytère in New Orleans. It chronicles the history of The Original Illinois Club, the first Black Carnival club and the first to host a debutante cotillion, and coincides with the centennial of its offshoot, the Young Men Illinois Club. The show features regalia, gowns, photographs, and historical artifacts, including a segregated 'White Section' sign from the Municipal Auditorium.
Photographer Eddie Otchere recounts capturing his iconic 1994 black-and-white portrait of Wu-Tang Clan's Method Man in London. Otchere, then a 19-year-old fan, boldly asked to join the group's coach after spotting them, leading to a spontaneous shoot where Method Man performed his "new trick" of contorting his eye.
Photographer Rich-Joseph Facun documents life in Athens, Ohio, in his project '1804,' focusing on the profound influence of Ohio University on the town. His images and interviews capture the socioeconomic and cultural dynamics, including strained housing markets, a nightlife economy driven by students, and the town's identity as a "company town" shaped by the university's calendar and employment.
The Aldrich Contemporary Art Museum in Ridgefield, Connecticut, has launched a new initiative dedicated to showcasing the work of artists living and working within the state. This regional focus aims to highlight the creative output of those residing in the shadow of New York City’s dominant art scene, providing a high-profile platform for local talent.
Nailya Allakhverdiyeva, the longtime director of the PERMM Museum of Contemporary Art in Perm, Russia, has fled the country following escalating intimidation and a raid by security forces. Despite her efforts to maintain the institution's integrity through strategic compromises and "Aesopian language" to navigate tightening censorship, the pressure became untenable after she was interrogated and her home was searched by the F.S.B. in connection with activist Pyotr Verzilov.
Hong Kong-based painter Stephen Wong Chun Hei, who spent much of his childhood indoors, has become an avid hiker and now creates vibrant, colorful paintings of the city's natural landscapes. His work focuses on capturing the dramatic geology, lush vegetation, and hidden trails of Hong Kong's country parks and coastal areas.
The article examines the Nintendo Museum in Kyoto and the company's 137-year history, tracing its evolution from hanafuda playing cards to global video game dominance. It highlights how the museum curates nostalgia through interactive exhibits and preserved artifacts, framing Nintendo's journey as a sequence of applying technology for fun and profit.
Taiwanese artist Li Yi-Fan is preparing to present work at the Venice Biennale. His video works feature a digitally animated character, voiced and puppeteered by the artist himself, which delivers improvised, punkish lecture-performances critiquing technology, algorithmic control, and the loss of human agency.
Lehigh University Art Galleries (LUAG) has announced a grand finale celebration titled “Bye for Now, Here and Now” to mark the conclusion of its centennial year. Scheduled for May 9, 2026, the public event serves as both a 100th-anniversary party and a closing reception for the landmark exhibition "Here and Now: 100 Years of LUAG, 100 Local Artists." The evening will feature live music, art-making activities, and opportunities for the public to engage with the 100 regional artists featured in the show.
The Kunsthaus Wiesbaden is hosting a comprehensive survey of Argentine artist Marcelo Brodsky titled "Memory in Action," running through June 2026. The exhibition showcases Brodsky’s unique practice of intervening in archival photographs to address global human rights abuses, political violence, and the persistence of historical trauma. Key series on display include his seminal work on the Argentine military dictatorship, "Buena Memoria," alongside explorations of 1968 global protests and African liberation movements.
A Gorizia gli artisti lavorano con le aziende del territorio all’insegna della circolarità degli scarti industriali
The exhibition "The Matter Loop" has opened in Gorizia as part of the GO! 2026 European Capital of Culture celebrations, showcasing a unique collaboration between contemporary artists and local industrial companies. Curated by Vincenzo Alessandria and organized by the QuiAltrove Association, the project paired four artists from the Friuli Venezia Giulia region with local businesses to repurpose industrial waste—including textiles, metals, and organic residues—into new artworks.
A new exhibition at Raven Row in London is dedicated to the work of American artist Christine Kozlov, a key but often overlooked figure in the early Conceptual Art movement. The show focuses on her contributions from the mid-1960s to the late 1970s, revealing the scope of her activity during this formative period.
The Wadsworth Atheneum Museum of Art in Hartford is launching a series of major exhibitions to commemorate the 250th anniversary of the United States. Key highlights include the "Radical Roots" exhibition, which explores Connecticut’s pivotal role in the development of American democracy, and a collaborative project with the Amistad Center for Art and Culture titled "Framing American Democracy." These showcases utilize the museum's vast collection of 50,000 works to trace the nation's history from the 1600s to the present day.
The Tarble Arts Center hosted the opening reception for the 2026 Master of Arts in Studio Art Exhibition, featuring thesis projects from 11 graduate students. The exhibition showcased a diverse range of mediums, including an immersive installation by Vitória Kazanovski that recreated her grandmother’s Brazilian kitchen using audio and textured cookbooks, and a ceramic series by Wendy Peters that highlighted the technical mistakes and evolution of her craft.
The Petit Palais in Paris is hosting the first French retrospective dedicated to Károly Ferenczy, a seminal figure in Hungarian art history. Running from April 14 to September 6, 2026, the exhibition features nearly 140 paintings and drawings, many on loan from the Hungarian National Gallery and private collections in Budapest. The showcase traces Ferenczy’s stylistic evolution from naturalism to symbolism and impressionism, highlighting his role as a founder of the Nagybánya artists' colony and a pioneer of en plein air painting in Central Europe.
The Krannert Art Museum is currently hosting the annual Master of Fine Arts Exhibition, showcasing the thesis work of eight graduate students from the University of Illinois Urbana-Champaign School of Art & Design. The exhibition features a diverse range of media, including sculptural 3D collages by Samantha Jones that critique the hypersexualization of Black girlhood, and a mixed-media experimental classroom by Anthony Obayomi that explores social justice and educational metrics. Other works, such as Emily Tomlinson’s text-based drawings, highlight themes of cataloging and observational study.