Madeleine Grynsztejn, the director of the Museum of Contemporary Art Chicago since 2008, will step down at the end of 2026. Her departure marks the end of an 18-year tenure during which she significantly expanded the museum's budget and collection, secured major donations, and launched high-profile exhibitions and artist-focused programs.
The 2025 Outsider Art Fair in New York City, featuring 68 exhibitors at the Metropolitan Pavilion, showcased a vibrant range of work by self-taught and autodidactic artists. The event was marked by strong sales and enthusiastic attendance, serving as an egalitarian counterpoint to more traditional blue-chip art fairs.
Frieze Los Angeles has announced its 2026 exhibitor list, featuring 95 galleries from 22 countries at the Santa Monica Airport, running from February 26 to March 1. The lineup includes blue-chip names like Gagosian, Hauser & Wirth, and David Zwirner, alongside local staples such as Commonwealth & Council and David Kordansky Gallery. First-time participants include El Apartamento, Bradley Ertaskiran, and Sprüth Magers returns after a hiatus. The Focus section, curated by Essence Harden, highlights galleries under 12 years old. Notable absentees include Marian Goodman Gallery, Bortolami, and Sean Kelly, while five galleries that participated in 2025 have since closed. The fair follows a challenging 2025 edition impacted by LA wildfires, which prompted withdrawals and a charity initiative.
P.P.O.W. gallery has taken on representation of artist Owen Fu, who recently had a solo show with the gallery in New York and will be represented jointly with Antenna Space in Shanghai. Nicola Vassell Gallery now represents Na Kim, an artist known for her book covers and figurative paintings. Jessie Washburne-Harris has been named Global Director at White Cube, overseeing the gallery's U.S. growth. Chris Sharp Gallery added Mark A. Rodriguez to its roster, and Berry Campbell took on the estate of Louisa Chase. Mexico City dealers Misa Yamaoka and Yuna Cabon launched an artist residency program at Third Born gallery. The article also reports that combined evening sales at Christie's, Phillips, and Sotheby's in Hong Kong totaled $136 million, a significant drop from $208.6 million last fall, and highlights the rising market for 17th-century artist Michaelina Wautier.
P.P.O.W. gallery has taken on representation of artist Owen Fu, while Nicola Vassell Gallery now represents Na Kim, known for her book covers and paintings. Jessie Washburne-Harris has been named Global Director at White Cube, overseeing the gallery's U.S. growth. Chris Sharp Gallery added Mark A. Rodriguez to its roster, and Berry Campbell took on the estate of Louisa Chase. Mexico City dealers Misa Yamaoka and Yuna Cabon launched an artist residency program at Third Born gallery. The article also reports that combined evening sales at Christie's, Phillips, and Sotheby's in Hong Kong totaled $136 million, a significant drop from $208.6 million last fall, and highlights the rising market interest in 17th-century artist Michaelina Wautier.
The Museum of Modern Art has launched a massive retrospective of Marcel Duchamp, featuring over 300 works spanning the artist's career from the early 1900s to the late 1960s. Organized in collaboration with the Philadelphia Museum of Art, the exhibition eschews a heavy-handed narrative in favor of a methodical, factual presentation. Key highlights include the controversial "Genre Allegory" (1943) and his iconic readymades, alongside his early experiments in painting like "Nude Descending a Staircase (No. 2)."
An anonymous artist collective known as the Secret Handshake has installed a 10-foot-tall golden toilet sculpture titled 'A Throne Fit for a King' near the Lincoln Memorial in Washington, D.C. The work is a satirical monument to former President Donald Trump's controversial renovation of the White House's Lincoln Bathroom, which he outfitted with gold fixtures during a government shutdown.
The Solomon R. Guggenheim Museum has launched a major retrospective of Carol Bove, filling the iconic Frank Lloyd Wright rotunda with approximately 100 works spanning her career. The exhibition showcases Bove’s evolution from her early assemblages of driftwood, peacock feathers, and vintage books to her more recent large-scale, brightly colored steel sculptures. A defining feature of the show is Bove’s inclusion of "para-artworks"—pieces by other artists such as Lionel Ziprin, Agnes Martin, and Arnaldo Pomodoro—integrated into her own installations to highlight the influences and histories that inform her practice.
Internal communications from the University of North Texas have revealed that school leadership intentionally canceled an anti-ICE exhibition by artist Victor “Marka27” Quiñonez to avoid political backlash from state officials. The leaked messages show President Harrison Keller and Provost Michael McPherson weighing the risks of “barking from Austin” before opting for a total cancellation, while Dean Karen Hutzel specifically instructed staff not to express regret or apologize to the artist.
Sotheby’s has announced the sale of the Jean and Terry de Gunzburg collection, a two-part auction series scheduled for April and May 2024 with a total estimate of $67 million to $99 million. The offering begins with a dedicated design sale featuring a historic ensemble of 15 Claude Lalanne mirrors commissioned for Yves Saint Laurent, followed by a selection of blue-chip modern and contemporary artworks.
Qatar has announced details for its inaugural contemporary art quadrennial, Rubaiya Qatar, set to launch in November alongside Frieze Abu Dhabi. Organized by Qatar Museums, the event will feature over 50 artists and new commissions, with a major exhibition titled 'Unruly Waters' curated by Tom Eccles, Ruba Katrib, Mark Rappolt, and Shabbir Hussain Mustafa. Confirmed artists include Lawrence Abu Hamdan, Sophia Al Maria, Mohamed Bourouissa, and Lydia Ourahmane. Additionally, a previously unpublicized pavilion dedicated to Gerhard Richter will open within the quadrennial. Separately, revelations from the Epstein files show ties between Jeffrey Epstein and the San Francisco Museum of Modern Art, including a donated artwork and potential financial backing for a piece by Neri Oxman. A small Michelangelo drawing of a foot sold at Christie's for $27.2 million, setting a new auction record.
Jermaine Jackson has announced plans to launch a touring museum dedicated to Michael Jackson's visual art, debuting in Monaco toward the end of 2026 as part of a biennial. The museum, described as a "Showseum," will open with a 120-work exhibition of Jackson's paintings, including collaborations with Andy Warhol and portraits of US presidents. The collection of 200 works, reportedly worth $1.6 billion, has been stored in a secure facility in Washington, D.C., and is not for sale.
David Hockney has publicly criticized plans to loan the Bayeux Tapestry to the British Museum, calling the move 'madness' and warning that the fragile medieval embroidery could be damaged during transport. Meanwhile, Maria Balshaw is stepping down as director of Tate, citing a sense of mission accomplished after nearly a decade leading the institution, during which she championed female artists and will co-curate a Tracey Emin exhibition before departing. Other headlines include Kosovo selecting Brilant Milazimi for the Venice Biennale, Donald Trump eyeing a site for his 'Garden of American Heroes,' and the Asian Art Museum in San Francisco hosting a second Baby Rave event.
Yoshiko Mori, the founding chairperson of Tokyo's Mori Art Museum, died on December 23 from pneumonia at age 85. Alongside her husband, real estate developer Minoru Mori, she opened the museum in 2003, which has since become one of Japan's premier contemporary art institutions. Mori served as chairperson from 2003 to 2024, then as chairperson emerita until her death. She also founded the Mori Contemporary Art Foundation in 2025 and held numerous international board positions, including trustee at the Royal Academy of Arts and member of the International Council at MoMA and Tate.
Frieze New York opened on a warm Wednesday morning, with a packed spring art week schedule that saw the fair and TEFAF's US edition separated by just 24 hours. The VIP day was animated with strong sales, including Jeff Koons's *Hulk (Tubas)* reportedly selling for $3 million at Gagosian, which presented the artist's first collaboration since he left the gallery in 2021. Other notable sales included works by Liza Lou, Joan Snyder, David Salle, and Adam Pendleton, with Pace Gallery selling all six of Pendleton's paintings within hours. Galleries reported a slower but deliberate pace of buying, with collectors taking more time to make decisions.
The Wildenstein Plattner Institute (WPI) and the Romare Bearden Foundation have launched the first installment of a digital catalogue raisonné for the artist Romare Bearden, covering his work from 1964 to 1969. The project, which began in earnest in 2017, has so far documented 3,000 artworks, including 210 in this initial chapter, and has uncovered previously unknown works such as a portrait of artist Edmonia Lewis. The research builds on three decades of archival work by the foundation, which digitized Bearden's ephemera to aid in tracking down works he often gave away informally.
Kerry James Marshall's paintings are on offer at Frieze London, with two major works appearing on the show floor. Alexander Gray Associates is presenting Marshall's 1992 painting "A Woman with a Heart of Gold" for $2.9 million, a collage built from Harlequin romance novel covers that critiques racial fantasies in mass-market desire. David Zwirner is showing the 1990 painting "A Little Romance" priced at $3.2 million, depicting a reclining figure with floating heads. The sales coincide with the Royal Academy's exhibition "Kerry James Marshall: The Histories," which has generated significant buzz among dealers and collectors, with some attending multiple times.
Jeff Koons will present his first solo show at Gagosian since 2018, titled “Porcelain Series,” opening November 13 at 541 West 24th Street in New York. The exhibition features new and recent sculptures and paintings that explore beauty and mythology, including mirror-polished stainless steel figurines modeled on 18th- to early-20th-century porcelain works, alongside oil paintings incorporating engravings by historical artists. This marks Koons’s first major New York exhibition in seven years, following a brief and reportedly turbulent tenure at Pace Gallery, which he joined in 2021 after leaving Gagosian and David Zwirner.
The San Francisco Museum of Modern Art (SFMOMA) has announced a new exhibition titled “RM x SFMOMA,” opening in October 2026 and running through February 2027. The show will feature around 200 works from both SFMOMA’s permanent collection and the personal collection of K-pop star RM (of BTS), who will serve as lead curator alongside assistant curator Hyoeun Kim and curatorial project manager América Castillo. The exhibition pairs modern Korean artists—including Yun Hyong-keun, Park Rehyun, Chang Ucchin, Kwon Okyon, To Sangbong, and Kim Yun Shin—with Western masters such as Mark Rothko, Agnes Martin, Henri Matisse, Georgia O’Keeffe, and Paul Klee. A highlight is Kim Whanki’s painting *26-I-70* (1979), owned by SFMOMA.
The Los Angeles County Museum of Art (LACMA) has finally unveiled its new flagship building, the David Geffen Galleries, designed by Pritzker Prize-winning Swiss architect Peter Zumthor. The concrete-and-glass structure famously straddles Wilshire Boulevard, featuring a continuous glass facade that offers panoramic views of the Los Angeles landscape and newly installed outdoor sculptures. Inside, the layout encourages a non-linear experience, moving visitors through varying light conditions and diverse gallery sizes that house a mix of contemporary and classical works.
Jordan Schnitzer, the Portland-based philanthropist often called the 'Prince of Prints,' recently provided a rare tour of his massive 50,000-square-foot art warehouse. The facility utilizes a sophisticated 'floating bin' logistics system, similar to those used by major retailers, to manage over 22,000 works, including extensive holdings by Andy Warhol, Joseph Beuys, and Richard Prince. Schnitzer’s foundation operates as a lending library, frequently shipping works to museums and hosting educational tours for students from districts where arts funding has been eliminated.
President Donald Trump’s return to office has triggered a sweeping overhaul of the American cultural landscape through executive orders and the newly formed Department of Government Efficiency (DOGE). Key actions include the dissolution of diversity, equity, and inclusion (DEI) offices at the Smithsonian, the cancellation of thousands of National Endowment for the Humanities (NEH) grants, and the removal of high-profile Biden appointees from the U.S. Holocaust Memorial Museum board. These measures are accompanied by new tariffs and immigration policies that threaten the international art trade and cross-border collaborations.
Artnet's Price Database analysis reveals that the most-searched artists by its users have remained remarkably consistent over the past decade. Pablo Picasso, Andy Warhol, and Marc Chagall continue to hold the top three positions, with David Hockney and Yayoi Kusama joining the list, while Salvador Dalí and Lucio Fontana have dropped off.
Paige Powell, a close confidante of Andy Warhol and former associate publisher of Interview magazine, is presenting a new exhibition of her photographs titled "Private Andy: Religious Services" at Jeffrey Deitch in Los Angeles. The show features intimate, often accidental images from 1986-87 that document Warhol's final days, including his volunteer work at a church and his funeral, revealing his spiritual side and the overlap of life and death.
The Metropolitan Museum of Art has announced a major joint exhibition titled "Krasner and Pollock: Past Continuous," scheduled for this fall. Featuring over 120 works, the show marks the first comprehensive joint presentation of Jackson Pollock and Lee Krasner’s entire careers, rather than focusing solely on their years as a married couple. Curated by David Breslin and Brinda Kumar, the exhibition will utilize the Met’s deep holdings alongside significant international loans to trace the evolution of these two Abstract Expressionist titans from their early WPA days to their late-career innovations.
Artist Victoria Dugger has launched her third solo exhibition, "Freak Flags," at Sargent’s Daughters in New York. The show features six mixed-media works that reimagine the American flag through a maximalist, Southern Gothic lens, utilizing materials like gingham, glitter, nipple tassels, and barbed wire. Drawing inspiration from Jasper Johns’s iconic flag paintings, Dugger’s versions replace traditional colors with hot pinks and bright greens, with several displayed upside down to signal national distress.
Andisheh Avini, a senior director at Gagosian who has been with the gallery for over 25 years, discusses his career trajectory and the gallery's evolution in an interview timed to the inaugural edition of Art Basel Qatar. Avini, who is also an artist, recounts key moments such as the post-9/11 global market expansion that led Gagosian to open spaces in Europe and Hong Kong, and his work with artists including Cy Twombly, Adam McEwen, Piero Golia, and Maurizio Cattelan. He also shares insights into the gallery's approach to art fairs, emphasizing tailored presentations based on location and audience.
New York's Asia Society and Museum has been accused of censorship by Islamic art scholars after a virtual tour of its exhibition "Comparative Hell: Arts of Asian Underworlds" blurred two artworks depicting the Prophet Muhammad. The museum acknowledged the error, blaming an outside contractor and insufficient oversight, and announced plans to restore the images to the online tour. The blurred works include a folio from the Falnama (ca. 1555) on loan from the Arthur M. Sackler Museum at Harvard and a manuscript page from the David Collection in Copenhagen showing Muhammad ascending to heaven. The controversy follows a similar incident at Hamline University, where an adjunct professor lost her contract after showing images of Muhammad in an art history class.
A focused exhibition at Art Metropole in Toronto presents a selection of mail art submissions by the late transgressive artist Genesis Breyer P-Orridge to the Canadian collective General Idea in the 1970s. Drawn from the National Gallery of Canada's collection, the show features letters, collages, photos, and ephemera that capture P-Orridge's early, boundary-pushing work with collectives like COUM Transmissions and Throbbing Gristle.
Digital art giants Artnet and Artsy have implemented significant layoffs following their recent merger under the investment firm Beowolff Capital. The cuts, which occurred on April 16, impacted dozens of employees across both organizations, including senior editorial staff such as Sarah Cascone and Eileen Kinsella. The restructuring follows a reported 12% revenue decline for Artnet in early 2025 and involves the shutdown of Artnet's German entity as the two companies consolidate into a single team led by CEO Jeffrey Yin.