Michigan’s largest‑ever Chihuly exhibition marks long-awaited return to Meijer Gardens

Frederik Meijer Gardens & Sculpture Park in Grand Rapids, Michigan, is hosting its largest-ever exhibition of glass artist Dale Chihuly, titled "CHIHULY: Radiant Forms." Opening May 2 and running through November 1, 2026, the show marks Chihuly's first exhibition at the venue since 2010 and spans the 158-acre campus, including a new concentration of works in the Japanese Garden. The indoor gallery presents a chronological survey of Chihuly's 50-year career, featuring early baskets and cylinders, Venetian-inspired goblets, and iconic sea forms in open-air aquariums.

The Lucas Museum of Narrative Art Announces First Exhibitions Curated by George Lucas

The Lucas Museum of Narrative Art, set to open on September 22, 2026, in Los Angeles's Exposition Park, has announced its inaugural exhibition schedule curated by George Lucas. The museum will showcase a wide range of narrative art, from Americana works by Thomas Hart Benton and Norman Rockwell to documentary photography by Gordon Parks, Dorothea Lange, and Robert Capa, as well as public murals by Diego Rivera and Judith F. Baca. The collection also includes production designs, props, and costumes from the Lucas Archives, alongside illustrations by Frank Frazetta, Maxfield Parrish, and N.C. Wyeth, children's literature art by Beatrix Potter and Jacob Lawrence, and comics and manga by Jack Kirby, Alison Bechdel, and Mœbius.

Paul’s Show of the Month: Cristallina Fischetti – Alchemea

Cristallina Fischetti's solo exhibition 'Alchemea' is on view at the Art Centre in the crypt of St Marylebone Parish Church, London, from 25 April to 18 May. The show presents ten works from the first two acts of a planned 33-painting cycle, incorporating unconventional materials such as coffee, wine, plastic, and leather. Fischetti's process involves ritualistic dance, drawing on her background in ballet, yoga, alchemy, and mystical healing, with influences from abstract expressionists like Frankenthaler and Motherwell, as well as Hilma af Klint.

SCULPTURE IN THE GARDEN: THE STORYTELLERS

The article titled 'SCULPTURE IN THE GARDEN: THE STORYTELLERS' appears to be about a sculpture exhibition or installation set in a garden context, focusing on narrative-driven works. The text is heavily corrupted and unreadable due to encoding issues, but the title and fragmentary content suggest it covers a group of sculptors or a specific show where artworks function as storytellers within a natural setting.

Yinka Ilori: Joy Through Resistance He Who Laughs Last, Laughs Best

The article text is corrupted and unreadable, appearing as garbled binary data. Based on the title "Yinka Ilori: Joy Through Resistance He Who Laughs Last, Laughs Best", it appears to be about British-Nigerian artist and designer Yinka Ilori, likely covering an exhibition or project that explores themes of joy and resistance through his signature colorful, pattern-based work.

Sharjah Biennial 2027 dates, artists and theme revealed

Sharjah Art Foundation has announced details for the 17th edition of the Sharjah Biennial, titled “What remains, sits restive,” running from January 21 to June 13, 2027. The large-scale contemporary art event will feature 109 participants across multiple sites in the emirate, including Sharjah City, Al Dhaid, Khor Fakkan, and Kalba. Confirmed artists include Anri Sala, Hassan Khan, Ibrahim Mahama, Oscar Murillo, Zina Saro-Wiwa, and Angela Ferreira. The biennial will be curated by Angela Harutyunyan and Paula Nascimento, each presenting separate sections under a shared theme examining how past political and cultural histories shape present-day realities through time, memory, and space.

Untitled (Second Night), 2021 by Louise Lawler, Dye sublimation print on museum box, 121.9 x 182.2 cm (2)

This article is a promotional description for an art platform that partners with leading galleries to showcase artists, artworks, and exhibitions. It highlights a membership model vetted by industry peers, offering visibility and access to influential galleries, collectors, and auction houses. The piece also mentions a specific artwork by Louise Lawler, "Untitled (Second Night), 2021," a dye sublimation print on a museum box.

In the Ocean, 1986 by Everlyn Nicodemus

The article is a promotional statement from an art advisory or gallery partnership platform, not a news report about a specific event. It describes a service that partners with leading galleries to showcase artists and exhibitions, vetted by industry peers, and positions itself as a leader in art advisory with access to influential galleries, collectors, and auction houses.

New art show at Art 10 Gallery focusing on shape shifting

Artist Margaret Bremner is presenting a solo exhibition titled "Shapes Shifting" at the Art 10 Gallery in Nanaimo, British Columbia. The showcase features Bremner’s mixed media works, which utilize paint pens, colored pencils, collage, and ink to explore geometric structures like ogees, triangles, and circles. The artist emphasizes a process that begins with random smears or washes before imposing order through intricate patterning and varied fills.

Spring fling: Artist’s exhibition celebrates the colors of springtime

The article describes an artist's exhibition that celebrates the colors of springtime. The show is presented as a seasonal event, likely featuring vibrant, spring-themed artworks. The specific artist, venue, and location are not identifiable from the provided text due to a security verification wall that blocks access to the full article content.

In Tuscany a new festival brings contemporary art to agricultural estates with exhibitions and artist residencies

In Toscana una nuova rassegna porta l’arte contemporanea nelle aziende agricole con mostre e residenze d’artista

The first edition of CARMI.CO 2026 – Carmignano Contemporanea will take place from May 15 to 24, 2026, in the Carmignano area near Prato, Tuscany. The festival features five exhibitions and five artist residencies hosted by local wineries and agricultural estates, alongside talks, workshops, and studio visits. Exhibitions are staged at venues including the Rocca di Carmignano, Museo Archeologico di Artimino, and Museo delle Maioliche di Bacchereto, with works by artists such as Marco Bagnoli, Qiu Yi, Gola Hundun, Rachel Morellet, Fargo, Marco Ulivieri, Serena Fineschi, and others. Residencies take place at Tenuta di Capezzana, Colline San Biagio, Tenuta Le Furre, Tenuta di Artimino, and Fattoria Il Grumolo, involving artists Max Magaldi, Ronaldo Fiesoli, Vittorio Cavallini, Graziano Riccelli, and Gola Hundun.

The Austrian Pavilion at the Biennale brings performances and installations around the Venice Lagoon

Il Padiglione Austria in Biennale porta performance e installazioni in giro per la Laguna di Venezia

Austrian artist and choreographer Florentina Holzinger (Vienna, 1986) will represent Austria at the 61st International Art Exhibition of the Venice Biennale with a project titled "SeaWorld Venice." Curated by Nora-Swantje Almes, the interdisciplinary initiative combines a permanent installation at the Austrian Pavilion with a series of site-specific performances and actions spread across Venice and its lagoon. The project explores the body, water, and the tensions between nature and technology, drawing on mythological and classical imagery populated by aquatic creatures. It includes "Études," performative formats developed by Holzinger since 2020, which activate urban spaces through participatory and immersive experiences, engaging both spectators and citizens.

The project that brings Michelangelo's David to the Swiss Alps: a full-scale copy will be installed among the mountains

Il progetto che porta il David di Michelangelo sulle Alpi della Svizzera: verrà installata tra le montagne una copia a grandezza naturale

A full-scale marble replica of Michelangelo's David will be installed in the Swiss Alpine village of Klosters (Canton of Grisons) starting July 2, 2026. The copy, carved in 2017 from Michelangelo's preferred Polvaccio marble in Carrara, weighs over nine tons and was produced by Studi d’Arte Cave Michelangelo under Franco Barattini. The project is organized by Scultura Viva, a cultural initiative based in Klosters that focuses on reactivating sculptural heritage through public installations and educational programs.

The Great Festival of Contemporary Creativity in Parma Celebrates Its First 10 Years: The Events to See

Il grande festival di Parma sulla creatività contemporanea festeggia i suoi primi 10 anni: gli eventi da vedere

The Parma 360 Festival, a major contemporary creativity festival in Parma, Italy, celebrates its tenth edition with the theme "Lux. Visioni sulla Luce" (Lux: Visions of Light). Curated by Chiara Canali and Camilla Mineo, the festival features five exhibitions across special city locations, transforming Parma into a diffuse museum. Highlights include Antonio Barrese's "Morphology Light. Viaggio nella forma della luce" at Galleria San Ludovico, exploring light as plastic matter, and Michael Kenna's photographic exhibition "Il fiume Po. Scritture di luce" at Palazzo Pigorini, capturing the Po River through contemplative black-and-white imagery. Over its nine previous editions (2016–2025), the festival has presented more than 70 official exhibitions and involved over 200 artists.

In Venice, an unprecedented space in the Arsenale opens to the public for the first time. It will host performances.

A Venezia apre al pubblico per la prima volta uno spazio inedito dell’Arsenale. Ospiterà performance

For the first time, the Galeazze—historically used for constructing the Serenissima fleet—will open to the public during the 2026 Venice Art Biennale on May 5 and 6. Artist and choreographer Faustin Linyekula has conceived a site-specific performance titled The Galeazze Project, activating the monumental, water-adjacent spaces of the Arsenale Nord. Collaborating with musician Heru Shabaka-Ra, Linyekula integrates the architecture into the performance, involving local performers and musicians. The project, conceived by Cosimo Ferrigolo and Dirk Bell and curated by Edoardo Lazzari, features scaffolding, platforms, and an irregular lighting system, inviting the audience to move freely and redefine the relationship between bodies and space.

A Napoli c’è una mostra ispirata a Emily Dickinson dove è la luce a creare le opere

Diego Perrone's exhibition "There's a certain Slant of light" opens at Galleria Umberto Di Marino in Naples, taking its title from an Emily Dickinson poem. The show features new photographic and painted works born from the artist's observation of light passing through domestic glass objects in Naples, where architecture and daily life are shaped by an interplay of light and shadow. Photographs are enclosed in hand-molded glass frames, while large surfaces created with airbrush, charcoal, and chalk present shadow fields on white backgrounds, forming a visual sequence that unfolds like a film in black and white.

The Biomorphic Sculptures of Alma Allen in the U.S. Pavilion at the 2026 Venice Art Biennale (Amid Controversy)

Le sculture biomorfiche di Alma Allen nel Padiglione USA alla Biennale d’Arte di Venezia 2026 (tra le polemiche)

Alma Allen, a self-taught American sculptor, has been selected to represent the United States at the 61st Venice Biennale in 2026 with the exhibition "Call Me the Breeze." The pavilion, curated by Jeffrey Uslip, will feature site-specific biomorphic sculptures that explore the concept of "elevation" through a hybrid creative process combining pre-industrial carving and hand-modeling with advanced robotic sculpting. Works will incorporate local American materials such as walnut burl, Cantera green volcanic rock, and Yule marble from Colorado, and the pavilion is tied to America250, the celebration of the 250th anniversary of the U.S. Declaration of Independence.

Rome and its visions in contemporary photography: from Carbone to De Angelis, to Hervé Gloaguen

Roma e le sue visioni nella fotografia contemporanea: da Carbone a De Angelis, fino a Hervé Gloaguen

The article critiques a recent trend in contemporary photography of Rome, exemplified by a 2020 exhibition at the Mattatoio (Nuove produzioni 2020 per la collezione Roma) that presented black-and-white images reducing the urban landscape to a dark, lifeless mass. The author contrasts this with a personal photograph of a horse taken during the Covid-19 pandemic, which captures Rome's periphery with warmth and specificity, and praises the 2024 exhibition "Roma 1975, città, volti e storie dell'anno giubilare" featuring photojournalist Fabio De Angelis's rediscovered work as a vital counterpoint.

Fondazione Bvlgari Bets on the Venice Biennale: Beyond the Pavilion in the Giardini, an Exhibition at the Biblioteca Marciana

Fondazione Bvlgari scommette sulla Biennale di Venezia: oltre al padiglione ai Giardini, una mostra alla Biblioteca Marciana

Fondazione Bvlgari is making its debut at the Venice Biennale with a collateral exhibition at the Biblioteca Nazionale Marciana, featuring site-specific works by Monia Ben Hamouda and Lara Favaretto. The show runs from May 9 to November 22, 2025, alongside the 61st International Art Exhibition. Ben Hamouda presents 'Fragments of Fire Worship,' neon sculptures in the Vestibule that explore language and cultural heritage, while Favaretto installs the final edition of 'Momentary Monument – The Library' in the Salone Sansovino, inviting public consultation of donated books. Additionally, Bvlgari has a pavilion in the Giardini featuring Canadian artist Lotus L. Kang, as part of a three-edition partnership with the Biennale through 2030.

Two American artists have invented a pedal-powered basketball court that now arrives in Milan to regenerate the suburbs

Due artisti americani hanno inventato un campo da basket a pedali che ora arriva a Milano per rigenerare le periferie

Artists Marisa Morán Jahn and Rafi Segal, both faculty members at MIT, have brought their 'HOOPCycle' project to Milan for Design Week. The installation consists of a mobile basketball hoop mounted on a cargo bike, designed to transform urban spaces into spontaneous playgrounds and community hubs. This Italian iteration features backboards made from recycled plastic by the design collective IlVespaio and includes a vertical hoop inspired by the ancient Mesoamerican game of pok-ta-pok.

Artist Isaac Spellman on creating spaces for the misunderstood through art

Artist Isaac Spellman discusses his creative practice and upcoming presentation at the Affordable Art Fair 2026 in an interview. Spellman, whose style blends Art Deco graphic posters with elements of Chinese gongbi silk painting, has attracted commercial clients including Louis Vuitton, Cartier, and Bang & Olufsen. For the fair, he will debut two original series: "Red, White, Bright and Young," inspired by London's Bright Young Things of the 1920s and their queer-inclusive social scene, and "Pretty Monster," which portrays whimsical monsters embracing their differences.

Collaborative Brazilian Exhibitions

The rhinoceros gallery in Rome, in partnership with the Brazilian gallery A Gentil Carioca, has unveiled a solo exhibition by artist Miguel Afa titled 'O tempo que mora em mim' (The Time that Lives in Me). The collection features a series of paintings created by Afa during a residency in Rome, where he blended his Brazilian heritage with the profound influence of Italian art history and the local landscape. The works frequently utilize the motif of the courtyard to explore themes of memory, intimacy, and the intersection of different geographical identities.

Jury of the Venice Biennale Resigns

Jury der Venedig-Biennale tritt zurück

The entire jury of the Venice Biennale, appointed by artistic director Koyo Kouoh, has resigned with immediate effect. In a statement released on Thursday, the jury members—including chair Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—cited a prior declaration from April 22 in which they announced they would not award Golden or Silver Lions to artists from countries whose political leadership is currently indicted by the International Criminal Court (ICC) for crimes against humanity. Although no specific countries were named, the move implicitly targets Russia (President Vladimir Putin) and Israel (Prime Minister Benjamin Netanyahu), both subject to ICC arrest warrants. The resignation comes amid escalating tensions over Russia's participation in the Biennale despite EU sanctions, which had already led to a freeze of EU funding and widespread protests.

Historical Museum Returns Painting

Historisches Museum gibt Bild zurück

The German Historical Museum (DHM) in Berlin has restituted a 19th-century portrait of historian Leopold von Ranke to the von der Schulenburg family. The painting by Adolf Jebens, dated 1876, was seized in 1945 during a land reform in the Soviet Occupation Zone from the family's Schloss Lodersleben estate. The museum's director, Raphael Gross, confirmed the return after provenance research identified the work's history.

La loi sur les restitutions des biens culturels pillés pendant la colonisation définitivement adoptée

The French Parliament has definitively adopted a permanent law on the restitution of cultural property looted during colonization, replacing the previous case-by-case legislative approach. The Senate unanimously approved the final text on May 7, 2026, following agreement in a joint committee on April 30, and the National Assembly had approved it the day before. The law creates a general derogation from the principle of inalienability of public collections, establishing a bilateral scientific committee to examine provenance, with final decisions made by decree of the Council of State. Key amendments from the National Assembly—including binding parliamentary votes on restitution and conditions on conservation and public access—were removed by the joint committee to avoid perceptions of neocolonial tutelage.

La loi-cadre sur les restitutions définitivement adoptée par le Parlement

The French Parliament has definitively adopted a framework law on the restitution of cultural property that was illicitly acquired. The Senate unanimously approved the conclusions of the joint committee on May 7, following the National Assembly's approval on May 6, after an agreement was reached on April 30. The law establishes a general mechanism for returning objects from French public collections without requiring a specific law for each case, covering items acquired through looting, theft, forced sale, or other illicit means before the 1970 UNESCO Convention. It creates a permanent national commission and a bilateral scientific committee to assess claims, with restitution ultimately decided by government decree subject to legal review by the Council of State.

Writer Thomas Clerc casts a tender fictional gaze on Montmartre's 'daubs'

L’écrivain Thomas Clerc pose, à travers une fiction, un regard tendre sur les « croûtes » de Montmartre

French writer and essayist Thomas Clerc has published a new fiction titled "Croûtes" as the fifteenth volume in the "Fléchette" collection by éditions sun/sun. The book draws inspiration from a single autochrome image taken from the Musée Albert-Kahn's "Archives de la planète" (1909–1931), specifically a one-minute film shot in March 1927 at the Foire aux croûtes in Montmartre, Paris. Clerc's narrative tenderly and humorously explores the life of an amateur painter and the infinite possibilities of so-called "croûtes"—a French slang term for amateurish or kitsch paintings that exist outside institutional recognition.

Vibrant Sea Creatures Spring to Life in Lisa Stevens’ Textured Sculptures

Bristol-based artist Lisa Stevens creates vibrant ceramic sculptures inspired by marine life. Her work features sea urchins, coral, and nudibranchs, transformed into unique pieces with colorful glazes and textures that often blend aquatic forms with celestial and anatomical references.

Latefa Wiersch “Atlas Studios“ at Istituto Svizzero, Rome

Istituto Svizzero in Rome presents "Atlas Studios," the first solo exhibition in Italy by Swiss-based artist Latefa Wiersch. The show is specifically designed for the spaces of Villa Maraini and evokes the famous Atlas Studios film sets located on the edge of the Moroccan desert, which have been used by international film productions.

Sorcières !

The article previews an upcoming exhibition titled "Sorcières !" at the Château des ducs de Bretagne – Musée d'histoire de Nantes, running from February 7 to June 28, 2026. It traces the historical debate around witchcraft in 16th-century Europe, focusing on key figures such as Heinrich Kramer, author of the *Malleus maleficarum* (1486), who argued that witchcraft was a female-specific evil requiring extermination, and Jean Bodin, who supported this view. In contrast, Johann Weyer and Michel de Montaigne challenged the persecution, suggesting accused women were mentally ill or elderly and deserved humane treatment rather than execution.