Small Formats, Great Tensions

Kleine Formate, große Spannungen

The Paper Positions art fair in Berlin is celebrating its tenth anniversary, held in the vast Tempelhof Airport hangar with around 70 galleries. The fair focuses exclusively on works on paper, showcasing artists like Kubra Khademi, whose series "Women in simple situations" features nude female bodies as acts of resistance and political visibility. Other highlights include Annegret Soltau's pierced paper works, Una Ursprung's layered collages, Dirk Krecker's typewriter compositions, and Tina Heuter's tissue-paper sculptures, alongside photography by Stefanie Moshammer and vibrant works by Madita Kloss.

[Gallery Walk] The Vanished Rooms of Women Reopened

Leeum Museum of Art in Seoul is presenting "Into Other Spaces: Synesthetic Environments by Women Artists 1956-1976," a major exhibition opening May 5 that reconstructs immersive environmental artworks by 11 women artists from Asia, the Americas, and Europe. The show features full-scale recreations of works that were often dismantled or lost, including Jeong Gangja's "Muchejeon" (1970), which was shut down by authorities after just days. Curators Andrea Lissoni and Marina Pugliese used archival materials, photographs, and direct consultations with artists or their estates to piece together these ephemeral pieces.

Arts Center donates works for library sale

The Davis Arts Center (DAC) has donated approximately 100 artworks from its permanent collection to the Friends of the Davis Public Library for a sale starting this weekend. The works, mostly from the 1960s-1980s, include pieces by notable Davis-area artists such as Richard Nelson, Robert Arneson, Margery Mann, and Roland Petersen, and are priced under $100. The donation follows DAC's 2019 transformation from an exhibition space to a studio-focused nonprofit offering classes and camps, which led to most of its collection being placed in storage. DAC executive director Sam King enlisted Davis High School art teacher Luke Turner—a former museum professional—to help curate and place select pieces with institutions like the Mills College Art Museum and the Manetti Shrem Museum, while the remaining works are now being offered to the community at bargain prices.

Masure Gallery Brings a Focused Lens to Local Fine Art Photography in Fort Worth

Masure Gallery of Photography has opened in Fort Worth, Texas, as the city's only gallery dedicated exclusively to fine art photography. Founded through a partnership between gallery manager Simone Fischer and the co-owners of Fort Worth Camera, Jeff and CJ Masure, the space transforms a former event room into a white-walled exhibition venue with gallery-quality lighting. The gallery launched with "RED – A Bold Photography Exhibition," selected from nearly 200 open-call submissions requiring the color red, and now represents six local photographers: Walt Burns, Brooks Burris, Caroline Hanson, Chris Ireland, Felix Schilling, and K.P. Wilska. The first solo show, "Modern Exposure" by Walt Burns, opens June 4.

In "Dancing the Revolution," Puerto Rico Pushes Back

The article reviews "Dancing the Revolution," a multi-genre collective exhibition at the Museum of Contemporary Art Chicago that explores the music of dancehall and reggaetón, their roots, history, and evolution, and their inextricable link to colonial oppression. The show is inspired by the massive 2019 protests in Puerto Rico against then-Governor Ricardo Rosselló, where music and dance were used as forms of resistance, drawing on centuries of Black Atlantic protest in the Caribbean.

Artist Lynn Rogers shares lifelong love of art as Munson docent

Artist Lynn Rogers has volunteered as a docent at the Munson museum in Utica, New York, for over 15 years. She credits her lifelong passion for art to childhood visits to the Yale Art Museum with her mother, an artist, and now uses similar interactive teaching methods to guide visitors through Munson's collections and special exhibitions.

Ocean Line, 2026 by Carrie Mae Weems

Carrie Mae Weems has introduced a new photographic work titled 'Ocean Line' (2026). The piece is being presented in multiple dimensions, ranging from 11 x 14 inches to 20 x 24 inches, through a platform that partners with elite, vetted galleries to showcase contemporary artists to a global network of collectors and advisors.

Tourist Damages Florence’s Neptune Fountain in Pre-Wedding Stunt

A 28-year-old tourist in Florence climbed the Neptune Fountain in Piazza della Signoria and caused €5,000 ($5,800) in damage while attempting to touch the statue's genitals as part of a pre-wedding challenge. Police intervened, and specialists from the Fabbrica di Palazzo Vecchio later found damage to a horse's legs and a frieze. The woman has been reported to judicial authorities but is presumed innocent until a verdict.

Hermitage Museum – the perfect day adventure and Admission is FREE

The Hermitage Museum in Norfolk, Virginia, is offering free admission again this year, a policy it began during the pandemic. The museum, housed in a turn-of-the-century mansion, features the Sloane Collection—over 5,000 years of art and objects assembled by Florence K. Sloane—and offers tours, gardens, art classes, and special events like the Bruce Munro light art exhibit.

Global Retrospective Exhibitions

A major retrospective titled "NIGO: From Japan with Love" opens at the Design Museum in London on May 1, 2026, marking the designer's first major exhibition outside Japan. The show features over 700 objects spanning three decades, including around 600 items from NIGO's personal archive, a reconstruction of his teenage bedroom, vintage clothing, early designs, collaborations, hand-thrown ceramics, and a life-size glass tea house created for the exhibition. The display traces his career from Harajuku street culture through founding A Bathing Ape to his current role as artistic director of Kenzo.

At Kohei Nawa’s studio, the world is seen through glass bubbles

Japanese sculptor Kohei Nawa has launched his first solo exhibition in Los Angeles at Pace Gallery, titled "Photon Camp." The show features 20 new works from his renowned "PixCell" and "Prism" series, which utilize glass beads and light refraction to transform everyday objects—ranging from taxidermied animals to consumer electronics—into pixelated, magnified sculptures. The artist operates out of Sandwich, a sprawling Kyoto-based creative hub housed in a former sandwich factory that employs a team of 50 across art, design, and architecture.

Exhibit at National Museum of Mexican Art in Chicago is a call to climate action

Artist Ana Teresa Fernández has launched her solo exhibition "Under Pressure" at the National Museum of Mexican Art in Chicago, presenting a multi-disciplinary call to climate action. The exhibit features oil paintings, sculptures such as a silver-feathered Quetzalcoatl made from a hose, and performance-based works that use metaphors like expanding balloons to illustrate the planet's breaking point. A central component of the project involved a community-led "social monument" at Ohio Street Beach, where hundreds of participants used mirrors to flash an S.O.S. signal in Morse code toward the horizon.

Artist Ana Teresa Fernandez exhibit, 'Under Pressure,' now on display at National Museum of Mexican Art, a call to climate action

The National Museum of Mexican Art in Chicago is currently hosting "Under Pressure," a solo exhibition by Mexican-born artist Ana Teresa Fernández. The show features a diverse range of media, including oil paintings, sculptures like a silver-feathered Quetzalcoatl made from a hose, and performance-based works that use metaphors like expanding balloons to illustrate the fragility of the environment. A central component of the project involved a community-led "social monument" at Ohio Street Beach, where hundreds of participants used mirrors to signal an S.O.S. in Morse code toward the horizon.

'Epic in scale': APY Lands exhibition opens at NGA after three-year delay

The National Gallery of Australia has officially opened 'Ngura Puḻka — Epic Country,' a landmark exhibition featuring 30 large-scale paintings by 49 First Nations artists from the APY Lands. The show, which features works predominantly measuring three-by-three meters, highlights the Tjukurpa (lore and ceremony) of the Aṉangu Pitjantjatjara Yankunytjatjara regions. The opening follows a significant three-year delay caused by an independent investigation into allegations of improper interference by non-Indigenous staff.

Three exhibitions opening April 18 at Annapolis Royal gallery

Artsplace Gallery in Annapolis Royal is set to launch three new exhibitions on April 18, headlined by a community-focused project titled "AfterBurn: Stories from a Season of Fire." This central exhibition features a diverse range of media—including visual art, photography, and film—created by artists from across Nova Scotia in response to the devastating 2025 wildfire season. The initiative also incorporates personal reflections and archives from local residents, particularly those from West Dalhousie who were directly impacted by the fires.

A New Museum in California Aims to Draw Children to Science

KidSTREAM, a new $7 million children's museum, has launched in Camarillo, California, transforming a former library site into an interactive educational hub. Founded by Kristie Akl, a former teacher, the museum focuses on hands-on learning across science, technology, engineering, arts, and mathematics (STEAM) to engage young learners through play.

In the Tech Heart of Texas, an Art Show Built on Data, Code and A.I.

The Austin Museum of Art is hosting a landmark exhibition focused on the intersection of technology and creativity, featuring works driven by real-time data, complex algorithms, and artificial intelligence. The showcase highlights interactive installations that evolve throughout the day, challenging traditional notions of static art and inviting viewers to participate in the creative process through digital engagement.

Why Does the “Rocky” Statue Draw Crowds? This Show Investigates.

The Philadelphia Museum of Art is launching a new exhibition centered on the cultural phenomenon of the "Rocky" statue, a bronze monument originally created as a movie prop that has become one of the city's most visited landmarks. By bringing the narrative of the fictional boxer inside the museum's walls, the show investigates the public's emotional connection to populist monuments and the tension between cinematic myth and traditional art history.

In Seine-Saint-Denis, the clever housing for migrants by architect Patrick Rubin

En Seine-Saint-Denis, les logements futés pour les migrants de l’architecte Patrick Rubin

Architect Patrick Rubin of the firm Canal has transformed the former National Road Information Center, known as Bison Futé, in Rosny-sous-Bois (Seine-Saint-Denis) into a housing complex for 169 migrants. The project, commissioned by social landlord Batigere Habitats Solidaires, preserves the original 1986 half-moon building by Ludwik Peretz and Gilbert Delecourt, adding a new floor and a rear half-crown structure. Rubin used 79 prefabricated modules (17–25 m² each), built in workshops near Lyon, each equipped with a bed, kitchenette, bathroom, and window. Inspired by ship cabin manufacturing in Dunkirk and traditions of tiny houses and capsule hotels by Charlotte Perriand, Herman Hertzberger, and Shigeru Ban, the modules were craned into place. The project faced delays due to differing tolerances between concrete and wood construction, pushing delivery from early 2026 to late 2026.

"36 Clicks of Mount Fuji": Photographer Julien Rocheblave Reinvents Hokusai's Legendary Prints

« 36 Clics du mont Fuji » : le photographe Julien Rocheblave réinvente les mythiques estampes d’Hokusai

French photographer Julien Rocheblave has completed a contemporary photographic reimagining of Katsushika Hokusai’s iconic print series, "Thirty-six Views of Mount Fuji." By locating the exact geographical vantage points used by the ukiyo-e master in the 1830s, Rocheblave captures the sacred mountain through a modern lens, juxtaposing Hokusai's original compositions with the realities of 21st-century Japan. The project, titled "36 Clics du mont Fuji," has been compiled into a book and will be showcased at the Rencontres d’Arles via Fisheye Gallery.

Lucas Museum unveils inaugural exhibitions curated by George Lucas himself

The Lucas Museum of Narrative Art in Los Angeles will open to the public on September 22, 2026, with about 20 inaugural exhibitions curated by George Lucas himself across more than 30 galleries. The $1-billion, 300,000-square-foot museum in Exposition Park, designed by Ma Yansong of Mad Architects, will display over 1,200 objects from Lucas's collection of more than 40,000 works, including manga, comics, children's illustrations, and narrative art by artists such as Norman Rockwell, Beatrix Potter, and Dorothea Lange, with only one exhibition focused on "Star Wars" memorabilia.

The MEGA Fair-Exhibition Opens in a Former Milanese Factory: Photos and 5 Must-See Booths

In ex fabbrica di Milano ha aperto la mostra-fiera MEGA. Tutte le foto e 5 stand da non mancare

The third edition of MEGA Art Fair has opened in Milan, relocating to SPAZIO PROFUMO, a former perfume factory in the Barona district. Running from April 15 to 25, 2026, the event strategically bridges Milan Art Week and Design Week, featuring over 30 international exhibitors from Europe, Latin America, and Asia. Eschewing traditional booth structures, the fair utilizes a cohesive curatorial layout that integrates industrial archaeology with contemporary practices, including a dedicated video program and a section titled 'City of Glass.'

Art, Public Space, and Urban Regeneration: The New Issue of the Render Newsletter Arrives

Arte, spazio pubblico e rigenerazione urbana: arriva il nuovo numero della newsletter Render (iscrivetevi!)

Artribune has announced the release of the 55th edition of its bi-weekly newsletter, Render, which focuses on public art, urban regeneration, and contemporary architecture. This latest issue features a deep dive by researcher Fabio Ciaravella into the role of public monuments in shaping societal views on peace versus war, alongside an interview with Mohamed Khalifa Al Mubarak regarding the Zayed National Museum in Abu Dhabi. Additionally, the newsletter highlights Italian urban renewal projects, the trend of repurposing abandoned cinemas, and upcoming events like Milan Design Week.

Required Reading

This week's Required Reading from Hyperallergic features a photo by Saber Nuraldin, a finalist for the World Press Photo of the Year, depicting Palestinians climbing an aid truck in Gaza during famine caused by Israel's blockade. The article also includes Elena Megalos's essay on the American Museum of Natural History as a site of motherhood, and reports on Meenu Batra, a legal interpreter arrested by ICE, and the New York Times blocking the Internet Archive from crawling its site.

Un’importante collezione tedesca d’arte per la prima volta in mostra in Italia a Venezia

The Kelterborn Collection, a German private collection focused on video art and experimental installations, will be exhibited in Italy for the first time at Venice's Contemporary Forces platform from May 7 to September 27, 2026. The exhibition, titled "Who’s a good boy??," is curated by Anastasia Stravinsky and Mario von Kelterborn in collaboration with IKT – International Association of Curators of Contemporary Art, and features works by twelve artists including Joseph Beuys, Gary Hill, Laure Prouvost, and Ulay. The show aligns with the theme of the 61st Venice Biennale, exploring power "in minor keys."

100 anni fa nasceva Nuvolo. Ecco chi era l’artista partigiano che firmava col nome di battaglia

Giorgio Ascani, known by his partisan nickname Nuvolo, was born 100 years ago in Città di Castello, Italy. He adopted the name during the Resistance at age 17, inspired by his ability to appear and disappear like a cloud. Nuvolo became a painter and taught at the Accademia di Belle Arti di Perugia, serving as director from 1979 to 1984. His works are held in museums and collections worldwide. In 2025, a major exhibition curated by Bruno Corà, Aldo Iori, and Paolo Ascani was held at Palazzo Collicola in Spoleto, and in 2018, New York's Galleria Di Donna mounted a retrospective curated by Germano Celant. Now, the fair AMAB in Assisi joins centenary celebrations with 15 works spanning his career, including pieces from the Genesi cycle, Serotipie, and OIGROIG series.

What does a technology fair have to do with the art world? A report from MIR in Rimini

Cosa c’entra una fiera della tecnologia con il mondo dell’arte? Un report dal MIR di Rimini

The article reports from the MIR (Live Entertainment Expo) technology trade fair in Rimini, an event focused on professional audio/video equipment and systems integration. While dominated by corporate stands and live sound demonstrations, the fair also hosted discussions on the precarious working conditions and pension system for cultural and entertainment workers, revealing underlying anxieties in the creative industries.

International artists speak of life as resistance, inspired by George Grosz: The exhibition in Rome

Artisti internazionali parlano della vita come resistenza, ispirandosi a George Grosz. La mostra a Roma

Tim Van Laere Gallery in Rome is hosting "Lust for Life," a group exhibition that explores the human impulse for creative resistance against societal fragility and global conflict. The show is anchored by the historical works of German artist George Grosz, whose drawings from 1912 to 1947 depict the alienation, loss of identity, and physical decay caused by world wars and totalitarian power.

One of Milan's most unique and peculiar museums is full of works that are not beautiful

Uno dei musei più unici e particolari di Milano è pieno di opere che non sono belle

The Casa Museo Boschi Di Stefano in Milan, housed in a building designed by Piero Portaluppi, showcases a massive collection of 20th-century Italian art donated by Antonio Boschi and Marieda Di Stefano. The apartment displays approximately 300 works by masters such as Lucio Fontana, Giorgio de Chirico, and Mario Sironi, arranged in the intimate domestic setting where the collectors once lived.

Quietly in Milan, a collector has opened a new exhibition space: "Finally I can see my works"

In sordina a Milano un collezionista ha aperto un nuovo spazio espositivo: “Finalmente posso vedere le mie opere”

Collector Pier Luigi Guzzetti has quietly opened Gallerie Guzzetti, a new 300-square-meter private exhibition space in Milan's Cenisio/Mac Mahon district. The minimalist basement venue serves as a dedicated home for Guzzetti’s eclectic collection of over 300 works, which spans 20th-century masters, emerging artists, and a significant photography archive. Managed alongside Corinne Cortinovis, the space operates with a philosophy of discretion, favoring word-of-mouth over traditional press offices or social media presence.