anonymous was a woman the new york foundation for the arts environmental art grants 2025 1234749929

Anonymous Was A Woman (AWAW) and the New York Foundation for the Arts (NYFA) have awarded $521,125 in grants to 29 environmental art projects led by women-identifying artists from the United States and its territories. The grants, up to $20,000 each, require a public engagement component to be completed by August 2026. Recipients include artists such as Heidi K. Brandow, Charlotte Brathwaite, Cara Romero, and collectives like BEAM and DeepTime Collective, working across locations from California to Senegal and South Korea.

cultural critics 2025 2717449

The Art Angle podcast hosted eight cultural critics, theorists, and artists throughout 2025 to reflect on key tensions and transformations in the art world. The roundup features voices including Nadia Asparouhova on the value of intimate 'antimemetic' art spaces, Andrea Fraser on the fragmentation of the art field, Alison E. Gingeras on the necessity of all-women exhibitions as resistance, Dean Kissick on the problems of social justice art, and Sean Monahan on social surveillance in the art world. Each thinker offers a snapshot of the debates, anxieties, and aspirations shaping contemporary cultural discourse.

Trustees of Renowned West Coast Artist Residency Visited Epstein’s Island

Two trustees of the prestigious Djerassi Resident Artists Program, Alexander Maxwell Djerassi and Michael Molesky, were identified in recently released Department of Justice files as visitors to Jeffrey Epstein’s private island in 2011. The pair attended the "Mindshift Conference," a gathering of academics and professionals held two years after Epstein’s first conviction. The residency program, located in California's Santa Cruz Mountains, clarified that the visit occurred years before either individual joined the board and emphasized that neither Epstein nor Ghislaine Maxwell ever had any formal ties or donor history with the institution.

Chelsea Exhibition Reviews: Rosebud Contemporary, Paula Cooper, Fredericks & Freiser, Berry Campbell and more

This article reviews several Chelsea gallery exhibitions, focusing on Mary Ann Unger's monumental sculpture show 'Across the Bering Strait' at Berry Campbell, which features her hydrocal-over-steel works exploring themes of feminism, anthropology, and the natural world. It also covers 'En Route' at Rosebud Contemporary, a group exhibition of abstract painters Rifka Milder, Meg Hitchcock, and Ketta Ioannidou, each reflecting on artistic journeys through their work.

Dirty carpets to Palestinian skateboarders: a decade of Peckham 24 – in pictures

Peckham 24, a photography festival in south London, celebrates its 10th anniversary with a special edition titled "The Eras Edition," running from 15-17 May at Copeland Park and the Bussey Building. Founded a decade ago by artist-curator duo Jo Dennis and Vivienne Gamble as a fringe event of Photo London, the festival began as a 24-hour pop-up showcasing emerging talent. This year's edition explores the theme of time through works by artists including Kristina Yenza (documenting youth in wartime Ukraine), Vinca Petersen (rural community life on the Isle of Skye), Max Ferguson (the London College of Communication tower block), Julie F Hill (space telescope data visualizations), Mark Duffy (carpet detritus in the Houses of Parliament), and Maen Hammad (Palestinian skateboarders).

GEORGE FEBRES: TRADUCCIÓN, IRONÍA Y LIBERACIÓN. UN ARTISTA ECUATORIANO EN LA DIÁSPORA

George Febres (Guayaquil, 1943 – New Orleans, 1996) was an Ecuadorian artist whose work blended pop art, neo-surrealism, and Southern U.S. culture, shaped by his experience as a migrant and queer individual. The article traces his life from a privileged but unstable childhood in Ecuador to his migration to the United States, where he was drafted during the Vietnam War and eventually settled in New Orleans. Febres used bilingualism and ironic appropriation of tropical imagery to create a hybrid, irreverent body of work that challenges the official historiography of Ecuadorian art.

Deutscher Pavillon wird zum Plattenbau

The German Pavilion at the Venice Art Biennale has been transformed into a prefabricated concrete slab building (Plattenbau) for this year's edition, designed by artists Sung Tieu and the late Henrike Naumann, who died suddenly in February at age 41 from cancer. Curator Kathleen Reinhardt described the pavilion as part of a highly political Biennale, with Tieu covering the 1938 fascist-era building with a mosaic of over three million tiles depicting a Berlin apartment block that once housed Vietnamese contract workers. Naumann's interior installation features mint-green references to Soviet barracks in East Germany, a cartography of war, and works including a relief of chairs, a curtain of chainmail, and the performance "Trümmerfrau."

Bogna Burska and Daniel Kotowski on Representing Poland at the 61st Venice Biennale

Bogna Burska and Daniel Kotowski, representing Poland at the 61st Venice Biennale, plan to exhibit a project inspired by the Choir in Motion (a phonic/sign-language ensemble of hearing and Deaf people), underwater role reversals, and whale communication. Their work explores alternate forms of communication, Deaf Gain, and the retrieval of voices—both human and non-human—aligning with the Biennale's theme "In Minor Keys." The Polish pavilion is located in the Giardini.

theaster gates tapped for obama presidential center installation celebrating ebony and jet image archives 1234766967

The Obama Foundation has commissioned artist Theaster Gates to create an expansive frieze for the Pendleton Atrium of the Obama Presidential Center (OPC), set to open on Chicago’s South Side in 2026. The installation will draw from the Johnson Publishing Company image archive and the Howard Simmons photographic collections, celebrating the visual archives of Ebony and Jet magazines. Gates, who founded the Rebuild Foundation in 2009, will join nine other artists—including Kiki Smith, Nick Cave, Marie Watt, Jenny Holzer, and Idris Khan—whose works were announced in September for the OPC campus.

kaws drift rafael lozano hemmer artists participating abu dhabis public light art exhibition 1234761968

Abu Dhabi’s Department of Culture and Tourism has organized the second edition of its public light art event, titled “The Light Compass,” for the 2025-26 season. Curated by a four-person team led by artistic director Khai Hori, the event features 15 installations by international and Emirati artists, including DRIFT, KAWS, Rafael Lozano-Hemmer, Shaikha Al Mazrou, Ammar Al Attar, and Christian Brinkmann. Works are displayed across multiple sites: Jubail Island and Souq Al Mina in Abu Dhabi, and Al Qattara Oasis and Al Jimi Oasis in Al Ain, a UNESCO World Heritage Site. Highlights include DRIFT’s biometric dome and drone show, KAWS’s giant “Companion” figure holding a glowing orb, and site-specific pieces by Lozano-Hemmer and others.

canterbury cathedral graffiti art hear us controversy 1234756433

A graffiti art installation titled "HEAR US" has been unveiled at Canterbury Cathedral in Kent, England, created by poet Alex Vellis and curator Jacqueline Creswell. The works, which appear directly on the cathedral's walls, pose spiritual and social questions such as "What is the architecture of heaven?" and "Why are you indifferent to suffering?" The project emerged from community workshops asking "What would you ask God?" and involves marginalized communities including the Punjabi, black and brown diaspora, neurodivergent individuals, and the LGBTQIA+ population. The installation is approved by the cathedral and runs through January 18, though it has already sparked widespread online backlash.

obama presidential center artist commissions jenny holzer nick cave 1234751585

The Obama Presidential Center in Chicago has announced nine new commissions by ten artists for its 19.3-acre campus, set to open next spring. The commissioned works include a text-based sculpture spelling 'HOPE' by Jack Pierson, a bronze sculpture by Kiki Smith, a digital mural by Jules Julien, a textile-and-sound installation by Nick Cave and Marie Watt, paintings by Jenny Holzer and Idris Khan, a sculpture by Nekisha Durrett, a mural by Aliza Nisenbaum, and an outdoor bronze by Alison Saar. These join five previously announced commissions, with plans for over 25 site-specific works total.

new talent art in america 2025 1234742376

Art in America, the sister publication of ARTnews, has released its Summer 2025 issue featuring profiles of 20 emerging artists selected as "New Talent." The list includes artists from around the world working in various mediums, such as Agnes Questionmark, Aislan Pankararu, Alejandro García Contreras, Alison Nguyen, and others. This marks a continuation of the magazine's long-running "New Talent" designation, which began in 1954 and ran regularly until 1966, was relaunched in summer 2021, and has continued since.

Final book in trilogy asks: What is the future of the art world?

Cultural strategist András Szántó has published the third and final volume of his trilogy on the future of museums, titled *What Is the Future of the Art World?*. The book features dialogues with a wide range of art-world figures—including gallerists José Kuri and Atsuko Ninagawa, collectors Alain Servais and Sylvain Levy, artists William Kentridge and Holly Herndon & Mathew Dryhurst, curator Fatoş Üstek, network scientist Albert-László Barabási, former Art Basel director Marc Spiegler, and Sheikha Al-Mayassa Al Thani—who discuss topics such as the definition of the art world, its rules, and its future trajectory. Szántó notes that there is no consensus on whether the art world is still expanding or entering a phase of slowdown, with different regions moving on divergent paths.

First Indigenous Representative of Peru at the Venice Biennale, Sara Flores Opens the Doors of Her Studio in the Heart of the Amazon

Première représentante autochtone du Pérou à la Biennale de Venise, Sara Flores ouvre les portes de son atelier au cœur de l’Amazonie

Sara Flores, a 76-year-old artist from the Shipibo-Konibo Indigenous community in the Peruvian Amazon, has been selected as the first Indigenous artist to represent Peru at the Venice Biennale. In her open-air studio deep in the rainforest, she creates large-scale geometric compositions in the kené ("true drawing") tradition, using natural dyes from local plants. She is also co-founder of the Bakish Mai Multiversity, an educational institution dedicated to Indigenous knowledge and artist residencies, alongside Matteo Norzi, one of the two curators of the Peruvian pavilion. The article offers an intimate portrait of her life, her matriarchal family, and her creative process.

Baltimore-based artist Linling Lu on weaving color, culture, and music into her work

Baltimore-based artist Linling Lu, who trained as a classical pianist in southern China, discusses her work *Circle Dance* on view at the Frary Gallery in the Hopkins Bloomberg Center. The metal print features ten concentric orbs inspired by circle dances, geometry, and Renaissance tondos. Lu explains how her background in music informs her visual art, comparing color to a musical element and citing influences from Henri Matisse, Stravinsky, and tribal Miao circle dances. She also previews her upcoming solo exhibition *Fugue in 3 Voices* at Artis—Naples, The Baker Museum, which will respond to compositions by Dvořák, Stravinsky, and Beethoven.

Whispering Gallery: The Cratable Hedge and the Colonial Hangover

The article questions the appointment of James Taylor-Foster as the incoming director of Para Site in Hong Kong, noting his background as a curator of architecture and design rather than contemporary art, and his lack of prior engagement with Asia's curatorial scene. It also reports that Philip Tinari, former director of UCCA in Beijing, has been appointed to lead Tai Kwun, replacing Pi Li, who has become founding director of the Tencent-funded Róng Museum of Art in Shenzhen.

art nicole eisenman paintings interview

Cultured magazine profiles artist Nicole Eisenman as part of its 2026 CULT100 honorees, featuring a short interview accompanied by photography by Lee Mary Manning. Eisenman discusses her daily life, creative influences, and art-world politics, mentioning her sofa, friends, and a hypothetical obituary headline. The piece highlights her role in the revival of figurative painting and her work in large-scale public sculpture.

Nine Artists on the Gardens They’ll Never Forget

Nine artists, including Hiroshi Sugimoto, Irene Neuwirth, and Umberto Pasti, share personal reflections on unforgettable gardens from around the world. Each contributor describes a specific garden that left a lasting impression, ranging from historic estates to wild natural landscapes, highlighting the sensory and emotional impact of these spaces.

New exhibition ‘Personal Structures – Confluences’ to open in Venice in May 2026

The European Cultural Centre Italy has announced the eighth edition of its biennial contemporary art exhibition, 'Personal Structures – Confluences,' set to run from May 9 to November 22, 2026, in Venice. Spanning Palazzo Bembo, Palazzo Mora, and the Marinaressa Gardens, the massive showcase will feature 175 artists from over 40 countries, including high-profile figures like ORLAN, Rashid Al Khalifa, and Hirohiko Araki. This edition introduces 'PS Design,' a new section dedicated to the intersection of art and architecture, and will host the national pavilions of El Salvador and Seychelles alongside a significant collaboration with the Palestine Museum US.

Art Lovers Movie Club: The Archive

ArtReview's Art Lovers Movie Club has published a comprehensive online archive of all the artists' videos it has screened monthly on its website. The archive lists dozens of films from 2021 through 2026, featuring works by a diverse, international roster of artists including Hikaru Fujii, Mary Helena Clark, Gê Viana, and many others, with specific screening dates for each.

7 Shows to See in Milan Right Now

Could ‘The Antwerp Six’ Thrive in Today’s Fashion Industry?

Milan's art scene is currently anchored by a series of high-profile exhibitions coinciding with the Miart fair, ranging from Cao Fei’s exploration of global agriculture to Anselm Kiefer’s monumental tributes to female alchemists. Key highlights include solo presentations by established figures like Liliana Moro and emerging voices, alongside thematic shows that bridge the gap between industrial history and contemporary digital aesthetics.

The Violent Weather of Roger Brown’s Paintings

A curated selection of seven essential exhibitions in Milan highlights the city's vibrant art scene during the Miart fair. The guide features a diverse range of artists, including Cao Fei’s exploration of global farming practices and Anselm Kiefer’s monumental portraits of female alchemists, showcasing both international heavyweights and emerging voices across the city's premier institutions and galleries.

Long Overlooked, Minnie Evans’s Mystical Landscapes Are Finally Getting the Spotlight

Minnie Evans (1892–1987), a self-taught African American artist who worked for 25 years as a ticket seller at Airlie Gardens in Wilmington, North Carolina, is experiencing a major resurgence. Long overlooked after her death, Evans created thousands of vibrant, kaleidoscopic drawings featuring florals, animals, and abstraction, often on scrap paper using affordable materials. A touring exhibition, "The Visionary Art of Minnie Evans," is currently on view at the Museum of Fine Arts, Boston, curated by Colton Klein, and a larger exhibition opens this November at the High Museum of Art in Atlanta before traveling to the Whitney Museum of American Art in summer 2026. Evans had a 1975 retrospective at the Whitney during her lifetime but faded from prominence afterward.

Cameron Art Museum partners with Cucalorus on new cinema series

Cameron Art Museum (CAM) in Wilmington, North Carolina, has announced a new film series called CAM at the Movies, produced in partnership with the Cucalorus Film Foundation. The series will take place at Jengo’s Playhouse and feature screenings paired with live conversations with artists, curators, and cultural leaders. The lineup includes three films: "Legacy" (June 26), a short film about the United States Colored Troops; Andy Warhol's "Flesh for Frankenstein" (August 28); and "Always Looking: Titus Brooks Heagins" (December 11), a documentary about the photographer's work. Each screening will be accompanied by discussions with filmmakers, curators, and museum staff, connecting the films to CAM's current exhibitions.

Marlene Dumas becomes first contemporary woman artist to join Louvre's permanent collection

Marlene Dumas has become the first contemporary woman artist to join the Louvre's permanent collection. Nine site-specific paintings by the South African-born artist were unveiled at the Paris museum last Thursday, now on permanent display in the Porte des Lions atrium. The series, titled Liaisons, depicts faces that draw on the "horrors" of the world today, as described by the artist. Dumas collaborated with Donatien Grau, the Louvre's head of contemporary programmes, and was selected by director Laurence des Cars, who called her the "obvious choice" for the commission.

Treated as Cannon Fodder

"Als Kanonenfutter behandelt"

Artist Mario Pfeifer has created a new film, "Wutame / Caché," which portrays two men from Cameroon who fought for Russia in the war against Ukraine before deserting. The film is currently featured in the "Tirailleurs" exhibition at Berlin's Haus der Kulturen der Welt (HKW). Pfeifer's work focuses on the men's personal accounts of being deceived, poorly treated, and used as "cannon fodder," employing anonymized voices and altered imagery to protect their identities while allowing their stories to unfold.

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The National Gallery in London is launching a citizens' panel called NG Citizens, composed of 20 randomly selected members of the public from across the UK. Starting with 15,000 household invitations, a civil lottery will narrow the group to 50, then to 20 individuals who will serve for five years, advising the museum on its purpose, priorities, and public value, though not directly on artwork selection or exhibitions. The initiative is overseen by the public participation charity Involve and follows similar models at institutions like the Federal Art Gallery in Bonn and the Dresden State Art Collections.

Robert Filliou, artistes océaniens… Que nous réserve la prochaine édition de la Biennale de Lyon ?

The 18th edition of the Lyon Biennale, titled "Passer d’un rêve à l’autre" (Moving from One Dream to Another), will run from September 19 to December 13, 2026. Curated by Catherine Nichols, an Australian-born art historian and editor based in Berlin, the biennial will take place across ten venues in Lyon, including the Grandes Locos, macLyon, and for the first time the Musée des Tissus et des Arts décoratifs. More than half of the works will be new productions, and over half of the artists are women, with a substantial focus on Oceanian artists such as Timo Hogan, Jazz Money, and Kaylene Whiskey. The exhibition draws inspiration from Lyon's traboules (hidden passageways) and the writings of artist Robert Filliou, exploring themes of dreams, critical analysis, and a "poetic economy."

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Indira Cesarine, the founder of The Untitled Space in Tribeca, reflects on a decade of operating her gallery as a platform for marginalized voices and feminist-driven programming. The gallery grew out of Cesarine’s work as an editor and curator, specifically following the success of her 2009 publication, The Untitled Magazine, and early exhibitions that highlighted the lack of representation for women in the art market.