A replica statue of Christopher Columbus has been installed on the grounds of the White House, specifically outside the Eisenhower Executive Office Building. This new installation replaces a statue of the explorer that was toppled by protesters in 2020.
Pi Li, former head of art at Hong Kong's Tai Kwun, has been appointed the founding director of the new Róng Museum in Shenzhen. The museum, focusing on 20th and 21st-century global creative practices across visual art, design, performance, architecture, and digital media, is scheduled to open in the second half of 2027 as part of the M80 lifestyle complex.
OpenAI is shutting down its Sora text-to-video generation platform, discontinuing both its consumer app and its internet service for creatives. The closure, announced via a company statement on X, marks a strategic reversal after the platform's 2024 launch and the subsequent release of Sora 2 in late 2025.
Beijing's Ullens Center for Contemporary Art (UCCA) will open a new museum, UCCA OneM Center for Contemporary Art, in Guangzhou in 2027. This marks the institution's first expansion into South China, created through a partnership with Guangzhou's existing OneM Center for Contemporary Art.
Iran’s participation in the 61st Venice Biennale remains uncertain after a public contradiction emerged between the Biennale Foundation and Iran’s Ministry of Culture and Islamic Guidance (MCIG). The Biennale Foundation had announced that Iran would not participate in the 2026 edition, curated by Koyo Kouoh, but Aydin Mahdizadeh Tehrani, director general of visual arts at the MCIG and commissioner of the Iranian Pavilion, stated in an interview with the Iranian Students’ News Agency (ISNA) that Iran never submitted a withdrawal letter. Instead, Iran requested more time and sent a letter on May 10 asking for the pavilion to open even if ineligible for prizes. Mahdizadeh Tehrani cited the US-Israel war with Iran as causing currency fluctuations that nearly tripled projected costs, complicating prior agreements, and noted that Iran had proposed a shorter exhibition period, which the Biennale rejected.
Construction workers building the Trump administration's border wall between the US and Mexico accidentally damaged a two-hundred-foot-long Indigenous land art figure known as the Las Playas Intaglio, a colossal fish etched into the earth near Ajo, Arizona, that is thought to be over a thousand years old. Satellite imagery showed bulldozer tracks cutting a sixty-to-seventy-foot-wide path across the intaglio, and a Customs and Border Protection spokesperson confirmed the disturbance, stating the remaining portion had been secured and would be protected in place.
The Venice Biennale has announced it will eliminate the Golden and Silver Lions for the 2026 edition, replacing them with Visitor Lions chosen by popular vote. The prizes, traditionally awarded on opening day (May 9), will now be presented at the closing ceremony (November 22). Russia and Israel, previously barred from consideration by the prize jury due to ICC charges against their leaders, will be eligible for the new Visitor Lions. The decision follows the mass resignation of the original prize jury after they excluded those nations and faced pressure to also ban the US.
Martha Ortiz has stepped down as director of Bogotá’s Museo de Arte Moderno (MAMBO) amid allegations of harassing staff and fostering a toxic work environment. The museum announced her retirement and will begin a search for a successor, with board president Ángela Royo and financial manager Francy Hernández assuming interim leadership. Ortiz, who had no prior museum management experience, took the role in March 2024. Her departure follows the ousting of artistic director Eugenio Viola less than three months earlier, after he raised concerns about deteriorating working conditions.
Real estate giant Cushman & Wakefield has filed a lawsuit against Sotheby’s, alleging the auction house failed to pay a $10.2 million commission following the $510 million sale of its New York headquarters. The dispute centers on the building at 1334 York Avenue, which was sold to Weill Cornell Medicine in late 2025 after the medical institution initially leased several floors through a deal brokered by the real estate firm.
Staff and faculty at Goldsmiths, University of London, are preparing for strike action in response to a restructuring plan titled "Future Goldsmiths." The initiative aims to save £22 million by the end of the 2026/27 academic year through significant job cuts, starting with professional services staff and extending to academic positions. The Goldsmiths University and College Union (UCU) reports that 81 percent of its members voted in favor of the strike, arguing that the proposed austerity measures will devastate the institution's educational quality and its capacity for radical creative thought.
The New School in New York City plans to lay off 15 percent of its full-time faculty and staff by June. This follows a months-long conflict with faculty and a reported $48 million deficit, with the university previously offering voluntary separation packages to 40% of staff.
The US Supreme Court declined to hear an appeal from computer scientist Stephen Thaler, who sought to copyright an artwork generated by his AI system, the Creativity Machine. This decision upholds a lower court ruling that affirmed the US Copyright Office's rejection, which was based on the requirement that a human being must be the author of a creative work for it to be eligible for copyright protection.
A guerrilla art installation called the "Jeffrey Epstein Walk of Shame" appeared in Washington, DC's Farragut Square. It consists of sidewalk stickers resembling Hollywood stars, bearing the names and images of twenty public figures linked to convicted sex offender Jeffrey Epstein, including Prince Andrew, Ghislaine Maxwell, Harvey Weinstein, Bill Gates, and Bill Clinton. Each sticker features a QR code linking to Department of Justice evidence or the Epstein Files.
Chris Erik Thomas has been appointed as the new editor of The Art Newspaper, taking over the role from previous editor Ben Luke. Thomas brings extensive experience in arts journalism, having previously served as an editor at Artsy and as a contributor to publications including The New York Times and Artforum. His appointment marks a leadership change at one of the art world's most influential trade publications.