dar kuen wu taiwan digital art 2628044

The article examines the rise of Taiwanese contemporary art on the international stage, focusing on its growing prominence in digital and technological art. It traces the evolution of digital art in Taiwan through three phases: video art in the 1990s with pioneers like Wang Jun-Jieh and Yuan Goang-Ming, digital media experimentation in the 2000s driven by the tech sector, and a recent phase of internationalization and interdisciplinary integration fueled by the semiconductor industry and government support. Key factors include Taiwan's hardware industry, cultural liberalization after the lifting of martial law in 1987, and sustained policy support from institutions like the National Culture and Arts Foundation (NCAF), the Taiwan Contemporary Culture Lab (C-LAB), and the Taiwan Creative Content Agency (TAICCA).

These Ghosts. Clémentine Bruno  by Michela Ceruti

Clémentine Bruno’s artistic practice explores the tension between presence and absence, treating the canvas as a site of temporal layers rather than a flat surface for representation. Her work emphasizes the preparatory stages of painting—the laying of gesso and the construction of supports—allowing images to emerge reluctantly through processes of sanding, veiling, and partial erasure. Recent exhibitions, such as "Educational Complex" at Tonus and "Vision of Fading" at Mendes Wood DM, highlight her interest in how institutional structures and memory maps dictate what is retained and what is forgotten.

There Has Never Been an Apolitical Venice Biennale

The Venice Biennale, with its national pavilion structure, has always been a platform for political expression and soft power, a reality evident from its early 20th-century origins. Contemporary critic Arturo Lancellotti's 1909 review of the German and British pavilions was steeped in geopolitical context, revealing how national artistic displays were interpreted through the lens of imperial power and military alliances.

calvin tomkins dead marcel duchamp new yorker 1234778225

Calvin Tomkins, the legendary New Yorker writer who chronicled the contemporary art world for over six decades, has died at the age of 100. Joining the magazine's staff in 1960, Tomkins became the preeminent profiler of his era, translating complex aesthetic shifts and avant-garde movements into accessible, witty, and insightful prose. His career-defining focus on art began unexpectedly in 1959 with a chance interview with Marcel Duchamp, sparking a lifelong fascination with the creative process.

Mind the baby! Visitors to the Japanese Venice Biennale pavilion will be asked to look after dolls

Ei Arakawa-Nash, a Japanese-born artist who no longer holds Japanese citizenship, will represent Japan at the Venice Biennale with an exhibition titled "Grass Babies, Moon Babies." The pavilion will feature over 100 baby dolls that visitors are invited to adopt and carry, engaging in caregiving tasks such as changing a nappy. Each doll corresponds to a historically significant date tied to minority communities, linking intimate acts of care to broader historical narratives. The project also includes a collaboration with the Korean Pavilion, marking the first such partnership between the two national pavilions in Biennale history.

literature hans ulrich obrist curator book

Hans Ulrich Obrist, the prolific Swiss curator and artistic director of Serpentine Galleries, discusses his lifelong passion for books in a new interview timed to the U.S. release of his memoir "Life in Progress." Obrist reveals his daily ritual of buying a book, which has amassed an archive of over 40,000 volumes housed at LUMA Arles, and shares current reading recommendations including Kenneth O. Stanley's "Why Greatness Cannot Be Planned." He also reflects on the serendipitous origins of his Instagram Post-it note project, inspired by philosopher Umberto Eco and artist-poet Etel Adnan.

art dead artists museum exhibitions politics

CULTURED reports that in 2025, nearly 50 percent of solo exhibitions at New York museums featuring modern and contemporary art focused on deceased artists, more than double the 18 percent share in 2019. Major institutions like MoMA, the Broad, ICA Miami, and the Whitney have programmed posthumous shows for figures such as Wifredo Lam, Helen Frankenthaler, Ruth Asawa, Robert Therrien, Joyce Pensato, Richard Hunt, and Roy Lichtenstein. The article traces this trend to a confluence of factors: ongoing scholarly revisionism, a cultural swing toward equity during the Biden administration, and the long lead times for museum exhibitions that have landed in a more polarized political climate under Trump II.

The Sprawling New David Geffen Galleries At LACMA Open To The Public On Sunday, May 3

The David Geffen Galleries at the Los Angeles County Museum of Art (LACMA) will open to the public on Sunday, May 3, after 20 years of development. Designed by architect Peter Zumthor, the 900-foot-long horizontal glass and concrete structure overlooks the La Brea Tar Pits and stretches over Wilshire Boulevard. The main floor, elevated 30 feet above street level, offers 110,000 square feet of gallery space for LACMA’s permanent collection. The inaugural exhibition is inspired by four major bodies of water—the Pacific, Indian, and Atlantic oceans, and the Mediterranean Sea—and features works by artists including Todd Gray, Do Ho Suh, Lauren Halsey, Tavares Strachan, Jeff Koons, and Diego Rivera. The building also includes open plazas, an outdoor public space, and an Erewhon Cafe, with a larger restaurant and wine bar planned for fall 2026.

[ANN] Kuala Lumpur looks set to enter its 'museum moment' this year

Kuala Lumpur is experiencing a wave of new museum and gallery openings in 2025, marking a significant cultural expansion for the Malaysian capital. Key developments include the Merdeka Textile Museum, set to open in August within the Merdeka 118 tower and billed as Asia's first state-of-the-art textile museum; Muara Arts, a public gallery project by Creador Foundation opening in September in the historic Medan Pasar district; and recent openings such as the heritage building Seri Negara and restored gallery spaces at Bangunan Sultan Abdul Samad. These join earlier private collector-led spaces like Ur-Mu (2022), Toffee (2023), and +N (2025), as well as the established Ilham Gallery (2015).

At the New Museum, Parallel Visions of Humanity’s Future Emerge

The New Museum's latest exhibition explores the evolving definition of humanity through the lens of technological advancement and ancestral wisdom. The show juxtaposes the anxieties of modern machine labor—exemplified by Simon Denny’s Amazon worker cage—with Indigenous epistemologies and animist traditions that offer alternative ways of inhabiting the world. By featuring artists like Jaider Esbell and Santiago Yahuarcani, the exhibition highlights how hybridity and relationality can resist the rigid hierarchies of Western modernity.

Plan Your Travel Year: 8 Art Shows Worth Traveling for This Year

Major museums across the United States are launching significant exhibitions in 2026, including retrospectives of Frida Kahlo in Houston and Nick Cave in Washington, D.C., and a landmark show on sculptor Edmonia Lewis in Salem. These shows are part of a broader cultural moment, with many institutions mounting exhibitions to coincide with the nation's 250th anniversary, aiming to reframe art historical narratives and highlight previously overlooked artists.

Pioneering sculptor Geles Cabrera’s Mexico City retrospective marks centennial

A major retrospective of pioneering sculptor Geles Cabrera has opened at the Museo del Palacio de Bellas Artes in Mexico City, celebrating her centennial year. The exhibition, titled "Partituras Corporales," spans seven decades of her work, featuring nearly 100 sculptures in materials from volcanic stone to plexiglass, and highlights her radical focus on the expressive, often erotic, human body. It follows her recent receipt of Mexico's highest artistic honor, the 2024 Bellas Artes Medal in Visual Arts.

What’s on now at San Francisco museums, November 2025

San Francisco museums are presenting a wide array of exhibitions in November 2025, with several closing soon and others opening in the coming months. At SFMOMA, major shows include "Alejandro Cartagena: Ground Rules" (through April 19), "KAWS: Family" (through May 3, 2026), the photography exhibition "(Re)Constructing History" featuring Carrie Mae Weems, Nona Faustine, Carla Williams, and Dawoud Bey, and "Suzanne Jackson: What is Love," the artist's first retrospective. The Institute for Contemporary Art hosts "Midnight March" by Masako Miki and "stay, take your time, my love" by David Antonio Cruz, both closing Dec. 7. The Asian Art Museum presents "Rave into the Future: Art in Motion" closing Jan. 12, and the Legion of Honor will open "Drawn to Venice" from Jan. 24 to Aug. 2, 2026. The Murphy and Cadogan Contemporary Art Awards Exhibition, a collaboration with the San Francisco Foundation and SOMarts, closes Dec. 7.

Show at Civil War-era fort spotlights California’s Black history from the 19th century to today

Fort Point, a Civil War-era fortification beneath the Golden Gate Bridge in San Francisco, opens the exhibition "Black Gold: Stories Untold" today through November 2. The show features works by 16 contemporary artists and one collective, exploring 19th-century African American life in California—from the Gold Rush onward—highlighting little-known entrepreneurs, activists, soldiers, and musicians. Curated by Cheryl Haines of the non-profit For-Site, the exhibition includes recent works by artists such as Carla Edwards, Isaac Julien, Alison Saar, Yinka Shonibare CBE, and Hank Willis Thomas, alongside new commissions by Demetri Broxton, Adrian L. Burrell, Mildred Howard, and others. The project was two years in the making, privately funded, and developed with a nine-person advisory committee of Black historians and curators.

Inside the New Madison Avenue Flagship of the Powerhouse Gagosian Gallery

Larry Gagosian has opened a new flagship gallery at 974 Madison Avenue (preferring the address 980 Madison at 76th Street) after Bloomberg Philanthropies took over the building's upper floors, which had housed Gagosian's New York flagship since the late 1980s. The megadealer relocated to the street level, creating a 12,000-square-foot complex with exhibition spaces, offices, meeting rooms, and private viewing areas designed by Jonathan Caplan of Caplan Colaku Architects. The gallery launched with a double-header presentation of works by Marcel Duchamp and Robert Rauschenberg, and features ceilings just over 12 feet high, adaptable walls, and a vestibule display of art books.

aipad 2026 photography show ehibitor list deborah willis 1234767045

The Association of International Photography Art Dealers (AIPAD) has announced the 77 galleries and dealers participating in its 2026 Photography Show, set for April 22–26 at New York's Park Avenue Armory. The exhibitor list includes established names like Edwynn Houk Gallery and Yancey Richardson, alongside first-time participants such as Ruiz-Healy Art and Leica Gallery New York. A new 'Focal Point' section for solo presentations will be introduced, and the fair aims for greater gender parity, with a third of exhibitors being women-led or founded.

What Makes a Photograph a Photograph? The Photography Show 2026 Offers New Perspectives

The Association of International Photography Art Dealers (AIPAD) has announced the 45th edition of The Photography Show, scheduled to take place at New York’s Park Avenue Armory from April 22–26, 2026. The fair will feature 77 galleries, ranging from long-standing participants like Edwynn Houk Gallery to first-time exhibitors such as Galerie Sophie Scheidecker and Central Server Works. A significant addition to this year's programming is the debut of "Focal Point," a new sector dedicated exclusively to solo presentations that explore the experimental and evolving nature of lens-based media.

And We Shall Go Through Their Hills Without Much Delay

This article documents three journeys into and out of Yunnan, China, spanning from 1874 to 2023. It begins with British interpreter Augustus Raymond Margary's failed colonial expedition to establish a trade route, which ended in his violent death and contributed to unequal treaties opening Southwest China. It then follows a Naxi student named Xueshan in 1937, whose railway journey introduced modern timekeeping to the region, and finally describes the construction of the Burma Road, a critical WWII supply route. The narrative concludes with the artist Cheng Xinhao retracing these routes on foot from Kunming toward Burma over a year and a half, reflecting on history, bodily experience, and the layers of infrastructure that have reshaped the landscape.

'Hugging has replaced air kissing' – Inside America's new wave art galleries

A new wave of design galleries across the United States is redefining the traditional gallery model by prioritizing community, craft, and hospitality over sterile white-cube spaces. Galleries like Tiwa Gallery in Tribeca, Marta in Los Feliz, Blunk Space in Point Reyes Station, and Landdd in Portland are hosting opening-night dinners, sound baths, flower arranging, and workshops to create intimate, home-like environments. Curator Sonya Tamaddon, an alumna of LACMA and the Peggy Guggenheim Collection, notes a shift away from formal hierarchies toward richer dialogue between designers, artists, and collectors, with hugging replacing air kissing.

design artist housing hell real estate

The article examines the severe affordable housing crisis facing artists in major art capitals like New York, Berlin, London, Los Angeles, Paris, and Hong Kong. It draws parallels between the satirical portrayals of housing struggles in Tama Janowitz's *Slaves of New York* (1986) and Jane DeLynn's *Real Estate* (1988) and the contemporary reality, where median rents have tripled since the 1970s while artists' median earnings remain critically low. The author maps artists' precarious housing situations onto Dante's nine circles of Hell, illustrating the creative but often desperate workarounds artists employ, such as subletting, living in storage units, or having no permanent address.

Perspectives on a collection: why you should explore New Asian Art at the National Gallery of Australia

The National Gallery of Australia in Canberra is currently presenting 'New Asian Art,' a permanent collection display featuring recent acquisitions and highlights from across Asia. The exhibition includes a significant suite of works by Thai-born artist Korakrit Arunanondchai, featuring video and sculptural elements, as well as pieces by Japanese fashion designer Issey Miyake, the artist collective teamLab, and painter Yoshitomo Nara, exploring themes of globalization and cultural exchange.

Glenstone Is Celebrating 20 Years Of Art, Architecture, & Nature

Glenstone Museum in Potomac, Maryland, is celebrating its 20th anniversary as one of the largest private contemporary art museums in the United States. Founded in 2006, the institution offers a unique, immersive experience across 230 acres, combining world-class art, minimalist architecture, and expansive nature trails. The museum currently features major works by iconic artists such as Jackson Pollock, Ruth Asawa, and Kerry James Marshall within its two primary structures, The Gallery and The Pavilions.

The Art Diary April 2026 – Revd Jonathan Evens

The April 2026 Art Diary highlights a global trend of exhibitions exploring the intersection of spirituality, art, and the environment. Key highlights include a new scholarly essay by Hassan Vawda reinterpreting the Kettle’s Yard collection through the religious beliefs of its founders, Jim and Helen Ede, and a major group exhibition at ICA LA titled 'Speaking in Tongues.' The latter features indigenous and diasporic artists from the Global South who utilize art as a conduit for the sacred, ritual, and ecstatic expression.

Sotheby's, SAM, and Siong Leng: Singapore art events

Sotheby's is holding a major auction in Singapore on January 25, featuring works by Indonesian Romantic painter Raden Saleh, German painter Walter Spies, and British artist David Hockney, among others. The auction includes Raden Saleh's 'The Eruption Of Mount Merapi, By Day' (1865), expected to fetch between $700,000 and $1.3 million, and Walter Spies' 'Die Schlittschuhlaufer (The Ice Skaters)' (1922), estimated at $980,000 to $1.8 million. Concurrently, the Singapore Art Museum (SAM) is presenting 'Nafasan Bumi – An Endless Harvest' from January 16 to May 31, featuring Indonesian artists Elia Nurvista and Bagus Pandega, whose works use nickel and palm materials to explore the environmental and social impacts of Indonesia's palm oil and nickel industries.

Strong sales and digital art buzz mark Art Basel Miami Beach opening

Art Basel Miami Beach opened with a VIP preview that saw strong sales across price points, from blue-chip acquisitions to mid-range works. David Zwirner led with a Gerhard Richter painting for $5.5 million, while Hauser & Wirth sold a George Condo for $4 million. The debut of Zero 10, a platform for digital art, sold out its presentation. Other notable sales included works by Alice Neel, Josef Albers, Louise Bourgeois, and Andreas Gursky, with galleries like Pace, White Cube, and Gladstone also reporting significant transactions.

‘Everyone benefits’: Art Basel’s chief on the new Paris VVIP slot and the viability of its Qatar fair

Art Basel Paris held its fourth edition with a new VIP preview slot called Avant Première, where galleries nominated six key collectors to enter the fair on Tuesday afternoon before the main opening. Major sales were reported, including a $23 million Gerhard Richter painting at Hauser & Wirth, a Modigliani for nearly $10 million at Pace, and a $7.5 million Ruth Asawa sculpture at David Zwirner. CEO Noah Horowitz discussed the rationale for the exclusive preview, the renaming of the VIP relations team to 'collector and institutional relations,' and the viability of the upcoming Art Basel Qatar fair amid growing competition in the Gulf region.

Southeast Asia’s biggest impressionist art show is coming to Singapore

The National Gallery Singapore will host Southeast Asia’s largest exhibition of French Impressionist art, titled “Into the Modern: Impressionism from the Museum of Fine Arts, Boston,” from November 14, 2025, to March 1, 2026. The show features over 100 paintings on loan from the Museum of Fine Arts, Boston, including works by Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Paul Cézanne, Berthe Morisot, and Camille Pissarro, with 17 Monet paintings such as ‘Poppy Field in a Hollow near Giverny’ and ‘Cap Martin near Menton.’ None of the artworks have been displayed in Southeast Asia before.

Marina Abramović and Peter Doig win £77,000 Praemium Imperiale prizes

Marina Abramović and Peter Doig have been awarded the 2025 Praemium Imperiale prizes for sculpture and painting, respectively, each receiving a 15 million yen (£77,000) honorarium. The awards, presented by the Japan Art Association under honorary patron Prince Hitachi, also recognized Belgian filmmaker Anne Teresa De Keersmaeker (theatre/film), Hungarian pianist András Schiff (music), and Portuguese architect Eduardo Souto De Moura (architecture). The National Youth Theatre received the 2025 Grant for Young Artists.

Ten essential works of art to see at the National Gallery in London

The National Gallery in London, home to over 2,300 paintings spanning Western European art from Giotto to Cézanne and including early modernism by Picasso, has recently completed a comprehensive rehang of its collection at its Trafalgar Square site. This coincides with the reopening of the Sainsbury Wing after a two-year renovation. The article highlights ten essential works to see, including Jan van Eyck's *The Arnolfini Portrait* (1434), Leonardo da Vinci's *The Burlington House Cartoon* (around 1506-08), and Paolo Veronese's *The Adoration of the Kings* (1573), emphasizing the gallery's free admission and its role as a cultural treasure.

With an exhibition in Venice, the great artist Joseph Kosuth demonstrates his trust in language

Con una mostra di Venezia il grande artista Joseph Kosuth dimostra la sua fiducia nel linguaggio

Joseph Kosuth, a pioneer of conceptual art, presents a new exhibition titled "The Exchange Value of Language Has Fallen to Zero" at Casa dei Tre Oci in Venice. The show features both historical works from the 1960s, such as "One and Three Mirrors" (1965), and a new neon piece "A Chain of Resemblance" created for the occasion, which pays homage to Michel Foucault. The exhibition explores themes of language, authorship, and community, including works like "The Fifth Investigation" (1969) and a poster from the 1976 Venice Biennale. Kosuth, who lived in Venice from 2021 to 2025, has a deep connection to the city, having participated in eight editions of the Venice Biennale and maintaining two permanent installations there.