In pictures: following the thread at Frieze New York

Frieze New York 2025 features a strong textile and fiber art presence across multiple gallery stands. Highlights include Proyectos Ultravioleta's all-textile installation with embroidery by Edgar Calel and knitted crochet by Claudia Alarcón; Sonia Gomes's wrapped-wire sculptures at Mendes Wood DM; Carolina Caycedo's netted tribute to Zilia Sánchez at Instituto de Visión; Citra Sasmita's Kamasan canvas works at Yeo Workshop; Kyungah Ham's embroideries made in collaboration with North Korean artists at Kukje Gallery; Lee ShinJa's wearable fiber cape at Tina Kim Gallery; Grayson Perry's tapestries responding to Baroque works at Victoria Miro; and Małgorzata Mirga-Tas's fabric portraits at Frith Street Gallery. Prices range from $20,000 to $100,000.

Asian galleries move westward: their growing presence and influence in New York

Hong Kong-based gallery Kiang Malingue is opening a new outpost on the Lower East Side of New York on May 9, joining a wave of Asian galleries expanding into the city. The 3,500 sq. ft space at 50 Eldridge Street, formerly an artist's studio, will debut with a solo show by Japanese artist Hiroka Yamashita titled 'The Lights from the Deep Mountains.' Other recent arrivals include Manila's Silverlens (Chelsea, 2022), Taipei's Nunu Fine Art (Lower East Side, 2023), Hong Kong's Alisan Fine Arts (Upper East Side, 2023), and Shanghai's Bank (Lower East Side, March 2025).

The great Anselm Kiefer arrives in Valencia for an exhibition. There is a rare work for the first time in Europe

Il grande Anselm Kiefer arriva in mostra a Valencia. C’è un’opera rara per la prima volta in Europa

German artist Anselm Kiefer is coming to Valencia for the first time, inaugurating the temporary exhibition program at the CAHH – Centro de Arte Hortensia Herrero. The show, curated by Javier Molins, will run from April 29 to October 25 at the Palacio de Valeriola, featuring Kiefer's works in dialogue with the permanent collection. A highlight is "Danaë," a monumental painting over 13 meters wide that depicts the interior of Berlin's Tempelhof airport and references the myth of Danaë; this work has only been shown once before, in New York in 2022, and is now on view in Europe for the first time.

art casa tua aspen collection photography

Miky and Leticia Grendene, co-founders of the hospitality brand Casa Tua, discuss their photography-focused art collection and its integration into their properties in Miami, Aspen, New York, and Paris. In an interview with Cultured, they reveal plans to display a new series of works by artist Anastasia Samoylova at their Aspen location this summer, and reflect on three decades of collecting, their shift toward sculpture and painting, and how their children have developed their own visual language.

anastasia samoylova casa tua breakfast with

Anastasia Samoylova, an artist who works in photography and painting, is presenting her rarely shown "Breakfasts With" series at Casa Tua Aspen this summer. The series, begun in 2015 after she received her green card, combines breakfast food with photo books by notable creatives, creating still-life "conversations" that serve as daily creative prompts. The exhibition follows her dual show with Walker Evans at the Met, which showcased two differing visions of Florida. In an interview, Samoylova discusses how the series developed from a meditative morning ritual into a practice that helped her ground herself after leaving a tenured teaching position, and how intuitive pairings—like a cut mango with Barbara Kasten's work—emerged from spontaneity rather than conceptual planning.

Required Reading

Pakistani-born, Brooklyn-based tailor and community leader Hafeez Raza was honored by Mayor Zohran Mamdani as one of six garment workers photographed by Kara McCurdy, highlighting the real faces behind the fashion industry. Meanwhile, the Los Angeles Times's Image Editor-in-Chief Elisa Wouk Almino recounts a peculiar correspondence with artist Sophie Calle, who orchestrated a fake but real exchange using pre-written texts. In other news, Ai Weiwei discusses his new exhibition in Italy, censorship in Europe, and the Venice Biennale in an interview with El País. Additionally, Jacci Gresham, the first professional Black tattoo artist in the United States, reflects on her career since 1976, including tattooing Klan members and innovating with brown paper for Black and Brown clients.

Édouard Glissant’s Museum-as-Archipelago

The article reviews the exhibition "The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant" at the Center for Art, Research and Alliances (CARA) in New York, the first U.S. showing of works from the personal collection of Martinician philosopher and writer Édouard Glissant. Curated from his archive, the exhibition features artists such as Roberto Matta, Wifredo Lam, Etel Adnan, Irving Petlin, Antonio Seguí, Öyvind Fahlström, Jack Whitten, and Mel Edwards, reflecting Glissant's friendships and intellectual exchanges across Europe, Africa, and the Americas. Highlights include Antonio Seguí's large pastel works from his Titanic series.

Marcel Duchamp Was the Messenger of History

The Museum of Modern Art (MoMA) in New York is launching the first comprehensive U.S. exhibition of Marcel Duchamp’s work in over 50 years. In an interview regarding the opening, renowned scholar Thierry de Duve discusses the artist's enduring legacy, from his infamous readymades like "Fountain" to his complex, labor-intensive works like the "Large Glass." The exhibition seeks to reconcile Duchamp’s identity as both a conceptual provocateur and a meticulous craftsman.

Dolores Huerta Is the GOAT

A new exhibition in Los Angeles celebrates the 96th birthday of labor leader Dolores Huerta, featuring works by over 30 local artists. The show reframes the history of the United Farm Workers movement by centering Huerta and everyday laborers rather than co-founder Cesar Chavez, whose legacy has been complicated by recent abuse allegations.

Internet Goes Wild for The Met’s Newly Acquired Mannerist Painting

The Metropolitan Museum of Art's acquisition of a newly identified Mannerist painting, Rosso Fiorentino's "Madonna and Child with Saint John the Evangelist" (1512–13), has sparked a viral, irreverent reaction on social media. Commenters on the museum's Instagram post have described the muscular infant Jesus using contemporary slang like "baddie," "yasssified," and "caked up," drawing parallels to modern beauty trends.

2026 Spring Arts Preview: The top visual art exhibitions we’re excited about this season

The article previews the spring 2026 visual arts season in San Diego County, highlighting a diverse range of exhibitions and events. It announces the return of Art Gallery Month, a collaborative effort involving 11 local galleries aimed at boosting the visibility of the commercial gallery ecosystem and encouraging local art collecting. Key exhibitions featured include Ruben Ulises Rodriguez Montoya's first California solo museum show, 'In the Garden of Earthly Delights: I Bend to Paradise,' at the Institute of Contemporary Art, San Diego, and the La Jolla Historical Society's 'Space Maker,' which explores the intersection of art and architecture. The preview also notes Richard Allen Morris's work at R.B. Stevenson Gallery and lists numerous participating commercial galleries.

La nature morte : une exposition novatrice

Le Journal des Arts reports on a new exhibition titled "La nature morte" (Still Life), presented by a gallery as a continuation of its previous monographic shows on Boetti and Burri and the thematic exhibition "On Fire." The exhibition focuses on the classical genre of still life, positioning it as a field of experimentation that accompanies the renewal of painting in the 20th century. It brings together three artists—Picasso, Morandi, and Parmiggiani—who, though not from the same school or direct lineage, each explore the subject through distinct artistic languages: Picasso asserts the presence of the object, Morandi delves into its meditative and silent dimension, and Parmiggiani pushes the reflection toward a form of disappearance. The show is curated by Cécile Debray, president of the Musée national Picasso-Paris, and involves collaborations with institutions such as the Museo Morandi.

AI Suggests El Greco Could Be the Sole Author of 'The Baptism of Christ'

Une IA suggère qu’El Greco pourrait être l’unique auteur du Baptême du Christ

A new scientific study published in the journal Science Advances challenges the long-held belief that El Greco's monumental painting 'The Baptism of Christ' was completed by his workshop. Using a deep-learning tool called PATCH to analyze the painting's surface topography, researchers from Case Western Reserve University found a technical consistency suggesting the work was executed by a single hand, likely El Greco himself, despite visible variations in execution.

American Rousseaus Return to Paris

Les Rousseau américains de retour à Paris

The Musée de l’Orangerie in Paris is hosting a landmark exhibition titled "Henri Rousseau, l’ambition de la peinture," featuring 50 works by the self-taught master. The show is distinguished by a historic loan from the Barnes Foundation in Philadelphia, which has sent nine paintings to France for the first time since they were acquired a century ago by Albert Barnes. A highlight of the exhibition is the rare gathering of three "manifesto paintings"—The Sleeping Gypsy, Unpleasant Surprise, and The Snake Charmer—displayed together in a dedicated gallery.

Art Paris: A Better Result Than Expected

Art Paris, un bilan meilleur que prévu

The 28th edition of Art Paris concluded with stronger-than-expected sales despite a sluggish start and a volatile global climate. Featuring 165 galleries, the fair solidified its position as a key regional event for French collectors, offering a price range typically between €10,000 and €40,000. While mega-galleries like Almine Rech participated with accessible works, the fair also welcomed newcomers like Esther Schipper and In Situ-Fabienne Leclerc, who reported positive results across various media including ceramics, photography, and painting.

Au boulot ! 10 œuvres qui célèbrent le travail

Beaux Arts Magazine presents a feature on ten artworks that celebrate labor, from ancient Egyptian frescoes to modern depictions of workers. The article highlights pieces such as Pieter Brueghel the Elder's "The Harvesters" (1565), Diego Velázquez's "The Spinners" (c. 1657), and Johannes Vermeer's "The Milkmaid" (c. 1660), examining how artists have elevated peasant, artisan, and domestic work from background detail to central subject. The feature coincides with the Musée d'Orsay's nationwide initiative "100 œuvres qui racontent le travail" (100 Works That Tell the Story of Work), which explores the history and representation of labor in art.

« L’Angélus » de Millet : une notification à l’humanité hors sol ?

Beaux Arts Magazine publishes a detailed visual analysis of Jean-François Millet's painting "L'Angélus" (1857–1859), housed at the Musée d'Orsay in Paris. The article describes the scene of two peasants pausing their potato harvest to pray at dusk, examining the composition, color, and spiritual resonance of the work. It also traces Millet's biography—from his peasant origins in the Cotentin region to his training under Langlois and Paul Delaroche, and his early career painting portraits and nudes before turning to rural subjects.

Before the Night of Museums, monuments across France open their doors for three exceptional nocturnal events

Avant la Nuit des musées, des monuments de la France entière ouvrent leurs portes pour trois nocturnes exceptionnelles

The crowdfunding platform Dartagnans is launching the 2026 edition of "Nuit des monuments" (Night of Monuments) from April 17 to 19 across France. This initiative opens dozens of privately owned historic sites, many of which are usually closed to the public, for unique nocturnal experiences including lantern-lit tours, puzzle games, and immersive light displays. Notable participants include the Château de Cercamp, the Château de la Matray, and the Fondation Vasarely in Aix-en-Provence.

Chaïm Kaliski’s Drawings Haunted by the Shoah Revealed in an Exhibition at mahJ

Les dessins hantés par la Shoah de Chaïm Kaliski se révèlent dans une expo au mahJ

The Musée d’Art et d’Histoire du Judaïsme (mahJ) in Paris is hosting the first monographic exhibition dedicated to Chaïm Kaliski, a Belgian artist who began drawing at the age of 60 to process the trauma of the Holocaust. After his death in 2015, thousands of drawings were discovered in his Brussels apartment, documenting his family's history and the fate of Polish Jews in Belgium. The exhibition features 120 works that blend childlike aesthetics with haunting historical narratives, including poignant depictions of his parents' final moments at Auschwitz.

Gae Aulenti's 'Tavolo con ruote': A Radical Icon on Wheels

La « Tavolo con ruote » de Gae Aulenti : une icône radicale comme sur des roulettes

Gae Aulenti’s 1980 'Tavolo con ruote' (Table with wheels) remains a definitive icon of postmodern design, characterized by its radical simplicity. Created during Aulenti's tenure as artistic director of FontanaArte, the piece features a thick glass slab bolted to four industrial trolley wheels, a concept inspired by the factory carts used to transport glass. The table's enduring popularity is highlighted by its recent corporate history, as FontanaArte was acquired by Nemo Lighting in 2024 and subsequently integrated into the Spanish group Kettal in early 2026.

How Entertainment Exec Hassan Smith Built an Art Collection Championing Black Artists

Entertainment executive Hassan Smith has curated a deeply personal art collection in his North Atlanta home that bridges historical mastery with contemporary Black identity. His holdings range from a 17th-century Rembrandt drawing in the kitchen to iconic photography by Gordon Parks and contemporary works by artists like Ferrari Sheppard and Derek Fordjour. The collection is characterized by its integration into daily family life, featuring a Basquiat-inspired aesthetic that begins at the front door.

Natasha Tontey to Unveil Major New Immersive Installation Exploring Indigenous Resistance During Venice Biennale

Artist Natasha Tontey will unveil a major immersive installation titled "The Phantom Combatants and the Metabolism of Disobedient Organs" during the Venice Biennale at the Ateneo Veneto di Scienze, Lettere ed Arti. Jointly commissioned by Berlin’s LAS Art Foundation and Helsinki’s Amos Rex, the work combines video, sound, light, and sculpture to reimagine the story of Len Karamoy, a combatant in the CIA-supported Permesta movement that fought the Indonesian government from 1957 to 1961 in North Sulawesi. Tontey, a Minahasan Indigenous artist, uses LiDAR, quantum ghost imaging, and other technologies to explore Indigenous identity, ecology, and the blurring of history and myth.

diya vij new york city commissioner of cultural affairs 1234775079

Diya Vij has been appointed as the next commissioner of New York City’s Department of Cultural Affairs (DCA) by Mayor Zohran Mamdani. Vij, who most recently served as vice president of curatorial and arts programmes at Powerhouse Arts, is the first person of South Asian descent to lead the agency. She brings extensive experience from previous roles at Creative Time, the High Line, and a prior five-year tenure within the DCA itself, where she managed public artist residencies and diversity initiatives.

ayala foundation reuben keehan kontemp arts center 1234772300

The Ayala Foundation has appointed Reuben Keehan as the incoming artistic director of Kontempo, a new contemporary art space set to open in Manila. Designed by Kulapat Yantrasat of WHY Architecture, the venue will feature over 26,000 square feet of exhibition space across three galleries and nearly four acres of green space for sculptures and installations, located in the Circuit Makati development. Keehan joins from the Queensland Art Gallery / Gallery of Modern Art, where he served as curator of contemporary art, and has curated the Asia Pacific Triennial of Contemporary Art since 2013.

crystal bridges to mount exhibition by singer songwriter jewel venice biennale 1234761891

Crystal Bridges Museum will present an exhibition dedicated to singer-songwriter Jewel during the Venice Biennale, running from May 10 to November 22 at the Salone Verde, near Fondazione Prada. Titled “Matriclysm: An Archeology of Connections Lost,” the show is organized by Crystal Bridges curator-at-large Joe Thompson and features paintings from Jewel's “Ceremony” series, a tapestry, and three large-scale sculptures—including “Heart of the Ocean,” an eight-foot-tall piece that uses live oceanic data from NASA and Stanford University to control 60,000 programmable lights. The exhibition explores themes of feminine memory, matriarchy, and connection.

mohamed hamidi moroccan modernist painter obituary 1234755499

Moroccan modernist painter Mohamed Hamidi has died at the age of 84, as announced by the Barjeel Art Foundation in Sharjah. Born in Casablanca in 1941, Hamidi studied at the School of Fine Arts of Casablanca and later at the École Nationale Supérieure des Beaux-Arts de Paris. A founding father of Moroccan modern art, he returned to Morocco in 1967 and taught at the Casablanca School, helping to democratize its curriculum. He participated in the landmark 1969 exhibition “Manifesto” in Marrakech and founded the Moroccan Association of Plastic Arts in 1972. His abstract, erotic paintings incorporated traditional Maghreb motifs and geometric shapes.

independent 20th century breuer sothebys 1234751137

Independent 20th Century art fair has announced that its 2026 edition will be hosted by Sotheby’s at the auction house’s new flagship headquarters in Manhattan’s historic Breuer building. The move, first reported by the New York Times, marks a significant expansion for the fair and an unprecedented collaboration between an art fair and an auction house in the modern art market. Founded in 2022, Independent 20th Century focuses on overlooked and celebrated artists of the last century, with curatorial programming that reframes movements from women in Surrealism to Arab Modernism. The Breuer—a landmark of Modernist architecture designed by Marcel Breuer and recently renovated by Herzog & de Meuron with PBDW Architects—will allow the fair to grow to more than 50 galleries, up from 31 at its most recent edition.

trump big beautiful bill space shuttle discovery museum houston 1234748545

President Donald Trump signed the "One Big Beautiful Bill Act" on July 4, which includes a provision requiring the Smithsonian Institution to transfer a space vehicle—widely understood to be the space shuttle Discovery—to NASA. The shuttle has been displayed at the Steven F. Udvar-Hazy Center in Chantilly, Virginia, since 2012. The move must be completed by January 4, 2027, and $85 million has been allocated for planning, transportation, and a new exhibition facility in Houston. The provision originated from the "Bring the Space Shuttle Home Act" introduced by Texas senators John Cornyn and Ted Cruz, after their state lost the original competition to host Discovery.

japanese sculptor kunimasa aoki wins 2025 loewe craft prize 1234743920

Japanese sculptor Kunimasa Aoki won the 2025 Loewe Craft Prize on Thursday evening in Madrid, receiving a €50,000 cash prize. His anamorphic terracotta sculpture “Realm of Living Things 19” was selected by a 12-member jury from 30 shortlisted works on display at the Thyssen-Bornemisza National Museum. The jury praised the work's honest expression of the ancestral coil process and the raw, unfinished form of the material. Two special mentions were awarded: Nigerian artist Nifemi Marcus-Bello for “TM Bench with Bowl” and Studio Sumakshi Singh from India for “Monument.”

Muscle memory: Natasha Tontey’s wild Venice installation explodes perceptions of Indonesian history

Natasha Tontey's new installation "The Phantom Combatants" at the Ateneo Veneto in Venice reimagines the story of Len Karamoy, a woman who was part of the CIA-funded Permesta resistance movement in North Sulawesi, Indonesia (1957-1961). The 22-minute film, commissioned by the LAS foundation and Amos Rex, features absurdly muscular mutant warriors and draws on Indigenous belief systems, video games, Indonesian soap operas, and B-movie aesthetics to explore themes of autonomy, resistance, and historical perspective.