And the (Senior Show and URECA Art Exhibition) Winners Are …

The Paul W. Zuccaire Gallery at Stony Brook University hosted the opening reception of the ninth annual combined Senior Show and URECA Arts Exhibition on April 29, drawing about 300 attendees including students, faculty, staff, university leaders, and local museum curators. The Senior Show, a nearly 50-year tradition, features works by senior studio art majors and minors, while the URECA exhibition highlights undergraduate research-based art selected by faculty. This year's exhibition is noted for its diversity in subject matter and materials, from chalk painting to digital media, and runs through May 22.

THE WIND AS PROTAGONIST AT THE FINLAND PAVILION

Artist Jenna Sutela has been selected to represent Finland at the 61st Venice Biennale in 2026 with a multisensory installation titled Aeolian Suite. Curated by Stefanie Hessler and commissioned by Frame Contemporary Art Finland, the project transforms the Alvar Aalto-designed pavilion into a dynamic windscape using meteorological data, wind machines, and a children’s woodwinds orchestra. The work personifies five specific Venetian winds as protagonists in an elemental drama that blends scientific data with the theatrical traditions of Commedia dell’arte.

QUESTIONING POWER AND COLONIAL STRUCTURES CINTHIA MARCELLE INTERVENES AT SERRALVES

Brazilian artist Cinthia Marcelle has unveiled a major site-specific installation titled "beginning, middle, beginning" at the Serralves Museum in Porto. Developed in collaboration with the architecture collective vão and curated by Inês Grosso, the work transforms the museum’s Central Gallery into a space governed by cycles of repetition. Drawing inspiration from the philosopher and Quilombola leader Nêgo Bispo, the installation challenges Western linear conceptions of time and highlights the persistence of colonial structures in modern social organization.

A CONTEMPORARY QUIPU TRAVERSES CASTELLO DI RIVOLI

Castello di Rivoli Museo d’Arte Contemporanea has opened Cecilia Vicuña's first solo museum exhibition in Italy, titled 'El glaciar ido (The vanished glacier).' The exhibition, curated by Marcella Beccaria and running until September 2026, features a major new site-specific commission: a monumental, horizontal 'quipu acostado' installation suspended in the Manica Lunga gallery, created from raw wool and incorporating participatory elements from local communities.

MIGUEL ESCOBAR INAUGURAL RECIPIENT OF THE IAN ROSENFELD FUND

Miguel Escobar has been selected as the first winner of the Ian Rosenfeld Fund, a £7,500 annual award created by Gallery Rosenfeld. The Colombian-born artist was chosen from over 1,300 global applicants for his conceptually clear and psychologically charged paintings, which often feature animals in theatrical environments.

Special Exhibition "The Tree of the Collection, the 36th Spring: Focusing on New Acquisitions" @ Ashiya City Museum of Art & History

企画展「コレクションの樹、36年目の春 ―新収蔵品を中心に」@ 芦屋市立美術博物館

The Ashiya City Museum of Art & History is launching a special exhibition titled "The Tree of the Collection, the 36th Spring: Focusing on New Acquisitions" to celebrate its 36th anniversary. The exhibition showcases approximately 100 works, including paintings, prints, sculptures, and video art, highlighting pieces acquired since the beginning of the Reiwa era (2019) alongside the museum's founding collection. Featured artists include modern Western-style painter Narashige Koide, members of the Gutai Art Association such as Atsuko Tanaka and Jiro Yoshihara, and contemporary figures like Keiji Uematsu and Yukinori Yamamura.

Stay Connected: Supplying the Globe @ Tai Kwun

Stay Connected: Supplying the Globe @ 大館

Tai Kwun in Hong Kong is set to host "Stay Connected: Supplying the Globe," a major group exhibition running from February 28 to May 31, 2026. Curated by Pi Li and Yan Kwok, the exhibition features a diverse array of contemporary artists including Musquiqui Chihying, Ho Rui An, Lap-See Lam, and Li Shuang. The works span various media, from video installations like "The Smart City" to sculptural interventions and performance-based projects, focusing on themes of global infrastructure, labor, and technological connectivity.

Winter Solstice: Seeds of Nothingness. Edo Costantini in collaboration with Delfina Braun & Delfina Muniz Barreto

WINTER SOLSTICE: SEEDS OF NOTHINGNESS. EDO COSTANTINI EN COLABORACIÓN CON DELFINA BRAUN & DELFINA MUNIZ BARRETO

Praxis Gallery in New York is hosting "Winter Solstice: Seeds of Nothingness," a multidisciplinary exhibition by Argentine artist Edo Costantini in collaboration with Delfina Braun and Delfina Muniz Barreto. The show features photography, sound, moving images, and bronze sculptures that explore the quiet, latent biological processes occurring during the winter season. Based on Costantini’s decade-long observation of the landscapes in Katonah, New York, the works focus on the concept of stillness as an active state of reorganization and persistence.

Nigeria At Venice: Speaking on Our Own Terms.

Nigeria is preparing for its return to the Venice Biennale in 2028 with a fundamentally different approach, framing its participation as a structural intervention rather than mere inclusion. Curator Richard Vedelago, in conversation with Suzette Bell-Roberts, outlines a strategy focused on ownership, authorship, and building a self-sustaining cultural ecosystem, moving beyond seeking validation from global art structures.

How Photography Helped Build the Atomic Bomb

The feminist artist collective Slow War Against the Nuclear State (SWANS) presents the exhibition "Atomic Dragons" at Pitzer College Art Galleries. The show features works by seven intergenerational artist-academics, focusing on photography's historical role in developing atomic weapons and the enduring human and environmental costs of nuclear politics.

art ralph deluca art market downturn recession

Art advisor Ralph DeLuca, in his 'Street Smarts' column for Cultured, observes that amid political turmoil, tariffs, and art market jitters, wealthy collectors are shifting away from blue-chip contemporary art. Instead, they are investing in pop culture icons, historic artifacts, and natural history items like fossils, viewing them as safer bets. DeLuca notes that the May auction season saw high pass rates, failed guarantees, and lower prices, while galleries continue to close this summer.

Zurich: Peripheral Presence. by Tibor Bielicky and Ellena Ehrl

Zurich’s urban landscape is defined by functionalist structures from the 1990s and early 2000s that serve as the 'understated backdrop' to daily life. These buildings, including the Signal Box by Gigon Guyer and the Telecap 2000 by Hans Ulrich Imesch, act as navigational markers at the city’s geographic choke points. Despite their significance in shaping the city's rhythm and internal choreography, many of these structures are now reaching the end of their first lifecycle and face the threat of demolition due to real estate speculation.

❤️ Atlanta, with love

This article from Rough Draft's Sketchbook newsletter highlights two Atlanta-focused art stories. Painter Carlos Solis, who left Venezuela for Kennesaw nearly two decades ago, curates "In the Beginning," a group exhibition opening May 9 at the Hudgens Center's Fowler Gallery in Duluth, featuring 15 artists from around the world who now call Georgia home. Separately, designer and illustrator George F. Baker III, originally from Nebraska and shaped by Detroit, was commissioned by the Mayor's Office of Cultural Affairs to create the key art for the 49th annual Atlanta Jazz Festival, and he discusses how the musical souls of both Detroit and Atlanta influenced his design.

Exhibits feature local artists, including youth

The Public Works Art Center in downtown Summerville is currently hosting four concurrent exhibitions featuring local artists, including Tom Stanley, Paul Matheny, Karyn Healey, and the late Gene Merritt, as well as a showcase for student artists. The shows, which run through May 16, present a range of works from paintings reflecting Southern culture to documentary photography of the town and youth art.

Korea's longest-running art fair to open with largest exhibition to date in April

The Galleries Association of Korea has announced that the 2025 Galleries Art Fair will be its largest edition since its inception in 1979. Opening on April 8 at the Coex convention center in Seoul, the fair will feature 169 member galleries, including major names like Kukje Gallery and Gana Art. The event will include a "Zoom In" section highlighting 10 emerging artists and a special archival exhibition celebrating the 50th anniversary of the Galleries Association of Korea.

Where to see art in Singapore this week (Oct 24 to 31)

South-east Asia's largest art book fair, the Singapore Art Book Fair (SGABF), returns from October 31 to November 2, 2025, with over 120 exhibitors—its largest edition yet. The fair moves to a larger venue at New Art Museum Singapore and Whitestone Gallery, with ticket prices unchanged from 2024 ($6 online, $8 on-site). About half the exhibitors are first-timers, including Saigon-based studio WEDOGOOD, Cairo-based Rizo Masr, and local participants like graphic design trio Hause, Con-Temporary Art Editions, and visual artists Chin Lew and Isabell Hansen. The pilot Thing Books Residency Programme presents three new artist books by musician Yuen Chee Wai, filmmaker Seth Cheong, and vocalist Nur Wahidah. Visitors can also register for bookmaking workshops at additional cost.

What Portland’s First New York Art Gallery Means for the City

Portland art gallery ILY2 (“I Love You Too”) has opened a permanent outpost in New York City, marking the first time a Portland gallery has established a permanent space in the city. The new gallery, located between Chinatown and Tribeca, inaugurated its space with the second installment of the group show SOFT PINK HARD LINE, which originally started at ILY2’s Portland gallery in the Pearl District. The expansion was conceived by philanthropist Allie Furlotti, who founded ILY2 during the pandemic as a series of pop-up residencies to support local artists.

'Emergence' exhibition at Galerie Myrtis features artists telling powerful stories

The 'Emergence: Stories in the Making' exhibition at Galerie Myrtis in Baltimore features 12 artists, including Maxwell Pearce—an artist and Harlem Globetrotters player—and Linnea Poole. Pearce uses sports equipment like shoelaces and basketballs to create portraits of loved ones, responding to the 'shut up and dribble' narrative he faced after a traumatic incident. Poole's work focuses on mourning and grief, dedicated to Black women. The exhibition includes artists from Nigeria and the Caribbean, aiming to preserve personal and collective histories through uncensored storytelling.

At the 2026 Biennale, the Bulgarian Pavilion Transforms into a Political Laboratory to Explore the Present

Alla Biennale 2026 il Padiglione della Bulgaria si trasforma in laboratorio politico per esplorare il presente

The Bulgarian Pavilion at the 2026 Venice Biennale, housed in the Sala Tiziano of the Centro Culturale Don Orione Artigianelli, has been transformed into a speculative political laboratory by The Federation of Minor Practices. Curated by Martina Yordanova, the project features an all-female group of artists—Veneta Androva, Gery Georgieva, Maria Nalbantova, and Rayna Teneva—whose four films serve as "signals" exploring tensions around ecology, media systems, disinformation, and collective responsibility. The pavilion is conceived as a research headquarters from the near future, open until November 22, 2026.

Al Padiglione Emirati della Biennale di Venezia l’ascolto passa dall’architettura

At the Venice Biennale, the UAE Pavilion at the Arsenale presents 'Washwasha,' a project curated by Bana Kattan that focuses on sound as an invisible infrastructure crossing cultures, memories, and identities. Featuring artists Tala Safié, Farah Al Qasimi, and Ala Younis, the pavilion eschews visual shock and political slogans for an immersive, auditory experience that prioritizes listening, proximity, and disorientation. Architect Koray Duman, who designed the space, explains in an interview that the pavilion is a deliberate counter to the contemporary culture of hyperstimulation and monetized attention, using architecture not as a container but as a system that organizes perception and emotional tension.

Here is what the 2027 Venice Architecture Biennale curated by Chinese architects Lu Wenyu and Wang Shu will be about

Ecco di cosa parlerà la Biennale Architettura di Venezia 2027 dei curatori cinesi Lu Wenyu e Wang Shu

For the first time in the history of the Venice Architecture Biennale, two Chinese architects—Wang Shu (Pritzker Prize 2012) and Lu Wenyu—have been appointed as curators of the 20th International Architecture Exhibition, scheduled from May 8 to November 21, 2027. The duo, who co-founded Amateur Architecture Studio in 1997 and are partners in life and work, previously participated in the Biennale in 2010 under Kazuyo Sejima (receiving a Special Mention for their project "Decay of a Dome") and in 2016 under Alejandro Aravena. Their edition will follow the 2025 edition curated by Carlo Ratti and will be titled "Fare Architettura" (Doing Architecture), focusing on the coexistence of diversity in real reality.

Working in Art: Opportunities from Museo Novecento, Giudicesse 2030, Premio Combat and Fondazione Club Silencio

Lavorare nell’arte: opportunità da Museo Novecento, Giudicesse 2030, Premio Combat e Fondazione Club Silencio

This article from Artribune compiles five current job and grant opportunities in the Italian art world. It highlights a crowdfunding campaign by Museo Novecento for Agnese Galiotto's artwork "Sogni" in Empoli, an open call for the fourth edition of the Giudicesse 2030 residency for filmmakers and video artists in Sant'Antioco, a call for artists using AI from Associazione culturale 360° Creativity Events for PARMA 360 Festival, a paid internship at Blob Art ETS for Premio Combat in Livorno, and a search for a project manager by Fondazione Club Silencio ETS.

L’antica certosa vicino Siena dove il disegno è diventato una performance condivisa. Il report

The third edition of the De Linea Art Festival took place on May 2-3 at the Certosa di Pontignano near Siena, Italy. Curated by Matteo Marsan and Riccardo Guasco, the event transformed the historic monastery into a living laboratory of drawing, illustration, and performance. Nine illustrators—including Marina Marcolin, Francesco Poroli, Elisa Macellari, Gianluca Folì, Ale Giorgini, Gloria Pizzilli, Matteo Berton, Giovanna Giuliano, and Daniele Caluri—participated in a week-long residency, producing works inspired by the site and the festival's theme "Crepe e spiragli" (Cracks and Glimmers), a contemporary interpretation of a Leonard Cohen quote. Over 500 visitors attended workshops, talks, and shared creative sessions, including a workshop by Fondazione Il Bisonte and performances by actress Daniela Morozzi and graphic poet Alessandro Valenti (Alvalenti).

Il Padiglione Italia alla Biennale? “Deve essere uno spazio di possibilità”. Intervista alla curatrice

The article announces Chiara Camoni's project "Con te con tutto" for the Italian Pavilion at the 61st Venice Biennale in 2026, curated by Cecilia Canziani. The project emphasizes relational and communal practices, rejecting the identity-driven rhetoric of national representation. It stems from a fifteen-year dialogue between artist and curator, incorporating workshops, shared readings, and collaborative works like "La Giusta Misura." The pavilion is conceived as an ecosystem of artworks, texts, and activations rather than a linear exhibition, with a catalog designed as a critical reader.

The project that brings Michelangelo's David to the Swiss Alps: a full-scale copy will be installed among the mountains

Il progetto che porta il David di Michelangelo sulle Alpi della Svizzera: verrà installata tra le montagne una copia a grandezza naturale

A full-scale marble replica of Michelangelo's David will be installed in the Swiss Alpine village of Klosters (Canton of Grisons) starting July 2, 2026. The copy, carved in 2017 from Michelangelo's preferred Polvaccio marble in Carrara, weighs over nine tons and was produced by Studi d’Arte Cave Michelangelo under Franco Barattini. The project is organized by Scultura Viva, a cultural initiative based in Klosters that focuses on reactivating sculptural heritage through public installations and educational programs.

The Great Festival of Contemporary Creativity in Parma Celebrates Its First 10 Years: The Events to See

Il grande festival di Parma sulla creatività contemporanea festeggia i suoi primi 10 anni: gli eventi da vedere

The Parma 360 Festival, a major contemporary creativity festival in Parma, Italy, celebrates its tenth edition with the theme "Lux. Visioni sulla Luce" (Lux: Visions of Light). Curated by Chiara Canali and Camilla Mineo, the festival features five exhibitions across special city locations, transforming Parma into a diffuse museum. Highlights include Antonio Barrese's "Morphology Light. Viaggio nella forma della luce" at Galleria San Ludovico, exploring light as plastic matter, and Michael Kenna's photographic exhibition "Il fiume Po. Scritture di luce" at Palazzo Pigorini, capturing the Po River through contemplative black-and-white imagery. Over its nine previous editions (2016–2025), the festival has presented more than 70 official exhibitions and involved over 200 artists.

An Argentine artist inaugurates a brand-new space dedicated to photography in Turin

Un artista argentino inaugura a Torino le attività di un nuovissimo spazio dedicato alla fotografia

A new photography space called K! has opened in Turin's San Salvario district, inaugurated by Argentine artist Emilio Nasser with his exhibition "La Cornuda de Tlacotalpan." The space is the latest curatorial project of the Kublaiklan collective (Rica Cerbarano, Francesco Colombelli, Elsa Moro, Aleksander Masseroli Mazurkiewicz) and focuses on research, production, and education centered on the relational power of photography. Nasser's exhibition reinterprets a fading Mexican legend from Tlacotalpan by involving the local community in a collective reconstruction through drawings, transcriptions, and mud masks, resulting in a choral portrait of the mythical Cornuda creature.

Seeing with Heat: 5 Works Against the Thermal Camera's Gaze in Pavia

Vedere con il calore: a Pavia 5 opere contro lo sguardo della termocamera

The University of Pavia is hosting a specialized study day and exhibition on April 30, 2026, titled "Thermal Imaging and Visual Culture." The event explores how artists are reclaiming thermal imaging—a technology originally developed for military surveillance and pandemic control—to transform it into a medium for creative expression. By showcasing five specific works, the program examines the tension between the camera's role as a tool for dehumanized monitoring and its potential as a vehicle for artistic resistance.

Milan Design Week 2026: A Guide to What to See in the Isola District (Celebrating its 10th Anniversary)

Milano Design Week 2026: guida sulle cose da vedere al distretto di Isola (che compie 10 anni)

The Isola Design Festival is celebrating its 10th anniversary during Milan Design Week 2026 with the theme "TEN: The Evolving Now." Originally founded to provide an affordable platform for independent and young designers, the festival has expanded from a local neighborhood initiative into a global organization with a permanent presence in Dubai. The 2026 edition centers on the historic Fabbrica Sassetti, a 1930s wool mill, alongside various venues across the Isola district including Fondazione Catella and Stecca3.

In Pistoia, an exhibition dedicated to the great architect and designer Ettore Sottsass

A Pistoia c’è una mostra dedicata al grande architetto e designer Ettore Sottsass

The Fondazione Pistoia Musei has inaugurated a major retrospective titled "Io sono un architetto. Ettore Sottsass" at Palazzo Buontalenti in Pistoia. Curated by Enrico Morteo, the exhibition focuses on a specific thirty-year period from 1945 to 1975, exploring the visionary designer's prolific output before the formation of the Memphis Group. The show features an extensive collection of drawings, paintings, textiles, and iconic design objects, many of which are previously unseen works sourced from the CSAC at the University of Parma.