Magischer Realismus gegen die Härte der Vorstadt
French-Chilean artist Tohé Commaret presents an exhibition at MMK Zollamt in Frankfurt featuring quiet, still images that highlight invisible care work and feminist solidarity. The show focuses on women who silently enable events like weddings and galas without being seen, exploring female alliances and the attempt to reclaim new narratives from the suburbs.
Wenn die Nacht auf den Tag abfärbt
Berlin-based graffiti artist Paradox Paradise, known for his distinctive red-and-blue "Paraglyphs" painted on high facades, discusses his evolution from classic graffiti to a radically reduced visual language. In an interview with Monopol, he explains how he stripped away decorative elements to focus on precise, vertical outlines and messages like "Mieten runter Wände bunter" (lower rents, more colorful walls). He describes his nocturnal actions as states of heightened presence requiring weeks of planning, where every movement has immediate consequences.
Einmal um die Welt
The article previews the national pavilions at the Venice Biennale, where 99 countries present exhibitions across the Giardini, Arsenale, and venues throughout the city. It highlights Iceland's pavilion, featuring Ásta Fanney Sigurðardóttir's project "Pocket Universe" at the Docks Cantieri Cucchini, a multimedia work combining performance, sound, moving image, and installation centered on a film about a creature.
Warum KI uns nicht die Fantasie raubt – mit Jenifer Becker
Author and cultural scholar Jenifer Becker discusses the impact of artificial intelligence on creativity in the Monopol podcast "Fantasiemuskel." She argues that while AI-generated text is often generic, it can liberate us from the romantic myth of the solitary genius by demonstrating that most ideas already exist. Becker leads the "AI Lab Kit" at the Hildesheim Literature Institute, using experimental projects to push language models beyond their algorithmic comfort zones.
"Wir mussten schwierige Entscheidungen treffen"
Investor Andrew E. Wolff has stepped down as CEO of Artnet after orchestrating a merger of the company's US operations with Artsy, another major art market platform he recently acquired. Jeffrey Yin, previously the interim head of Artsy, has been appointed as the permanent CEO of the combined entity. The restructuring involves significant layoffs, the closure of Artnet's Berlin office, and a consolidation of management teams, though both brands will continue to operate with distinct editorial voices.
"Das Wichtigste ist, dass die Kunst zugänglich bleibt"
Gilles Neiens has been appointed as the first-ever artistic director of Art Düsseldorf, marking a strategic shift for the eight-year-old regional art fair. In his new role, Neiens aims to elevate the fair's profile by focusing on high-quality curation, thematic depth, and fostering closer collaborative relationships with participating galleries. This structural change signals a move away from purely organizational management toward a more distinct, content-driven identity.
Le musée de La Poste redevient le « musée postal »
The Musée de La Poste in Paris has rebranded itself as the "Musée Postal," reclaiming its original 1946 name as it approaches its 80th anniversary. Alongside a new visual identity featuring a blue and white "M" logo, the institution is shifting its focus from a strictly corporate museum to a "museum of society" with a more universal outlook. Under the leadership of director Guillaume Goy, the museum aims to modernize its permanent collection and recover its pre-pandemic attendance figures, targeting 150,000 annual visitors.
Oviedo accueillera le premier musée de philosophie au monde
The Gustavo Bueno Foundation has announced plans to open the world's first museum of philosophy in Oviedo, Spain, scheduled for January 2027. Housed in the historic Miñor sanatorium, the institution will serve as a physical extension of the Oviedo School of Philosophy, focusing on the "philosophical materialism" developed by the late thinker Gustavo Bueno. The museum aims to move beyond academic circles to engage the general public in critical thinking and the rigorous analysis of social structures.
Le Journal des Antiquaires et Galeries n°10 vient de paraître
The tenth issue of Le Journal des Antiquaires et Galeries has been released, focusing on the resilience of the art market amidst geopolitical and economic headwinds. The publication highlights major spring events including Art Paris, Art Brussels, and the Paris Gallery Weekend, while introducing the newly formed Federation of Art Market Actors (FAM’Art).
UK government ministers are exploring the possibility of charging international tourists for entry to the permanent collections of national museums. This proposal is part of a broader search for long-term funding solutions for the arts sector, outlined in the government's response to the Arts Council England review led by Margaret Hodge. The review also prompted commitments to simplify funding applications and protect the Arts Council from political interference.
Daniel Hopp's exhibition "Fictional Healing" at Kunsthaus Hamburg explores how transit spaces like train stations and public squares reveal social divisions, focusing on sites such as Berlin's Leopoldplatz and Hamburg's Drob Inn, a drug consumption counseling center. The show examines the collision of addiction, homelessness, and survival strategies in these urban environments.
Alex Thake presents a solo exhibition titled "I Know This Much is True" at Triangolo gallery in Cremona. The show features new works by the artist, continuing his exploration of material and conceptual themes.
The article previews an upcoming exhibition titled "Sorcières !" at the Château des ducs de Bretagne – Musée d'histoire de Nantes, running from February 7 to June 28, 2026. It traces the historical debate around witchcraft in 16th-century Europe, focusing on key figures such as Heinrich Kramer, author of the *Malleus maleficarum* (1486), who argued that witchcraft was a female-specific evil requiring extermination, and Jean Bodin, who supported this view. In contrast, Johann Weyer and Michel de Montaigne challenged the persecution, suggesting accused women were mentally ill or elderly and deserved humane treatment rather than execution.
Salomé. Henner et Moreau face au mythe
The Musée National Jean-Jacques Henner in Paris is hosting a focused exhibition exploring the iconographic myth of Salomé through the lenses of Jean-Jacques Henner and Gustave Moreau. The show examines how these two 19th-century masters interpreted the biblical figure who demanded the head of John the Baptist, contrasting their stylistic approaches to her seductive and fatal power. While the Gospels provide no physical description of Salomé, the exhibition highlights how these artists moved away from traditional fleshy depictions to create more ethereal, haunting versions of the femme fatale.
Photographer Alfredo Cunha presents 'Rostos da Imigração' at the UCCLA gallery in Lisbon, a photographic exhibition featuring portraits of individuals from lusophone communities. The series resists anonymity and aestheticization, instead focusing on the lived experiences of migrants in contemporary Portugal. The exhibition is on view until 20 May 2026.
Guinea has presented its first-ever national pavilion at the 61st Venice Biennale. Titled 'Le Son de l’Art,' the exhibition is installed on the island of San Servolo and is curated by Koyo Kouoh, featuring a multidisciplinary group of artists exploring memory, materiality, and postcolonial identity.
The National Pavilion UAE has announced its upcoming exhibition for the 61st Venice Biennale in 2026, titled ‘Washwasha’ (Whispers Across Water). Curated by Bana Kattan with assistant curator Tala Nassar, the presentation features six artists: Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva. The exhibition moves away from traditional visual spectacle to focus on sound, oral traditions, and 'sonic cartographies' that explore memory, migration, and the fluid identity of the UAE through an architectural environment designed by Büro Koray Duman Architects.
Deborah Roberts’s solo exhibition, 'Consequences of Being,' at The FLAG Art Foundation showcases a significant evolution in her practice, featuring new large-scale paintings, works on paper, and her debut in ceramic sculpture. Her signature collage-based figures are presented as fragmented, composite bodies that challenge fixed notions of Black identity and subjecthood. By blending archival imagery with vernacular signage, Roberts explores how colonial legacies and historical narratives continue to influence the perception of Black bodies across the globe.
Photographer and writer Johny Pitts presents 'Black Bricolage' at MEP Studio, a visual essay spanning two decades of work documenting Black life across European cities like Paris, Lisbon, and Berlin. The exhibition utilizes a mix of photography, personal notes, and lived encounters to map the 'Afropean' experience, focusing on the quiet textures of daily life rather than grand spectacles.
The Museu de Arte do Rio has launched 'Sortilégios de desvio,' the first solo institutional exhibition by Brazilian artist No Martins. Produced in collaboration with Galeria Almeida & Dale and curated by a five-person team led by Marcelo Campos, the show features a significant selection of Martins’ recent works that explore the intersections of urban experience and Afro-Brazilian cultural imaginaries. Through a variety of media, the exhibition highlights the artist's focus on gesture, memory, and the reconfiguration of traditional visual narratives.
The article reports on "Remain(s)," a dual exhibition at Momart Gallery in Matera, Italy, featuring young artists Luca Granato and Michela Rondinone. Curated by Antonella Marino, the show explores the aesthetics of fragments and memory through installations, sculptures, and video works. Granato's pieces address loss, migration, and climate change, while Rondinone's works focus on childhood, play, and relational practices. The exhibition runs until May 26, 2026.
Matter and Shape, a design salon held concurrently with Paris Fashion Week, returns for its third edition from March 6–9 at the Jardin des Tuileries. Curated by artistic director Dan Thawley and founder Matthieu Pinet, the fair transforms two pavilions into a temporary city of objects, featuring collectible design, practical luxury, and emerging studios. This year's theme, “scale,” prompts visitors to consider both micro craft gestures and macro production systems, with a focus on ethical and sustainable practices. Exhibitors include Lindsey Adelman Studio, a reading room with Villa Hegra, a collaboration with Byredo, and the return of the Zara Home x Dreamin’ Man café, alongside a new restaurant concept from Balbosté.
CULTURED magazine hosted a panel and cocktail reception at People's, an art salon and evening club in New York's Greenwich Village, on Tuesday evening. The event featured a discussion on the state of the art world, including social media's role in market movements and art education, moderated by advisor Anne Parke, with panelists including New Art Dealers Alliance Executive Director Heather Hubbs, AWG Art Advisory Founder Alex Glauber, artist Aglaé Bassens, and CULTURED Editor-in-Chief Sarah Harrelson. The gathering attracted a crowd of artists, advisors, writers, and patrons, and guests received a copy of the CULTURED at Home design issue and a custom tote bag by artist Jay Miriam.
The article describes a visit to the American Academy of Arts and Letters in New York to see two concurrent exhibitions: Sam Contis's "Phases," featuring black-and-white motion portraits and a three-channel film of teenage girls running a five-kilometer race, and Diane Simpson's "Formal Wear," a sculptural exploration of femininity's exoskeletons using industrial materials. Literary accompaniments were commissioned for both shows—Kathryn Scanlan wrote a story for Contis's exhibition, and critic Audrey Wollen contributed an essay for Simpson's—blending visual art with prose to examine themes of adolescence, identity, and self-construction.
Sara Messinger, a 26-year-old photographer based in New York, has been nominated by Michael Foley, director of Leica Gallery NY, for her poignant portraits of teenagers. Her work, which has appeared in The Cut, The New York Times, and The New Yorker, was recently exhibited alongside Magnum photographer Bruce Davidson at Leica's New York gallery. Messinger describes her focus on teenagers as an organic discovery, drawn to their authenticity and honesty, and uses her photography to explore childhood fears and a search for connection.
Jeremyn Lee, Senior Footwear Designer at Thom Browne, opens his personal archive of luxury shoes to CULTURED magazine. His collection, housed in his Fort Greene home, includes rare runway samples and discontinued styles from brands like Prada, Miu Miu, Marc Jacobs, Louis Vuitton, and Maison Margiela. Lee began collecting after an internship at Marc Jacobs, focusing on nostalgia-driven pieces he first admired on Tumblr as a teen. The archive is meticulously catalogued with photography organized by size, brand, and season, featuring items like the Maison Margiela Spring 2009 'oversized sandals' sold as display objects.
DE LAS MINOR KEYS AL ESTRUENDO: LA CRISIS DE LA BIENAL DE VENECIA
The 61st Venice Biennale is engulfed in a structural crisis, marked by geopolitical tensions over the inclusion of Russia (amid its invasion of Ukraine) and Israel (amid the Gaza genocide). The Biennale Foundation, led by Pietrangelo Buttafuoco, defended their participation on legalistic grounds, sparking outrage from over 200 artists, curators, and cultural workers who demanded Israel's exclusion, aligning with Art Not Genocide Alliance (ANGA). The international jury, chaired by Solange Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, resigned collectively on April 30 after deciding not to award prizes to countries whose leaders face International Criminal Court arrest warrants. This led to the cancellation of the traditional Golden and Silver Lions, replaced by audience-voted "Visitor Lions," with awards deferred until November. The European Commission suspended a €2 million subsidy over Russia's participation, and Italian Culture Minister Alessandro Giuli notably skipped the May 9 opening.
ArtRage Gallery in Syracuse is hosting a new exhibition titled 'A Rising Tide of Plastic in Art,' featuring works by members of the international collective Project Vortex. The show includes sculptures, photographs, and installations created from reclaimed plastic waste, with artists like Alejandro Durán, Nicole Hixon, Anne Percoco, and Blue McRight transforming debris into commentary on pollution.
A new auction platform called Bam Auctions will launch in Dubai this May, with its inaugural sale held on Saturday at Bayt AlMamzar, an independent cultural space in a restored villa. The sale features 21 lots of contemporary art from the UAE and the wider region, including works by Jaber Al Azmeh, Manal Al Dowayan, and Hale Tenger, with estimates ranging from a few hundred to several thousand dollars. Bidding will be in person with remote options via phone, WhatsApp, and absentee bids.
Bronx-based artist Ebony Bolt has launched her first solo exhibition, "Remember," at the Casita Maria Center for Arts and Education in Hunts Point. The show blends observational sketches of New York City subway commuters with digital designs, personal childhood photographs, and interactive elements like a crossword puzzle. By integrating positive affirmations and hidden symbolism, Bolt invites visitors to engage in a reflective process of reconnecting with their past and their inner child.