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Diverse Materials and Perspectives in Upstairs Artspace’s Two Spring Shows

Upstairs Artspace in Tryon is launching two concurrent exhibitions, "Fight or Flight" and "Birds of a Feather," opening April 19. The solo show by Asheville-based artist Erika Diamond features textile sculptures crafted from bulletproof Kevlar and mirrored vinyl, exploring themes of queer safety, resilience, and survival. The accompanying group show, curated by Diamond, brings together eight artists whose works in photography, glass, and painting examine identity and the human body's relationship to the natural world.

Rowan University’s Museum of Contemporary Art hosts final exhibition focusing on black resilience

The Rowan University Museum of Contemporary Art is hosting "The Spectrum of Resilience," a solo exhibition by New Jersey-based artist and educator Jazlyne Sabree. The showcase features works that explore the tenacity and authenticity of the African Diaspora, drawing from Sabree’s extensive research and residencies in West Africa, Brazil, and Liberia. The exhibition highlights everyday moments—such as washing hair or embracing children—elevating them into profound artistic statements on ancestral lineage and survival.

National Carpet Museum opens exhibition titled 'Images Imprinted in Memory' [PHOTOS]

The Azerbaijan National Carpet Museum has launched "Images Imprinted in Memory," a solo exhibition by multidisciplinary artist Madina Gasimova. Supported by the .ART domain, the showcase features 28 works produced over the last five years, including five new carpets woven using the museum's traditional techniques based on the artist's contemporary sketches. The exhibition highlights the fluidity of artistic motifs as they transition across various media, including painting, stained glass, mosaic, and digital formats, accompanied by a sound installation of the carpet-weaving process.

Taft Museum of Art Celebrates Artist Ayana Ross in Milestone Year

The Taft Museum of Art has named Cincinnati-based painter Ayana Ross as the 2026 Robert S. Duncanson Artist-in-Residence, marking the 40th anniversary of the prestigious program. Ross, known for her figurative realism and traditional oil painting techniques, will be featured in a solo exhibition titled "Beyond the Picturesque: The American Landscape as a Site of Memory, Identity and Continuity." The showcase includes seven paintings integrated into the Taft’s historic house and Sinton Gallery, with a specific installation placed alongside the museum's famous 19th-century murals by Robert S. Duncanson.

Romero Paprocki at miart

Paris-based gallery Romero Paprocki is expanding its presence in the Italian art market with a multidisciplinary presentation at miart 2026. Following the opening of a second gallery space in Milan, the booth features a curated dialogue between four artists—Antoine Carbonne, Louis Jacquot, Winnie Mo Rielly, and Matisse Mesnil—spanning figurative painting, minimal works, and sculptural photography.

JoEllen Brydon explores her late mother’s work as an advice columnist in Art Gallery of Peterborough exhibition

The Art Gallery of Peterborough is set to host "Elizabeth Thompson Advises," a multimedia exhibition by Cavan-based artist JoEllen Brydon running from April to June 2026. The show centers on the work of Brydon’s late mother, Jean Armstrong Brydon, who wrote a progressive advice column for The Globe and Mail under the pseudonym Elizabeth Thompson between 1966 and 1978. The exhibition integrates original letters and columns with JoEllen’s bold paintings, audio recordings, and short films to bring these mid-century narratives to life.

‘Southeast Exchange’: New La Jolla mural showcases findings at Texas discount store

Artist Lizzie Zelter has installed a new large-scale mural titled "Southeast Exchange" in La Jolla, California, as part of the Murals of La Jolla public art initiative. The composition is based on the artist's observations of a discount store in Brownsville, Texas, featuring a dense array of consumer goods and reflective surfaces that explore themes of domestic arrangement and cultural artifacts. The work is designed to be read from right to left, mimicking the flow of pedestrian traffic and challenging traditional visual perspectives.

‘Fully Immersive’ Beeple Survey Lands in Silicon Valley

Digital artist Mike Winkelmann, known as Beeple, is launching a major mid-career survey titled "BEEPLE: / INFINITE_LOOP" at Node, a new non-profit art space in Silicon Valley. The exhibition features immersive installations including the kinetic sculpture "Human One," the multi-screen tower "Diffuse Control," and a comprehensive presentation of his long-running "Everydays" project. This survey marks a significant moment for the artist as he transitions from the viral NFT boom into large-scale physical and generative museum-style installations.

MFA candidate brings ecological art to the Broad Art Museum

Hailey Becker, a Master of Fine Arts candidate at Michigan State University, has debuted a large-scale ecological sound sculpture at the Eli and Edythe Broad Art Museum. The installation features over 10,000 hand-cracked walnut shells suspended in a human-sized chime, which are struck by a mechanical arm to mimic the sound of water hitting a coastline. The project is the culmination of Becker’s interdisciplinary research, blending her background in engineering and material science with her current studies in forestry and fine arts.

The Bascom Opens Photography Resident Exhibition April 18 with Free Artist Talk

The Bascom: A Center for the Visual Arts is set to debut a new exhibition by photography resident Dean Kessmann titled "realism succumbing to abstraction or is it the other way around" on April 18, 2026. The show features medium-format digital photographs captured during Kessmann’s sabbatical residency, focusing on the overlooked textures of urban landscapes such as sidewalks, graffiti, and signage. The exhibition includes unique physical presentations, with some works mounted on oriented strand board to mirror the industrial surfaces depicted in the images.

Master metalsmith David Secrest featured in new exhibit

The Wanda Hollensteiner Art Gallery in Kalispell is hosting a new exhibition titled "David Secrest: The Unprejudiced Silence of Things that Are," running through May 23. The show features the work of the Somers-based master metalsmith, whose four-decade career spans forged iron, fabricated steel, bronze, and woodworking. Secrest, who was named a "Master Metalsmith" by the Metal Museum in 2017, is recognized for a visual language that blends natural forms with rigorous material manipulation.

UK Museum hosts first solo exhibition by Bangladeshi artist Soma Surovi Janat, supported by the British Council

The Ashmolean Museum in Oxford has launched "Climate Culture Care," the first solo exhibition by a Bangladesh-based artist in a UK museum, featuring the work of Soma Surovi Jannat. Developed during her residency at the institution, the show includes approximately 40 works, ranging from intricate drawings on paper to a 30-foot-long scroll and an ephemeral site-specific wall drawing. The exhibition is part of the Ashmolean NOW series, which tasks contemporary artists with creating new interventions inspired by the museum’s historical and archaeological collections.

Exhibition | Matthias Esch, 'Slice Through Reality' at Kutlesa, Goldau, Switzerland

Berlin-based artist Matthias Esch presents a survey of his painterly practice in the solo exhibition 'Slice Through Reality' at Kutlesa in Goldau, Switzerland. The show features works from several years that explore the tension between rigid visual systems and deliberate disruptions, utilizing patterns and schematic forms that are systematically 'sliced' or broken open.

The Hands That Feed: New Art Exhibit at Museum Highlights Farm Workers - The Source Weekly

The High Desert Museum in Bend, Oregon, has unveiled a new solo exhibition titled "Miguel Almeida: Las Manos que dan de Comer" (The Hands That Feed). Featuring large-scale murals, hand-painted animations, and a ten-foot-tall cutout figure surrounded by actual soil, the installation explores the daily lives and human stories of farm workers in the American West. Almeida, a first-generation Mexican American artist based in Boise, draws from his own family history of agricultural labor to create vibrant, contemporary works influenced by skateboarding culture and Mexican folk traditions.

Rooms to Roam in Chicago

The inaugural Neighbors Art Fair has launched in Chicago, situated within a historic residence in the city's Gold Coast neighborhood. Founded by Mirka Serrato and curated by Jonny Tanna, the fair rejects the traditional high-spectacle trade show model in favor of a "micro-fair" format. By utilizing a domestic setting and an invitation-based entry system, the event prioritizes architectural intimacy, timed entry, and deliberate engagement between galleries and visitors.

RED BANK: NEW GALLERIA GALLERY OPENS DOORS

Amelchenko Gallery has officially opened its doors in Red Bank, New Jersey, relocating from Sea Bright to the Galleria complex on Bridge Avenue. The gallery celebrated its arrival with a ribbon-cutting ceremony and a reception for its inaugural exhibition, "Reel Icons," featuring the work of New York-based artist Ginette Laboz. Laboz utilizes a unique pointillist technique, applying paint with pastry tools to create large-scale reinterpretations of iconic cinematic moments from films like "Pulp Fiction" and "When Harry Met Sally."

Syria’s Hasakah Museum—occupied by military for more than a decade—to finally open

The Hasakah Museum in Syria, a completed but never-opened archaeological museum, is finally being prepared to open to the public after being occupied by military forces for over a decade. The building, constructed in 2002, was seized by the Assad regime's military in 2011 and used as a base and weapons depot, becoming part of a fortified security zone in the city center until the regime's forces withdrew in December 2024.

Sotheby’s returns to Saudi Arabia with art-only auction

Sotheby's is returning to Saudi Arabia with an art-only auction, marking a significant re-entry into the regional market. The event signals a deepening engagement with the kingdom's burgeoning cultural scene.

Studio Ahead’s installation for The Future Perfect recalls the pre-internet days of IRL antique hunting

Studio Ahead, led by curators Homan Rajai and Elena Dendiberia, has created an installation for The Future Perfect titled 'The Houses Are Haunted by White Night-Gowns,' running as a satellite to the 12th edition of FOG Design+Art in San Francisco through January 25, 2026. The show features 13 designers who each produced unique bowls, displayed on a stacked arrangement of vintage furniture sourced from Berkeley-based Mid Century Møbler and San Francisco's C. Mariani Antiques, blending Scandinavian design from the 1940s–1970s with 17th–19th century antiques.

Routed West: Twentieth-Century African American Quilts in California

The exhibition 'Routed West: Twentieth-Century African American Quilts in California' will run from September 18, 2026, to January 17, 2027, at BAMPFA. It traces the flow and flourishing of quilts during the Second Great Migration (1940–1970), when approximately five million African Americans moved from the rural South to the North and West, with hundreds of thousands arriving in California carrying quilts as containers of ancestral memory and cultural survival. The show features more than 80 artworks organized across several themes, highlighting repurposed work clothes, improvisational piecing, and pattern-based quilting by migrants from Arkansas, Louisiana, Mississippi, Oklahoma, and Texas. Works by contemporary artists show how these traditions remain alive today.

The Phoenix and Hesterly Black galleries host art openings Jan. 16 & 23

The Phoenix Gallery and Music Hall in Burlington, Vermont, will host the exhibition “Sensual Turns” opening January 23, with a reception from 6 to 8 p.m. The show features new work by guest curator and featured artist Elizabeth Powell, alongside pieces by artists Jenny Kemp and Bonnie Morano. Powell, a painter and printmaker, holds an MA and MFA from the University of Iowa and has exhibited at Kishka Gallery and Hexum Gallery. Morano, based in Brooklyn, earned an MFA from Hunter College and has been selected for the XL Catlin Artist Prize. Kemp, a 2015 NYFA Fellowship recipient, has shown work nationally and internationally.

Why is the French government spending millions on art no one sees?

The French government agency Centre national des arts plastiques (CNAP), established in 1982 to support living artists and collect their work, has come under scrutiny following two opposing government reports. A July white paper by Martin Bethenod recommended refocusing CNAP's acquisitions on France-based artists and galleries, while a November report from the Cour des Comptes by Julien Aubert found the agency financially fragile and redundant, noting that 24,472 works—one quarter of its collection—have never been exhibited. Aubert recommended closing the CNAP by 2030, sparking backlash from over 1,000 art professionals who signed an open letter criticizing the ideological attack on public cultural service.

Flowers laid after Bondi terror attack will form new work of art at Sydney Jewish Museum

Floral tributes left at Bondi Beach after a deadly terrorist attack on a Hanukkah celebration in December 2024 have been collected and will be transformed into an art installation at the Sydney Jewish Museum. Jewish Australian artist Nina Sanadze, born in Georgia and based in Melbourne, is working with volunteers to dry and process the flowers in a Sydney warehouse, experimenting with resin, bronze casting, and composted materials to create a work that may depict beachgoers fleeing the attack. The museum, currently closed for redevelopment, plans to feature the installation in a special exhibition when it reopens in 2027.

Buena Vista Artist Family Prominently Featured in Denver-Area Art Exhibition

Buena Vista area artists Bob Gray and his daughter Jamie Gray have been selected for the upcoming exhibition "Family Ties: Continuing the Creative Legacy" at the Arvada Center Galleries in metro Denver, running from January 15 to March 26, 2026. They are one of two local families featured, alongside the Strawn family (Ben, Daniel, and their late parents Bernice and Mel). The show includes twenty creative families, highlighting how artistic identity is shaped within family contexts. Both Grays work with wood: Bob creates turned-aspen vessels inspired by local landscapes, while Jamie produces abstract wall sculptures using beeswax, pigment, and hand-carved lines.

CAM Perennial Artists Selected for 2026 Exhibition in San Antonio

Contemporary Art Month (CAM) has announced the eight artists selected for its flagship CAM Perennial exhibition in March 2026. The artists are Eva Gabriella Flynn (Las Cruces, NM), Brenda Melgoza Ciardiello (Fort Worth), Tina Linville (Waco), Adrienne Simmons (Houston), Jesselyn Gordon and Daniela Oliver de Portillo (San Antonio), and Yuliya Lanina and Matt Rebholz (Austin). In celebration of its 40th anniversary, CAM invited past Perennial curators to nominate artists from their regions. CAM board members Casie Lomeli and Leslie Moody Castro selected the finalists and will co-curate the exhibition across five San Antonio venues: Casa Pink, Outrider Gallery, Rojo Gallery, Sala Diaz, and Un Grito Gallery.

Miami Advice: Nina Surel on the historic Villa Paula and its future

Nina Surel, a Buenos Aires-born, Miami-based artist and founder of Collective 62, discusses the historic Villa Paula in Miami's Little Haiti neighborhood. Originally built in the late 19th century for Cuban consul Domingo Milord and his wife Paula, the Neo-Classical villa features imported Cuban materials, Tuscan columns, and hand-painted ceramic tiles. After years of disrepair, a civic-minded landlord transformed it into a cultural venue now hosting the design gallery the Future Perfect, with works by artists including Autumn Casey and Faye Toogood during Miami Art Week. Surel highlights the building's layered history, ghost stories, and its significance as a misplaced architectural gem.

Art Basel Miami Beach, Louvre crisis deepens, Helene Schjerfbeck—podcast

This episode of The Art Newspaper's 'The Week in Art' podcast covers three major stories. Ben Sutton and Kabir Jhala report from Art Basel Miami Beach, discussing top sales and the overall mood at the fair. Ben Luke speaks with Paris correspondent Vincent Noce about the deepening crisis at the Musée du Louvre following a staff strike and a recent robbery, as the museum plans to raise ticket prices for non-EU visitors by 45%. The episode also features a 'Work of the Week' segment on Helene Schjerfbeck's painting 'The Tapestry' (1914-16), with curator Dita Amory discussing the work ahead of a new exhibition at the Metropolitan Museum of Art.

Florida’s Indigenous Artists Take Center Stage at Miami Art Week

Two Florida museums, HistoryMiami Museum and the Ah-Tah-Thi-Ki Museum, have organized an exhibition titled "Yakne Seminoli" ("Seminole World") for Miami Art Week, featuring works by over 25 Seminole artists. The show spans traditional crafts like beadwork and basketry alongside contemporary media including painting, photography, and AI-generated art, aiming to highlight Seminole creativity and resilience. It includes pieces by the late Jimmy Osceola, Gordon O. Wareham, and Hali Garcia, among others.

Art Alum Returns to Wilmington for Solo Exhibit

Meredith Connelly, a 2011 alumna of UNC Wilmington, has returned to the city to install her first solo exhibition at the Cameron Art Museum. Titled "Nested: Where Light Gathers and Nature Holds," the outdoor installation features glowing, cup-shaped nests built from reusable plastics and other unconventional materials, creating a warmly lit nature stroll for nighttime visitors. Connelly, now a multidisciplinary artist based in Charlotte, worked with UNCW students on the installation and reflects on how natural intelligence and human observation shape our built environment.

Climate report from Getty’s PST Art programme urges cultural organisations to confront exhibitions’ impacts

The Getty has released a comprehensive climate impact assessment of its PST Art initiative, titled Art & Science Collide (2024-25), based on its inaugural Climate Impact Program (CIP). Developed with climate adviser Laura Lupton and artist Debra Scacco, the program provided webinars, guidance, and networking to participating institutions, with over two-thirds completing a climate impact report. Key findings show that air travel and air freight of art are the most carbon-intensive activities, and shifting to sea freight could reduce total emissions by 18%. Many institutions reduced waste through simple, low-cost changes, with some committing to permanent sustainability practices.