The New York Times profiles Kenyan British painter Michael Armitage, who is currently exhibiting his paintings and studies in Venice. The article explores his artistic practice, his deep connection to his Kenyan roots, and his recent relocation to Indonesia, which has influenced his work and perspective.
The New York Times Art section announced the winner of a competition to design a public restroom at the historic Gropius House in Lincoln, Massachusetts. The winning design, dubbed the 'Bauhaus Bathroom,' was created by a professor whose identity has not been disclosed in the provided text. The competition aimed to add a functional, contemporary restroom that respects the iconic Bauhaus architecture of the house, which was designed by Walter Gropius in 1938.
Stephanie Chernikowski, a photographer who documented the raw energy of New York City's punk scene in the 1970s, has died at age 84. She captured iconic images of bands like the Ramones, Blondie, and the Patti Smith Group performing at legendary clubs such as CBGB, preserving the "rough magic" of that era.
Koyo Kouoh, the curator of the Venice Biennale’s centerpiece exhibition, died suddenly of cancer at age 57, just months into her tenure. She left behind a detailed plan for the exhibition, which her assistants are now working to realize in her absence.
The Independent art fair in New York is featuring a significant presentation of designs by Rei Kawakubo and her label Comme des Garçons. The works, which include garments and sculptural objects, are being presented as a curated exhibition within the fair, challenging traditional art fair categories.
The Haas Brothers, twin artists Simon Haas and Nikolai Haas, are the subject of a midcareer survey exhibition that is currently touring the United States. The show highlights their whimsical, colorful, and often functional sculptures and furniture pieces that blend craft, design, and fine art.
Artist Jan Tichy has created a new exhibition that explores the consequences of light pollution and the disappearance of natural darkness. The project, titled "Without Darkness, Who Are We?", involved extensive research and collaboration with scientists including entomologists and neurobiologists to understand the ecological and psychological impacts of artificial light.
Los Angeles-based artist Sandy Rodriguez is profiled for her multifaceted practice that extends far beyond traditional painting. Her work involves deep research into art history, botany, and indigenous materials, positioning her as a scientist, historian, and alchemist as much as a painter.
Milan Design Week is showcasing a significant trend of reviving mid-century furniture classics, featuring prominent reissues such as a 1950s table by Carlo Mollino and a 1960s lamp by Carlo Nason. These historical designs are being reintroduced to contemporary audiences through the annual festival, highlighting a bridge between mid-century aesthetics and modern production.
Paul Waldman, a multifaceted artist known for his transgressive paintings and unique architectural birdhouses, has died at the age of 89. After overcoming childhood dyslexia and a stint as a competitive bodybuilder, Waldman established a significant career in the New York art scene, characterized by his meticulous technique and a fascination with the human form and avian structures.
Pedro Friedeberg, the Mexican surrealist artist and designer, has died at age 90. He was best known for his iconic "Hand Chair," a functional sculpture shaped like a hand that became a symbol of 1960s and '70s pop culture and design, as well as for his intricate, fantastical paintings of impossible architectures.
Swedish artist Lap-See Lam has opened her first solo exhibition in Asia at the Tai Kwun Contemporary in Hong Kong. The show, titled "The Dream of the Lion's Way," features her signature multimedia installations, including video, sculpture, and sound, which weave together Cantonese opera, family narratives, and 3D-scanned environments of Chinese restaurants in Sweden.
The New York Times has traced the whereabouts of a distinctive blue-and-white vase featured in the 1958 film 'Bonjour Tristesse,' directed by Otto Preminger. The vase, which played a prominent role in the film's set design, was discovered to be a piece by French ceramicist Georges Jouve and had been quietly residing in a private Los Angeles collection for decades.
A New York Times article examines the complex relationship between artist Andrea Fraser's career and her mother's unfulfilled artistic ambitions. It details how Fraser's mother, a talented painter, largely abandoned her own practice to support her daughter's education and early career, a sacrifice that Fraser has grappled with both personally and within her institutional critique-focused artwork.
Jewellers are creating a new wave of sculptural, nature-themed pieces inspired by the surrealist artist Salvador Dalí. These dreamlike works draw on Dalí's iconic motifs—melting clocks, fantastical creatures, and organic forms—reimagined in precious metals and gemstones by contemporary designers and luxury houses.
Izabella Scott's book *The Bed Trick* examines a British rape case in which Gayle Newland was convicted for pretending to be a man named Kai during a two-year relationship with a woman identified as Miss X. Drawing on court transcripts, Scott explores the legal concept of 'fraud vitiates consent' and traces the historical bed-trick trope from medieval folktales to *The Rocky Horror Picture Show*, questioning how much deception invalidates sexual consent.
Miet Warlop, the artist representing Belgium at the 61st Venice Biennale (2026), discusses her plans for the Belgian Pavilion in the Giardini in an interview with ArtReview. Her installation, inspired by the Belgian motto 'L'union fait la force' ('unity makes strength'), aims to create a space between a workspace, exhibition, and performance that brings people together in introspection. She cites time spent with Venice's artistic communities, including students at the Accademia, as influential, and notes that her work engages with the Biennale's theme 'In Minor Keys' by incorporating minor-key music to evoke nuanced, introspective emotions.
Gabrielle Goliath, a South African artist, created the performance work "Elegy" in 2015 after hearing a father mourn his daughter, Ipeleng Christine Moholane, who was raped and murdered. The piece features seven operatic women sustaining a single note in relay for an hour, evolving over a decade into a series of iterations that address systemic violence and grief. In January 2026, South Africa's Minister of Sport, Arts and Culture, Gayton McKenzie, cancelled Goliath's presentation of the latest version of "Elegy" at the 61st Venice Biennale, which was to include tributes to victims in South Africa, Namibia, and Gaza, including journalist Hiba Abu Nada. Goliath refused to alter the work, took legal action, and will now show it independently at the Chiesa di Sant'Antonin in Venice, while the official South African Pavilion will remain empty for the first time since 2011.
Margaret Whyte, an artist from Uruguay, is set to represent her country at the 61st Venice Biennale in 2026, with her pavilion located in the Giardini. In an interview with ArtReview, Whyte discusses her exhibition, which builds on her earlier show "Tiempo de Escuchar" at the National Museum of Visual Arts in Uruguay, curated by Patricia Bentancur. Her work is inspired by Nassim N. Taleb's book "Antifragile" (2012), exploring themes of chaos, uncertainty, and resilience. She sees her antifragile approach as complementary to the Biennale's theme, "In Minor Keys," curated by Koyo Kouoh, emphasizing emotional depth, silence, and healing.
Artist Andreas Angelidakis will represent Greece at the 61st Venice Biennale in 2026 with a project titled 'Escape Room'. He plans to split the Greek Pavilion in two, referencing the National Schism in Greek history, and will create an immersive experience that explores the building's dual identities as a national symbol and an exhibition space, set to the soundtrack of Frankie Goes to Hollywood's 'Relax'.
The Ventura County arts community is launching a series of local exhibitions and theater productions for the week of April 9, 2026. Highlights include the opening of the political comedy "The Outsider" at the Santa Paula Theater Center and the "Rediscovering" exhibition at Fox Fine Jewelry featuring Lisa Sachs and Thomas Hoerber. Additionally, the Camarillo Art Center is hosting a themed exhibition titled "I dream my paintings, then I paint my dream," alongside various technical workshops in watercolor and gourd art.
New York-based arts nonprofit A Blade of Grass (ABoG) has announced the three members of its 2026 In Fellowship cohort: Emily Johnson / Catalyst, The Projects/Space, and UNDOC+Collective. Each fellow receives $25,000 in support and a $25,000 honorarium for their socially engaged practices. The fellowship, established in 2025, focuses this year on gathering as a form of movement building and resource distribution.
A roundup of art exhibitions opening in May and June 2026 across Dayton and Cincinnati, Ohio, highlights solo shows by Teresa Olavarria, Tony Foster, Nathan Foley, Mina Kim, and Eunshin Khang, along with group exhibitions including SOS ART 2026, 'Voices of Kenya: Social and Cultural Reflections,' and 'Elizabeth Hawes: Radical American Fashion.' Venues include The Contemporary Dayton, The Dayton Art Institute, Rosewood Arts Center, the Art Academy of Cincinnati, and Kennedy Heights Arts Center.
In una mostra a Roma la natura partecipa alla creazione delle opere
Artist Pietro Pasolini presents his latest body of work, "Ossigrafie," in the solo exhibition "Il tempo inciso" at Galleria Valentina Bonomo in Rome. Moving away from his origins as a travel photojournalist, Pasolini has developed a sustainable, experimental technique that utilizes metal plates—specifically brass and copper—interacted with by natural elements like palm leaves, vines, water, and fire. These works require months to complete, as the artist allows the natural world to act as a co-creator, moving away from the environmentally harmful chemicals associated with traditional darkroom photography.
Tutta la poesia del cielo in mostra nel grand hotel di Roma per ricordarci la nostra stessa complessità
Artist Giovanni Ozzola has opened a solo exhibition titled 'Il Cielo Dentro' (The Sky Within) at the Galleria Continua's space within The St. Regis hotel in Rome. The show features works centered on the sky as a metaphor for the vastness both outside and within the human experience, exploring the tension between internal and external horizons through light and abandoned architectural spaces like bunkers.
Lynda Roscoe Hartigan has been appointed as the new director of the Smithsonian American Art Museum. She is a former chief curator of the museum and most recently served as executive director of the Peabody Essex Museum in Salem, Massachusetts.
The rise of the 'one-work exhibition' is transforming how audiences engage with art, shifting the focus from the rapid consumption of numerous objects to a singular, immersive spatial experience. By isolating a single masterpiece or installation, institutions are creating environments that demand 'slow looking' and provide a meditative counterpoint to the overwhelming speed of digital and contemporary visual culture.
第10回マックスマーラ・アート・プライズ・フォー・ウィメン
The 10th Max Mara Art Prize for Women has been awarded to Indonesian artist Dian Suci, marking the first time the prize has been held in Asia. Suci was selected from five finalists for her project "Crafting Spirit: Cultural Dialogues in Heritage and Practice," which examines the intersection of religious craftsmanship traditions and capitalist systems. The prize is organized in partnership with the Museum MACAN in Jakarta. Suci will undertake a six-month residency in Italy, followed by solo exhibitions in 2027 at both Museum MACAN and Collezione Maramotti in Reggio Emilia.
Art21 successfully concluded its Fall 2025 festival season, with its films being screened at multiple international festivals including Artecinema in Italy, Bushwick Film Festival in New York, and others in Massachusetts, New Mexico, and North Carolina. The organization also participated as a sponsor and panelist at DOC NYC, and several of its recent films featuring artists like Sophie Calle, Dyani White Hawk, and Guadalupe Maravilla received recognition.
The Art Gallery of Nova Scotia (AGNS) has opened "On the Matter of Memory: The Drawings of Harold Cromwell," the first solo exhibition dedicated to the late African Nova Scotian folk artist. Cromwell (1919–2008) created intricate ballpoint-pen drawings on everyday surfaces like cupboard doors and paper plates, chronicling working-class rural life. His works were sold for a few dollars at the Annapolis Farmer’s Market and were largely overlooked during his lifetime, despite his regional popularity. The exhibition runs until September 13, 2026, and aims to elevate his legacy alongside better-known Nova Scotian folk artists like Maud Lewis.