Wet Paint Does Frieze Week: The Dinosaur Dealer Downtown, David Zwirner Tribeca, and More Juicy Art-World Gossip

Artnet News' gossip column 'Wet Paint' covers the opening week of Frieze New York, beginning with the group show 'Statics of an Egg' at David Zwirner's newly renamed Tribeca gallery (formerly 52 Walker). Curated by Martin Germann, the exhibition features Japanese artists gathered by Yu Nishimura and Kenji Ide, with Nishimura's painting 'in waiting' highlighted. The column also reports on a private party at the River art-world hangout and a visit to Amanita gallery for 'A Land Before Time: Three Dinosaurs and a Gondola,' which includes a John Chamberlain sculpture. Notable attendees include artists Sasha Gordon, Olivia van Kuiken, Calvin Marcus, and Josh Smith, as well as dealers Marlene Zwirner and Matthew Brown.

At the Venice Biennale, the Thrill of Victory, the Agony of Defeat

The article reports on the opening of the 61st Venice Biennale, highlighting the central exhibition "In Minor Keys" conceived by the late Koyo Kouoh, along with national pavilions and collateral events. It notes standout contributions from artists such as Alvaro Barrington, Kaloki Nyamai, Florentina Holzinger, Ei Arakawa-Nash, Li Yi-Fan, and Dries Verhoeven, while describing the American pavilion as lackluster and the overall commercial offerings as uneven. The text also covers performances and exhibitions featuring nudity and body horror, including Tino Sehgal's "The Kiss" and Maja Malou Lyse's video with the collective DIS.

Rothko from Robert Mnuchin’s Estate Sells for $85.8 M., Leading Sotheby’s New York’s $433.1 M. Contemporary Art Sale

Sotheby’s New York held a $433.1 million modern and contemporary art sale at its Madison Avenue headquarters, led by Mark Rothko’s *Brown and Blacks in Reds* (1957), which sold for $85.8 million. The auction opened with 11 works from the estate of legendary dealer Robert Mnuchin, totaling $166.3 million, including a second Rothko and pieces by Willem de Kooning, Franz Kline, and Pablo Picasso. The contemporary art segment followed, with Jean-Michel Basquiat’s *Museum Security (Broadway Meltdown)* (1983) selling for $52.7 million. The overall sale was described by advisers as robust but not particularly exciting, and it significantly exceeded the $186.1 million equivalent sale from last year.

In Giverny, Monet does not benefit everyone

À Giverny, Monet ne profite pas à tout le monde

The article examines the economic paradox of Giverny, the French village where Claude Monet lived and painted. While Monet's gardens attract nearly one million visitors annually—with ticket sales estimated at €9-10 million—the village itself, with a population of just 430 and an annual budget of €600,000, sees almost none of that revenue. Visitors flood in for half-day trips, queue for hours to see the gardens, and leave by evening, spending little in local shops. The gardens, run by the Académie des beaux-arts, are tax-exempt and operate as a closed economic loop, with their boutique and restaurant generating income that stays within the institution.

The Best Booths at 1-54 Contemporary African Art Fair, From Surrealist Fantasias to Afro-Brazilian Imaginings

The 1-54 Contemporary African Art Fair has returned to the Starrett-Lehigh Building in Chelsea, New York, featuring over 20 galleries from Africa and the diaspora, with a special focus on Brazil and Afro-Brazilian perspectives. The fair, running through Sunday, includes first-time participants from Lagos, São Paulo, Nassau, and New York, and highlights five standout booths: Sulette van der Merwe's surrealist paintings at Blond Contemporary, Modou Dieng Yacine's Senegalese wrestler-inspired works at 193 Gallery, Ekene Ijeoma's Black Forest Library community project, Rommulo Vieira Conceição's aluminum works at Aura, and the curated section "Brazil Beyond Brazil" featuring 10 artists selected by Igor Simões.

Zurbarán: a ‘magnificently choreographed’ showing of the Spanish ‘genius’

The article reviews the first-ever British exhibition dedicated to Spanish Baroque painter Francisco de Zurbarán, held at the National Gallery in London. The show brings together 40 works from collections spanning Seville to San Diego, featuring his hyper-real religious paintings and radiant still lifes, described as a 'magnificently choreographed' trawl through his oeuvre. Critics praise the exhibition for its dramatic lighting and revelatory presentation, though some note uneven quality in his later works.

The Joy of Discovery at 1-54 Art Fair

The 1-54 Contemporary African Art Fair, now open at the Starrett-Lehigh Building in Manhattan, presents a smaller edition than previous years but continues to offer unexpected, tactile works. Highlights include Rommulo Vieira Conceição's Pop-art-inspired wall installation at Aura gallery, Kendra Frorup's mixed-media piece at the Current: Baha Mar Gallery, and Eymric Moderne's gold-leaf and glass bird painting at TM Arthouse. The fair also features posthumous works by Marcel Gotène at Loeve and Co and Sophia Bounou's enigmatic paintings at Blond Contemporary.

Dans les ateliers de la Maison du vitrail, où création et restauration conjuguent au présent cet art du verre et de la couleur

The article visits the Maison du vitrail, a French stained-glass workshop founded in 1973 by Christiane and Philippe Andrieux and now run by their daughter Emmanuelle. Located in a historic courtyard, the studio employs fourteen artisans who cut, paint, and assemble colored glass for both restoration and original creations. The workshop has evolved from a small space in Châtillon to a thriving enterprise that handles everything from church windows and Parisian staircases to trophies, jewelry, and commercial projects for clients like Truffaut and the Casino de Paris.

Finding art in the uncanny aesthetics of MAGA

Spielzeug gallery, founded in 2025 in Bushwick by Evan Karas and Eleanor Hicks, opened a pop-up show titled MAR-A-LAGO FACE on May 13 at a former restaurant on Allen Street in New York. The exhibition critiques the plastic-surgery aesthetics associated with Republican figures like Matt Gaetz, Laura Loomer, Kimberly Guilfoyle, and Kristi Noem, featuring works by queer, trans, and Latin American artists. The opening blurred the line between exhibition and party, with a DJ, themed drinks, and a bouncer checking bags.

The painter who pulls light from the darkness

Toronto-based artist Laura Findlay presents *Night Vision*, a solo exhibition at Glenhyrst Art Gallery in Brantford, Ontario, featuring ethereal oil paintings of nocturnal garden scenes. Using an Old Masters subtractive technique, Findlay applies dark glazes and wipes away pigment to create luminous images of birds, blooms, and bats that appear to emerge from darkness. The show runs through the spring of 2026.

Eiteljorg Museum showcases Latin American printmakers’ artistic traditions

The Eiteljorg Museum in Indianapolis will open a new exhibition, “Consejo Grafico Nacional: Latino Printmakers in the United States,” on May 30. The show features two printmaking portfolios created by Latin American artists from Chicago, California, New York, Texas, and Puerto Rico: “La Huella Magistral,” which pays homage to master printmakers, and “Los Americanos: Same Equals Different,” which explores cultural exchanges across the U.S.-Mexico border. The opening includes a free tour led by Sandra Fernandez, director of the Consejo Grafico Nacional, and a printmaking demonstration by artist Andy Arana Gomez.