It's Time to Give Annibale Carracci Some of Rembrandt's Spotlight

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This article advocates for a critical re-evaluation of the Italian Baroque painter Annibale Carracci, arguing that his historical significance and artistic influence rival that of the more widely celebrated Rembrandt van Rijn. While Rembrandt has dominated recent museum headlines and auction records, the author highlights Carracci’s foundational role in establishing the Accademia degli Incamminati in Bologna, which revolutionized art education by prioritizing life drawing and elevating the social status of artists from mere craftsmen to intellectual creators.

From hard borders to soft power: how did the art world fare in 2025?

The article surveys the art world's turbulent 2025, beginning with devastating Los Angeles wildfires that destroyed artworks and the political shockwaves of Donald Trump's re-election. Trump's administration targeted the National Portrait Gallery, whose director Kim Sajet resigned after threats of firing, while immigration crackdowns, tariffs on art imports, and attacks on diversity initiatives chilled the art community. The year also saw Venice residents protest Jeff Bezos's lavish wedding, Trump's gilded Oval Office renovations, and a major Veronese exhibition at the Prado that drew parallels between historical extravagance and decline.

At 90, Printmaker Mohammad Omer Khalil Gets His Due

Mohammad Omer Khalil, the 90-year-old Sudanese-born printmaker based in New York, is the subject of a multi-city retrospective titled "Common Ground." The anchor exhibition runs through May 31 at the Blackburn Study Center in Manhattan, with satellite events at venues including Twelve Gates Arts in Philadelphia, the Arab American National Museum in Michigan, the New York Public Library, and Anthology Film Archives. Curated by Amina Ahmed and Jenna Hamed, the show spans Khalil's entire career, from his first etching made in Florence in 1964 to large-scale works inspired by Bob Dylan songs, poetry by Adonis, and films such as "The Chalk Garden."

Two Bouchers for the Prado

Deux Boucher pour le Prado

The Museo del Prado in Madrid has acquired two significant early pendant paintings by François Boucher, titled 'La Naissance et La Mort d'Adonis.' The works were purchased from a French private collection through the Madrid gallery Ana Chiclana, using funds from the bequest of the late department head Juan José Luna. The paintings have been restored and are currently on public display in the Goya's Majas room, awaiting the reopening of the museum's renovated 18th-century galleries.

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The Aichi Triennale in Japan has become embroiled in controversy over the Aichi-Israel Matching Program, a business initiative linking local companies with Israeli startups. Protesters, including several participating artists, have signed an open letter demanding the program's cancellation, accusing it of normalizing alleged human rights abuses. The triennial's curator, Hoor Al-Qasimi, has publicly criticized Israel's military actions in Gaza, and one organizing committee member, Hideyuki Tomita, has resigned amid the backlash.

Art Museum Launches Fall 2025 Season With Dynamic, Interdisciplinary Exhibitions

The Syracuse University Art Museum will launch its Fall 2025 season on August 26 with four new exhibitions. Highlights include 'What If I Try This?', a survey of Helen Frankenthaler's printmaking career curated by Melissa Yuen, featuring loans from multiple institutions and a gift from the Helen Frankenthaler Foundation. Other exhibitions include Kevin Adonis Browne's multimedia installation 'A Sense of Arrival' on Caribbean blackness, and 'Human/Environment: 4,000 Years of Art', a permanent collection show exploring human-environment relationships. An opening reception on September 11 will feature a talk by Stanford professor Alexander Nemerov.

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A federal judge dismissed a class action lawsuit against Yuga Labs, the company behind the Bored Ape Yacht Club NFT collection, ruling that its digital assets—including Bored Ape NFTs and ApeCoin—do not qualify as securities under the Howey test. Plaintiffs Adonis Real and Adam Titcher had alleged that Yuga Labs colluded with celebrities like Justin Bieber, Madonna, and Steph Curry, as well as talent agent Guy Oseary and crypto platform MoonPay, to inflate prices and violate securities laws. Judge Fernando Olguin found that while the plaintiffs satisfied one prong of the Howey test—expectation of profits from others' efforts—they failed to meet the other requirements, leading to the dismissal.

Aichi Triennale confronts war, memory and environmental collapse

The sixth edition of the Aichi Triennale, titled "A Time Between Ashes and Roses," opened in Japan in September and runs until 30 November. Curated by Hoor Al Qasimi, the first non-Japanese artistic director of the triennial, the exhibition confronts themes of war, displacement, memory, and environmental collapse. Works include Kubo Hiroko's tapestry marking the 80th anniversary of the Hiroshima atomic bombing and a video installation by Palestinian duo Basel Abbas and Ruanne Abou-Rahme. Al Qasimi explicitly linked the triennial to the situation in Gaza, stating, "Free Palestine," during a press conference. Controversy erupted over the Aichi-Israel Matching Program, a separate prefectural initiative pairing Israeli startups with local companies, leading to protests and the resignation of vice chairman Hideyuki Tomita from the organizing committee.

The sixth Aichi Triennale seeks to encompass destruction and renewal

The sixth edition of the Aichi Triennale, Japan's largest recurring contemporary art exhibition, opens under the title "A Time Between Ashes and Roses," featuring around 60 artists from 22 countries across venues in Nagoya. Artistic director Hoor Al Qasimi, president of the Sharjah Art Foundation, has curated a program that addresses themes of destruction and renewal, drawing on a poem by Syrian poet Adonis written after the 1967 Six-Day War. The exhibition references both the ongoing conflict in Gaza and the 80th anniversary of the atomic bombings of Hiroshima and Nagasaki, with participating artists including John Akomfrah, Simone Leigh, Wangechi Mutu, Michael Rakowitz, and Hiroshi Sugimoto.

The Cost of Love: Rugby Art Museum and Gallery presents joint exhibition by artists Charlie Kirkham and Robert Walker

Artists Charlie Kirkham and Robert Walker are set to debut a joint exhibition titled "The Cost of Love" at the Rugby Art Gallery and Museum this May. The showcase features contemporary paintings that reimagine classical mythological figures—such as Narcissus, Apollo, and Adonis—to explore psychological themes of desire, transformation, and vulnerability. While both artists maintain a focus on technical rigor and the human figure, the works shift away from traditional storytelling to focus on the emotional tensions of modern life.