rosemarie trockel curious weird spruth magers gladstone

Rosemarie Trockel, the elusive German artist known for her wildly varied and conceptually challenging work, is the subject of a rare profile in ARTnews. The article traces her emergence from the 1980s Cologne art scene, where she became notorious for refusing interviews and producing art that defies easy categorization—spanning knitting machines, video, sculpture, and drawing. A key photograph from her teenage years, showing her in a room plastered with celebrity cutouts, is presented as a rare origin story, though its authenticity is left ambiguous. The piece highlights her declared constants of "woman, inconsistency, reaction to fashionable trends" and her insistence that art should remain a process of discovery rather than a vehicle for fixed meaning.

Lost ‘cloud’ of artist who wrapped the Reichstag to be created in UK gallery

Six years after Christo's death, Gagosian London will realize a monumental installation he designed in 1968 titled "Air Package on a Ceiling," originally conceived for the Institute of Contemporary Art in Philadelphia but never built due to technical constraints. The plans and a detailed scale model were discovered by studio manager Lorenza Giovanelli in 2018, hidden inside a hollow plinth in Christo's studio. The work, a vast internally illuminated suspended form resembling a cloud, will fill a 16-meter-long, 10-meter-wide space at Gagosian London, descending just above head height, in collaboration with the Christo and Jeanne-Claude Foundation.

art nouveau renaissance mucha jugendstil paris metro

The article recounts the author's personal rediscovery of Art Nouveau, sparked by encountering an iron doorknob shaped like a Belgian endive at the Bröhan Museum in Berlin. It explores the movement's history, its German variant Jugendstil, and the philosophical debate between Walter Benjamin and Theodor Adorno over its merits—Benjamin criticizing it as a superficial escape from industrial reality, Adorno defending its utopian desire to reconcile art, nature, and technology. The piece also notes a contemporary resurgence of interest in the style.

Fever Pitch: On Bourgeois Coldness by Henrike Kohpeiß

The article is a critical essay analyzing Henrike Kohpeiß's new book, 'Bourgeois Coldness,' which examines the concept of coldness as an affective strategy of the bourgeois subject. Kohpeiß traces this subjectivity from its mythological roots in Homer's Odyssey to its modern manifestations, arguing that it is forged in and sustained by structures of racial exploitation and colonial power, despite claims of abolition.

Maurizio Cattelan’s Gold Toilet Returns to Market at Sotheby’s This November

Sotheby's has announced that an edition of Maurizio Cattelan's gold toilet sculpture "America" (2016) will be auctioned in its The Now & Contemporary Evening Auction on November 18, 2025, with a starting bid of approximately $10 million based on its 101.2-kilogram weight in gold. The work first gained fame at the Solomon R. Guggenheim Museum in New York in 2009, where over 100,000 visitors used it, and later made headlines when it was stolen from Blenheim Palace in a raid that caused structural damage and flooding. The stolen piece was never recovered and is presumed melted down, making this edition the only one in existence.

kamala culture failure

Ben Davis, an art critic, analyzes the failure of Kamala Harris's 2024 presidential campaign through the lens of its visual culture, particularly a MoveOn.org poster in Brooklyn that renders Harris's face entirely from emojis—smiley eyes, fist-bump skin, octopus lips, and coconut necklace. He argues this poster epitomizes the campaign's reliance on incoherent internet vibes and substance-free memes, contrasting it with Shepard Fairey's uninspired "FORWARD" poster and the self-parody of "Brat Summer" aesthetics. Davis blames Democratic Party consultants for wasting over $1 billion on a campaign that failed to connect with voters on economic anger, instead offering wonkish proposals and appeals to nonexistent Liz Cheney Republicans.

ART CRITICISM: CLARITY OR MORAL AUTHORITARIANISM?

CRÍTICA DE ARTE: ¿CLARIDAD O AUTORITARISMO MORAL?

The article is a critical essay examining the state of contemporary art production in Mexico, arguing it has become a privatized field designed to please wealthy elites and foreign collectors. It contends that art has shifted from being partly publicly funded to being driven by the market and private initiative, leading to a culture of self-censorship, precarity, and a desperate ambition for visibility and sales.

Alexander Kluge, filmmaker, writer, philosopher, 1932–2026

Alexander Kluge, the influential German filmmaker, writer, and philosopher, has died at the age of 94. A key figure in the New German Cinema movement and a major intellectual heir to the Frankfurt School, Kluge's career spanned law, film, television production, and literature, leaving a significant mark on postwar German culture.

Jürgen Habermas, philosopher famed for and within the public sphere, 1929–2026

Jürgen Habermas, philosopher famed for and within the public sphere, 1929–2026

Jürgen Habermas, the highly influential German philosopher, has died at the age of 96. A key figure of the Frankfurt School, his work on communication, rationality, and the public sphere extended far beyond academia, making him a prominent public intellectual who frequently commented on contemporary politics.

Marco Island Center for the Arts and Miami museum exchange exhibitions that feature Latinx art and artists

The Marco Island Center for the Arts and the Miami Museum of Contemporary Art of the Americas (MoCAA) are exchanging exhibitions focused on Latinx art and artists. The Marco Island Center is currently hosting works by 15 contemporary artists from Latin America and the Caribbean, including Ivonne Ferrer, Ruben Torres Llorca, and Luis Cruz Azaceta, on view through July 1. In exchange, MoCAA will present "Marco to Miami" from June 20 to July 20, featuring 14 artists from Collier County.

'Intellectual Structures: Trigger, Judgment, and Decision' at Each Modern, Taipei, Taiwan on 25 Apr–6 Jun 2026

The group exhibition 'Intellectual Structures: Trigger, Judgment, and Decision' at Each Modern in Taipei explores the cognitive processes behind artistic creation. Featuring works by DAZHI, Ding Hongdan, Jing Ao, Liang Yuanwei, Wenjue, and Xu Qu, the show examines how human thought remains distinct from artificial intelligence by focusing on the 'neural algorithms' of the brain. The curatorial framework breaks down the creative act into three stages: the initial sensory trigger, the critical judgment between experience and transcendence, and the final decision that collapses multiple possibilities into a singular work.

Cannes 2026 Dispatch, Part 1: Breaking False Unities

On May 8, during the pre-opening of the Venice Biennale, the independent collective ANGA (Art Not Genocide Alliance) organized a strike protesting genocide and precarity in the art world. Pro-Palestinian activists entered the Arsenale, where part of the exhibition "In Minor Keys" curated by the late Koyo Kouoh was installed, and hung posters on artworks calling for the liberation of Palestine and denouncing what they described as the Biennale's "art-washing" of Israel's reputation. The disruption blurred the line between activist intervention and the exhibition itself, as many works already addressed Palestine directly, including a poem by Refaat Alareer placed at the entrance.