The estate of movie poster artist John Alvin is seeking a single buyer for his entire archive of over 1,000 pieces, including original posters, sketches, and illustrations from the 1970s through the 1990s. The collection, stewarded by his widow Andrea Alvin since his death in 2008, features iconic work for films like E.T., The Lion King, and Blade Runner.
Southwest Florida museums, from Sarasota to Naples, present a robust July lineup: two exhibitions open, one closes, and 24 continue. Highlights include Chris Friday's first solo museum show "Where We Never Grow Old" at Sarasota Art Museum, featuring large-scale chalk drawings and a site-specific installation exploring safe havens. Other notable shows include "Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press," with works by Martin Puryear and Kerry James Marshall; Jillian Mayer's interactive sculpture series "Slumpies"; Lillian Blades' immersive mixed-media maze "Through the Veil"; and Molly Hatch's site-specific ceramic installation "Amalgam" (2023-24). The Ringling Museum also highlights a newly acquired painting by Juana Romani.
In 1968, Vermeer's painting *Young Woman Seated at a Virginal* (1670-72) was vandalized at the National Gallery in London. An unidentified attacker used a sharp instrument, likely a razor blade, to cut around the woman's head, attempting to remove it entirely. The damage was discovered hours later by a visitor, and the painting was swiftly restored; previously unreleased photographs of the attack have now been supplied to The Art Newspaper. The vandal was never caught, and their motivation remains unknown.
Archaeologists conducting salvage work for a new passenger train line between Querétaro and Mexico City have unearthed a 1,000-year-old Toltec stone altar. Located within the Tula Archaeological Monument Zone in Hidalgo, the three-level structure was found alongside four human skulls, long bones, a black ceramic bowl, and obsidian blades. Preliminary assessments by the National Institute of Anthropology and History (INAH) suggest the remains belong to individuals offered as ritual sacrifices.
The Victoria and Albert Museum in London has opened a major exhibition titled "Marie Antoinette Style," showcasing items from the French queen's life and death, including her final letter, a guillotine blade, and a plain linen chemise she wore in prison. The exhibition explores her legacy as a style icon and the public's enduring fascination with her execution during the French Revolution, featuring objects linked to her imprisonment and the macabre history of Madame Tussauds' Chamber of Horrors.
Construction workers discovered a 1,000-year-old sword in the Korte Linschoten River on a private estate in the Netherlands in March. The blade, forged between 1050 and 1150 C.E., features a Brazil-nut-shaped pommel and copper wire inlays of spiritual symbols. After conservation, it was donated to the Rijksmuseum van Oudheden in Leiden, where it is now on free public view through August.
Sotheby's will offer a rediscovered Artemisia Gentileschi painting, *David with the Head of Goliath* (1620s-30s), at its Old Master evening auction on 2 July, with an estimate of £1m to £2m. The work had been misattributed for decades—first to Giovanni Francesco Guerrieri in 1975, then as 'School of Caravaggio' in 2018—before definitive attribution to Artemisia was confirmed in 2020 when Simon Gillespie Studio discovered her signature running down the sword blade. The painting has been on the market only twice before, most recently selling for €104,000 in 2018.
Lillian Blades' first solo exhibition, "Through the Veil," is on view at the Sarasota Art Museum (SAM) through October 26. The Bahamian-born artist presents large, quilt-like mixed-media installations made from found objects such as toys, jewelry, utensils, and mirrors, wired together and hung from PVC piping. Her work is displayed on the museum's third floor, while a concurrent exhibition of Gee's Bend quilts occupies the second floor, creating a thematic dialogue between the two shows.
The Mississippi Museum of Art has launched "L.V. Hull: Love Is a Sensation," the first major museum retrospective dedicated to the late self-taught African American artist L.V. Hull. The exhibition showcases Hull’s vibrant, immersive practice of transforming her Kosciusko home and everyday found objects—ranging from sneakers and fan blades to television sets—into a dense, kaleidoscopic art environment. The show is presented in partnership with the L.V. Hull Legacy Center and features individual artworks, archival ephemera, and documentary footage.
Nassau-born, Atlanta-based artist Lillian Blades presents 'Through the Veil,' her first solo museum exhibition, at the Sarasota Art Museum. The show features suspended mixed-media assemblages called 'veils,' made from Plexiglas, wood, family photographs, and found objects, stitched together with a metallic knotting technique. Inspired by her mother, who was a quilter and died in childbirth, Blades creates immersive, tapestry-like works that envelop viewers and cast intricate shadows on the museum's walls and floors. The exhibition also includes earlier wall assemblages encrusted with three-dimensional materials like antique mirrors and empty picture frames.
Red Deer's First Fridays gallery openings for December 2025 feature multiple exhibitions across the city. The Red Deer Arts Council and Red Deer Public Library present “The Canadian Landscape Abstract Paintings” by John Bladek at Kiwanis Gallery (Dec. 2–Feb. 8, 2026), showcasing abstract interpretations of iconic Canadian scenes. The Red Deer Arts Council Community Gallery hosts the Mini Masters Year-End Fundraiser pop-up (Nov. 17–Jan. 5, 2026), selling small artworks to support local arts. At the Red Deer Museum + Art Gallery (MAG), Tim Smith's photography exhibition “In the world, but not of it. Hutterite” (Dec. 6–March 7, 2026) documents Hutterite communal life, while Bailey Horton's “UNHAMPERED” (Dec. 5–March 15, 2026) addresses food security through collaborative art. Curiosity Art & Framing presents “Winter's Gift” featuring works by Brenda Garrett, Larry Reese, and others.