filter_list Showing 22 results for "Bom" close Clear
dashboard All 22 museum exhibitions 6article news 6article culture 4gavel restitution 3trending_up market 1person people 1article policy 1
date_range Range Today This Week This Month All

Picasso’s ‘Guernica’ Could Leave Madrid for the First Time in Over 30 Years

The Basque regional government has formally requested a temporary loan of Pablo Picasso's 'Guernica' from Madrid's Museo Reina Sofía to the Guggenheim Museum Bilbao for a period from October 2026 to June 2027. This would mark the painting's first movement since 1992 and is timed to coincide with the 90th anniversary of the bombing of Guernica. The request faces strong opposition from the Reina Sofía, which has released a conservation report stating the monumental canvas is too fragile to travel.

Proposed Loan of Picasso’s ‘Guernica’ Sparks Clash Between Spanish Authorities

A heated political dispute has emerged between the Spanish central government and the Basque regional government over a proposed loan of Pablo Picasso’s 'Guernica' to the Guggenheim Bilbao. The Basque government requested the masterpiece for a 2027 exhibition marking the 90th anniversary of the bombing of Guernica, but the Reina Sofia Museum and Spain’s Ministry of Culture have blocked the move. Officials cite a recent technical report warning that the painting’s massive scale and fragile condition make it too vulnerable to survive the vibrations of transport.

Spain’s Culture Minister Rejects Guernica Transfer, but Basque Leaders Refuse to Take No for an Answer

Spain’s Culture Minister, Ernest Urtasun, has officially rejected a request from the Basque regional government to temporarily transfer Pablo Picasso’s iconic painting, Guernica, to the Guggenheim Museum Bilbao. Citing conservation reports from the Museo Reina Sofía, Urtasun argued that the 1937 masterpiece is too fragile to travel and that his primary duty is to preserve the work for future generations. Basque leaders, led by Lehendakari Imanol Pradales and Senator Igotz López, have challenged this decision, calling for an independent feasibility study and appealing directly to Prime Minister Pedro Sánchez.

Spanish culture ministry denies loan of Picasso's Guernica to Bilbao

Spain’s Ministry of Culture has officially rejected a request from the Basque government to loan Pablo Picasso’s 'Guernica' to the Guggenheim Bilbao for an exhibition in 2026. The proposed loan was intended to commemorate the 90th anniversary of both the first Basque government and the 1937 bombing of Gernika. However, Culture Minister Ernest Urtasun cited a conservation report from the Reina Sofía museum warning that the fragile state of the canvas, which suffers from micro-cracks and paint loss, makes any transport a significant risk to its preservation.

Spanish politicians clash over request to move Picasso’s Guernica

A political dispute has erupted between the Madrid and Basque regional governments over a request to temporarily relocate Pablo Picasso’s masterpiece, Guernica. The Basque government is seeking to borrow the painting for the Guggenheim Museum in Bilbao to commemorate the 90th anniversary of the 1937 bombing of the town of Guernica. Madrid’s president, Isabel Díaz Ayuso, has dismissed the request as "provincial," while Basque leaders have challenged the Spanish central government's courage to move the work.

Where Does "Guernica" Belong?

Wohin gehört "Guernica"?

Basque Prime Minister Imanol Pradales has formally requested the temporary transfer of Pablo Picasso’s masterpiece "Guernica" from Madrid to the Basque Country. The proposal seeks to exhibit the monumental 1937 anti-war painting at the Guggenheim Museum Bilbao for nine months starting in late 2026 to coincide with the 90th anniversary of the town's bombing. While the work depicts the destruction of the Basque town of Gernika by Nazi and Italian fascist forces, it has resided at the Museo Reina Sofía in Madrid since 1992.

“Nature Morte, 1982–1988” at Ehrlich Steinberg, Los Angeles

“Nature Morte, 1982–1988” at Ehrlich Steinberg, Los Angeles

A new exhibition at Ehrlich Steinberg gallery in Los Angeles presents "Nature Morte, 1982–1988," a focused survey of still-life paintings from a pivotal period in recent art history. The show brings together works from the 1980s by a generation of artists who reinvigorated the traditional genre during a decade defined by explosive art market growth and the rise of Neo-Expressionism.

“Guernica” Tears Spain Apart: Madrid Refuses to Loan Picasso’s Painting to the Basque Country

« Guernica » déchire l’Espagne : Madrid refuse le prêt du tableau de Picasso au Pays basque

The Spanish government and the Reina Sofía Museum have rejected a request from the Basque regional government to loan Pablo Picasso’s masterpiece, "Guernica," to the Guggenheim Bilbao. The proposed loan was intended to mark the 90th anniversary of the 1937 bombing of the town of Guernica during the Spanish Civil War. While Madrid cites the painting's extreme physical fragility as the reason for the refusal, the decision has sparked a heated political row, exacerbated by derogatory comments from Madrid’s regional president, Isabel Díaz Ayuso.

Guernica will remain in Madrid

Guernica restera à Madrid

The Spanish government has officially confirmed that Pablo Picasso’s anti-war masterpiece, Guernica, will remain at the Museo Reina Sofía in Madrid. This decision puts an end to long-standing requests from the Basque Country to have the mural moved to Bilbao, specifically to the Guggenheim Museum, or to Guernica itself, the town whose 1937 bombing inspired the work.

Marc Restellini’s ‘atom bomb’ of a Modigliani catalogue raisonné is finally published

After nearly three decades of legal disputes and intense research, Marc Restellini has finally published his definitive catalogue raisonné of Amedeo Modigliani’s oil paintings. Released through the Institut Restellini and Yale University Press, the six-volume work utilizes forensic scientific analysis, spectrometry, and archival evidence to authenticate the artist's oeuvre. The publication includes 100 newly authenticated works while excluding 15 previously accepted paintings due to a lack of definitive evidence, marking a shift from connoisseurship to a fact-based methodology.

All Things Art You Cannot Miss This April

The Indian art scene is set for a bustling April 2026 with a series of high-profile exhibitions across major cities like Delhi and Mumbai. Key highlights include Subodh Gupta’s monumental installations at the Nita Mukesh Ambani Cultural Centre, a photographic tribute to Bombay by Raghubir Singh at Jhaveri Contemporary, and the public viewing of Raja Ravi Varma’s iconic 'Yashoda and Krishna' at the ShowKeen exhibition. These shows span a diverse range of media, from Akanksha Patil’s introspective narratives on migration to Laila Khan Furniturewalla’s raw, expressive paintings.

Lebanese Artist Ali Cherri Files War Crimes Complaint Against Israel After 2024 Beirut Bombing

Lebanese artist Ali Cherri, with the International Federation for Human Rights (FIDH), has filed a civil complaint in France seeking an investigation into an Israeli airstrike on a Beirut residential building in November 2024. The strike killed seven civilians, including Cherri's parents. The complaint, supported by forensic analysis from Forensic Architecture and Amnesty International, alleges the attack used munitions documented as being employed by the Israeli air force and targeted a civilian object, potentially constituting a war crime.

Iran’s arts community and heritage suffer as US-Israeli attacks continue

The US-Israeli bombardment of Iran, beginning in late February, has severely disrupted the country's cultural life and art scene. The typically busy Nowruz (Persian New Year) period was marked by fear, travel restrictions, and internet blackouts, leading to the evacuation of museum collections, the closure of galleries, and artists being unable to work in their studios.

Exhibition | Anna Park, 'Hot Honey' at Lehmann Maupin, London, United Kingdom

Anna Park makes her United Kingdom solo debut at Lehmann Maupin London with 'Hot Honey,' an exhibition of large-scale charcoal works running from April 30 to May 30. The show features Park’s signature fractured, cinematic compositions that explore female archetypes like the 'vixen' and the 'bombshell.' For the first time, the artist introduces shaped supports that turn her drawings into sculptural reliefs, alongside restrained passages of color that heighten the psychological intensity of her social critiques.

Flying Back With the Birds to My Hometown of Tehran

The author, an Iranian artist living in the diaspora, describes the profound psychological impact of the ongoing war on her homeland. She experiences a constant state of displacement and terror, feeling tethered to Tehran through news of bombings in the Alborz Mountains, which transforms her sense of geography and home into one of anxiety and helplessness.

Boman Irani: Art can calm you, excite you, and make you do better things in life

Actor Boman Irani inaugurated the group exhibition 'To Be Continued…' at the prestigious Jehangir Art Gallery in Mumbai. Featuring nearly 70 works ranging from scrap metal sculptures to 3D canvases, the show brings together a diverse group of emerging and established artists. During the event, Irani engaged personally with the participants, emphasizing the role of galleries as essential spaces for creative inspiration and human development.

It is Naive to Believe that Bombs Bring Freedom

"Es ist naiv zu glauben, dass Bomben Freiheit bringen"

Iranian-born artist Peyman Rahimi discusses the profound impact of his childhood experiences during the Iran-Iraq War and his subsequent mandatory military service on his creative practice. Breaking a long-held silence, Rahimi argues against the naivety of believing that military interventions or foreign bombings can bring true freedom to Iran, emphasizing that war only generates new trauma and suffering. He highlights the central role of Iranian women in the struggle for change, noting that their resilience remains the most potent threat to the current regime.

Required Reading

This week's cultural roundup connects diverse stories from art conservation to literary analysis. Novelist Karma Brown draws parallels between restoring artworks and revising novels, inspired by visits to the Art Gallery of Ontario, while an interview with Namwali Serpell examines the complex "monumentalization" of Toni Morrison's legacy. The column also includes a poignant image from Tehran—a framed artwork hanging in a bomb-damaged apartment—and touches on topics ranging from celebrating Eid in Gaza to discussions about "girl games" and the Lindy West drama.

How Photography Helped Build the Atomic Bomb

The feminist artist collective Slow War Against the Nuclear State (SWANS) presents the exhibition "Atomic Dragons" at Pitzer College Art Galleries. The show features works by seven intergenerational artist-academics, focusing on photography's historical role in developing atomic weapons and the enduring human and environmental costs of nuclear politics.

New book shows why physical maps have an important role to play in our digital world

Professor James Cheshire spent three years cataloging forgotten maps in a University College London storage room, resulting in the book 'The Library of Lost Maps.' The volume presents 96 historically significant maps, ranging from a pre-atomic bomb Hiroshima map to a Victorian geological survey of India, highlighting their physical fragility and hidden stories.

Parades, art installations and ruined rooms filled with rubble: photos of the day – Monday

The Guardian's picture editors curated a global selection of photographs from March 30, 2026. The images depict a wide range of events, including a carnival parade in Mexico City, a Palm Sunday procession in Madrid, an art installation at California's Bombay Beach Biennale, scenes of conflict and its aftermath in Gaza, Tehran, and Lebanon, and political moments like Donald Trump showing renderings onboard Air Force One.

Amid Iran war, Paterson Middle East art show carries layered meaning

Tehran-born artist and human rights lawyer Sanam Ghandehari is presenting a new body of work in Paterson, New Jersey, against the backdrop of escalating military conflict in Iran. Her multi-layered pieces reflect the duality of the current crisis, juxtaposing the hope for democratic liberation with the immediate trauma of seeing her childhood home bombarded.