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Nature by the uncool YBA, armoured ceramics and dizzying Aussie abstraction – the week in art

The article is a weekly art roundup highlighting several major exhibitions opening in London and Cambridge. It spotlights a new show of nature-themed paintings by Cecily Brown at the Serpentine Gallery, ceramics by Phoebe Collings-James at Pitzhanger Manor, a career survey of Turner Prize-winner Veronica Ryan at the Whitechapel Gallery, a Frank Bowling retrospective at The Fitzwilliam Museum, and a presentation of Aboriginal Australian art at Edel Assanti. The piece also features a powerful war photograph from Iraq and includes brief news items on topics ranging from a Matisse retrospective to potential museum entry fees.

Artist Ibrahim Mahama Says Police Attack in Ghana Put His ‘Entire Life On Hold’

Ghanaian contemporary artist Ibrahim Mahama announced plans to file charges against the Ghana Police Service after allegedly being violently attacked by officers from a unit called the Black Maria. Mahama states he was accosted on a bus in Tamale, sustaining severe facial injuries including broken teeth and bruising that forced him to cancel an international lecture and work tour. The police have denied the claims, stating the unit in question was not in the region at the time.

Wagner Foundation Names Winners of $75,000 2026 Arts Fellowships

The Wagner Foundation has selected artists Tomashi Jackson, Lucy Kim, and Yu-Wen Wu as the recipients of its 2026 Wagner Arts Fellowships. Each artist, based in the Boston area, will receive an unrestricted $75,000 grant, professional development support, and will participate in a group exhibition at the Wagner Gallery in Cambridge from August to December 2026.

UK Museums Face Criticism For Collections Of Human Remains

A Guardian investigation revealed that 241 UK museums, universities, and councils collectively hold over 263,000 items of human remains, with at least 37,000 originating from overseas, including former British colonies. The Natural History Museum in London houses the largest collection of non-European remains, followed by the University of Cambridge and the British Museum. Records are often incomplete, with the origins of 16,000 items unconfirmed and many institutions unable to provide exact figures due to poor documentation.

An English Countryside Home That Became Lovelier the More It Fell Apart

The article profiles the unique aesthetic and historical significance of Kettle's Yard, a house in Cambridge, England, created by Jim Ede. Ede, a former Tate curator, transformed a series of dilapidated cottages into a living work of art and a haven for modern artists in the mid-20th century. He filled the space with a carefully arranged collection of modern art, natural objects, and furniture, embracing the building's worn, imperfect character rather than restoring it to pristine condition.