filter_list Showing 6 results for "Currents" close Clear
dashboard All 6 museum exhibitions 3article culture 2person people 1
date_range Range Today This Week This Month All
Subscribe

The Defining Themes of Today’s Biennial Art

The article analyzes the defining themes and styles of the past four years in the international biennial circuit, based on a survey of 130 biennials. It identifies a core group of artists who appeared most frequently, including Ali Eyal, Apichatpong Weerasethakul, Carolina Caycedo, Kapwani Kiwanga, and Tuan Andrew Nguyen, among others. Many of these artists are also featured in the upcoming 61st Venice Biennale curated by the late Koyo Kouoh. The piece categorizes their work under two broad themes: "Post-Colonial Post-Conceptualism," which involves poetic engagement with colonial history and artifacts, and "Families and Networks," where artists explore personal and political family histories.

Harnessing the winds of societal change: how art dealers have been able to shape taste for centuries

Valentina Castellani, a former Gagosian director, has authored a new book titled *Trading Beauty: Art Market Histories from the Altar to the Gallery* (out 1 May). The book traces how art dealers have historically leveraged societal changes—political, economic, and social—to reshape taste and market structures. Castellani begins in the Middle Ages, when art was made only on commission for patrons like the Catholic church and monarchies, and moves through key shifts such as the Dutch Republic's first open art market in the 17th century, which gave rise to the professional art dealer. She highlights dealers like Paul Durand-Ruel, Joseph Duveen, and Leo Castelli who capitalized on anti-establishment energy, new wealth, and post-war consumer culture to bring avant-garde art to the forefront.

A semester of SLAM

The St. Louis Art Museum (SLAM) hosted two special exhibitions during the past semester: the annual "Art in Bloom" floral exhibition from February 27 to March 1, 2026, and the solo show "Currents 125: Blas Isasi" opening February 6, 2026. "Art in Bloom" pairs 30 permanent collection pieces with ephemeral floral arrangements created by local designers, featuring a centerpiece by New York-based floral designer Rachel Cho. The exhibition has grown from an invitational event with 7,000 attendees to an open call drawing over 30,000 visitors. Isasi's exhibition, titled "The weight of a gaze (is to listen to the sound of a kilogram)," is part of SLAM's "Currents" series and the WashU Henry L. and Natalie E. Freund Teaching Fellowship, incorporating a Chincha Inka balance from the museum's collection alongside sandstone sculptures and aluminum foil pieces.

New Currents: Liu Shuai

Liu Shuai, a multimedia artist from Shandong province, China, presented an interactive installation titled "The Kiss" (2025) at VILLA tbh in Shanghai during the 15th Shanghai Biennale (2025–26). The work, co-created with carpenter bees, features bamboo stalks punctured by the insects and transformed into hanging instruments. It was part of the biennale's "City Projects" and housed in Liu's temporary studio within the Shanghai Botanical Garden, offering a poetic exploration of interspecies collaboration.

New Currents: Jungeun Park

Jungeun Park, an artist based between New York and Seoul, creates sculptures that blend glass, ceramics, and textiles to evoke raw biological forms and alien organic matter. Her 2025 graduate presentation at the Rhode Island School of Design featured works like *Skin Mite (demodex)* (2024), sewn from old pillowcases, and *Period Chalice* (2024), made from resin, metal chain, metal ring, water, and strawberry syrup, which transform the repulsive into something tender and strange.

Salt, memory and ocean currents: Parvathi Nayar’s solo exhibition

Senior contemporary artist Parvathi Nayar's solo exhibition explores the interconnectedness of human histories and natural forces, focusing on themes of salt, memory, and ocean currents. The show features works that examine how human narratives are shaped by and inseparable from environmental elements, as described in a review by Deepa Natarajan Lobo.