Controversial Painter Georg Baselitz Knew His Venice Show Would Be His Last. He Went Out Quietly.

Six days after Georg Baselitz's death, his dealer Thaddaeus Ropac opened "Eroi d'Oro" ("Heroes of Gold") at the Fondazione Giorgio Cini in Venice. The exhibition features the final paintings Baselitz made before he died in April at age 88. In a prerecorded film, Baselitz calls these works his "last paintings," intended as a summation of his six-decade career. The large-scale, gold-ground paintings depict thin, ink-like figures of himself or his wife Elke lying horizontally, floating in undefined space. Baselitz connected the gold grounds to Fayum mummy portraits, Sienese altarpieces, and Byzantine icons, using them to absorb space and create a shadowless, eternal condition.

Aspen Art Fair Names More Than 35 Exhibitors for 2026 Edition at Hotel Jerome

The Aspen Art Fair has announced more than 35 exhibitors for its third edition, returning to the Hotel Jerome from July 29 through August 1, 2026. This will be the first edition under director Kelly Cornell, who also leads the Dallas Art Fair. Newcomers include Albertz Benda, Friedman Benda, Library Street Collective, Monique Meloche Gallery, and R & Company, alongside returning galleries such as Marianne Boesky Gallery, Perrotin, Sean Kelly, and Galerie Gmurzynska. The fair will debut an outdoor sculpture garden and continue its Art Prize Program with residencies and commissions through Anderson Ranch Arts Center and Buckhorn Public Arts. It also coincides with the AIR festival organized by the Aspen Art Museum and partners with the Aspen Education Foundation to support local student artists.

In Venice, 22 unmissable exhibitions on the sidelines of the biennial

À Venise, 22 expositions incontournables en marge de la biennale

The article highlights 22 must-see exhibitions happening alongside the 61st Venice Biennale, which is expected to be affected by geopolitical tensions but still promises artistic vibrancy. Notable events include Bvlgari's dual projects featuring artists Lotus L. Kang, Lara Favaretto, and Monia Ben Hamouda; the unveiling of the Asscher collection at the Ama Venezia foundation with works by Charles Ray, Jenny Saville, and Richard Serra; and the inaugural exhibition "The Only True Protest Is Beauty" at the Fondation Dries Van Noten, showcasing 200 objects across fashion, design, and art. Other highlights include a dialogue between Picasso, Morandi, and Parmiggiani at the Fondazione Bevilacqua La Masa.

The Big Review | Venice Biennale 2026: In Minor Keys ★★★½

The Venice Biennale 2026, titled "In Minor Keys," was curated posthumously following the death of artistic director Koyo Kouoh in May 2025. A team of five curators and advisors—Gabe Beckhurst Feijoo, Marie Hélène Pereira, Rasha Salti, Siddhartha Mitter, and Rory Tsapayi—executed her vision across the Giardini and Arsenale venues. The exhibition features 110 artists, with a strong emphasis on new commissions, and is structured around themes of procession, resistance, and joy. Key works include Big Chief Demond Melancon's "Amistad Takeover" (2026), Nick Cave's "Amalgam (Origin)" (2025), and Otobong Nkanga's rewilded columns at the Central Pavilion.

A Venise, trois maîtres redéfinissent la nature morte

The article announces an exhibition titled "Picasso, Morandi, Parmiggiani – Still lifes" at the Istituzione Fondazione Bevilacqua La Masa in Venice, running from May 7 to July 25, 2026. The show brings together three masters—Pablo Picasso, Giorgio Morandi, and Claudio Parmiggiani—to redefine the still-life genre through a curated dialogue of their works across six rooms. The exhibition is co-organized by Tornabuoni Art, the Musée national Picasso-Paris, and the Fondazione Musei Civici di Venezia, with Cécile Debray, president of the Musée national Picasso-Paris, serving as curator. A fully illustrated catalogue accompanies the show.

Georg Baselitz (1938-2026)

Georg Baselitz, born Hans-Georg Kern in 1938, has died at age 88. The German painter and sculptor, who changed his name in 1961, built a career on aesthetic dissent. Expelled from art school in East Berlin, he first gained notoriety with a 1963 exhibition at Galerie Werner and Katz in Berlin, where two works were seized for obscenity. His signature gesture—inverting his images, beginning with "Der Wald auf dem Kopf" in 1969—became his most recognizable trademark, shifting focus from subject to the act of painting itself. Baselitz also produced significant sculptures, often carved with a chainsaw and axe, and his work was the subject of major retrospectives at the Centre Pompidou (2021-2022) and the Musée d'Art Moderne de Paris (2011-2012).

How to Buy Minimalist Art

Artsy Editorial offers a guide on buying Minimalist art, explaining the movement's core principles of geometric shapes, limited color palettes, and material reduction. The article highlights key artists such as Carl Andre and Polly Apfelbaum, and emphasizes that Minimalism focuses on the idea behind the work rather than the artist's technical skill.

Claude Monet’s Market Triumph: 12 Record‑Smashing Paintings That Define an Era

Claude Monet's market dominance is analyzed through twelve record-breaking paintings sold at auction over the past decade, led by *Meules (Haystacks)* (1890), which achieved $110.7 million at Sotheby's New York in 2019—a record for any Impressionist work. The article highlights key sales including *Le Bassin aux Nymphéas* (1919) at $80.45 million, *Nymphéas* (1906) at $54 million, and *Le Pont du chemin de fer à Argenteuil* (1873–74) at $41.4 million, tracing how Monet's serene yet radical landscapes have consistently commanded top prices across Christie's and Sotheby's.

Van Gogh Museum in funding mediation with Dutch government following threats of closure

The Van Gogh Museum in Amsterdam has entered mediation with the Dutch government after initiating legal proceedings to secure additional public funding for a major renovation. The museum, which plans a three-year, €104m renovation starting in 2028, claims it could be forced to close unless its annual subsidy increases by €2.5m. The Dutch government, facing a budget deficit, considers the current €8.5m subsidy sufficient and argues the museum should contribute more itself. Mediation talks are making progress, and legal proceedings have been postponed indefinitely, with both sides aiming to conclude before summer.

Alma Allen’s US Pavilion Is One of the Emptiest Shows at the Venice Biennale

Alma Allen represents the United States at the 2026 Venice Biennale with a subdued, apolitical exhibition inside the US Pavilion. The show features roughly 25 sculptures—mostly in bronze, wood, and stone—many titled "Not Yet Titled," and deliberately avoids overt political messaging. This marks a stark departure from the previous two US pavilions, curated by Simone Leigh (2022) and Jeffrey Gibson (2024), which directly confronted colonialism and empire. The Trump administration’s call for proposals explicitly asked for work that "reflects and promotes American values," and Allen’s presentation has been criticized as safe, unremarkable, and lacking the incisive edge of contemporary American art.

‘This is an opportunity that will never happen again’: Syrian artist Sara Shamma on rebuilding her country

Syrian artist Sara Shamma has been selected to represent Syria at the 2026 Venice Biennale, marking the country's return to the event with a single-artist national pavilion for the first time. Her immersive installation, 'The Tower Tomb of Palmyra,' curated by Yuko Hasegawa and commissioned by Syria's ministry of culture, combines painting, architecture, light, sound, and scent. It draws on the ancient funerary towers of Palmyra destroyed by Islamic State in 2015, addressing cultural loss and the possibility of reconstruction. Shamma, who returned to Syria in September 2024 after eight years abroad, describes living through the fall of the Assad regime and the country's rebirth as a transformative personal and national moment.

6 Rising Artists to Watch at This Year’s Venice Biennale

The article profiles six rising artists at the 2026 Venice Biennale, focusing on Sung Tieu and Gala Porras-Kim. Tieu transforms the German Pavilion with a tile shell recreating a former housing complex for Vietnamese contract workers, while inside she scatters chocolate ladybugs as a symbol of occupation. Porras-Kim presents work in the Arsenale examining 'institutionally defined damage' and how decay can realign objects with their natural state.

North America’s Longest-Running Exhibition of International Art Has Landed at the Carnegie Museum

The 59th Carnegie International, titled "If the word we," has opened at the Carnegie Museum of Art in Pittsburgh, marking North America's longest-running exhibition of international art. Featuring 61 artists and collectives from countries including Brazil, Benin, China, Indonesia, Lebanon, Peru, Taiwan, and South Africa, the exhibition explores the theme of "we" as an evolving proposition. It includes nearly 40 newly commissioned projects—the largest number in the International's history—spanning painting, photography, sculpture, installation, video, and theater. Notable works include Jonathan González's performance "The Strikebreakers" and Georges Adéagbo's installation "Le Socialism Africain," which uses discarded objects to examine Western power and colonial legacies in Africa.

Is the US about to be humiliated on the world’s most prestigious cultural stage?

More than 70 prominent international artists have signed an open letter demanding the exclusion of the United States, Israel, and Russia from the 2026 Venice Biennale, accusing those governments of committing war crimes and atrocities. The controversy centers on the US pavilion, which will feature Mexico-based American artist Alma Allen, whose abstract, anodyne sculptures were chosen by a last-minute commissioner with no art-world experience—a luxury pet food store owner from Florida who reportedly gained the role through connections at Mar-a-Lago. The Biennale's five-person jury has already resigned amid the furor, and Russia is returning to the event for the first time since its 2022 invasion of Ukraine.

What you want from your body? Antony Gormley, iron and crawling

British sculptor Antony Gormley discusses his solo exhibition "What Holds Us" at Galleria Continua in San Gimignano, on view from 9 May to 13 September 2026. The show transforms the gallery's former cinema-theatre into an interactive environment where visitors are invited to crawl through massive cardboard bodies, exploring interior spaces and shifting from passive spectatorship to bodily engagement. Gormley explains that the title connects "hold" and "whole," suggesting that being held—by the ground, the womb, or the body—is essential for growth and wholeness.

10 Highlights You Shouldn't Miss in Venice

10 Highlights, die Sie in Venedig nicht verpassen sollten

The article presents ten must-see highlights of the 61st Venice Biennale, curated by the editors of Monopol magazine. It covers the main exhibition at the Arsenale, national pavilions, and collateral events, including Sandra Knecht's beehouse installation, Isabel Nolan's Irish Pavilion exploring dreams and late medieval humanism, Chiara Camoni's Italian Pavilion blending ceramics and found materials, and Asim Waqif's bamboo construction in the Indian Pavilion. Other featured works include a church filled with surveillance cameras and the new Fondazione Dries Van Noten.

How Fatinha Ramos Channels ‘Visual Activism’ in Her Richly Layered Illustrations

Fatinha Ramos, a Portuguese artist and illustrator based in Antwerp, describes her work as 'visual activism,' creating richly layered illustrations that give voice to minorities and address social issues. She collaborates with major clients including The New York Times, The Washington Post, Tate, Scientific American, the Anne Frank Museum, and MoMA, which commissioned her to illustrate an essay about being compared to Frida Kahlo. Born with osteogenesis imperfecta (brittle bone disease), Ramos spent much of her childhood in hospitals, where drawing became an escape. After 12 years as an art director in advertising and publishing, she now focuses on her own practice, which challenges stereotypes around disability, climate crisis, sexism, and racism. She is currently working on a graphic novel and a series of anatomical glass sculptures based on brittle bone disease.

Three artists, three questions: Immersed in colors

Three Israeli artists—Vera Kunis, Avraham Kan, and Tal Tenne Czaczkes—are featured in a column exploring their use of color amid the ongoing war with Iran. Kunis, a data engineer and artist, opened her first solo exhibition, "Imagination Algorithm," at the Global Art Gallery in Tel Aviv on March 10, 2026, during the conflict. The interview was conducted remotely due to war conditions, with a siren interrupting the conversation. The artists discuss their inspirations, definitions of art, and what makes their work unique, emphasizing resilience and optimism through color.

Ed Ruscha | Ed Ruscha Records 1971 (1st edition) (1971) | Art & Prints

This article presents Ed Ruscha's artist book "Records" (1971), a photographic survey of thirty vinyl records from his personal collection, offered by Lot 180 Gallery New York. It describes the work as a first edition offset printed book in good vintage condition, measuring 7 x 5.5 inches, from an edition of approximately 2,000 unsigned copies published by Heavy Industries Publications in Los Angeles.

What to See at the 2026 Venice Biennial

The 2026 Venice Biennale, opening May 9 and running through November 22, features a main exhibition titled "In Minor Keys" organized by the late Koyo Kouoh, alongside 99 national pavilions. The event spans the Giardini and Arsenale sites, with concurrent shows across the city, including a group exhibition at the Fondazione Dries Van Noten, Melissa McGill's installation "Marea" at Corte Nova, Illy's artist-designed espresso cups at Giardini Reali, and a solo exhibition of Hernan Bas's paintings at Ca' Pesaro International Gallery of Modern Art.

A Tribute to Asher Remy-Toledo

Asher Remy-Toledo, a visionary gallerist, curator, and collector, has passed away after a career spanning over three decades. He founded influential initiatives including Remy Toledo Gallery in Chelsea (2004), Hyphen Hub (2013), No Longer Empty (2009), and Yuanfen Gallery in Beijing, the first new media gallery in mainland China. Remy-Toledo was a tireless champion of women artists, supporting figures such as Carolee Schneemann, Judy Chicago, Mary Beth Edelson, and Ana Mendieta, as well as emerging international artists. He also amassed significant private collections, including works by the article's author and Schneemann's Infinity Kisses series.

Met Gala guests from Beyoncé to Nicole Kidman set to flaunt fashion as art

The article previews the 2025 Met Gala, where celebrities including Beyoncé, Nicole Kidman, and Venus Williams will ascend the Metropolitan Museum of Art's steps dressed according to the dress code "Fashion is art." The event, which raises funds for the museum's Costume Institute, encourages guests to treat fashion as an embodied art form, drawing on historical collaborations between designers and artists—such as Elsa Schiaparelli with Salvador Dalí, Yves Saint Laurent with Piet Mondrian, and Marc Jacobs with Takashi Murakami. The red carpet will be livestreamed by Vogue and the Associated Press.

How to watch the 'Costume Art' Met Gala red carpet

The 2026 Met Gala, held on May 4 at the Metropolitan Museum of Art in New York, featured a dress code titled 'Costume Art' that explicitly frames fashion as an embodied art form. Celebrities including Beyoncé, Nicole Kidman, and Venus Williams ascended the museum's steps wearing archival fashion pieces and custom creations, with references to artistic collaborations such as Elsa Schiaparelli and Salvador Dalí's lobster dress, Yves Saint Laurent's Mondrian-inspired designs, and Marc Jacobs' work with Takashi Murakami. The event raises funds for the museum's Costume Institute, whose spring exhibition 'Costume Art' examines the centrality of the dressed body.

Marcel Duchamp Is Stripped Bare at MoMA

The Museum of Modern Art in New York has opened "Marcel Duchamp," the first retrospective of the artist on this continent in over 50 years. Curated by Ann Temkin, Michelle Kuo, and Matthew Affron, the exhibition is organized strictly chronologically and features Duchamp's most famous works—including his revolutionary readymades like *Fountain* (1917) and *Bicycle Wheel* (1913)—often shown only in photographic reproduction or as later refabricated copies, replicas, and miniatures from his *Box in a Valise* series. The show highlights how Duchamp's original objects have been lost or dematerialized, forcing viewers to confront the very definition of an artwork.

The best and worst we saw at the Venice Art Biennale 2026. Artribune's hits and flops

Il meglio e il peggio che abbiamo visto alla Biennale d’Arte di Venezia 2026. Top e flop di Artribune

The 61st Venice Biennale, titled "In Minor Keys" and directed by Koyo Kouoh, opened amid significant turmoil: the death of a newly appointed curator, diplomatic tensions over the presence of Russia and Israel, political protests, and the unprecedented collective resignation of the jury, which led to the Golden Lions being awarded by public vote for the first time. Despite this chaotic backdrop, the exhibition—featuring a record 100 national pavilions—has been widely praised for avoiding moralistic pedagogy and instead embracing visual seduction, formal quality, and sensory joy while addressing themes of identity, memory, colonialism, ecological crisis, and violence. The article highlights top and flop moments from the opening week, including strong showings by Biennale president Pietrangelo Buttafuoco and a standout exhibition at Fondazione Prada.

In Belgio inaugura BRUSK. A Bruges un nuovo museo ibrido dall’arte antica all’AI

A new hybrid cultural center called BRUSK has opened in Bruges, Belgium, designed by Robbrecht en Daem and Olivier Salens. Part of the Musea Brugge network, the venue blends ancient art with contemporary and AI-driven works, featuring two inaugural exhibitions: "Bigger Picture. Connected Worlds of Bruges 900–1550," a historical survey co-curated with historian Peter Frankopan, and "Latent City," the first Belgian solo show of digital artist Refik Anadol. The building offers free ground-floor public spaces, including a café and a permanent mural by Laure Prouvost, aiming to attract both tourists and locals.

Un grand dessin de Beckmann pour Stuttgart

The Staatsgalerie Stuttgart has acquired a monumental drawing by Max Beckmann titled *Resurrection*, measuring nearly five meters long and three and a half meters high. Executed between 1916 and 1918, it is the largest painting by the artist and a key work in his oeuvre, created after his traumatic experience as a volunteer medical orderly in World War I. Beckmann described the piece as expressing 'the terrifying cry of pain of deceived poor humanity,' marking a shift toward a new formal vocabulary influenced by the war.

Mark Gerson obituary

Mark Gerson, a British photographer renowned for his intimate portraits of literary figures, has died at age 104. Over a career spanning half a century, Gerson captured iconic images of authors including Evelyn Waugh, Doris Lessing, William Golding, Tom Stoppard, and Martin Amis, often photographing them in their own homes to put them at ease. His most famous picture is of a grumpy Waugh on his 60th birthday, taken after Gerson was plied with wine. Gerson's work was championed by National Portrait Gallery director Roy Strong, and in 1996 the gallery held a major exhibition of his portraits titled "Literati."

Drained, Drowning, and Decay: The Best National Pavilions at the Venice Biennale

The 2026 Venice Biennale is defined by themes of ruin and decay, with standout national pavilions exploring bodily, infrastructural, and archaeological collapse. The Slovenian Pavilion features the Nonument Group repurposing materials from past Biennales into a ruin of a mosque for Bosnian Muslim soldiers from World War I. Syria presents its first national pavilion since the Civil War, with Sara Shamma invoking Palmyra, destroyed by ISIS. Germany's pavilion, titled "Ruin," features works by Henrike Naumann (who died in February) and Sung Tieu, questioning the pavilion's fascist architecture and nationalist residue. The Austrian Pavilion, curated by Florentina Holzinger, offers a visceral performance titled "Sea World." The Biennale is also marked by the abrupt resignation of its five-member jury, who refused to consider nations charged with crimes against humanity, leading to awards being chosen by public vote. Additionally, the main exhibition "In Minor Keys" was affected by the death of its curator, Koyo Kouoh.

‘She had a fresh, informed eye’: mural depicting late Venice Biennale curator Koyo Kouoh displayed in lagoon city

A mural honoring Koyo Kouoh, the late curator of the 2025 Venice Biennale, has been unveiled in Venice. Created by US artist Derrick Adams, the collage titled "Heavy is the head that wears the crown" adorns the facade of the Palazzetto dello sport Giobatta Gianquinto near the Arsenale. Kouoh died on 10 May 2025 at age 57 after a cancer diagnosis. The tribute was organized by curator Francesco Bonami, who had invited Kouoh to join the jury for the 50th Venice Biennale in 2003.