The Brooklyn-based art collective MSCHF concluded its two-year project 'Our Cow Angus,' in which the fate of a live cow was determined by token holders. Purchasers of tokens representing future hamburgers and leather had the option to return them via a 'remorse portal'; when over 50% were returned by the March 13 deadline, the cow was sent to a sanctuary instead of a slaughterhouse.
Hyperallergic has published its monthly list of opportunities for artists, writers, and art workers, featuring a curated selection of upcoming deadlines for residencies, fellowships, grants, and open calls. The list includes programs from institutions like the Banff Centre for Arts and Creativity, the Center for Craft, the Tulsa Artist Fellowship, and Light Work, offering financial support, studio space, and community.
The art collective MSCHF saved a cow named Angus from slaughter after a two-year project called 'Our Cow Angus'. The project allowed fans to preorder burgers or a leather bag made from Angus, but also provided a 'Remorse Token' to cancel orders. If 50% of tokens were used by the deadline, Angus would be spared and sent to a sanctuary. With ten hours remaining, the threshold was met, and the cow's life was saved.
The Butler Institute of American Art has opened its call for entries for the 89th National Midyear Juried Exhibition, a prestigious competition for contemporary American artists. Open to U.S. residents aged 18 and older, the exhibition accepts 2D and relief artworks, with a submission deadline of April 17. This year’s selections will be juried by Louis A. Zona, the museum’s director emeritus, and will be on display from July 12 through August 20.
Evolved Gallery in Ventura, California, has announced an open call for its upcoming exhibition titled "SE7EN," themed around the seven deadly sins. Founded by Christina Van Ryzin in late 2025, the gallery is seeking traditional and digital paintings or illustrations that explore these vices through modern social or political lenses. The submission deadline is April 15, with the exhibition scheduled to run from April 25 through June 28, 2024.
The Vilcek Foundation is accepting applications for its 2026 grant cycle, offering up to $20,000 per grant to nonprofit organizations that highlight immigrant contributions in the arts, sciences, and culture. The total funding pool is $200,000, with a deadline of April 30, 2026. This initiative marks the second year of this specific grant program, expanding the foundation's long-standing mission as it celebrates its 25th anniversary.
Multiple open calls for artists and grants have been announced for April 2026 deadlines. The 2027 Creative Capital Open Call offers unrestricted project grants up to $50,000 for artists across all 50 states, while also selecting recipients for the new State of the Art Prize, which grants $10,000 to one artist from each state and territory. Delfina Foundation, in partnership with the Jorge M. Pérez Collection, is offering four fully funded residencies for Latin American and Caribbean artists, with two spots available in this round. The Ogden Museum of Southern Art is accepting submissions for its Louisiana Contemporary 2026 statewide juried exhibition, and the Handweaver’s Guild of America has issued calls for entries for its Convergence 2026 fiber art exhibitions.
The U.S. House of Representatives has passed a bill to extend the Holocaust Expropriated Art Recovery (HEAR) Act, which was set to expire at the end of the year. The Senate had already approved the extension, and the legislation now awaits the President's signature to become law.
The Huntington Arts Council has officially opened applications for the 2026 Devlin Starr Memorial Art Award, a $3,000 grant designed to support emerging multimedia artists between the ages of 18 and 28. Established to honor the legacy of the late artist Devlin Starr, who passed away in 2025, the award provides financial assistance for materials, studio space, and equipment. Applicants are required to submit a portfolio of recent work and a personal statement by the May 8 deadline.
The Ludington Area Center for the Arts (LACA) has announced an open call for its upcoming juried exhibition titled “Chew on This.” Scheduled to run throughout October in Ludington, Michigan, the show invites artists to submit food-themed works ranging from literal depictions of meals to conceptual explorations of consumption and community. The call is open to national and international artists across various media, including painting, sculpture, and fiber arts, with a submission deadline of August 30.
The Edwardsville Arts Center has announced a two-week countdown for artist applications for the 2026 Edwardsville Art Fair. Scheduled for September 25-27 in City Park, the fair seeks roughly 90 artists across various media, including ceramics, painting, and digital art, with a final deadline of April 30. The event features a specialized category for emerging artists that waives booth fees to encourage newcomers to the professional circuit.
The Yadkin Arts Council has issued a call for entries for its 15th Annual Juried Exhibition, hosted at the Yadkin Cultural Arts Center in Yadkinville, North Carolina. Open to adult artists residing in the state, the competition accepts original 2D and 3D works across a wide range of mediums, including painting, sculpture, and digital art, with a submission deadline of June 7.
Incarcerated artists at the Eastern Reception, Diagnostic and Correctional Center in Bonne Terre are showcasing their work in a major exhibition titled "Expressions from Within" at the St. Louis University Museum of Art. The display features approximately 130 pieces, including drawings, paintings, and mixed-media works created through St. Louis University’s Prison Arts and Education Program. Led by artist-in-residence Stan Chisholm, the program provides an open studio environment where participants like Rey Hernandez and James Merritt can develop their technical skills and explore creative expression outside the rigors of prison life.
The Santa Clarita Artists Association (SCAA) has issued a call for artists to submit work for its upcoming exhibition titled "Freshly Squeezed," with an entry deadline of May 31. The exhibition, running from June 18 to July 19 at the SCAA Gallery in Santa Clarita, California, invites original 2D and 3D fine art in all media that features citrus fruits, citrus-inspired colors, or abstract interpretations of a citrus palette. No video or AI-generated works are accepted, and pieces must not have been shown at the gallery in the last two years. Key dates include a reception on June 20, notification on June 2, and artwork drop-off on June 16.
Riforma dei beni culturali. La legge “Italia in scena” dà alcune risposte ma produce tante domande
Italy's parliament approved the "Italia in scena" law in March 2026, a cultural heritage reform aligned with right-wing priorities: territorial valorization, local identity promotion, autonomy, and private-sector involvement. The law establishes a digital registry (Anagrafe), a roster of accredited operators, and a framework for private management of cultural assets, but allocates only €4.5 million annually—a symbolic sum compared to France's cultural mediation budgets. It also opens participation to the Third Sector (cooperatives, community foundations) but defers all critical details to implementing decrees with no strict deadlines or enforcement mechanisms.
Northwind Art has launched a call for entries for its upcoming juried exhibition, "Northwest Expressions," scheduled to run from June 25 through August 10 at the Jeanette Best Gallery in Port Townsend. Open to artists aged 16 and older residing in Washington and Oregon, the showcase accepts a wide range of media including painting, jewelry, sculpture, and photography. The submission deadline is May 29, with artist and educator Anne Pfeiffer serving as the 2026 juror.
South Africa’s official pavilion at the Venice Biennale will remain empty this year following the government's abrupt cancellation of artist Gabrielle Goliath’s planned exhibition. The controversy erupted when Culture Minister Gayton McKenzie pulled the project just days before the deadline, labeling Goliath’s work "highly divisive" due to its inclusion of a tribute to Palestinian poet Hiba Abu Nada. Despite the official ban and a failed court challenge by the artist and curator, the work, titled *Elegy*, will now be staged independently at the Chiesa di Sant’Antonin nearby.
The Edmonds Arts Festival has officially opened its call for artists for the juried Gallery Arts portion of its 69th annual event, scheduled for June 19–21, 2026. Regional artists are invited to submit works across two distinct calls covering categories such as painting, sculpture, photography, and digital art, with a submission deadline of May 1. The 2026 edition, led by co-directors Janet Jensen and Cheryl Waale, will feature three premier gallery spaces at the Frances Anderson Center and offer $12,000 in prize awards.
South Africa will not participate in the 61st Venice Biennale following a High Court ruling that dismissed an urgent application by artist Gabrielle Goliath. The dispute began in January when Culture Minister Gayton McKenzie canceled the planned exhibition, "Elegy," citing concerns over its references to Gaza and the killing of Palestinian poet Hiba Abu Nada. The court's decision, delivered just hours before the biennial's submission deadline, effectively leaves the South African pavilion empty for the 2024 edition.
A South African high court has dismissed an urgent application by artist Gabrielle Goliath and curator Ingrid Masondo to reinstate their cancelled pavilion for the 2026 Venice Biennale. The project was scrapped by Sport, Arts and Culture Minister Gayton McKenzie after Goliath refused to remove a segment of her work 'Elegy' that referenced Hiba Abu Nada, a Palestinian poet killed in an Israeli airstrike. The minister labeled the content "highly divisive" and "polarizing."
A South African high court has dismissed artist Gabrielle Goliath’s urgent application to reinstate her selection for the 61st Venice Biennale. Culture Minister Gayton McKenzie canceled Goliath’s pavilion, titled "Elegy," labeling the work "highly divisive" just days before the official submission deadline. The artist and curator Ingrid Masondo argued the cancellation was an act of censorship and a violation of constitutional freedom of expression, but the court rejected the bid without providing immediate reasons.
The Arts Council Korea (ARKO) is accepting applications for its ARKO Art Studio residency program in Seoul, which will host 10 visual artists—six international and four local—for two rounds in 2025. Selected artists receive private studio space in Pyeongchang-dong, cultural tours, mentorship, networking events, and studio visits with curators, culminating in a two-month group exhibition at the ARKO Art Center. The application deadline is February 18, with successful applicants announced on March 11.
The Andy Warhol Foundation for the Visual Arts is launching a new grant program to support U.S.-based visual arts nonprofits with budgets under $200,000, offering awards between $20,000 and $30,000. The program will begin accepting applications for its Spring 2026 grant cycle, with a deadline of March 1. This marks a significant expansion of the foundation's previous focus, which had been on organizations with budgets of $300,000 or more.
Nifty Gateway, one of the earliest and most prominent NFT marketplaces, announced it will shut down on February 23, 2026, citing sharply declining activity. The platform, founded in 2018 by twins Duncan and Griffin Cock Foster and acquired by Gemini in 2019, has entered withdrawal-only mode, advising users to move their assets before the deadline. At its peak in 2021, Nifty Gateway reported $300 million in gross merchandise value, boosted by a Sotheby's partnership for a $17 million NFT drop by the artist Pak. The closure follows the collapse of the NFT boom, with trading volumes plummeting and other platforms like Async Art, KnownOrigin, and MakersPlace already shuttered.
Nifty Gateway, an early NFT marketplace founded in 2018 and acquired by Gemini, will shut down on February 23 after entering withdrawal-only mode. The platform, which once reported $300 million in gross merchandise value in 2021 and partnered with Sotheby's for a $17 million NFT drop, is closing amid a sharp decline in NFT trading activity. Users must withdraw their assets by the deadline, after which they can no longer list, buy, or sell NFTs on the site.
South African artist Gabrielle Goliath and curator Ingrid Masondo are taking urgent legal action against South Africa's sport, arts and culture minister Gayton McKenzie after he cancelled their project for the country's Venice Biennale pavilion. The pair were selected in December 2025 to present a new iteration of Goliath's decade-long project *Elegy*, which addresses femicide and the murder of LGBTQI+ people, and was also set to include references to the Ovaherero and Nama genocide in Namibia and the death of Palestinian poet Hiba Abu Nada. McKenzie, leader of the right-wing Patriotic Alliance party, described the Abu Nada-related content as "highly divisive" and cancelled the project on 2 January, just days before the submission deadline. The legal team, led by Adila Hassim, will file an application at the high court in Pretoria by 22 January, arguing that McKenzie's interference is unconstitutional.
The Smithsonian Institution faces a deadline to submit internal communications and exhibition materials to the White House as part of President Donald Trump's review aimed at eliminating so-called 'woke' ideology. Smithsonian Secretary Lonnie G. Bunch III has begun turning over documents from several galleries on a rolling basis, and the National Portrait Gallery has already complied by replacing Trump's portrait with a new photograph and removing mentions of his two impeachment trials from the wall text. The review, launched in August 2025, targets eight museums including the National Museum of African American History and Culture and the Hirshhorn Museum, following an April executive order titled 'Restoring Truth and Sanity to American History.'
Wavelength Space art gallery in Chattanooga, Tennessee, has extended the deadline to January 28 for its open call exhibition "Glimmer & Shine," celebrating Women’s History Month in March 2026. Sponsored by the Women, Gender, & Sexuality Studies Department at the University of Tennessee at Chattanooga (UTC), the exhibition invites artists to explore themes of radiance, reflection, and resilience through works that engage with light as both phenomenon and metaphor. The show is guest-juried by artist Ayo Janeen Jackson and is open to all U.S. residents, with free entry for UTC students and faculty and a $30 fee for others.
South Africa's government abruptly canceled its pavilion at the 2025 Venice Biennale, pulling the plug on artist Gabrielle Goliath's video installation "Elegy" just days before the deadline. The work, a ritual of mourning featuring seven women singers sustaining a single B note, was dedicated to victims of femicide and expanded to include references to Namibia and Gaza. Sports, Art, and Culture minister Gayton McKenzie deemed the Gaza section "divisive," prompting Goliath and curator Ingrid Masondo to appeal directly to President Cyril Ramaphosa and the foreign ministry. Meanwhile, the Smithsonian Institution submitted photographs of wall labels and exhibition texts to the Trump Administration in response to a "content review" ultimatum, with Secretary Lonnie G. Bunch III confirming compliance while asserting curatorial authority. Roland Augustine, cofounder of Luhring Augustine, announced he is stepping down to focus on philanthropy, marking a transition for the New York gallery.
The Georgetown Art Center (GAC) has issued an open call for its 2027 exhibition season, inviting U.S.-based artists working in any medium to propose monthlong solo exhibitions featuring work created within the past three years. Submissions will be reviewed by a panel of three artists—Caroline Walker, Mark Greenwalt, and Molly Mansfield—each of whom had solo shows at GAC in 2025. Selected artists receive a $500 honorarium, promotional support, and opportunities for an opening reception, artist talk, and masterclass. The deadline for submissions is February 28, 2026, with a $45 fee.