The New York art scene was bustling with events this week. The New York Botanical Garden held its annual Orchid Dinner at the Plaza Hotel, featuring elaborate floral designs and guests like Martha Stewart and Sigourney Weaver. Meanwhile, Sotheby's hosted the Art for Water benefit auction for the Waterkeeper Alliance, with works by Jeff Koons and Ed Ruscha, and the New Museum celebrated the opening of a major Raymond Pettibon exhibition.
Ceramics are experiencing a surge in visibility across museums, galleries, and art fairs in major US cities. The article catalogs numerous recent and upcoming exhibitions, including Kathy Butterly's sold-out show at James Cohan with pieces at $45,000 each, Nicole Cherubini's nearly sold-out show at Friedman Benda with prices up to $65,000, and Ruby Neri's work at Salon 94 peaking at $75,000. Other highlights include Ron Nagle at Matthew Marks, Theaster Gates' Gagosian show celebrating David Drake, NADA Ceramics in Tribeca, and ceramic presentations at Frieze Los Angeles, Post-Fair, Expo Chicago, and David Zwirner. Institutional shows include Toshiko Takaezu at Princeton University Art Museum and a ceramic collection at RISD Museum.
Artist Theaster Gates has gifted a 19th-century vessel by enslaved potter David Drake to Drake's descendants and made this act of restitution the centerpiece of his solo exhibition at Gagosian in New York. The show, titled "Dave: All My Relations," features Gates's own artworks responding to Drake's legacy and the recently transferred pot, highlighting Gates's decades-long engagement with Drake as a foundational figure for his own practice.
Artist Theaster Gates has gifted a 19th-century ceramic vessel by the enslaved potter David Drake, known as Dave the Potter, to Drake's descendants. The gesture is part of Gates's exhibition "Dave: All My Relations" at Gagosian in New York, which also features a second Drake pot recently restituted by the Museum of Fine Arts, Boston. Gates pulverized 45 of his own ceramic works to create a plinth for the vessel, framing the act as a "poetic justice" that elevates Drake's legacy above his own.
Museums across the United States are preparing exhibitions to mark the 250th anniversary of American independence in 2026. The New York Historical will present "Democracy Matters," opening June 19, 2026, exploring voting, free speech, and land rights through works by Thomas Cole, Mel Chin, and Lady Pink alongside historic documents. The Museum of Fine Arts, Boston will debut "America at 250" on the same date, integrating Native and non-Native art with pieces like Gilbert Stuart's portrait of George Washington and a critique by Mohawk artist Alan Michelson. The National Portrait Gallery had planned "Amy Sherald: American Sublime" for September 2025, but Sherald canceled the show over censorship concerns in July 2025. The Philadelphia Museum of Art will host "A Nation of Artists" from April 2026 through September 2027, featuring Frederic Edwin Church's "Pichincha."
Tinworks Art, the Montana-based nonprofit that revived Agnes Denes's "Wheatfield" land art in Bozeman last year, has acquired the historic Rialto theater in downtown Bozeman. The organization will inaugurate the venue with screenings of Matthew Barney's 2018 film "Redoubt," running from January 31 through February 1, with two showings daily Thursdays through Sundays. The Rialto, built in 1908 as a post office and converted to a theater in 1924, was donated to Tinworks and joins its two-acre complex of former warehouses and agricultural buildings that have hosted exhibitions by artists including Stephen Shore, Lucy Raven, and Theaster Gates.
An Amoako Boafo painting, *Red Dress* (2017), has been consigned to Phillips’s upcoming modern and contemporary art day sale by actor and ARTnews Top 200 collector Jesse Williams. The work, estimated at $150,000 to $200,000, depicts Thelma Golden, director of the newly reopened Studio Museum in Harlem. It was previously featured in Boafo’s 2022 solo exhibition “Soul of Black Folks” at the Contemporary Arts Museum Houston. This marks another instance of a work from Williams’s collection appearing at Phillips, following a Noah Davis painting consigned by his ex-wife in 2024.
Five additional suspects have been arrested in connection with the October 19 Louvre heist, in which thieves stole jewels worth €88 million ($102 million) from the museum in broad daylight. The arrests occurred in the Paris region, with one main suspect among them; three of the four-man team are now in custody, while one remains at large. Separately, Boston's Museum of Fine Arts (MFA) has agreed to return two ceramic works by enslaved potter David Drake to his descendants, marking the first time the museum has restituted art taken under slavery in the 19th century United States. One vessel will remain on loan to the MFA, while the other, Drake's Poem Jar, has been repurchased by the museum with a "certificate of ethical ownership."
The New York Academy of Art held its 26th annual "Take Home a Nude" benefit auction at Sotheby's Upper East Side headquarters, honoring artist John Alexander. The event featured 112 artists, including Ryan McGinness, Natalie Frank, Christo, Eric Fischl, and Kiki Smith, who each donated unique drawings made from the same nude models during Will Cotton's annual Drawing Party. The party, hosted at Cotton's studio, brought together New York artists to sketch live models, with this year's theme featuring the sons and daughters of art-world figures like Glenn O'Brien, Jeanne Greenberg Rohatyn, Anne Pasternak, and Barbara Gladstone posing alongside the nudes.
The article surveys the art world's turbulent 2025, beginning with devastating Los Angeles wildfires that destroyed artworks and the political shockwaves of Donald Trump's re-election. Trump's administration targeted the National Portrait Gallery, whose director Kim Sajet resigned after threats of firing, while immigration crackdowns, tariffs on art imports, and attacks on diversity initiatives chilled the art community. The year also saw Venice residents protest Jeff Bezos's lavish wedding, Trump's gilded Oval Office renovations, and a major Veronese exhibition at the Prado that drew parallels between historical extravagance and decline.
The 2025 Fall Arts Preview highlights a vibrant season in Atlanta, featuring the return of the Atlanta Art Fair (AAF) at Pullman Yards from September 25–28 with over 60 exhibitors, including local and international galleries. Key programming includes a curatorial presentation by Melissa Messina with abstract artists Krista Clark, Sonya Yong James, and Vadis Turner honoring Mildred Thompson. Additionally, the Hammonds House Museum and National Black Arts Festival present "Black Zeitgeist: Atlanta" through December 14, exploring the city's Black art legacy, while the revived art amusement park "Luna Luna: Forgotten Fantasy" opens at Pullman Yards on September 24.
The article discusses the enduring style of Sade Adu, frontwoman of the British group Sade, following the band's announcement of their induction into the 2026 Rock and Roll Hall of Fame. It highlights how Adu's signature look—scraped-back hair, red lipstick, hoop earrings, and simple black dresses or denim—has become iconic and influential, with her outfits featured in exhibitions like V&A East's 'The Music is Black' and referenced by celebrities such as Drake. The piece traces the origins of her style to her fashion design studies at Saint Martin's School of Art and her early work with designer Fiona Dealey.
The Philadelphia Museum of Art (PMA) and the Pennsylvania Academy of the Fine Arts (PAFA) have launched "A Nation of Artists," a massive dual-museum exhibition running through late 2027. The show features over 1,000 works, including the public debut of 120 pieces from the private Middleton Family Collection, owned by Philadelphia Phillies owner John Middleton. While the PMA presents the works chronologically from 1700 to 1960, PAFA offers a thematic exploration, both aiming to integrate underrepresented Black, Indigenous, and immigrant artists alongside canonical figures like Georgia O’Keeffe and Jackson Pollock.
Rapper 21 Savage and British-Nigerian artist Olaolu Slawn (known as Slawn) took over Atlanta's High Museum of Art to celebrate the release of Savage's new album, *What Happened to the Streets?*. The exhibition featured 15 original artworks co-created by the duo, including the album's cover art inspired by Kerry James Marshall's 1980 painting “A Portrait of the Artist as a Shadow of His Former Self,” eight portraits of collaborators (Drake, Latto, G Herbo, Lil Baby, Jawan Harris, GloRilla, Metro Boomin, Young Nudy), and four additional paintings from the album's 4-CD cover art series. The event follows their Art Basel rollout, which included a 20-foot inflatable sculpture roaming Miami.
CULTURED magazine and fashion brand MZ Wallace celebrated the 10-year anniversary of their Young Artists List with an event at (SUB)MERCER in SoHo, where they announced Iraqi-born, Los Angeles-based artist Ali Eyal as the winner of the 2025 Young Artist Prize. Eyal received an unrestricted $30,000 grant, selected by a jury of curators from the Met, the Hammer, and MoMA, for his multidisciplinary practice reflecting on violence endured during his upbringing in Baghdad.
The Art Newspaper has launched a digital newsletter offering a daily digest of essential news, views, and analysis from the international art world, delivered directly to subscribers' inboxes. The announcement, published under the title "United States," invites readers to subscribe for curated coverage of the global art scene.
The Museum of Fine Arts, Boston has restituted two large-scale ceramic vessels by David Drake, an enslaved potter, to his known descendants. The works—a "Poem Jar" and a "Signed Jar," both from 1857—were acquired by the museum in 1997 and 2011 respectively. On October 16, the MFA deaccessioned the jars and transferred ownership to Drake's descendants via the Dave the Potter Legacy Trust. The museum then repurchased the "Poem Jar," which re-entered the collection on October 23, while the "Signed Jar" remains with the family on long-term loan to the museum. The decision followed discussions prompted by the exhibition "Hear Me Now: The Black Potters of Old Edgefield, South Carolina," co-organized with the Metropolitan Museum of Art.
Fotografia Europea, the international photography festival in Reggio Emilia, Italy, has opened with 20 exhibitions and related events under the theme 'ghosts of the moment'. The festival features works by artists including Tania Franco Klein, Giulia Vanelli, Felipe Romero Beltrán, and Salvatore Vitale, exploring themes of memory, migration, identity, and the unseen forces shaping contemporary life. The festival runs until 14 June 2026.
Golden Goose and the Wolfsonian–FIU Museum and Research Center co-hosted a toast for Marco Brambilla's exhibition "After Utopia" during Miami Art Week. The event offered a first look at Brambilla's dreamscapes, which feature A.I.-run surrealist landscapes with shimmering steel towers, on view through March 1. Guests included artists, photographers, gallerists, and patrons, with a follow-up Co-Creation moment at Golden Goose Miami Design District.
The Museum of Fine Arts (MFA) in Boston has agreed to return two 1857 works by the enslaved potter David Drake to his descendants. One vessel will remain on loan to the museum for at least two years, while the other, known as the "Poem Jar," has been purchased back by the museum for an undisclosed sum, now carrying a certificate of ethical ownership. The episode also covers the opening of the exhibition "Wifredo Lam: When I Don’t Sleep, I Dream" at the Museum of Modern Art in New York, featuring the modernist painter of African and Chinese descent, and discusses Domenico Ghirlandaio's "Adoration of the Magi" (1488) in the context of a new book on Renaissance foundlings.
Dove viveva il grande artista Joseph Beuys? Il racconto a fumetti di Gianluca Costantini
In the summer of 2022, the author visited Düsseldorf and discovered that Joseph Beuys's former home at Drakeplatz 4 in Oberkassel was for sale, but the city's cultural department declined to purchase it. Beuys lived and worked there from 1961 until his death in 1986, using the space as both a residence and studio. The article recounts the intimate details of family life there, including how Beuys painted the main room white for his wife Eva's photography, and how the family navigated the blend of private life and artistic practice. Two years later, the Brunhilde Moll Foundation acquired the house and opened it to the public, though it was closed for renovations when the author returned. The house now displays about sixty works from Beuys's creative period and will host artist residencies and events.
National Geographic has launched a traveling exhibition and book titled "Women of Vision," curated by senior photo editor Elizabeth Krist. The show highlights the work of 11 award-winning female photojournalists—Erika Larsen, Kitra Cahana, Jodi Cobb, Amy Toensing, Carolyn Drake, Beverly Joubert, Stephanie Sinclair, Diane Cook, Lynn Johnson, Maggie Steber, and Lynsey Addario—featuring images ranging from indigenous Sami people in Sweden to conflict zones and urban scenes. It opened at Michigan's Cranbrook Institute of Science, where it runs through December 30, before traveling to the Palm Beach Photographic Center.
Juneau's First Friday in May 2026 features a diverse array of events, including a storytelling project called "Tambayan at Kwentuhan" that shares oral histories from Filipino elders, an exhibition titled "Dizzy Hooligan" by Kiyana Fonua recalling Kava gatherings in Anchorage, and a retrospective of Indigenous fashion designer Dorothy Grant at the Alaska State Museum. Other offerings include a chamber music concert by Taku Winds, a "Critter Trek" exhibition at the Juneau-Douglas City Museum featuring local wildlife art, planetarium explorations, a book release by author Corinna Cook, and displays of woodworking by Phil Paramore and jewelry by Colleen Goldrich.
Quil Lemons has organized a group exhibition titled "American Faggot Party" at Twenty Summers, a nonprofit arts space in a former schoolhouse in Provincetown, Massachusetts. The show, on view through September 28, features works by Lemons alongside peers and elders including Ryan McGinley, Ocean Vuong, and the late Felix Gonzalez-Torres. It reimagines James Montgomery Flagg's iconic wartime poster as a call to arms for queer community, blending protest, tenderness, and celebration. Contributing artists such as Diego Villarreal Vagujhelyi, Myles Loftin, and Slava Mogutin describe their works as intimate rallying cries for visibility and endurance.
Artists Elliot Twelvetrees and Daniel Snouffer have opened a new gallery called Art Haus Unlimited in Columbus, Ohio, located at 765 Summit St. in a historic building. The gallery features fine art and photography by Twelvetrees, Snouffer, Colin Dearth, and Tamera Bryant. Twelvetrees, an abstract painter and former interior designer, and Snouffer, an award-winning photographer and designer, launched the space in November 2025, with Twelvetrees returning to the very studio she once used. The gallery participates in the Short North Gallery Hop and hosts events like Twilight Soirées with live music to create an inviting atmosphere.
Michael McGraw, a prominent figure in the design public relations world, is opening a new gallery called Dernier Cri on New York's Upper East Side. The space debuts on January 29, 2026, with an exhibition titled "Night Shift," featuring sculptural works by artists including Julian Mayor, Casey Johnson, Todd Marshard, Jessie Nelson, and Marit Harte, all rendered in a single black palette. McGraw, who has spent years shaping narratives for design studios and brands, describes the gallery as a physical extension of his work as a design publicist, aiming to showcase compelling art and design that inspires interior designers.
The Museum of Fine Arts (MFA) Boston has agreed to return two 1857 ceramic jars by David Drake, an enslaved Black potter, to his living descendants. One vessel will remain on loan to the museum for at least two years, while the other—the "Poem Jar"—has been purchased back by the MFA from the heirs for an undisclosed sum, now carrying a "certificate of ethical ownership." The museum acknowledges that Drake created the works involuntarily and without compensation, marking the first time the MFA has resolved a claim for art wrongfully taken under U.S. slavery.
New York's art, design, and philanthropic leaders gathered at the Park Avenue Armory for the Winter Show's Opening Night Preview, marking the fair's 72nd edition and honoring Caroline Kennedy. The event featured 75 international exhibitors, with co-hosts including Executive Director Helen Allen, East Side House Settlement Executive Director Daniel Diaz, Honorary Co-Chair Wendy Goodman, and designers Noz Nozawa, Ben Pentreath, Jane Keltner de Valle, Giancarlo Valle, Michael Bargo, and CULTURED Editor-in-Chief Sarah Harrelson. Attendees included fashion designer Cynthia Rowley, interior designers Reed and Delphine Krakoff, and architect Peter Marino, among others.
The Navajo Nation is currently navigating a complex struggle to preserve its cultural heritage against the lingering effects of colonial-era boarding schools and the modern pressures of social media and urbanization. While elders like Virginia Brown recount the trauma of forced assimilation and language suppression, a new generation is grappling with a decline in Navajo fluency, which UNESCO now classifies as a vulnerable language. Despite these hurdles, community members are utilizing local schools and traditional practices to reclaim their identity.
David Drake, also known as Dave the Potter, was an enslaved African American ceramicist and poet in 19th-century South Carolina who inscribed his stoneware jars with defiant poetry at a time when teaching enslaved people to read or write was a crime. The article argues that despite his recognized genius, Drake was not fully an artist during his lifetime because he was denied the fundamental right to own, control, and benefit from his creations—a right the Berne Convention calls 'inalienable.' Only recently, after the Museum of Fine Arts Boston returned two of his jars to his heirs, has Drake begun to receive the full recognition and economic justice that define true artistic status.