The Reina Sofía museum in Madrid has installed Dumile Feni's 1967 drawing 'African Guernica' directly opposite Pablo Picasso's iconic 'Guernica' painting. This pairing is the centerpiece of the museum's new annual exhibition series 'History Doesn’t Repeat Itself, But It Does Rhyme,' which aims to place works from different cultural contexts in dialogue with Picasso's masterpiece.
Seventy-three artists and curators participating in the main exhibition of the 2024 Venice Biennale have issued an open letter objecting to the organizers' decision to relocate the Israeli national pavilion to the Arsenale. They argue this move creates an intimidating atmosphere contrary to the late curator Koyo Kouoh's vision of "radical solidarity" and will necessitate a heightened security presence. The signatories, which include key curators tasked with realizing Kouoh's exhibition, also call for the exclusion of Israel, Russia, and the United States from the event, citing their governments' alleged commission of war crimes.
Artist Shana Moulton is set to discuss her multidisciplinary practice at the "Humanities Decanted" event on April 21. The talk will focus on her long-running 'Whispering Pines' series and her recent site-specific installation at MoMA’s Kravis Studio, which features her iconic alter ego, Cynthia. Developed in collaboration with composer Nick Hallett, the project utilizes performance and video to explore a multi-chapter narrative centered on themes of wellness and consumerism.
This Masterpiece by Rembrandt’s Star Pupil Has a New Owner
Willem Drost's 1654 painting *Man With a Plumed Red Beret* has been acquired by the Leiden Collection, a private museum focused on Dutch Golden Age art. The sale was conducted privately through Agnews Gallery at the TEFAF Maastricht fair for an undisclosed sum, with the collection's founder calling it a "capstone acquisition."
An activist group called Art Not Genocide Alliance has published an open letter demanding the Venice Biennale eject Israel from this year's exhibition. The letter has been signed by nearly 200 artists, curators, and arts workers participating in the 2026 Biennale, including members of the main exhibition's curatorial team and contributors to several national pavilions. The letter accuses Israel of genocide and apartheid, and references the 2024 Biennale where Israel's pavilion remained closed due to similar protests.
Kong Lingyi has been appointed as the new CEO of the UCCA Center for Contemporary Art in Beijing, succeeding Philip Tinari who stepped down shortly before the Lunar New Year. A veteran of the institution since 2012, Kong previously served as vice president of brand and is now tasked with overseeing UCCA’s multiple branches in Beijing, Beidaihe, and Yixing. Her leadership marks a shift toward a new management structure focused on institutional sustainability and public accessibility.
"Hinter allen schönen Dingen liegt ein Leiden"
The art market is undergoing a profound structural transformation as a new generation of collectors shifts focus away from traditional blue-chip masters like Cy Twombly and Mark Rothko. These 'NextGen' buyers, socialized through the internet and Instagram, prioritize identity-building over status, favoring streetwear, digital art by figures like Refik Anadol, and music memorabilia over classical painting. Meanwhile, institutional shifts are occurring globally: Greece has introduced specific legislation to criminalize the production of art forgeries, and LACMA director Michael Govan is defending the $724 million Peter Zumthor-designed expansion as a necessary 'magnet' for attracting major donations.
The John Simon Guggenheim Memorial Foundation has announced its 2026 fellowship recipients, naming 223 individuals across 55 disciplines. The cohort includes 76 professionals from the visual arts, photography, and fine arts research sectors, featuring notable figures such as Sheida Soleimani, American Artist, Kenneth Tam, and Sonya Clark. This year's selection process was notably competitive, drawing 5,000 applicants—a significant increase from previous years.
Dans l’atelier d’Abdelkader Benchamma, cartographe des mondes invisibles
French-Moroccan artist Abdelkader Benchamma is preparing for his upcoming solo exhibition, "Signs and Wonders," at Galerie Templon in Paris. Working from his sun-drenched studio in Montpellier, Benchamma has transitioned from his signature black-and-white ink drawings to large-scale canvases that incorporate celestial blues and earthy mineral tones. The new body of work draws inspiration from 15th and 16th-century manuscripts, specifically the Kitab al-Bulhan and the Book of Miracles, creating a "giant book" of visual narratives that blur the lines between abstraction and figuration.
Gardar Eide Einarsson’s latest exhibition at Maureen Paley’s East London space presents a haunting exploration of dissociation and coded information. The show features two distinct series: 'Closed Caption,' a collection of monochrome black gouache paintings featuring isolated subtitles from films, and 'Incendiary Test Area,' a set of hyperrealistic woodblock prints created in collaboration with master Shoichi Kitamura. These prints depict the interiors of mock 'Japanese' houses built by the US Army for fire-bombing tests during World War II.
The High Desert Museum in Bend, Oregon, has unveiled a new solo exhibition titled "Miguel Almeida: Las Manos que dan de Comer" (The Hands That Feed). Featuring large-scale murals, hand-painted animations, and a ten-foot-tall cutout figure surrounded by actual soil, the installation explores the daily lives and human stories of farm workers in the American West. Almeida, a first-generation Mexican American artist based in Boise, draws from his own family history of agricultural labor to create vibrant, contemporary works influenced by skateboarding culture and Mexican folk traditions.
NASA has released the first images from the Artemis II mission, marking humanity's first return to the moon since 1972. During a lunar flyby on April 6, Commander Reid Wiseman captured a series of high-resolution photographs using a Nikon D5, including a striking image titled 'Earthset' that shows the planet sinking below the lunar horizon. The mission's four-person crew produced approximately 10,000 images, documenting the far side of the moon and a total solar eclipse from a unique celestial perspective.
The Surrey Art Gallery has launched "In the Shadow of the Pavilions," an exhibition exploring the complex artistic legacy of Vancouver’s Expo 86. Curated by Jordan Strom, the show features works and archival materials from over 50 artists, including those officially commissioned for the world’s fair and those who were excluded or responded critically to the event. Highlights include documentation of Michael Snow’s pioneering holography and Bill Reid’s Haida canoe, Loo Taas, alongside works by Stan Douglas and Rodney Graham.
"Seide trägt Geschichten von 3000 Jahren"
Renowned artist Ai Weiwei has collaborated with the historic Italian textile house Rubelli to create a series of silk objects for Milan Design Week. The installation features intricate silk patterns incorporating the artist's signature political motifs, including handcuffs, surveillance cameras, and the Twitter bird. Despite his vocal criticism of the modern design industry as a profit-driven machine lacking ethics and philosophy, Ai was persuaded by Rubelli’s commitment to craftsmanship and their shared respect for the historical weight of the material.
Wittenberg University’s Art Department recently debuted "Prologue to Somewhere," a senior thesis exhibition held in the Ann Miller and Thompson Galleries. The showcase features diverse works from nine graduating seniors, ranging from traditional oil painting and stoneware ceramics to digital media, photography, and interactive video game design. Notable projects include Francesca Heidinger’s Pink Floyd-inspired abstract paintings, Kris Such’s queer horror comic concept art, and Molly Kirkpatrick’s mental health-focused digital experience.
The High Desert Museum in Bend, Oregon, has unveiled a new solo exhibition titled "Miguel Almeida: Las Manos que dan de Comer" (The Hands That Feed). The show features large-scale murals, hand-drawn animations, and a 10-foot-tall cutout figure of a farmworker surrounded by soil and ambient field sounds. Drawing from his own experience working in the fields of Idaho, the first-generation Mexican American artist uses a vibrant, contemporary style influenced by skateboarding culture and Mexican folk traditions to depict the daily lives of agricultural laborers.
The Association of International Photography Art Dealers (AIPAD) has announced the 45th edition of The Photography Show, scheduled to take place at New York’s Park Avenue Armory from April 22–26, 2026. The fair will feature 77 galleries, ranging from long-standing participants like Edwynn Houk Gallery to first-time exhibitors such as Galerie Sophie Scheidecker and Central Server Works. A significant addition to this year's programming is the debut of "Focal Point," a new sector dedicated exclusively to solo presentations that explore the experimental and evolving nature of lens-based media.
A 3,300-year-old Egyptian stele once owned by bodybuilding pioneer Ben Weider is set to be a highlight at TEFAF New York this May. The limestone carving, which depicts Pharaoh Thutmose IV, was gifted to Weider in 1964 and recently surfaced at a Montreal auction before being acquired by the London-based gallery David Aaron. Alongside the stele, the gallery will present a 2,500-year-old greywacke bust of a goddess, which was recently authenticated after being dismissed as a fake due to its pristine condition and 18th-century restorations.
NYU Steinhardt's Department of Art and Art Professions is presenting its 2026 MFA Thesis Exhibitions in two parts at the 80WSE Gallery in Greenwich Village. The first exhibition, titled 'Hoodwinked,' runs from April 1 to April 18 and features works by Nicholas Koby, Richard Medina, Roselynn Sadaghiani, Mario Saponaro, and Brooke Schneider. The second, 'Eggshells,' runs from May 6 to May 23 and showcases artists Ariel Barish, Christopher Chan, Mélanie Dumas, Roxie de Là, and Fan Qi.
The Museu de Arte do Rio has launched 'Sortilégios de desvio,' the first solo institutional exhibition by Brazilian artist No Martins. Produced in collaboration with Galeria Almeida & Dale and curated by a five-person team led by Marcelo Campos, the show features a significant selection of Martins’ recent works that explore the intersections of urban experience and Afro-Brazilian cultural imaginaries. Through a variety of media, the exhibition highlights the artist's focus on gesture, memory, and the reconfiguration of traditional visual narratives.
This week's cultural roundup connects diverse stories from art conservation to literary analysis. Novelist Karma Brown draws parallels between restoring artworks and revising novels, inspired by visits to the Art Gallery of Ontario, while an interview with Namwali Serpell examines the complex "monumentalization" of Toni Morrison's legacy. The column also includes a poignant image from Tehran—a framed artwork hanging in a bomb-damaged apartment—and touches on topics ranging from celebrating Eid in Gaza to discussions about "girl games" and the Lindy West drama.
Hotel Confidential is a new contemporary art exhibition hosted at the Royal Hotel in Picton, Ontario, featuring original projects by 16 artists. The show utilizes the hotel's Annex Building to display site-specific installations, such as a collection of vintage suitcases containing miniature dioramas and various architectural interventions. Co-curated by Stacey Sproule and Christina Zeidler, the event aims to bridge the gap between the region's luxury tourism industry and its dense local artist community.
"Das Humboldt Forum wird schon beschossen"
The architectural firm J. Mayer H. and partners Jürgen Mayer H. and Hans Schneider have won the eighth 'Kunst-am-Bau' competition for Berlin’s Humboldt Forum. Their winning installation, titled "Südpfeil" (South Arrow), features a 3.6-meter-long abstract arrow embedded high in the building's facade. The work references the 19th-century discovery of 'Pfeilstörche'—migratory storks that returned to Europe with African arrows in their bodies—which provided the first scientific proof of global migration routes.
The major retrospective ‘Out of Place’ at ART AFRICA showcases over 200 images by South African photographer Jo Ractliff, spanning four decades of her career. The exhibition traces Ractliff’s evolution from her early 1980s street photography to her mature, atmospheric landscapes that examine the scars of colonialism, apartheid, and regional conflicts in Southern Africa. By focusing on the 'afterlife' of violence rather than the events themselves, the collection highlights her unique ability to capture how history sediments within the physical terrain.
South African artist Diane Victor has been awarded the 10th Mario Avati Engraving Prize 2025 by the Academy of Fine Arts in Paris. Her work is currently the subject of an exhibition at the Académie des Beaux-Arts, which runs until May 31, 2026.
The Museum of the African Diaspora (MoAD) in San Francisco is celebrating the 10th anniversary of its Emerging Artists Program (EAP) by announcing its 2026-2027 cohort. Selected from hundreds of applicants, Bay Area artists Jasmine Ross, Demetri Broxton, Dorian Reid, and Tahirah Rasheed will each receive a fully supported solo exhibition at the museum. The program, which has supported 30 artists since 2015, provides crucial institutional backing, including curatorial guidance and production resources, to creatives at pivotal career moments.
Photographers Randy Bacon and Heidi Herrman-Bacon have launched their first collaborative exhibition, "Two Voices, One Road," at the C-Art Gallery in Springfield. The show features 37 black-and-white photographs and 18 mixed-media works that document the architecture and human history of Route 66. While Randy Bacon focuses on the soulful portraiture of desolate structures and signs, Heidi Herrman-Bacon utilizes vintage handkerchiefs and photography to highlight the often-overlooked contributions of women who maintained the diners and motels along the historic highway.
Thousands of worshippers gathered at Lakemba Mosque in south-western Sydney to celebrate Eid al-Fitr, marking the end of Ramadan. The event, one of Australia's largest Eid gatherings, saw families and individuals congregating at dawn for prayers and community festivities.
The Fitchburg Art Museum and the Laurelwood Garden Club have announced the 28th annual Art in Bloom celebration, running from April 23 to April 26. This year’s event coincides with the museum’s centennial anniversary and features 40 floral arrangements designed to interpret specific artworks from the permanent collection, including pieces from the exhibitions "Kaleidoscope" and "Festival: A Celebration of African Art."
The Harvard Art Museums have launched "Celtic Art Across the Ages," a first-of-its-kind exhibition that challenges traditional Eurocentric narratives focused on Greece and Rome. Spanning from the Iron Age to the modern Celtic Revival, the show features objects like the abstract Heidelberg sandstone head and the bronze Dea Artio sculpture to highlight a visual language defined by ornamentation and deconstruction.