‘Money! Glamour! Yachts! But not for me!’ Adrian Searle relives 30 glorious years as our chief art critic

Adrian Searle, the outgoing chief art critic for The Guardian, reflects on his 30-year career by recounting a vivid, personal montage of the art he has witnessed. He describes unforgettable encounters with works ranging from Vermeer's intimate paintings to Fiona Banner's suspended jet fighter, Roger Hiorns's crystal-filled flat, and Emily Jacir's poignant project on Palestinian displacement, highlighting how these experiences blend memory, story, and direct observation into a critic's life.

How a Louise Bourgeois Print Inspired Eden Xu-Martinez’s Intimate Collection

Eden Xu-Martinez, a collector and art administration professional, has built a personal collection centered on the accessibility and intimacy of prints. Her journey into collecting was catalyzed by a lithography course at Columbia University and a profound encounter with a Louise Bourgeois print, which shifted her perspective on the medium from mere reproduction to a deeply personal form of artistic expression.

The Untold Story of Peter Hujar and Paul Thek’s Intimate—and Complex—Bond

Andrew Durbin’s new dual biography, *The Wonderful World That Almost Was*, explores the profound and volatile relationship between photographer Peter Hujar and artist Paul Thek. Spanning from their meeting in the late 1950s to their deaths from AIDS-related complications in the 1980s, the book details how their shared experiences—most notably a 1963 visit to the Capuchin Catacombs in Palermo—fundamentally shaped their artistic trajectories. While Hujar captured the mummified remains in haunting photographs, Thek translated the encounter into his visceral "meat pieces" and wax effigies.

Artist Charles Ross Spent 50 Years Trying to Bring the Stars Down to Earth. At 88, Has He Done It?

Artist Charles Ross is nearing the completion of Star Axis, a monumental naked-eye observatory in the New Mexico desert that has been under construction for over 50 years. Conceived in 1971 and situated on a mesa Ross discovered in 1975, the massive architectural sculpture is designed to make the 26,000-year cycle of Earth’s axial precession perceptible to the human eye. The project began after a chance encounter with a local ranching family provided Ross with the square mile of land necessary to realize his cosmic vision.

Brooklyn’s Barclays Center Arena Launches Art Program, with Paul Pfeiffer As First Artist-in-Residence

The Barclays Center arena in Brooklyn has launched a multi-year public art initiative called 'Brooklyn Art Encounters.' The program includes a new artist-in-residence component, with Paul Pfeiffer as the inaugural resident, and will feature digital art broadcasts, major new commissions by artists like Sarah Sze, Rashid Johnson, Mark Bradford, and Kambui Olujimi, and a series of public installations on the arena's plaza and in its entrances.

Riyadh’s New Black Gold Museum Attempts to Convey ‘The Legacy of Oil Through Art’

The Black Gold Museum has officially opened in Riyadh, Saudi Arabia, as a flagship project of the nation’s Vision 2030 initiative. Housed in a Zaha Hadid-designed complex and directed by Jack Persekian, the institution features over 350 artworks by 170 international and local artists, including Manal AlDowayan and Doug Aitken. The museum explores the history and cultural impact of oil through four thematic sections—Encounter, Dreams, Doubts, and Visions—blending historical narrative with contemporary artistic reflection.

‘He sent someone to intimidate me’: Christopher Anderson, the photographer who shot Jeffrey Epstein

Photographer Christopher Anderson has revealed the details behind his 2015 encounter with Jeffrey Epstein, whom he photographed for a cancelled New York magazine profile. Anderson describes a series of unsettling interactions, including Epstein's attempts to buy the image rights for $20,000 and the eventual dispatch of a "mafia-esque" intimidator to Anderson's studio to seize a hard drive. The photographer's email exchanges with Epstein’s staff were recently made public as part of the Department of Justice's release of the Epstein files.

What to See in Sydney This Spring 2026

Sydney's art scene is energized by the opening of the 25th Biennale of Sydney, titled 'Rememory' and curated by Hoor Al Qasimi, which explores histories carried in the body rather than physical monuments. Concurrently, four notable exhibitions across the city engage with similar themes of legacy and history. Kirtika Kain's 'Unkept' at the Chau Chak Wing Museum creates a fictional archive from anti-caste traditions to address Dalit lineage and colonial collection politics, while Ron Mueck's 'Encounter' at the Art Gallery of New South Wales uses hyperreal sculpture to confront contemporary brutality and vulnerability.

German artist Anne Imhof to be subject of ‘ambitious’ Hong Kong solo exhibition

German artist Anne Imhof will present her first solo exhibition in Asia at the Tai Kwun culture complex in Hong Kong from September 26, 2025, to January 3, 2027. The ambitious show will feature a survey of key works and a new commission, converging performance, image, sound, and architecture to create immersive encounters.

V&A East collection review – a dazzling wealth of inspiration to fire up the geniuses of the future

The Victoria and Albert Museum has unveiled the first look at its new V&A East outpost in London’s Olympic Park, showcasing a collection that emphasizes diversity, global exchange, and the integration of art into daily life. The inaugural displays feature a wide-ranging mix of objects, from Althea McNish’s vibrant Caribbean-inspired textiles and Vivienne Westwood’s punk designs to a talismanic shirt inscribed with the Qur’an and a Japanese screen documenting colonial encounters. While the museum's public-facing branding focuses on community engagement, the actual curation offers a sophisticated, open-ended exploration of how different cultures influence and define one another.

I think I didn't understand many artists

"Ich glaube, ich habe viele Künstler nicht verstanden"

Adrian Searle, the long-standing chief art critic for The Guardian, is stepping down after three decades at the publication and nearly 50 years in art criticism. In a reflective interview, Searle discusses his transition from a practicing painter and educator to a critic, noting that his early interactions with students like Peter Doig and Isaac Julien helped him realize his true strength lay in writing rather than art-making. He recounts his experiences navigating the British art scene, from the decline of Greenbergian abstraction to his encounters with formidable figures like Richard Serra.

The Colors of Mark Rothko Conquer Florence: A Major Exhibition Across Three Venues

I colori di Mark Rothko conquistano Firenze: una grande mostra in tre sedi

The city of Florence is hosting a major three-venue retrospective dedicated to Mark Rothko, centered at Palazzo Strozzi with extensions into the Museo di San Marco and the Biblioteca Medicea Laurenziana. Curated by Christopher Rothko and Elena Geuna, the exhibition features 70 works spanning the artist's career, from his early Surrealist-influenced paintings of the 1930s and 40s to his iconic 'Multiform' and classic color-field abstractions. A unique highlight of the show is the installation of Rothko’s smaller works within the historic cells of the Museo di San Marco, directly alongside frescoes by Beato Angelico.

The Art Exhibitions and Museum Openings Worth Traveling For in 2026

The global art calendar for 2026 is set to feature a series of high-profile retrospectives and monumental installations across Europe's major cultural hubs. Highlights include a career-spanning reckoning of Tracey Emin’s work and a deep dive into Frida Kahlo’s iconicity at Tate Modern, a rare dialogue of Henri Matisse’s late-period works in Paris, and the historic loan of the Bayeux Tapestry to the British Museum. Additionally, site-specific experiences such as Mark Rothko’s canvases in a Florentine palazzo and James Turrell’s largest museum 'Skyspace' in Denmark offer immersive encounters designed to draw international travelers.

Kate McNamara Named Director of Harvard’s Carpenter Center for Visual Arts

Harvard University's Carpenter Center for the Visual Arts has officially appointed Kate McNamara as its John R. and Barbara Robinson Family Director. McNamara, who had been serving in the role on an interim basis since last year, is the founder of the experimental art space ODD-KIN and has held leadership positions at Providence College Galleries, Otis College of Art and Design, and Boston University Art Galleries.

The Guide #237: Fab 5 Freddy, the street artist at the heart of New York’s creative zenith

A new memoir by Fred Brathwaite, known as Fab 5 Freddy, chronicles his life as a pivotal figure connecting the emerging hip-hop and graffiti scenes of 1970s and 80s Brooklyn with the downtown Manhattan art world. The book, "Everybody's Fly: A Life of Art, Music, and Changing the Culture," serves as an all-access pass to a transformative era, featuring encounters with icons like Jean-Michel Basquiat, Keith Haring, Andy Warhol, and Debbie Harry.

The Sistine Chapel Is Coming to a Mall in Suburban New Jersey

A traveling exhibition featuring high-definition, full-scale replicas of Michelangelo's Sistine Chapel frescoes is opening for an indefinite run at the Westfield Garden State Plaza mall in Paramus, New Jersey. The show, "Michelangelo's Sistine Chapel: The Exhibition," presents all 34 ceiling and altar masterpieces using advanced printing techniques, allowing visitors to view the works up close without the crowds and time constraints of the Vatican.

Newly Unearthed Letter Reveals Edvard Munch’s Influence on Paula Rego

A newly discovered 1951 letter reveals that a teenage Paula Rego was profoundly impressed by an Edvard Munch exhibition, specifically citing 'The Scream' and 'Inheritance.' This formative experience directly influenced her early work, such as her 1952 painting 'Drought,' which echoes Munch's style and themes. The letter, written to her mother, documents a pivotal artistic encounter she never publicly discussed.

The Narrow Corridor of Normality

Der schmale Korridor der Normalität

Artist Beate Gütschow reflects on Pieter Bruegel the Elder’s 16th-century engraving "Spes" (Hope), which she encountered during a visit to the Kunstmuseum Basel. The artwork depicts a personified figure of Hope standing amidst a chaotic scene of shipwrecks and flooding, symbolizing the necessity of maintaining focus and action even in the face of overwhelming disaster.

Introduction to the Dark Forest Theory of the Internet

The article explores the conceptual origins of the internet, tracing its development to figures like Douglas Engelbart and Jacques Vallée, whose work blended computing with cosmic and paranormal inquiry. It argues that early internet pioneers were deeply influenced by ideas of remote viewing, extrasensory perception, and the search for extraterrestrial intelligence, framing the network as a project of cognitive augmentation and alien encounter.

PKM gallery to open Lee Jung-jin exhibition 'Unseen/Thing' Wednesday

Photographer Lee Jung-jin has launched a major solo exhibition titled "Unseen/Thing" at PKM Gallery in Seoul, marking her first solo show in six years. The exhibition is divided into two parts: her latest "Unseen" series, captured during a 2024 trip to Iceland, and her "Thing" series from the early 2000s, which features analog still lifes printed on traditional Korean hanji paper. The new works depart from Lee’s previous focus on the static silence of deserts, instead capturing the volatile, forceful energy of the Icelandic landscape.

Week in wildlife: wild boar babies, fenland ponies and a slug with strange genitalia

The article is a photographic roundup of notable wildlife encounters and animal behaviors from around the world. It features images of wild boar piglets in Germany, a wild boar that wandered into a Berlin supermarket, a camouflaged snow leopard in Ladakh, Konik ponies sparring in a UK fenland reserve, a banana slug with unusual reproductive anatomy in California, a seagull with a sea star in Seattle, a Palestine sunbird in Israel, and rhinos reintroduced to a Ugandan national park.

Potatoes Grow on Trees: Hu Yinping Replants Meaning in Making

Beijing-based artist Hu Yinping is presenting three major works in Hong Kong this March, including the installation 'Potatoes Grow on Trees' in the Encounters sector of Art Basel Hong Kong. The works stem from her long-running project 'Hu Xiaofang,' a semi-fictional company that employs women in rural China to create crocheted artworks, redistributing income and visibility to this often-overlooked demographic.

“From the Artist’s Studio: Alexi Torres” Solo Exhibition

The article announces the solo exhibition "From the Artist’s Studio: Alexi Torres" in Alpharetta, Georgia. It presents a focused look at the artist's work directly from his creative space.

Evanston's Dittmar Gallery Hosts Community Art Exhibition 'I Was Here'

The Dittmar Memorial Gallery in Evanston is hosting 'I Was Here,' a community-driven exhibition running from April 9 to May 3, 2026. Curated by Jasmine Ametovski and Clare Kirwan, the show features 24 local artists utilizing diverse mediums such as sound, video, and beeswax to document their daily lives. The project prioritizes lived experience and personal encounters over traditional, academic studio practices.

The week around the world in 20 pictures

The Guardian's weekly photo feature presents a global visual summary of the past seven days, compiled by leading photojournalists. The selection includes powerful and sometimes distressing images covering major international events, from the ongoing crisis in the Middle East and a Russian drone attack in Kharkiv to a Saharan dust storm in Crete and the launch of NASA's Artemis II mission.

Angela de la Cruz Breaks the Frame

The art world is witnessing a significant shift toward the 'one-work exhibition,' a format that rejects the traditional gallery model of high-volume displays in favor of singular, immersive encounters. By isolating a single masterpiece or installation, institutions are encouraging 'slow looking' and recasting the act of viewing as a deliberate spatial experience. This trend serves as a direct response to the digital age's relentless pace and the overwhelming 'glut' of contemporary visual culture.

Week in wildlife: an ostrich on the lam, a tortoise crossing a road and surfing seals

The Guardian’s weekly wildlife roundup showcases a diverse array of animal behavior captured by photographers globally. Highlights from this collection include an ostrich sprinting down a Thai highway after escaping a cafe, seals lounging on a surfboard in Ireland, and migratory birds returning to the thawing Songhua River in China.

Week in wildlife: a flying rodent, a duty-free possum and an emerald viper

This article is a photographic roundup of notable wildlife encounters and discoveries from around the world. It features images including an award-winning photo of an Iberian lynx in Spain, a brushtail possum found in an Australian airport toy store, an Arctic fox in Canada, and a newly discovered emerald pit viper in Cambodia.

Art Basel Hong Kong: Injecting Energy Into the Art Fair Experience

A four-person curatorial team has organized the Encounters section of Art Basel Hong Kong around the classical elements of water, fire, earth, and ether. This thematic approach structures the presentation of large-scale installations and sculptural works within the fair.

Fragments of Belonging in ‘Black Bricolage’.

Photographer and writer Johny Pitts presents 'Black Bricolage' at MEP Studio, a visual essay spanning two decades of work documenting Black life across European cities like Paris, Lisbon, and Berlin. The exhibition utilizes a mix of photography, personal notes, and lived encounters to map the 'Afropean' experience, focusing on the quiet textures of daily life rather than grand spectacles.