A new exhibition, "Bernini i Barberini," at Rome's Palazzo Barberini explores the profound artistic partnership between Pope Urban VIII and the young sculptor Gian Lorenzo Bernini. This relationship, beginning in 1623, led to decades of Baroque masterpieces that transformed Rome's architecture and urban design, showcasing the papacy's use of art as a tool of power and propaganda.
The Philadelphia Museum of Art is opening a new exhibition titled "Rising Up: Rocky and the Making of Monuments" that brings the iconic bronze statue of fictional boxer Rocky Balboa inside the museum for the first time. Guest curator Paul Farber organized the show, which spans over 2,000 years of boxing imagery and places the statue within art history and Philadelphia's identity. The museum, which had a historically rocky relationship with the statue—initially fighting to have it removed from its steps—has now embraced it, with plans to permanently install the statue at the top of the museum's steps after the exhibition closes in August.
Eli Klein Gallery in New York is presenting "Bùi Thanh Tâm: Here on and after," the Hanoi-based artist's first solo exhibition in the United States. The show features 13 new and recent paintings that explore Vietnam's colonial history, the aftermath of war, and the persistence of memory. Tâm, a leading Vietnamese painter of the postwar generation, incorporates traditional folk woodblock prints—Đông Hồ, Hàng Trống, and Kim Hoàng—into layered, collaged works. The sunflower emerges as a central symbol of resilience and rebirth, influenced by Anselm Kiefer and Francis Bacon, while addressing trauma from French colonialism to Agent Orange. The exhibition includes series such as "Searching for the Sunflower," "Hello. God is here," "Utopia," and "Mutant," each examining themes of healing, endurance, and cultural transformation.
Phallus, Vagina, Universum
Marina Abramović is presenting a major retrospective at the Neue Nationalgalerie in Berlin, shifting focus from her well-known explorations of physical pain to the erotic energy of the human body. The exhibition draws heavily on Slavic folklore and pagan traditions from her Balkan heritage, exploring how ancient rituals used sexuality and the body as tools for spiritual and cosmic connection.
Ghanaian-British artist Godfried Donkor is set to debut his first UK institutional solo exhibition, "It’s a Numbers Game," at Firstsite in Colchester. The exhibition features a diverse array of media including collage, painting, embroidery, and installation, highlighted by a gallery transformed into a boxing ring to symbolize migration and endurance. Donkor utilizes materials like Financial Times pages and Adinkra symbols to explore the "triangle of commerce" between Britain, West Africa, and the Caribbean, while specifically linking the local history of Boudicca to the resistance of Ashanti leader Yaa Asantewaa.
Artist Marina Xenofontos will represent Cyprus at the 61st Venice Biennale in 2026. Her exhibition, centered on an animatronic sparrow titled 'Passer' and incorporating folk songs recorded by her grandmother and great-aunts, explores themes of memory, endurance, and the quiet persistence of culture.
The Portland Japanese Garden has launched its first major exhibition of 2026, "Enduring Impressions: Contemporary Woodblock Prints," running through June 16th. This showcase explores the evolution of mokuhanga, a traditional Japanese woodblock printing technique that originated in the 17th century as an accessible art form for the masses. The exhibition features a diverse array of works ranging from historical masterpieces to contemporary interpretations by artists from Portland, Japan, and across the United States.
Marina Abramović has unveiled her latest immersive exhibition, "Seven Deaths," at Cisternerne in Copenhagen, a subterranean former reservoir. The installation features seven films where Abramović reimagines the tragic ends of famous operatic heroines—such as Tosca and Madame Butterfly—originally made famous by Maria Callas. Accompanied by actor Willem Dafoe, Abramović uses these cinematic vignettes to explore themes of heartbreak, endurance, and the cultural fascination with the "tragic feminine."
"Die Leere, die noch da sein wird, sollte der Krieg morgen enden"
The group exhibition "Looking into the Gaps" at the Jam Factory in Lviv presents works by artists living in Ukraine or in exile, as well as by those killed on the front lines. Curated by Ukrainian artist Nikita Kadan, it is the fourth installment of a series exploring the fractures and diverse experiences within Ukrainian society, with this iteration focusing on the theme of loneliness rather than collective identity.
Mär Martinez's first solo museum exhibition, “A loom, a fence, a wire, a thread,” opens at The Art & History Museums of Maitland, featuring paintings inspired by traditional Turkish and Middle Eastern textile practices. The works, developed during her 2024-2025 Fulbright research in Istanbul, weave together her Cuban and Syrian heritage, exploring themes of cultural memory, displacement, and resilience through imagery of carpets, barbed wire, and urban barriers.
Contemporary painter Mär Martinez, a Fulbright scholar and UCF alum, presents her first solo museum exhibition, “A loom, a fence, a wire, a thread,” at the Art & History Museums of Maitland (A&H) in Maitland, Florida. The show features works developed during her 2024–25 Fulbright research in Istanbul and builds on ideas from her 2021–2023 Studio Artist Residency at A&H. Inspired by traditional Turkish and Middle Eastern textile practices, Martinez explores themes of urban life, surveillance, and cultural memory, using imagery from nighttime walks through Istanbul—fences, checkpoints, and barbed wire—combined with historic textile patterns. Her Cuban and Arab heritage and family’s experience of displacement inform her work, with weaving serving as a metaphor for endurance and resistance. The opening night is free to the public, with live music, food, and a cash bar.
The Ucross Art Gallery hosted an artists’ reception for its latest exhibition, "Resilience," which showcases the work of the 2025 Ucross Fellowship for Native American Artists recipients. Curated by Marwin Begaye, the show features a diverse range of media including sculpture by Gina Herrera, mixed-media works by Wade Patton, and visual and performance art by Sarah Ortegon HighWalking, alongside photography and poetry by writer Annette Saunooke Clapsaddle. The event was highlighted by a collaborative performance involving the Jingle Dress Dance and live woodblock printing.
The Pacific Island Ethnic Art Museum (PIEAM) is launching "So We Leapt – Para I Hinanao-ta Mo’na," an exhibition centered on a rare archive of photographs taken in Guam between 1944 and 1946. Captured by U.S. Army photographer Frank Buchman and curated by Pulitzer Prize-winner Manny Crisostomo, the images move beyond traditional wartime documentation to highlight the daily lives and resilience of the Indigenous CHamoru people. The show is augmented by "Hasso," a contemporary portrait series by Johnny Cepeda Gogo featuring elderly CHamoru survivors of World War II.
Hyperallergic published a satirical list of five fictional art world job openings, each parodying exploitative or absurd practices common in the industry. The positions include an Instagram comment moderator for a collector, an assistant to a famous artist with invasive demands, a "sentence complicator" for an art institution, a residency where the artist pays to work, and an endurance-based performance art participant compensated only with "exposure."
The Pittsburgh Cultural Trust presents "Marianne Vitale: On Liberty: A Summoning," an exhibition and performance project at SPACE gallery in downtown Pittsburgh, running from May 1 to October 11, 2026. Guest curated by Benjamin Tischer of New Discretions, the project explores the layered social and cultural history of the 818 Liberty Avenue building, a former hub of nightlife, performance, and queer gathering. Vitale's work incorporates sculpture, painting, film, and live activations, using decommissioned locomotive parts and industrial debris to engage with post-industrial America. The exhibition transforms into a functioning club during select Final Fridays, drawing on the site's history as home to venues like Pegasus Lounge, a key LGBTQ+ space during the AIDS crisis.