Queer eyes in focus, sculpture hits pay dirt and Whistler’s world – the week in art

This week's art roundup from The Guardian highlights a major exhibition of James McNeill Whistler at Tate Britain, showcasing the American artist's impact on Victorian Britain with avant-garde influences from Paris and Japan. Other notable exhibitions include "Gender Stories" at the Walker Art Gallery in Liverpool, featuring works by David Hockney and Grayson Perry; Delcy Morelos's earthy sculptures at the Barbican Centre; and Henry Moore's sculptures at Kew Gardens. The article also covers news of a Nazi-looted portrait found in the home of a Dutch SS leader's family, protests at the Venice Biennale over Israel's inclusion, and the unveiling of Zineb Sedira's film installation at Tate Britain.

At the Venice Biennale, the Thrill of Victory, the Agony of Defeat

The article reports on the opening of the 61st Venice Biennale, highlighting the central exhibition "In Minor Keys" conceived by the late Koyo Kouoh, along with national pavilions and collateral events. It notes standout contributions from artists such as Alvaro Barrington, Kaloki Nyamai, Florentina Holzinger, Ei Arakawa-Nash, Li Yi-Fan, and Dries Verhoeven, while describing the American pavilion as lackluster and the overall commercial offerings as uneven. The text also covers performances and exhibitions featuring nudity and body horror, including Tino Sehgal's "The Kiss" and Maja Malou Lyse's video with the collective DIS.

In Pictures: New Museum curator Gary Carrion-Murayari’s Frieze favourites

New Museum curator Gary Carrion-Murayari shares his personal highlights from the Frieze New York art fair, selecting works by artists including Arthur Simms, Haegue Yang, Abel Rodriguez and Aycoobo-Wilson Rodríguez, Sung Tieu, Maryam Hoseini, Pedro Neves, and Melvin Way. Each pick is accompanied by a brief commentary explaining why the work resonates with him, ranging from underappreciated talents to artists featured in the 2024 Venice Biennale.

Mary Lovelace O’Neal, Painter Who Defied the Bounds of Abstraction, Dies at 84

Mary Lovelace O’Neal, the American painter known for her large-scale abstract works that defied easy categorization, died in Mérida, Mexico, on May 10 at age 84. Her death was confirmed by her galleries, Jenkins Johnson and Marianne Boesky, on May 13. Active in the Civil Rights movement of the 1960s, O’Neal developed a distinctive practice that blended Minimalism, Abstract Expressionism, and figurative elements, most notably through her Lampblack series and later the "Whales Fucking" series. Her work gained renewed attention in the 21st century, with exhibitions at Mnuchin Gallery and the Museum of the African Diaspora, and her painting *Blue Whale a.k.a. #12* (1983) was selected for the 2024 Whitney Biennial.

‘I couldn’t believe we weren’t falling over ourselves for it’: Asia-Pacific art finally conquers Britain

The Victoria and Albert Museum (V&A) in London has opened "Rising Voices: Contemporary Art from Asia, Australia and the Pacific," a major exhibition produced in partnership with the Queensland Art Gallery | Gallery of Modern Art (QAGOMA) in Brisbane. Featuring over 70 works never before exhibited in the UK, the show draws from QAGOMA's Asia Pacific Triennial of Contemporary Art (APT), which began in 1993. Highlights include Michael Parekōwhai's sculpture of a Māori bouncer, Montien Boonma's terracotta bell installation, and Takahiro Iwasaki's intricate wooden model. The exhibition is the first APT survey to be held outside Australia and Chile, arriving after years of planning by V&A exhibitions director Daniel Slater.

VALIE EXPORT, pioneering artist who centred the female body, 1940–2026

VALIE EXPORT, the pioneering Austrian feminist artist known for her provocative performances centered on the female body, has died at age 85. Born in Linz in 1940, she adopted the name VALIE EXPORT in 1967 and quickly rose to prominence with iconic actions such as *TAP and TOUCH Cinema* (1968) and *Action Pants: Genital Panic* (1968), which challenged passive representations of women. Her work spanned photography, film, and expanded cinema, and she participated in major international exhibitions including documenta 6 and 12, and the Venice Biennale, where she and Maria Lassnig became the first women to represent Austria in 1980.

New York institutions offer nuanced and inclusive views of US’s 250th birthday

New York institutions are presenting nuanced exhibitions for the US's 250th birthday, offering both patriotic and critical perspectives on the American Revolution. The Grey Art Museum at NYU displays one of the 26 surviving Dunlap broadsides of the Declaration of Independence alongside over 100 contextual documents in "The Declaration of Independence: Long Trail to Liberty," while the Museum of the City of New York's "The Occupied City" immerses visitors in the British occupation of New York, featuring interactive elements like toppling a digital effigy of King George III.

The exhibitions to see in New York during Art Week 2026

Le mostre da vedere a New York durante l’Art Week 2026

The article highlights a selection of must-see exhibitions in New York during the 2026 Art Week, spanning major museums and galleries. At MoMA, three shows explore memory, identity, and artistic experimentation: Elizabeth Murray's retrospective on fragmented painting, Naufus Ramírez-Figueroa's works addressing Guatemala's civil war, and Arthur Jafa's curated connections across the museum's collection. The Whitney Museum presents the 82nd Whitney Biennial, featuring 56 artists questioning what it means to be 'American,' alongside an Andy Warhol exhibition of rarely seen polaroids from 1972-73. Hauser & Wirth debuts its first Carol Rama show, highlighting six decades of her experimental, anticonformist art.

Venice Biennale 2026 Highlights: Off-Site Exhibitions

ArtReview editors highlight off-site pavilions and exhibitions at the 61st Venice Biennale, running from 9 May through 22 November 2026. Featured works include Li Yi-Fan's film *Screen Melancholy* at Palazzo delle Prigioni, which uses motion capture and a free-trial videogame engine to explore digital alienation and the 'enshittosphere,' and Roberto Diago's installation *Free Men* at the Pavilion of Cuban Republic, comprising rusted iron heads, fragmented wooden figures, and text works critiquing political oppression in Cuba.

5 free must-see exhibitions to pick in Parisian galleries in May

5 expos gratuites coups de cœur à cueillir dans les galeries parisiennes en mai

Beaux Arts Magazine highlights five free exhibitions to visit in Parisian galleries in May 2026. At Galerie Mayoral, a show explores Alexander Calder's ties to Paris, featuring gouaches and totems. Galerie Les Filles du Calvaire presents Michel Jocaille's first solo exhibition, "Lily of the Valley," which uses lily-of-the-valley motifs to evoke labor history and camp aesthetics. Galerie Anne-Laure Buffard hosts a poignant dialogue between Diane Esmond, a painter whose works were burned by the Nazis, and her granddaughter Adrianna Wallis, whose photographs reference looted objects. Galerie Templon exhibits Alioune Diagne's paintings inspired by Wolof traditions, and another gallery shows prints by Swedish artist Mamma Andersson.

Still in 'war mode': Tehran Museum of Contemporary Art reopens with exhibitions about conflict

The Tehran Museum of Contemporary Art (TMoCA) has reopened with a weekly rotating post-ceasefire program called 'Art and War,' following weeks of bombardment that forced its closure and prompted emergency efforts to protect its collection. The program began with works by American Pop artists James Rosenquist, Roy Lichtenstein, and Robert Indiana, and this week features three works from Pablo Picasso's Weeping Woman series, focusing on Spain. Museum director Reza Dabirinezhad described the challenges of safeguarding the collection during US-Israeli strikes, including removing 80% of the oil from Noriyuki Haraguchi's installation 'Matter and Mind' (1977) to prevent fire risk, and protecting outdoor sculptures by Henry Moore, René Magritte, and Max Bill.

With more than 3,000 participating institutions, the European Night of Museums returns this Saturday, May 23

Avec plus de 3 000 institutions participantes, la Nuit européenne des musées revient ce samedi 23 mai

The 22nd edition of the European Night of Museums returns on Saturday, May 23, with over 3,000 institutions across France and Europe opening their doors free of charge from late afternoon. Many museums are offering special activities such as concerts, performances, games, guided tours, and walks. The youth program "La classe, l'œuvre!" will again involve primary, middle, and high school students acting as mediators for artworks they studied throughout the year. Highlights include exhibitions at the Centre Pompidou-Metz dedicated to François Morellet and Louise Nevelson, a concert at Jean Tinguely and Niki de Saint Phalle's Cyclop in Milly-la-Forêt, a dance performance by Korean artist Eun-Me Ahn at the Musée d'Art Moderne de Paris, and exhibitions at museums in Tours, Vernon, Rouen, and Sète, as well as a Brazilian ball at the Château des ducs de Bretagne in Nantes.

Art Busan Bets on Sustainability Over Speculation

Art Busan's 15th edition, taking place May 21–24, 2026 at BEXCO Exhibition Center, will feature over 110 galleries from 18 countries, with expanded programming including craft and design sections, curated exhibitions, and a new section called LIGHTHAUS that reframes gallery booths as curated environments. Data from the 2025 edition indicates an art market reorganization rather than contraction, with increased pre-sale activity, repeat attendance, and purchases across a wide price spectrum, suggesting a shift away from speculation toward sustained engagement.

Figurative Painter Solo Exhibitions

The Lisa Yuskavage exhibition has opened at David Zwirner's 533 West 19th Street location in New York, running from May 14 through June 26, 2026. The show features new and recent paintings, works on paper, and a body of collages made on green Color-aid paper, incorporating pastel, egg tempera, gouache, and pasted elements. Many paintings expand on the theme of the artist's studio, with recurring figures appearing across compositions. This marks Yuskavage's tenth solo exhibition with David Zwirner, twenty years after her first show with the gallery in 2006. The exhibition follows her first comprehensive museum presentation of works on paper, 'Lisa Yuskavage: Drawings,' at The Morgan Library and Museum in New York from June 2025 through January 2026.

‘You look at it and you just feel better’: this year’s Photoville festival highlights

The 15th annual Photoville festival in New York features over 90 photographic exhibits, ranging from whimsical subjects like cosmic-looking apples in "Old Apples" to hard-hitting reportage on wildfires, water access inequalities, and ICE's impact on communities. Notable exhibits include "Special Girls," showcasing 1990s photos of trans women from the Remsen Wolff archive, and "Point of View," pairing self-portraits by Dutch college students with Rijksmuseum artworks. Other highlights include Lexi Parra's "The Avillas," documenting a family after a matriarch's self-deportation, and "Puppies Behind Bars," a photo series on incarcerated men raising service dogs at Green Haven prison.

The Top Gallery and Museum Exhibitions to see in late May in London

Tabish Khan, the London-based art critic, selects his top gallery and museum exhibitions to see in late May in London. Highlights include Christopher Page's illusionistic mirror paintings at Ben Hunter, Dirk Braeckman's chemically altered photographs at Grimm, a historical exhibition on Hawai'i's relationship with the UK at The British Museum, a pairing of James Capper's claw-like machines with Anthony Caro's metal sculptures, and a focused display of George Stubbs' horse portrait and anatomical drawings at The National Gallery.

Switzerland’s flagship fair brings the art world to town

The article recounts a journalist's trip to Switzerland for Art Basel 2025 and the surrounding satellite events, including Zurich Art Weekend and visits to galleries and museums in Zurich and Bern. It highlights the participation of Canadian galleries like Catriona Jeffries and Eli Kerr, as well as encounters with artists such as Jeffrey Gibson, Monster Chetwynd, and Pipilotti Rist. The tour covers institutional highlights like the Kunsthalle Zürich, Kunsthaus Zürich, Zentrum Paul Klee, and the Kunstmuseum Bern, with exhibitions featuring Carol Rama, Kurt Schwitters, and Tai Shani.

Fold in these exhibitions during festival season

Spoleto Festival USA and Piccolo Spoleto begin on May 22, and the article highlights a curated selection of visual art exhibitions in Charleston to enjoy alongside the festival's performances. Featured venues include Robert Lange Studios, Corrigan Gallery, Stevenson and Co., Atrium Gallery, Meyer Vogl, Duckworth Gallery, and the Gibbes Museum of Art, which opens "Mary Whyte: Salt of the Earth" and continues "Rodin: All the Truth in Nature." The College of Charleston's Halsey Institute of Contemporary Art, under new director Michael Dickins, presents "Make Room" by In Kyoung Chun and another exhibition through July 25.

Valie Export ist tot

Valie Export, the pioneering Austrian media and performance artist, has died at age 85 in Vienna. Born Waltraud Lehner in Linz in 1940, she adopted the name Valie Export in the late 1960s, derived from a cigarette brand, and became internationally known for provocative works such as "Tapp- und Tastkino" (1968) and "Aktionshose: Genitalpanik." Her practice critically examined gender roles, power structures, and the representation of the female body through film, video, photography, and performance. She participated in major exhibitions including Documenta, the Centre Pompidou, and the Museum of Modern Art, and represented Austria at the Venice Biennale in 1980 alongside Maria Lassnig. She also taught as a professor of media and performance art in Berlin and Cologne, and the VALIE EXPORT Center opened in Linz in 2017.

Orsay inaugure une salle destinée aux œuvres « MNR »

The Musée d'Orsay in Paris has opened a new dedicated gallery, Room 10b, to display works from its MNR (Musées nationaux Récupération) collection—artworks looted or acquired under dubious circumstances during the Nazi era. The room features detailed labels and educational texts, with some works shown verso to reveal provenance labels. The initiative is funded by the American Friends of the Musée d'Orsay and the Musée de l'Orangerie with €1 million over four years, and includes a fake Monet, a Degas subject to a restitution claim, a Rodin sculpture, and a debated Cézanne. The museum's provenance research team, led by Inès Rotermund-Reynard, collaborates with the French Ministry of Culture's M2RS mission.

Frick Inks Three-Year Partnership with Louis Vuitton, with Support for Exhibitions and Free Fridays

The Frick Collection in New York has announced a three-year partnership with Louis Vuitton, under which the fashion house will sponsor three upcoming exhibitions, a curatorial research associate position, and a year of the museum's free First Fridays program. The partnership launches with Louis Vuitton's Cruise 2027 collection show, designed by Nicolas Ghesquière, held in the Frick's first-floor galleries on May 20. The sponsored exhibitions include “Siena: The Art of Bronze, 1450–1500” (fall 2025), “Painting with Fire: Susanne de Court and the Art of Enamel” (spring 2027), and a third exhibition on 19th-century paintings (late 2027). The Louis Vuitton Curatorial Research Associate will be Yifu Liu, currently a curatorial fellow at the Frick, who will research Asian porcelain and cross-cultural exchange between Europe and China.

Artists Spar Over Credit For A Dress Displayed In The Met’s ‘Costume Art’ Exhibition

London-based artist Anouska Samms has accused the Metropolitan Museum of Art's Costume Institute of exhibiting a dress that she claims is a counterfeit of her work in the ongoing "Costume Art" exhibition. The dress, titled Corpus Nervina 0.0, is credited solely to New York-based Israeli designer Yoav Hadari, but Samms alleges it closely resembles an earlier Nervina hair dress she co-developed with Hadari during their 2023 residency at the Lee Alexander McQueen Sarabande Foundation. Samms discovered the display via a social media post and has since spoken out, noting that a contract from their collaboration designated her as the sole owner of the intellectual property of the fabric. The Met has requested that the two parties resolve their dispute before the museum takes further action.

Picture gallery in transformation: recent gifts

MASP — Museu de Arte de São Paulo Assis Chateaubriand will present the exhibition "Picture gallery in transformation: recent gifts" starting May 15, as part of its Latin American histories series. The show features two sets of silkscreen prints recently added to the museum’s collection: 51 prints (2002–2007) by the Argentine collective Taller Popular de Serigrafía, which combined art and activism during the 2001 economic crisis, and the series "Ink and blood: 1968–2009" by Mexican artist Abraham Cruzvillegas, comprising 41 facsimiles of protest ephemera from Latin American social movements. The exhibition is curated by MASP artistic director Adriano Pedrosa, curator Regina Teixeira de Barros, and curatorial assistant Matheus de Andrade.

Art Dubai 2026 first look: What to expect at the 20th fair

Art Dubai returns to Madinat Jumeirah for its 20th edition, running from Friday to Sunday with a free preview day on Thursday. The fair features a more concentrated layout than previous years, with gallery booths, institutional exhibitions, public art, poetry readings, DJ sets, performances, and multimedia installations gathered in the main conference area. Notable participants include co-founder John Martin, who returns as a gallerist nearly 20 years after helping launch the event, and Emirati artist Rami Farook, whose sand-built booth presents works reflecting on Dubai and the Gulf. Gallery One from Ramallah draws attention with Palestinian artist Amjad Ghannam's reinterpretations of Pablo Picasso, inspired by his experience as a former political prisoner.

Venice Biennale 2026 Collateral Events Six Of The Best – Nico Kos Earle

The 61st Venice Biennale is described as the most contested and chaotic in recent history, marked by the absence of a curator following the death of Koyo Kouoh and overshadowed by global conflicts that made presentations in national pavilions fraught with difficulty. Amid this turmoil, standout collateral events include Michael Armitage's exhibition 'The Promise of Change' at Palazzo Grassi, curated by Jean-Marie Gallais and Hans-Ulrich Obrist, which uses softly painted scenes to address sociopolitical tensions and post-colonial identity. Another highlight is The Holy See Pavilion, curated by Hans Ulrich Obrist and Ben Vickers, featuring a sonic prayer by Soundwalk Collective with contributions from contemporary composers including Patti Smith.

Here’s what’s on Boulder County’s art gallery walls

A roundup of current and upcoming exhibitions at over 20 galleries and art spaces in Boulder County, Colorado, is provided. Listings include lithographs by Santa Fe artist Rodney Carswell at 15th Street Gallery, Jorge Vinent's recycled-material works at Ana's Art Gallery, Margaret Johnson's "Emergence" at BMoCA at Frasier, and group shows at Liminal Light Gallery and the New Local Gallery, among many others. Exhibition dates range through mid-2025, with venues spanning commercial galleries, nonprofit centers, libraries, and museum spaces.

Peggy Guggenheim in London: The Making of a Collector

The Peggy Guggenheim Collection in Venice has opened "Peggy Guggenheim in London: The Making of a Collector," the first major museum exhibition focused on Guggenheim's brief but influential 18-month tenure as a gallerist in pre-war London. From January 1938 to June 1939, her gallery Guggenheim Jeune at 30 Cork Street mounted twenty exhibitions, including Vasily Kandinsky's first UK solo show, the first British group collage exhibition, and a controversial sculpture show debated in Parliament. Organized by Gražina Subelytė and guest curator Simon Grant, the show brings together approximately one hundred works—paintings, sculptures, prints, photographs, puppets, and archival material—many reunited for the first time since their original presentation.

Sylvie Retailleau : « Pendant cinq ans, tout a été remis en jeu »

Sylvie Retailleau, former French Minister of Higher Education and current president of Universcience since January 2026, details the tense negotiations between the Grand Palais and the Palais de la découverte. She reveals that the Palais de la découverte nearly disappeared during the Grand Palais renovation, but will reopen in March 2027. Universcience ceded a 1,200 m² gallery to the Grand Palais as a financial contribution (worth about €30 million over ten years) and is lending another 350 m² gallery until June 2030 for Centre Pompidou exhibitions during its renovation. In exchange, Universcience gains full control over the programming of the Palais des enfants.

A Political Anthology of the United States: The Great Exhibition of Arthur Jafa and Richard Prince in Venice

Un’antologia politica degli Stati Uniti. La grande mostra di Arthur Jafa e Richard Prince a Venezia

Fondazione Prada presents "Helter Skelter: Arthur Jafa and Richard Prince" at Cà Corner della Regina in Venice, the 15th exhibition produced by the foundation in the city. Curated by Nancy Spector of the Brooklyn Museum, the two-person show brings together over fifty works—photographs, videos, installations, sculptures, and paintings—that explore the fractured identity of the United States through the lens of race, masculinity, popular culture, and appropriation. Both artists, though separated by more than a decade in age, share a practice of scavenging and recontextualizing images from film, comics, advertising, and social media to critique American society.

The Museums of Verona have a new director. "This city can become a cultural laboratory," says Lorenzo Balbi

I Musei di Verona hanno un nuovo direttore. “Questa città può diventare un laboratorio culturale”, dice Lorenzo Balbi

Lorenzo Balbi, currently director of MAMbo in Bologna, has been appointed as the new director of the Musei di Verona, a civic museum network that includes the Arena di Verona, Casa di Giulietta, Museo Archeologico al Teatro Romano, Museo Civico di Storia naturale, Museo degli Affreschi di G. B. Cavalcaselle, Museo di Castelvecchio, Museo Lapidario Maffeiano, and Galleria d’Arte Moderna Achille Forti. He will take office in September 2026, selected for his strategic vision to revitalize the system as a hub for cultural production, civic participation, and international dialogue.