must see fall gallery shows new york 2682575

The article highlights four must-see fall gallery shows in New York City for September-October 2025. It features Mercedes Matter's first solo show at Berry Campbell, reviving the overlooked Abstract Expressionist; Julio Torres's theatrical debut "Color Stories" at Performance Space New York; Gabrielle Garland's first New York solo exhibition at Miles McEnery Gallery, showcasing surreal suburban paintings; and Omar Ba's exhibition "Promises and Glory" at Templon, presenting fantastical mixed-media works.

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A rediscovered Renoir painting, *L'enfant et ses jouets – Gabrielle et le fils de l'artiste, Jean* (created before 1910), sold for over €1.8 million ($2 million) at Hôtel Drouot in Paris on November 25. The intimate portrait of Renoir's young son Jean with his nursemaid Gabrielle had remained in the same private collection for over a century, never before published or exhibited. It was offered by auctioneer Christophe Joron-Derem in the "Tableaux Modernes" sale and purchased by an international buyer, with the hammer price of €1.45 million falling within the presale estimate.

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A Renoir painting that had been missing for a century sold for $2 million at auction in Paris. The work, titled *L’enfant et ses jouets – Gabrielle et le fils de l’artiste, Jean* (circa 1910), depicts the artist’s young son Jean with his nursemaid Gabrielle. It had never been published or exhibited and was discovered in remarkably good condition. Auction house Joron-Derem offered the painting in its Tableaux Modernes sale at Hôtel Drouot on November 25, where an international collector secured it for a hammer price of €1.45 million ($1.68 million), with buyer’s fees bringing the total to about €1.8 million ($2 million). The painting had been gifted by Renoir to his pupil and close friend Jeanne Baudot, then passed to her adopted son Jean Griot, who kept it in his bedroom until his death in 2011.

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Frieze will launch an Abu Dhabi edition in November 2026, shortly after Art Basel opens in Qatar in February 2026, joining Art Dubai and Art Week Riyadh in an increasingly crowded Middle Eastern art fair landscape. Meanwhile, Chanel has opened mainland China's first public contemporary art library, Espace Gabrielle Chanel, at Shanghai's Power Station of Art, housing over 50,000 books and audiobooks. In other news, New York Mayor-Elect Zohran Mamdani named an arts transition committee including Elizabeth Alexander and Ruba Katrib, and London's major museums have seen a surge in large philanthropic donations, including a £10.3 million pledge to the British Museum and two £150 million gifts to the National Gallery.

Hyperallergic’s Guide to the 2026 Venice Biennale

Hyperallergic has published its guide to the 2026 Venice Biennale, detailing what to see and do at this year's edition. The guide covers the three main categories of the Biennale—the Giardini with 29 permanent national pavilions, the Arsenale with temporary rented spaces, and collateral events across the city. Key developments include the return of Russia to its permanent Giardini pavilion and Israel's participation with a new contractual stipulation preventing its artist from closing the pavilion, after Ruth Patir's protest in 2024. South Africa withdrew following the cancellation of Gabrielle Goliath's video installation 'Elegy,' which mourns victims of Israel's genocide in Gaza and will now be shown at a historic church. The United States will be represented by Alma Allen after Barbara Chase-Riboud stepped down, and Qatar is set to become the first country in decades to build a new pavilion in the Giardini.

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South Africa selected a work by artist Gabrielle Goliath for its Venice Biennale pavilion, then rescinded the decision on January 2, just eight days before the finalization deadline. The culture ministry, led by Minister Gayton McKenzie, objected to a section of Goliath's "Elegy" series that included words by Palestinian poet Hiba Abu Nada, who was killed in an Israeli airstrike in 2023. The pavilion's selection committee publicly disagreed with the cancellation, calling it censorship and highlighting a history of mismanagement.

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A painting by Swiss-French artist Félix Vallotton, *Femme couchée dormant (Le Sommeil)* (1899), sold for $2.8 million at Sotheby’s New York on Thursday night, exceeding its high estimate of $2.5 million. The work was part of the Pritzker Collection sale, which also featured masterpieces by Van Gogh, Matisse, and Gauguin. Vallotton’s auction record remains at nearly $4.5 million, set by *Cinq heures* (1898) at Christie’s London in late 2023.

The Must-See Exhibitions in Milan During Art Week 2026

Le mostre da non perdere a Milano durante i giorni dell’Art Week 2026

Milan Art Week 2026 features a series of major solo exhibitions across the city's premier contemporary art institutions. Fondazione Prada is hosting site-specific installations by Mona Hatoum exploring global instability alongside Cao Fei’s multimedia investigation into the technological revolution of agriculture. Meanwhile, Pirelli HangarBicocca presents Benni Bosetto’s architectural exploration of the female body and Rirkrit Tiravanija’s interactive examination of authorship and communal space.

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Artist Gabrielle Goliath was dropped by her South African representative, Goodman Gallery, before the cancellation of her proposed Venice Biennale pavilion, according to a report by Daily Maverick. Goliath was one of around a dozen artists who exited the gallery between last fall and the present. The gallery clarified that it did not end representation because of her pavilion, citing a structural business review and market contraction. Goliath had been with the gallery for over a decade and will continue to be represented by Galleria Raffaella Cortese. After her representation ended, South African culture minister Gayton McKenzie canceled her pavilion, which was to address killings of women and queer people in South Africa, a genocide in Namibia, and Israel’s war in Gaza. McKenzie denied censorship, claiming interference by an unnamed foreign country, later reported by Ynetnews to be Qatar.

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South Africa's government abruptly canceled its pavilion at the 2025 Venice Biennale, pulling the plug on artist Gabrielle Goliath's video installation "Elegy" just days before the deadline. The work, a ritual of mourning featuring seven women singers sustaining a single B note, was dedicated to victims of femicide and expanded to include references to Namibia and Gaza. Sports, Art, and Culture minister Gayton McKenzie deemed the Gaza section "divisive," prompting Goliath and curator Ingrid Masondo to appeal directly to President Cyril Ramaphosa and the foreign ministry. Meanwhile, the Smithsonian Institution submitted photographs of wall labels and exhibition texts to the Trump Administration in response to a "content review" ultimatum, with Secretary Lonnie G. Bunch III confirming compliance while asserting curatorial authority. Roland Augustine, cofounder of Luhring Augustine, announced he is stepping down to focus on philanthropy, marking a transition for the New York gallery.

Venice Biennale: South African pavilion scandal, Marian Goodman remembered, Paul Cezanne in Basel—podcast

South Africa's culture minister, Gayton McKenzie, has cancelled the country's planned pavilion at the upcoming Venice Biennale, a project by artist Gabrielle Goliath and curator Ingrid Masondo. The artist and curator are fighting the decision, appealing to the nation's president and filing a case with the high court.

21 Renoirs From the Collection of the Artist’s Muse Hit the Market

Bonhams has announced an online auction titled “A Lasting Impression,” featuring 21 previously unseen or little-known paintings by Pierre-Auguste Renoir. These works originate from the personal collection of Gabrielle Renard, the artist’s longtime muse and his children's nanny, who sat for the Impressionist master nearly 200 times. The sale, scheduled for May 10–20, includes intimate portraits of Renard, landscapes, and a floral still life, with estimates ranging from $220,000 to $700,000.

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Christie’s has secured the estate of Belgian collectors Roger and Josette Vanthournout, with over 200 works to be sold in its March sales in London, including a René Magritte painting estimated at $4.7 million. Meanwhile, South Africa blames Qatar for the cancellation of its Venice Biennale pavilion featuring a work about Gaza violence by Gabrielle Goliath, claiming Qatar sought to use the pavilion for "proxy power." Art Cologne has announced 88 exhibitors for its revived Palma, Mallorca edition launching April 9.

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The South African pavilion at the Venice Biennale will remain empty after Gabrielle Goliath’s performance artwork, which commemorates Palestinian poet Hiba Abu Nada, was banned for its "divisive" content. The work will now be staged as a video installation at the Chiesa di Sant’Antonin in Venice starting May 4, in partnership with the London arts center Ibraaz. Meanwhile, researchers at the Art Gallery of Ontario have successfully identified the subject and artist of a 1775 portrait; the painting depicts an enslaved woman named Eleonora Susette and was painted by Jeremias Schultz.

Who Do Chicago’s Art Fairs Serve?

Expo Chicago and its satellite fairs serve as a complex barometer for the Midwestern arts ecosystem, highlighting both the successes of local representation and the tensions of institutional growth. While galleries like Andrew Rafacz and Corbett vs. Dempsey demonstrate viable career paths for Chicago-based artists like Melissa Leandro and Gabrielle Garland, the fair's shifting structure reveals a narrowing field for smaller nonprofits.

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South African artist Gabrielle Goliath is taking legal action after her artwork was removed from the country's Venice Biennale pavilion. Goliath and curator Ingrid Masondo will file an application with South Africa's High Court in Pretoria, arguing that the decision by Sport, Arts, and Culture Minister Gayton McKenzie is unconstitutional. They have also sent a letter to President Cyril Ramaphosa, demanding that the Department of Sport, Arts and Culture (DSAC) honor the selection committee's original choice and allow the exhibition to proceed. Meanwhile, the DSAC has reportedly restarted the Biennale planning process with the collective Beyond the Frames.

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The Chanel Culture Fund has announced the 10 recipients of its 2026 Chanel Next Prize, each receiving €100,000 ($117,400). The winners, announced on January 19 in London, include visual artist Álvaro Urbano, jazz musician Ambrose Akinmusire, fashion designer Andrea Peña, artist and filmmaker Ayoung Kim, fashion designer and artist Bárbara Sánchez-Kane, sound artist Emeka Ogboh, choreographer Marco da Silva Ferreira, experimental musician Pan Daijing, filmmaker Payal Kapadia, and painter Pol Taburet. The biennial prize, now in its third edition, also includes a two-year mentorship program in collaboration with Chanel’s cultural partners, such as London’s Royal College of Art.

Milano Art Week 2026 Tops and Flops: The Best and Worst of the Art Week

Milano Art Week 2026 top e flop: il meglio e il peggio della settimana dell’arte

The 2026 edition of Milano Art Week, anchored by the 30th anniversary of the miart fair, presented a mixed bag of organizational shifts and high-quality artistic programming. Key highlights included the successful Milanese debut of Paris Internationale at Palazzo Galbani and the emergence of new cultural hubs like Mulino Factory, which continue Milan's trend of repurposing industrial heritage. However, the primary fair's relocation to the Allianz MiCo South Wing drew criticism for its labyrinthine layout and logistical hurdles despite the scenic park setting.

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Gabrielle Bejani, a Lebanese Palestinian artist based in South London, created a series of works responding to the November 2024 ceasefire between Israel and Lebanon that was quickly broken by Israeli fire in Khiam. The series, exhibited as "Deliberate Dreams" at Beirut's Saleh Barakat Gallery in July 2025, uses painting, drawing, and collage to process grief, anger, and guilt over the violence. Bejani incorporates everyday cultural items like bougainvillea and 20th-century Lebanese postage stamps, reclaiming darkness as a metaphor for identity and resistance against Israeli Prime Minister Benjamin Netanyahu's characterization of Palestinians as "children of darkness."

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Gabrielle Bejani, a Lebanese Palestinian artist based in South London, created a new series of works in response to the November 2024 ceasefire between Israel and Lebanon that was quickly broken. The series, exhibited as "Deliberate Dreams" at Beirut's Saleh Barakat Gallery in July 2025, uses painting, drawing, and collage to process grief, anger, and guilt over the violence. Bejani incorporates everyday cultural items like bougainvillea and 20th-century Lebanese postage stamps to explore themes of land, identity, and resistance, reclaiming darkness as a source of empowerment rather than a metaphor for evil.

South Africa pavilion will be empty at 2026 Venice Biennale, culture ministry says

South Africa will not host a national pavilion at the 2026 Venice Biennale following a legal battle between the country’s Department of Sports, Arts and Culture (DSAC) and artist Gabrielle Goliath. The conflict began when Culture Minister Gayton McKenzie labeled Goliath’s planned project, which addressed violence in Gaza, as "highly divisive" and cancelled the exhibition after she refused to alter the content. A South African high court recently dismissed Goliath’s urgent application to overturn the cancellation, leading the government to abandon its participation in the prestigious international event entirely.

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Chanel has opened Espace Gabrielle Chanel, mainland China's first public library dedicated to contemporary art, at Shanghai's Power Station of Art (PSA). The 18,000-square-foot library, designed by Japanese architect Kazunari Sakamoto, holds over 50,000 books and audiobooks and includes an upgraded exhibition hall, a terrace overlooking the Huangpu River, and a 300-seat public theater. It will host the Archive of Chinese Contemporary Art. The library is part of Chanel's Next Cultural Producer program, launched at PSA in 2021 under the Chanel Culture Fund, which supports emerging practices in Chinese craft, architecture, and theater.

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South Africa’s official pavilion at the Venice Biennale will remain empty this year following the government's abrupt cancellation of artist Gabrielle Goliath’s planned exhibition. The controversy erupted when Culture Minister Gayton McKenzie pulled the project just days before the deadline, labeling Goliath’s work "highly divisive" due to its inclusion of a tribute to Palestinian poet Hiba Abu Nada. Despite the official ban and a failed court challenge by the artist and curator, the work, titled *Elegy*, will now be staged independently at the Chiesa di Sant’Antonin nearby.

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South Africa has officially withdrawn from the 2024 Venice Biennale following a legal battle over the cancellation of its national pavilion. The controversy began when Culture Minister Gayton McKenzie pulled the plug on artist Gabrielle Goliath’s planned exhibition, which referenced the deaths of Palestinians in Gaza. Goliath and curator Ingrid Masondo challenged the decision in court, alleging censorship and a violation of freedom of expression, but a South African judge recently dismissed their case without providing a specific reasoning.

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A South African high court has dismissed artist Gabrielle Goliath’s urgent application to reinstate her selection for the 61st Venice Biennale. Culture Minister Gayton McKenzie canceled Goliath’s pavilion, titled "Elegy," labeling the work "highly divisive" just days before the official submission deadline. The artist and curator Ingrid Masondo argued the cancellation was an act of censorship and a violation of constitutional freedom of expression, but the court rejected the bid without providing immediate reasons.

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Artist Gabrielle Goliath and curator Ingrid Masondo are filing a court case against South African culture minister Gayton McKenzie after he canceled their planned pavilion for the Venice Biennale. McKenzie objected to a performance from Goliath's "Elegy" series that would address Israel’s war in Gaza, calling it "polarizing," a move Goliath described as censorship. McKenzie later attributed the cancellation to alleged interference by an unnamed foreign nation, with reports suggesting Qatar was involved, though the Qatar Museums ultimately did not purchase the work. The application, to be filed in the South African high court in Pretoria, seeks to have McKenzie's actions declared unconstitutional.

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Gabrielle Goliath's planned South African pavilion at the Venice Biennale was abruptly canceled by South African culture minister Gayton McKenzie. McKenzie claimed the cancellation was not due to the pavilion's focus on Israel's war in Gaza, but because a foreign nation attempted to purchase the work after the show. The Daily Maverick reported that the foreign entity was actually Qatar Museums, which had expressed interest in acquiring a video recording of Goliath's performance piece 'Elegy,' which addressed violence against women and queer people in South Africa and a genocide in Namibia. McKenzie's statement contradicted earlier reports that he had privately called the pavilion 'polarizing.'

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South Africa has canceled its pavilion at the Venice Biennale, which was to feature a performance by artist Gabrielle Goliath addressing the killings of women and queer people in South Africa, a German-led genocide in Namibia, and Israel’s war in Gaza. The performance would have included readings of poetry by Palestinian poet Hiba Abu Nada, who was killed in an Israeli airstrike in 2023. South African Culture Minister Gayton McKenzie blamed an unidentified foreign nation for seeking to use the pavilion for "proxy power," and Israeli publication Ynetnews reported that nation is Qatar. McKenzie denied censorship, claiming a rift with the nonprofit Art Periodic South Africa over a foreign nation's offer to purchase artworks after the Biennale.

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The South African Ministry of Sport, Arts, and Culture has denied censoring its 2026 Venice Biennale pavilion after canceling a proposed artwork by artist Gabrielle Goliath on December 2. The work, part of Goliath's "Elegy" series curated by Ingrid Masondo, addressed sexual assault, femicide, the killings of women and queer people in South Africa, colonial-era genocide in Namibia, and included a tribute to Palestinian poet Hiba Abu Nada. Culture minister Gayton McKenzie initially called the piece "highly divisive" and linked to a polarizing international conflict, but a January 10 statement reframed the cancellation as a safeguard against foreign interference, alleging a foreign country attempted to fund or purchase the work to use the pavilion as a proxy for a geopolitical message about Israel's actions in Gaza.

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South Africa will not participate in the 61st Venice Biennale following a High Court ruling that dismissed an urgent application by artist Gabrielle Goliath. The dispute began in January when Culture Minister Gayton McKenzie canceled the planned exhibition, "Elegy," citing concerns over its references to Gaza and the killing of Palestinian poet Hiba Abu Nada. The court's decision, delivered just hours before the biennial's submission deadline, effectively leaves the South African pavilion empty for the 2024 edition.