10 Art Shows to See in Los Angeles This April

April in Los Angeles features a diverse array of art exhibitions, from major institutional retrospectives to politically charged group shows. Highlights include a 60-year retrospective of the influential printmaking studio Gemini G.E.L. at its own space, a survey of the Grunwald Center at the Hammer Museum, and shows celebrating LA performance art icons Bob & Bob and Rachel Rosenthal. The month also sees a newly discovered collection of matchbook miniatures by Joe Brainard and Dave Muller's work on social connection at ArtCenter.

Celeste Dupuy-Spencer, Artist Who Confronted Injustice, Dies at 46

Acclaimed painter Celeste Dupuy-Spencer has passed away at the age of 46 in Los Angeles, just days before a scheduled solo exhibition at Jeffrey Deitch’s gallery. Known for her visceral and politically charged figurative works, Dupuy-Spencer gained national recognition for her contributions to the 2017 Whitney Biennial and the 2018 Made in LA biennial. Her practice often deconstructed American mythologies, the rise of domestic fascism, and global human rights issues, including a high-profile stance against the conflict in Gaza.

Ai Weiwei and the Art of Keeping Your Mouth Shut

Dissident artist Ai Weiwei explores the corrosive nature of state control and self-restraint in his new book, "On Censorship" (2026). Drawing from a lifetime of persecution—including his father’s exile to a labor camp, his own 81-day detention in 2011, and recent digital erasure by Chinese AI—Ai argues that censorship fundamentally strips individuals of their humanity. He highlights how the mechanism of silencing has evolved from overt state violence in the East to a more insidious culture of self-censorship in the West, exemplified by the cancellation of his own 2023 exhibition at Lisson Gallery following comments on the conflict in Gaza.

Required Reading

This week’s roundup of essential art reading highlights a diverse range of global initiatives, from the development of a new arts center in Compton by formerly incarcerated painter Mr. Wash to a mural project for displaced children in Lebanon led by artist Abed Al Kadiri. The report also covers a guerrilla projection protest at the Museum of Fine Arts, Boston, where activists criticized the institution for laying off staff members of color despite a massive endowment, and a poignant look at medical students graduating amidst the ongoing crisis in Gaza.

A missing wolf and a Sydney sunset: photos of the day – Thursday

The Guardian’s picture editors have curated a selection of global photographs capturing significant moments from Thursday, April 9, 2026. The collection spans a wide range of subjects, including a dramatic sunset at Milk Beach in Sydney, environmental concerns over a widening faultline in the Swiss Alps, and political activities involving leaders in Scotland and Italy. It also documents somber events, such as the funeral of Al Jazeera correspondent Mohammed Wishah in Gaza.

‘As an artist I have a duty to reflect the times’: photographer Misan Harriman explores protests and solidarity in new London show

Photographer and filmmaker Misan Harriman has opened a permanent installation titled 'The Purpose of Light' at London's Hope 93 gallery. The exhibition features over 100 black-and-white photographs taken over seven years at protests in the UK, US, and South Africa, including demonstrations related to Black Lives Matter, Gaza, and other social justice movements. The project debuted as a solo show last summer and, due to significant public response, has now been established as a long-term fixture with support from private collectors.

Parades, art installations and ruined rooms filled with rubble: photos of the day – Monday

The Guardian's picture editors curated a global selection of photographs from March 30, 2026. The images depict a wide range of events, including a carnival parade in Mexico City, a Palm Sunday procession in Madrid, an art installation at California's Bombay Beach Biennale, scenes of conflict and its aftermath in Gaza, Tehran, and Lebanon, and political moments like Donald Trump showing renderings onboard Air Force One.

Venice Biennale Jury Bars Israel and Russia from Official Prizes

The international jury of the 61st Venice Biennale announced on April 23 that it will not consider the Israeli and Russian pavilions for official prizes, including the Golden Lion for national participation. The five-member, all-women panel—comprising Solange Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—said it would exclude countries whose leaders are currently charged with crimes against humanity by the International Criminal Court, a criterion that applies to Israel and Russia due to ICC arrest warrants for Benjamin Netanyahu and Vladimir Putin. The decision comes amid mounting controversy over the Biennale's decision to host both pavilions, with Russia returning after its artists withdrew in 2022 over the Ukraine invasion and Israel reopening after its 2024 pavilion remained closed pending a Gaza ceasefire. The European Commission had also threatened to suspend a €2 million grant over the Russian pavilion's reopening.

Press Photos of the Year Chosen

Pressefotos des Jahres gewählt

Carol Guzy won the World Press Photo competition for 2025 with her image "Separated by ICE," taken for the Miami Herald. The photograph depicts children clinging to their father's shirt during a court hearing in New York, after he was unexpectedly detained by U.S. Immigration and Customs Enforcement (ICE). The jury selected the image from nearly 57,000 entries by about 3,700 photographers. Two other finalists were recognized: Saber Nuraldin for documenting the humanitarian crisis in Gaza, and Victor J. Blue for covering the trial of perpetrators who kidnapped and abused women during Guatemala's civil war.

This is the Press Photo of the Year

Das ist das Pressefoto des Jahres

The World Press Photo competition has named Carol Guzy's photograph "Separated by ICE" as the World Press Photo of the Year. The image, taken for the Miami Herald in August 2025, shows children clinging to their father's shirt during a court hearing in New York after he was unexpectedly detained by U.S. Immigration and Customs Enforcement (ICE). The jury praised the photo as a stark documentation of family separation resulting from U.S. immigration policy. Two other finalists were recognized: Saber Nuraldin's image of the humanitarian crisis in Gaza and Victor J. Blue's photo documenting the Achi women from Guatemala who sought justice for wartime abuses.

Hyperallergic’s Guide to the 2026 Venice Biennale

Hyperallergic has published its guide to the 2026 Venice Biennale, detailing what to see and do at this year's edition. The guide covers the three main categories of the Biennale—the Giardini with 29 permanent national pavilions, the Arsenale with temporary rented spaces, and collateral events across the city. Key developments include the return of Russia to its permanent Giardini pavilion and Israel's participation with a new contractual stipulation preventing its artist from closing the pavilion, after Ruth Patir's protest in 2024. South Africa withdrew following the cancellation of Gabrielle Goliath's video installation 'Elegy,' which mourns victims of Israel's genocide in Gaza and will now be shown at a historic church. The United States will be represented by Alma Allen after Barbara Chase-Riboud stepped down, and Qatar is set to become the first country in decades to build a new pavilion in the Giardini.

Image of Family Torn by ICE Wins World Press Photo of the Year

American photojournalist Carol Guzy won the 2026 World Press Photo of the Year for her image "Separated by ICE," which captures a tearful family torn apart by Immigration and Customs Enforcement (ICE) after an immigration court hearing in New York amid President Trump's broader crackdown. The contest, established in 1955, selected 42 global winners from over 57,000 photographs submitted by nearly 3,800 photographers across 141 countries. Finalists included Saber Nuraldin's "Aid Emergency in Gaza" and Victor J. Blue's "The Trials of the Achi Women," while other winners addressed displacement, war, and environmental crises.

Russia and Israel cannot win any prizes at the next Venice Art Biennale 2026. The jury takes a stand

Russia e Israele non potranno vincere nessun premio alla prossima Biennale Arte di Venezia 2026. La giuria prende posizione

The international jury for the 61st Venice Biennale, led by Solange Farkas, has unanimously declared it will not consider countries whose leaders are currently accused of crimes against humanity by the International Criminal Court. This means Russia and Israel are excluded from competing for the Golden Lion awards, including Best National Participation and Best Artist. The jury's statement, published on e-Flux Notes, emphasizes the Biennale's historical role as a platform connecting art with contemporary urgencies and acknowledges the complex relationship between artistic practice and state representation.

Required Reading

This week's Required Reading from Hyperallergic features a photo by Saber Nuraldin, a finalist for the World Press Photo of the Year, depicting Palestinians climbing an aid truck in Gaza during famine caused by Israel's blockade. The article also includes Elena Megalos's essay on the American Museum of Natural History as a site of motherhood, and reports on Meenu Batra, a legal interpreter arrested by ICE, and the New York Times blocking the Internet Archive from crawling its site.

Biennale Jury Will Not Consider Countries with ICC Allegations

Biennale-Jury will Länder mit IStGH-Vorwürfen nicht berücksichtigen

The jury of the Venice Art Biennale has announced that it will not consider countries whose heads of state or government face allegations of crimes against humanity from the International Criminal Court (ICC) when awarding prizes this year. The jury, led by Brazilian art historian Solange Farkas, cited its commitment to defending human rights. While no specific countries were named, the ICC currently has arrest warrants against Russian President Vladimir Putin for alleged war crimes in Ukraine and Israeli Prime Minister Benjamin Netanyahu for alleged war crimes in Gaza. The Biennale leadership stated the jury acted in full autonomy and independence.

Now we open a Palestinian Pavilion at the Biennale. Interview with Tomaso Montanari

“Ora apriamo un Padiglione Palestina in Biennale”. Intervista a Tomaso Montanari

Tomaso Montanari, a member of the scientific committee for the exhibition "Gaza, il futuro ha un cuore antico. Materie e memorie del Mediterraneo" at Fondazione Merz in Turin, discusses the show's aim to highlight Gaza's 5,000-year history beyond the current war imagery. The exhibition, organized in collaboration with the Museo Egizio and the MAH – Musée d’art et d’histoire de Genève, juxtaposes ancient artifacts with contemporary artworks to assert the cultural and historical significance of Palestine. Montanari also addresses the upcoming Venice Biennale, criticizing the lack of a Palestinian pavilion and suggesting that the Turin exhibition itself serves as a de facto Palestinian pavilion, while calling for accountability for Israel's actions.

Venice Biennale Jury Says It Won’t Consider Countries Charged with Crimes Against Humanity, Including Israel and Russia

The Venice Biennale's jury announced it will not consider nations whose leaders are charged with crimes against humanity by the International Criminal Court, effectively excluding Israel and Russia from competing for top honors. The jury, led by Videobrasil founder Solange Farkas, stated this decision aligns with curator Koyo Kouoh's vision and the Biennale's historical role as a platform connecting art to urgent issues. The ICC has issued arrest warrants for Israeli Prime Minister Benjamin Netanyahu and Russian President Vladimir Putin, while other indicted leaders like Sudan's Omar al-Bashir and Afghan officials lack Biennale pavilions.

Syrian Artist Sara Shamma To Present An Ode To Palmyra At The 61st Edition Of La Biennale Di Venezia

Syrian artist Sara Shamma will present a large-scale immersive installation titled 'The Tower Tomb of Palmyra' at the 61st edition of La Biennale di Venezia in 2026. This marks Syria's first participation in the Biennale since the fall of the Assad regime and the appointment of President Ahmed Hussein al-Sharaa. Shamma's project, inspired by the ancient funerary towers of Palmyra destroyed during the Syrian Civil War, aims to restore the heritage site to life through a multisensory journey combining architecture, painting, and other elements. It will be the first solo presentation by a single Syrian artist at the Biennale, departing from previous group exhibitions with European collaborators.

World Press Photo 2026 winners – in pictures

The World Press Photo 2026 winners have been announced, with Carol Guzy awarded the top honor for her image of distraught girls clinging to their father as ICE agents detain him after an immigration hearing in New York City. Finalists include Saber Nuraldin’s photograph of Palestinians scrambling for aid in Gaza, Victor J Blue’s image of Achi women outside a Guatemala City court, and other powerful works documenting climate displacement in Mexico, a wedding during a typhoon in the Philippines, police detaining a priest at a pensioners’ protest in Argentina, and a social robot in Europe.

Islamophobia, motherhood, war and immigration: Indy artists get political

Four Indianapolis-based artists—Salma Taman, Alejandra Carrillo, Bailey Jörk, and Iryna Bondar—are creating work that directly responds to contemporary political and social crises, including the war in Gaza, immigration, and political division. Their art, ranging from Taman's Arabic calligraphy painting promoting forgiveness to Carrillo's digital drawing protesting a migrant detention center, serves as a form of personal and communal expression in a fraught global climate.

"The Palestine Pavilion Exists, and It's in Turin": Interview on the Exhibition Dedicated to the History of Gaza at the Merz Foundation

“Il Padiglione della Palestina esiste, ed è a Torino”. Intervista sulla mostra dedicata alla storia di Gaza alla Fondazione Merz

The Merz Foundation in Turin is hosting the exhibition 'Gaza, il futuro ha un cuore antico. Materie e memorie del Mediterraneo' (Gaza, the future has an ancient heart. Matters and memories of the Mediterranean). The show, created in collaboration with the Egyptian Museum and the MAH – Musée d’art et d’histoire in Geneva, juxtaposes ancient archaeological artifacts from Gaza with contemporary artworks. It aims to present Gaza's history as a Mediterranean crossroads, moving beyond its current wartime representation. The exhibition features artifacts from a collection of about 500 pieces, temporarily held in Geneva, alongside works by contemporary artists like Samaa Emad, Mirna Bamieh, and Wael Shawky.

From Gaza to Syria: Stories from Middle East dominate art exhibition in Portugal

The Anozero – Bienal de Coimbra in Portugal is presenting a significant number of works addressing conflict and displacement in the Middle East. The biennial, curated by John Zeppetelli and Hans Ibelings, features projects like Taysir Batniji's "Just in Case #2," a series of 250 photographs of keys belonging to displaced Palestinians, and Adam Broomberg and Rafael Gonzalez's "Anchor In The Landscape," documenting destroyed olive trees.