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Our pick of the best museum and gallery shows to see in Chicago this spring

Chicago’s spring art season features a diverse array of exhibitions, highlighted by Dabin Ahn’s solo debut at Document, which explores memory and grief through fractured canvases and Korean ceramics. The Art Institute of Chicago is hosting a tribute to the late Lucas Samaras, showcasing his experimental Polaroid self-portraiture, while the Museum of Contemporary Art Chicago (MCA) launches an ambitious group show examining the political and cultural impact of dancehall and reggaetón.

Our pick of the best museum and gallery shows to see in Chicago this spring

Chicago’s spring art season is highlighted by a series of significant institutional and gallery exhibitions, ranging from deeply personal solo debuts to expansive cultural surveys. Key highlights include Dabin Ahn’s first solo show at Document, featuring paintings that explore grief and impermanence following the death of his father, and a retrospective of the late Lucas Samaras at the Art Institute of Chicago. Additionally, the Museum of Contemporary Art Chicago is launching a major group exhibition titled "Dancing the Revolution," which examines the political and cultural impact of dancehall and reggaetón through the work of over 35 artists.

Curators Announced for 16th Baltic Triennial

The Contemporary Art Center (CAC) Vilnius has appointed artist Nikita Kadan and curator Natalia Sielewicz as curators of the 16th Baltic Triennial, scheduled for 2027. Kadan is a Kyiv-based artist, while Sielewicz is chief curator at Warsaw's Museum of Modern Art. The duo has proposed "grief and resurrection" as the triennial's theme, framing despair and mourning as spaces for careful listening and potential renewal.

Tracey Emin’s Cult of the Self

A major retrospective of Tracey Emin's work, "A Second Life," is on view at Tate Modern in London. The exhibition presents the artist's deeply personal and confessional body of work, including iconic pieces like "My Bed" and "Exorcism of the Last Painting I Ever Made," which chronicle intimate experiences of love, trauma, and self-exploration through text, objects, and raw imagery.

These are the 30 best museum exhibits in NYC right now

New York City’s cultural landscape is undergoing a significant transformation with the reopening of the New Museum in its expanded 60,000-square-foot building designed by OMA. The inaugural exhibition, "New Humans: Memories of the Future," features over 200 contributors exploring the intersection of technology and humanity. Simultaneously, major institutions are launching landmark shows, including a massive Raphael retrospective at the Metropolitan Museum of Art and the 2026 Whitney Biennial, which focuses on artificial intelligence and climate grief.

These are the 30 best museum exhibits in NYC right now

New York City’s cultural landscape is undergoing a significant transformation, anchored by the grand reopening of the New Museum in its expanded 60,000-square-foot building designed by OMA. The inaugural exhibition, "New Humans: Memories of the Future," features over 200 contributors exploring the intersection of technology and humanity. Simultaneously, major institutions are launching blockbuster shows, including a massive Raphael retrospective at the Metropolitan Museum of Art and the 2026 Whitney Biennial, which focuses on artificial intelligence, climate grief, and geopolitical power.

Why Felix Gonzalez-Torres’s Go-Go Dancer Piece Remains Subversive

The New York Times examines the enduring power of Felix Gonzalez-Torres's 1991 performance piece "Untitled" (Go-Go Dancing Platform), in which a go-go dancer performs on a pedestal for a brief, scheduled period each day. The work, currently on view at the Art Institute of Chicago, uses the dancer's absence as a central component, creating a poignant metaphor for queer presence and loss.

Precious Okoyomon’s Whitney Biennial Installation Is on View After a Delay, and It’s a True Shocker

Precious Okoyomon's major installation for the 2024 Whitney Biennial, titled 'Everything wants to kill you and you should be afraid,' opened after a brief delay. The work, featuring around 50 stuffed animals and racist dolls suspended by nooses, was moved from the museum lobby to the eighth floor to provide more space for viewers to engage with its disturbing yet beautiful mix of childhood nostalgia and violence.

‘It’s essential for understanding what is going on in Ukraine’: new exhibition explores wartime limb loss

Prominent Ukrainian artist Nikita Kadan is launching a new exhibition titled 'A New Integrity' at Pavilion 13 in Kyiv. The installation features prostheses suspended in mid-air, accompanied by a soundscape of recorded testimonies from veterans who have experienced limb loss during the ongoing Russian invasion. The project, commissioned by the non-profit RIBBON International, uses these mechanical replacements to symbolize the broader losses of territory, people, and future perspectives that Ukraine has endured.

Angus, Thongs and Imperfect Staging

The art collective MSCHF saved a cow named Angus from slaughter after a two-year project called 'Our Cow Angus'. The project allowed fans to preorder burgers or a leather bag made from Angus, but also provided a 'Remorse Token' to cancel orders. If 50% of tokens were used by the deadline, Angus would be spared and sent to a sanctuary. With ten hours remaining, the threshold was met, and the cow's life was saved.

At the Galleries for March 26, 2026

The Hamptons art scene is hosting a diverse array of exhibitions this March, ranging from intimate solo shows to expansive group surveys. Key highlights include Cait Porter’s still-life explorations of grief at Halsey McKay Gallery, Bruce Mermelstein’s photography retrospective at Southampton Town Hall, and a music-centric exhibition at ARDT Gallery featuring works by Kim Simmonds and David Edward Byrd. Other notable shows include "The Light of Awakening" at LTV Studios and a contemporary narrative group show at Slattery Gallery that pairs emerging artists with blue-chip masters like Picasso and de Kooning.

Unbound Narratives: Embodied Language at Atlanta Contemporary, Atlanta

The Atlanta Contemporary is presenting the group exhibition 'Unbound Narratives: Embodied Language,' curated by Karen Comer Lowe. It features works by artists February James, Bethany Collins, Gabi Madrid, and a’driane nieves across film, painting, and mixed media, focusing on how each translates personal and embodied experience into visual and linguistic forms. Key pieces include nieves's monumental painting on grief and rage, Collins's text-based interrogation of racial identity, James's debut stop-motion film exploring stillness, and Madrid's inscribed headboards addressing healing and cultural memory.

Marsha Pels Presents a Material Memorandum on Grief

Milan's art scene is currently anchored by a series of high-profile exhibitions coinciding with the Miart fair, ranging from Cao Fei’s exploration of global agriculture to Anselm Kiefer’s monumental tributes to female alchemists. Marsha Pels stands out with a deeply personal presentation that utilizes industrial materials to navigate the complexities of grief and memory.

The Museum Breathing Life Into New York's Downtown Performance Scene

The Leslie-Lohman Museum of Art in SoHo has emerged as a vital hub for New York’s downtown performance scene through its intergenerational exhibition, "Sacred and Profane." Featuring a collaborative residency between poet Pamela Sneed and performance artist Carlos Martiel, the programming centers on themes of Black maternal grief, queer identity, and the exhumation of suppressed histories. Recent performances included Martiel’s "No Resurrection," a ritualistic piece involving his mother and a mound of earth, and Sneed’s readings that address the collective trauma and "urgent care" status of the LGBTQ+ community.

Shaniqwa Jarvis: Only Love Can Break Your Heart

Artist Shaniqwa Jarvis is set to debut her first UK solo exhibition, "Only Love Can Break Your Heart," at London’s Public Gallery on April 30, 2026. The show features twelve new works that blend photography with silk, mirrored surfaces, aluminum, and collage to explore themes of grief, memory, and renewal. Central to the exhibition are immersive silk installations that create live double exposures and a new film work that weaves together personal archival footage with intimate conversations on motherhood, labor, and identity.

Birmingham museum opens exhibition on death and grief

Birmingham Museum & Art Gallery has launched a community-led exhibition exploring the universal experiences of death, dying, and grief. Curated in partnership with the local collective BrumYODO, the showcase features traditional mourning rituals alongside contemporary inquiries into how artificial intelligence might manage bereavement. The exhibition serves as the centerpiece for the annual "A Matter of Life and Death" festival, incorporating interactive workshops, clay-making sessions, and even a themed comedy night to engage the public with a typically taboo subject.

Community Exhibition Explores Death, Grief and Rituals at Birmingham Museum & Art Gallery

Birmingham Museum & Art Gallery has launched a community-led exhibition exploring the universal themes of death, grief, and mourning rituals. Part of the annual "A Matter of Life and Death Festival 2026," the showcase combines historical artworks from the museum’s permanent collection with contemporary perspectives, including the role of artificial intelligence in grief management. The program features interactive workshops led by artists Bianca Beneduzi and Jemma Mellor, as well as a comedy night designed to spark open dialogue about mortality.

Evergreen Brick Works Art Exhibition Raises Awareness of Spotted Lanternfly

Artist Laura Fedynyszyn has partnered with the Invasive Species Centre to present "Memorial for Trees Not Yet Fallen III" at Toronto’s Evergreen Brick Works. The exhibition features wreaths made from dried riverbank grapevines adorned with prints of the spotted lanternfly, an invasive insect currently threatening Ontario’s borders. Drawing inspiration from Victorian-era mourning jewelry, the installation serves as a tangible memento for an ecosystem at risk.

Golnar Adili’s Family Archive

Artist Golnar Adili presents a solo exhibition at Smack Mellon in New York, centered on her family's archive of letters. The show features large-scale text-based sculptures and installations, such as 'Ye Harvest From the Eleven-Page Letter–Installation,' which transforms Persian script from her father's letters into architectural forms, alongside new plaster casts of her body. These works explore the aftermath of her parents' separation due to political exile following the 1979 Iranian Revolution.

Arts & Science Center hosting artwork by instructor at University of Arkansas at Pine Bluff

The Arts & Science Center for Southeast Arkansas is hosting the exhibition 'Blaque' by University of Arkansas at Pine Bluff art instructor Jonathan Rashad Wright as a highlight of its 2026 Black History Month programming. The exhibition, on display through July 3, explores themes of identity, heritage, grief, and resilience within the African diaspora through Wright's innovative blend of traditional printmaking and modern technology, using black ink on black paper to create layered, introspective works.

‘As If’ by Isabel Waidner, Reviewed

Isabel Waidner’s latest novel, 'As If', follows the surreal intersection of two actors, Lewis and Korine, who share an uncanny resemblance and wives with the same name. After meeting in a Central London sublet, the pair decide to swap lives: the younger Korine takes over a high-stakes audition for the grieving Lewis, while Lewis assumes Korine’s domestic and financial burdens. Set against the brutalist backdrop of London’s Barbican and Golden Lane estate, the narrative uses this identity swap to explore the thin line between performance and reality.

On Showing My Paintings in Auschwitz

Artist and Holocaust survivor Yehudis Barmatz-Harris has installed a series of paintings within the barracks of Auschwitz-Birkenau, marking a profound personal and artistic return to the site of her family's trauma. The works, which utilize materials like salt and organic textures, are placed directly on the wooden bunks where prisoners once slept, creating a visceral dialogue between contemporary Jewish life and the void left by the Shoah.

A Palestinian-American Photographer’s Intimate Gaze

Photographer Dean Majd presents his solo debut exhibition, "Hard Feelings," at BAXTER ST at the Camera Club of New York. The show compiles a decade of intimate photographs documenting his inner circle of skateboarders and graffiti writers in Queens, a community he joined after the death of his childhood friend James. The work captures communal joys, rites of passage, and the dangers of their lifestyle, while also serving as a dedication to his friend Suba, who died from an accidental overdose in 2020.

The Tender Work of Preserving Renee Good’s Memorial

A traveling photojournalist, Ryan Vizzions, has halted his cross-country project to become the archivist and caretaker of a sprawling memorial for Renee Good, a poet and mother killed by federal immigration agents in Minneapolis. Vizzions is photographing, digitizing, and preserving hundreds of objects left at the site, storing fragile items in a secret location, and protecting the memorial from vandalism and the elements.

Lamentation and Celebration

Quilt artist Lois Klassen presents her first Manitoba exhibition, "Lamentation and Celebration," featuring a series of collaged textile works that explore the duality of grief and beauty. The exhibition showcases Klassen’s signature style of juxtaposing found, recycled, and commercial fabrics with traditional needlework fragments to create complex visual patterns and textures.

Joe Lycett to showcase artwork via Birmingham exhibition

Birmingham Museum & Art Gallery will stage the first major solo exhibition of artwork by comedian and artist Joe Lycett, titled 'EVERY THING MUST GO', opening on July 29, 2026. The exhibition will feature dozens of new, mixed-media works exploring themes of nostalgia, grief, and loss through Lycett's signature colorful and humorous style, focusing on subjects like deceased celebrities, extinct animals, and discontinued products.

Hamnet-era mourning jewel from celebrated painting rediscovered after 400 years

A rare 17th-century mourning jewel, depicted in the celebrated 1635 painting 'Sir Thomas Aston at the Deathbed of His Wife' by John Souch, has been rediscovered after 400 years. The heart-shaped pendant, which contains a tassel of hair from Aston’s deceased son Robert, was identified by its current owners during a chance visit to an exhibition featuring the portrait. Valued at £650,000, the gold and enamel memento mori features intricate Latin inscriptions that were previously illegible in the painting.

Beloved St. Pete artist Rhys Meatyard debuts must-see solo show at Werk Gallery

Rhys Meatyard, a celebrated St. Petersburg, Florida artist and muralist, has opened a new solo exhibition titled 'Ceremony' at The Werk Gallery. The show, which runs through the end of April, explores themes of love, grief, and hope, drawing inspiration from author Victor Frankl and the character Aragorn from *The Lord of the Rings*.

Art exhibition at Colchester Hospital to raise funds for North Essex cancer charity

Local artist Claire Vaughan has launched a solo exhibition at Colchester General Hospital, showcasing a series of works inspired by her personal journey of recovery and the loss of her lifelong friend, Debbie Cuthbert. The exhibition serves as a tribute to Cuthbert, who passed away from ovarian cancer, with proceeds from art sales being donated to the Cancer Wellbeing Centre.

camille henrot in the veins film climate grief 1234777705

Artist Camille Henrot has premiered her first new film in nearly a decade, titled "In the Veins" (2026), at the newly reopened New Museum in New York. The 35-minute work, which is featured in the exhibition "New Humans," explores the intersection of domestic caretaking and the global climate crisis. Through Henrot's signature associative editing style, the film juxtaposes scenes of children growing up with footage from wildlife rehabilitation centers, highlighting the cognitive dissonance of raising children surrounded by animal imagery while facing mass extinction.