Gagosian Opens a New Ground-Floor Flagship at 980 Madison Avenue with Duchamp-Rauschenberg Double Header

Gagosian is opening a new ground-floor flagship gallery at 980 Madison Avenue in New York, moving from its former upper-floor space in the same building. Designed by Caplan Colaku Architects, the 12,000-square-foot, two-level space consolidates three storefronts into a continuous layout with restrained materials like Portland Taupe stone and brushed stainless steel. The inaugural exhibition pairs a major Marcel Duchamp show with six early works by Robert Rauschenberg on loan from the Cy Twombly Foundation, coinciding with a Duchamp retrospective at MoMA and referencing a 1965 Duchamp exhibition held in the same building.

Inside Gagosian’s Quiet Power Move to Street Level on Madison Avenue

Gagosian has opened a new 2,275-square-foot ground-floor gallery at 980 Madison Avenue in New York, relocating from its longtime sixth-floor space after 37 years. The move was prompted by Bloomberg Philanthropies' acquisition of the building in 2024, which displaced several fine art tenants. The inaugural exhibition features works by Marcel Duchamp and Robert Rauschenberg, and the space was designed by architect Jonathan Caplan with advanced lighting by Dot Dash.

There will be mud! Could my child (and buggy) survive a day at a sculpture park?

A parent takes their toddler to Yorkshire Sculpture Park (YSP) in West Yorkshire, UK, during a rainy February day. Despite the mud and drizzle, the child engages with outdoor artworks by Barbara Hepworth, Henry Moore, Bharti Kher, Sol LeWitt, Vanessa da Silva, and Damien Hirst, treating the sculptures as playgrounds and objects of discovery. The park offers free activity packs, a Hidden Forest designed for under-fives, and a family-friendly environment that encourages children to explore art and nature without the constraints of indoor galleries.

New US exhibition explores power of monuments – with help from Rocky

The Philadelphia Museum of Art has opened a new exhibition titled "Rising Up: Rocky and the Making of Monuments," which uses the iconic Rocky Balboa statue as a focal point to explore the power and meaning of monuments across two millennia of boxing and celebrity culture. Curated by Paul Farber, co-founder of Monument Lab, the show features ancient sculptures, 19th-century works, images from boxing's golden age, and contemporary pieces by artists including Andy Warhol, Keith Haring, Jean-Michel Basquiat, and Glenn Ligon. The Rocky statue, placed on the museum's steps in 1982, attracts an estimated 4 million visitors annually, rivaling the Statue of Liberty.

Who are the members of the Venice Biennale jury?

Qui sont les membres du jury de la Biennale de Venise ?

The 61st Venice Biennale, opening May 9, 2026, has announced its international jury, which is composed entirely of women. The five members are Solange Oliveira Farkas (president), Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, hailing from Brazil, Thailand, Spain, the United States, and Switzerland. Their backgrounds span the Global South, feminist studies, and transnational curatorial practices.

Pittsburgh’s new $31m Arts Landing combines public art with civic engagement

Pittsburgh's new $31 million public space, Arts Landing, opened on 17 April, just before the NFL Draft and the 59th Carnegie International. Developed by the Pittsburgh Cultural Trust, the project features public artworks by vanessa german, Darian Johnson, Lenka Clayton, Phillip Andrew Lewis, Sharmistha Ray, Mikael Owunna, Marques Redd, John Peña, Shikeith, and the late Thaddeus Mosley. Highlights include Shikeith's neon sculpture *Hold*, part of his *Project Blue Space*, and Mosley's *Touching the Earth* series, originally commissioned by New York's Public Art Fund. The space also includes a playground, bandshell, and artist-designed pickleball courts.

Martin Schongauer in 2 Minutes

Martin Schongauer en 2 minutes

Martin Schongauer (c. 1445–1491), the Alsatian painter, draftsman, and engraver, is celebrated as the greatest German copperplate engraver before Albrecht Dürer and one of the first artists to achieve pan-European fame in his lifetime. The article outlines his life and career, from his early training in his father's goldsmith workshop in Colmar to his studies at the University of Leipzig and travels through Flanders, where he absorbed the influence of Rogier van der Weyden and Dirk Bouts. It highlights his 116 copper engravings, signed with the monogram 'M+S', which elevated engraving to a high art and circulated from Spain to Bohemia, inspiring Dürer and the young Michelangelo. Key works discussed include the painting 'La Vierge au buisson de roses' (1473) and the engraving 'La Tentation de saint Antoine' (c. 1470–1475).

Matt Dillon’s New Paintings Trace a Journey Across West Africa

Actor Matt Dillon presents his first solo exhibition at The Journal Gallery in New York, titled "Porto Novo to Abomey," opening April 24. The series of paintings was inspired by Dillon's travels through Senegal and Benin after filming Claire Denis's movie *The Fence* (2025). Dillon, who began painting about a decade ago with little formal training, creates spontaneous, textured works featuring bold figures, symbols, and words. The show's title traces a 100-mile journey from Benin's capital to the historic Kingdom of Dahomey, reflecting the artist's impressions of local textiles, architecture, and landscapes.

A Rosso for the Metropolitan

Un Rosso pour le Metropolitan

The Metropolitan Museum of Art in New York has acquired a painting by Rosso Fiorentino, a master of Italian and French Mannerism, after restoration revealed an earlier overpaint that had obscured the composition. The work, a Virgin and Child, now shows Saint John the Evangelist in the foreground at right, confirming it as an original by the artist.

Marian Goodman’s personal collection of Gerhard Richters

Christie's will auction seven paintings by Gerhard Richter from the personal collection of legendary gallerist Marian Goodman in May 2026, headlining a series of sales titled "Breaking Ground: The Private Collection of Marian Goodman." The group includes the iconic 1982 work *Kerze (Candle)*, estimated at $35–50 million, and spans Richter's career from 1982 to 2009. Goodman, who died in 2024, began representing Richter in 1985 after writing him a letter, and her collection reflects their decades-long professional and personal relationship.

Venice Biennale’s Prize Ban on Israel and Russia Falls Short for Critics

The jury of the 2026 Venice Biennale has ruled that Israel and Russia will be ineligible for the Golden and Silver Lion prizes, citing International Criminal Court charges of crimes against humanity against their leaders. The decision follows years of activism and political pressure, with the European Union withdrawing €2 million in funding from the event in protest of Russia's participation. While groups like Art Not Genocide Alliance praised the move as an unprecedented step, critics argue it falls short of a full ban on participation. Israel's artist representative, Belu-Simion Fainaru, condemned the policy as discriminatory, and an open letter signed by 70 artists and curators called for excluding all regimes committing war crimes, including the United States.

SACHA INGBER: TWO

Brazilian artist Sacha Ingber presents 'Two,' a solo exhibition at Uffner & Liu in New York, featuring works in pigmented resin, ceramics, and functional objects that explore themes of pairing, connection, and codependence. The show includes paired notebooks, ceramic figures sharing handles, and a backgammon board designed for two players, all emphasizing the relational space between objects and bodies.

Two Monet paintings have arrived in Hong Kong and entry is completely free

The Hong Kong Museum of Art (HKMoA) has opened a new free exhibition titled 'Blooming: The Art of Gardens in East and West', featuring over 100 paintings and artefacts. A major collaboration between the Palace Museum in Beijing, the Art Institute of Chicago, and the Palace of Versailles, the show includes masterpieces by Claude Monet—specifically 'Water Lilies' (1906) and 'Water Lily Pond' (1900)—on loan from Chicago, alongside works by Chinese artists such as Leng Mei, Wen Zhengming, and Zhang Daqian. The exhibition explores garden imagery across cultures, from the royal grounds of King Louis XIV to the imperial retreats of Emperor Qianlong, and runs until July 29, 2026, with free admission.

The World's First Museum of A.I. Art Will Open in Los Angeles as the Art World Ponders Questions of Ethics and Sustainability

Dataland, billed as the world's first museum dedicated to A.I.-generated art, will open on June 20 in downtown Los Angeles. Founded by digital artists Refik Anadol and Efsun Erkiliç, the 35,000-square-foot museum is located in the Grand LA complex designed by Frank Gehry. Its inaugural exhibition, "Machine Dreams: Rainforest," features immersive, multisensory installations powered by an open-access A.I. model called the Large Nature Model, trained on millions of nature images. The exhibition includes soundscapes incorporating oral histories of the Yawanawá people and the last recorded call of the extinct Kaua‘i ‘ō‘ō bird.

Important Early Works from the Cy Twombly Foundation

Gagosian Gallery will present an exhibition of six early works by Robert Rauschenberg from the Cy Twombly Foundation, opening April 25 at 980 Madison Avenue. The show coincides with the centennial of Rauschenberg’s birth and runs alongside a Marcel Duchamp exhibition in the gallery’s new ground-floor space. The featured works, including a rare 1950 sculpture and the photogram *Untitled (1950)*, were preserved by Cy Twombly, reflecting the close friendship and artistic exchange between the two artists who met in 1951 at the Art Students League of New York and later traveled together through Europe and North Africa.

The soap opera continues. Minister Giuli will boycott the inauguration of the Venice Biennale

La telenovela continua. Il Ministro Giuli diserterà l’inaugurazione della Biennale di Venezia

Alessandro Giuli, Italy's Minister of Culture, has announced he will boycott the pre-opening and inauguration ceremony of the 61st Venice Biennale on May 9, 2026, escalating a political and cultural crisis. The dispute began when Biennale president Pietrangelo Buttafuoco allowed the Russian pavilion to reopen, absent since 2022 due to the Ukraine invasion, citing artistic freedom. Giuli demanded the removal of ministry representative Tamara Gregoretti from the Biennale board for failing to oppose the decision. Tensions flared during the Italy Pavilion press conference, where journalists were confined to a separate streaming room and questions were restricted. The European Commission condemned the Russian pavilion's reopening, cutting €2 million in funding and issuing a 30-day ultimatum, while 22 European countries signed a letter pressuring the institution. The Biennale's international jury, led by Solange Oliveira Farkas, then excluded Russia and Israel from award consideration, citing ethical guidelines against countries whose leaders face International Criminal Court charges for crimes against humanity.

Andrea Pazienza is alive! A major exhibition opening at MAXXI shouts it

Andrea Pazienza è vivo! Lo urla una importante mostra in apertura al MAXXI

The MAXXI museum in Rome is opening a major exhibition titled "Non sempre si muore" dedicated to Andrea Pazienza, the legendary Italian underground comic artist. Curated by Giulia Ferracci and Oscar Glioti, the show opens on April 24, 2026, and runs until September 27, 2026. It features over 500 original drawings, including a monumental mural Pazienza created live at the 1987 Fiera del Fumetto in Naples, recently restored by the museum. The exhibition is the second chapter of a larger research project by MAXXI, following the earlier show "La matematica del segno" at MAXXI L'Aquila, which focused on Pazienza's formative years. The title quotes a phrase Pazienza said in 1988 to British host Clive Griffiths shortly before his death, underscoring the enduring vitality of his work.

At the Venice Biennale, the Armenian Pavilion Transforms into an Artist's Workshop: Works Are Born in Front of the Public

Alla Biennale di Venezia il Padiglione dell’Armenia si trasforma in bottega d’artista: le opere nascono di fronte al pubblico

The Armenian Pavilion at the 2026 Venice Biennale will transform into a functioning artist's studio, where sculptor Zadik Zadikian will create works in real time before the public. Titled "The Studio," the project is curated by gallerist Tony Shafrazi and curator Tina Chakarian, and will operate daily from May 6 to November 22 at the Tesa 41 of the Arsenale. Zadikian, born in Yerevan in 1948 and now based in the US, will work with traditional Armenian plaster techniques alongside his son Aram and studio assistants, emphasizing the process of making over the finished object.

The legendary film "Novecento" by Bertolucci in his Parma becomes a major exhibition

Il mitico film “Novecento” di Bertolucci nella sua Parma diventa una grande mostra

A major exhibition titled "Bernardo Bertolucci. Il Novecento" has opened at the Palazzo del Governatore in Parma, Italy, marking the 50th anniversary of Bertolucci's epic film "Novecento" (1976). The show is structured as a visual experience across 25 rooms and four sections, exploring the film's dialectic between collective history and intimate gaze. It features video, drawings, photographs, production materials, and artworks by artists such as Franco Angeli, Renato Guttuso, Taner Ceylan, and Mario Schifano, all drawn from private collections. The exhibition's first room sets the tone with a video juxtaposing the film's opening credits over Pellizza da Volpedo's painting "Il Quarto Stato" and a close-up of the young Olmo holding a frog, encapsulating the tension between political epic and sensory detail.

Exhibition | Jens FÄNGE, 'Antechamber' at Perrotin, New York, United States

Perrotin New York presents 'Antechamber,' an exhibition of over twenty new paintings by Swedish artist Jens Fänge. The works feature distorted, labyrinthine interiors populated by people, animals, and mannequins, using layered materials like oil, vinyl, linen, and burlap to create compositions that blur the line between figuration and abstraction. Recurring motifs such as doors, windows, halos, and locusts shift meaning across the show, which draws inspiration from Hans Christian Andersen's fairytales and Nathanael West's surrealist novels.

You told us want you want to see in our arts coverage. We heard you

During the Milwaukee Art Museum’s annual Art in Bloom event, the Journal Sentinel gathered feedback from hundreds of attendees and digital survey respondents about what they want from arts coverage. The new arts and culture reporter, who wrote the article, outlines the key requests: more advance event coverage (especially free, family-friendly, and hands-on activities), support for smaller and underground art scenes, profiles of local artists including youth, coverage of overlooked art forms like graffiti and fabric arts, and diverse representation of Latino, women, LGBTQ+, and immigrant artists.

Art Exhibits: What's on display in the Fort Wayne area

This article is a local arts calendar listing current and upcoming exhibitions in the Fort Wayne, Indiana area. It highlights new shows such as "Grounded in Light" featuring Julie Wall at the Foellinger-Freimann Botanical Conservatory, "Summer Selections" of student work at Purdue University Fort Wayne's Visual Arts Gallery, and "Archetypes" by printmaker Chuck Sperry at the Fort Wayne Museum of Art. Also listed are ongoing exhibitions including the "46th National Print Exhibition" at Artlink, a tribute to late ceramic artist Tom Sherbondy at Ruth Koomler Art Gallery, and several other shows at venues like the Orchard Gallery, Allen County Public Library, Garrett Museum of Art, and Honeywell Center.

Cincinnati Art Museum opens new ‘radical fashion’-focused exhibit

The Cincinnati Art Museum is opening a new exhibition titled "Elizabeth Hawes: Radical American Fashion," the first-ever showcase dedicated to the groundbreaking American designer Elizabeth Hawes. The exhibit features over 50 garments from the 1920s to the 1960s, along with sketches, illustrations, and the first publication focused on her career. Hawes, who designed for icons like Lauren Bacall, championed gender-neutral clothing and quality mass manufacturing, ideas ahead of her time. The collection was largely donated by Dorette Kruse Fleischmann, a frequent client, and was curated by Megan Nauer, the museum's acting curator of fashion arts and textiles.

‘Embrace of the Earth’: Rajib Ahasen’s debut solo exhibition opens at AFD

Rajib Ahasen's debut solo exhibition, 'Embrace of the Earth', opened on April 24, 2026, at La Galerie, Alliance Française de Dhaka (AFD). The show features around 36 works in watercolour and acrylic, rooted in the artist's memories of rural Bangladesh and his transition to urban life. Scenes of earthen roads, canals, riverbanks, and agrarian life dominate the collection, reflecting a personal narrative shaped by observation and recollection. Ahasen, who earned a Mawlana degree from a Qawmi madrasah in 2014 without formal fine arts training, has previously participated in national and international exhibitions including the Friendship Art Exhibition and Kahal International Art Fair.

Whitney Biennial 2026

The 2026 Whitney Biennial, curated by Marcela Guerrero and Drew Sawyer, has received generally lukewarm responses from critics, a notable shift from the more intense takedowns and boycotts that characterized recent editions of the exhibition. Left-oriented critics have criticized the curatorial framework as indeterminate and evasive, particularly in light of the Whitney Museum's controversial board decisions, including the recent closure of the museum's Independent Study Program.

HOW TO READ A POROUS WORK AT PINTA LIMA 2026

Casa Miraflores presents the RADAR section titled "Porous Systems" at Pinta Lima 2026, curated by Ilaria Conti. The section features Guatemalan center La Galería Rebelde and artist Angélica Serech, whose textile works draw from Maya Kaqchikel knowledge, alongside artists Diana Eusebio, Luciano Giménez, Alberto Casari, and Carlos Luis "Pajita" García Bes. The exhibition explores permeability, process, and the meeting of inherited knowledge with contemporary languages.

After Going Through the Darkness Part 1: Kōta Takeuchi Exhibition "Nononononomatsuri" @ Ichihara Lakeside Museum

暗闇をくぐってみたら Part1 竹内公太展「のののののまつり」@ 市原湖畔美術館

The Ichihara Lakeside Museum, currently under renovation since late 2025, will partially reopen on May 1, 2026, with a theater-style series of solo exhibitions titled "Kōta Takeuchi: Nononononomatsuri" as its first installment. Artist Kōta Takeuchi, born in 1982 in Hyogo Prefecture and based in Fukushima, presents new video installations created during a four-month residency in Ichihara, where he visited over 70 stone monuments across the city—including horse-headed Kannon statues, Koyasu statues, and war memorials—to explore themes of parallel bodies and possession. The exhibition features works such as "Disassembly of the Sansha-za" (2013–2023), "Cement Thief" (2024), and "Sigh of the Ground" (2022), with a map showing the locations of the documented stone monuments.

This art exhibition in Delhi evokes nostalgia around the houses we once lived in

An exhibition titled 'Houses I Almost Lived In' is currently on view at Latitude 28 gallery in Delhi's Defence Colony, running until May 25. The show brings together works by five artists—Shalina Vichitra, Pooja Iranna, Raj Jariwala, Samit Das, and Mahen Perera—who explore how architecture, memory, and belonging intertwine. Through layered cartographies, cement grids, stitched forms, and material fragments, the artists evoke nostalgia for the houses and spaces we once inhabited, examining how physical structures persist in personal and collective memory long after they vanish.

Southern Guild’s New York moment signals a shift for African art

Southern Guild, a Cape Town-based gallery, opened a permanent location in New York's Tribeca district on Friday, marking a major expansion for the gallery and a milestone for contemporary African art's international visibility. The inaugural exhibitions feature South African painter Mmangaliso Nzuza's "Ballad of the Peacock" and conceptual artist Usha Seejarim's "Used," both on view until May 17. Co-founder Trevyn McGowan described the 371m² space in a historic cast-iron building as both instinctive and strategic, following the closure of the gallery's Los Angeles outpost, which served as a testing ground for American audiences.

In Minor Keys and legacies held in common

The article reflects on the 61st Venice Biennale, curated by Koyo Kouoh, who passed away on 10 May 2025 at age 57 after a cancer diagnosis. Her curatorial concept, "In Minor Keys," will be realized posthumously by her team. The Biennale preview opens on 6 May 2026, with the public opening on 9 May. Additionally, artist Henrike Naumann, selected for the German Pavilion, died on 14 February 2025 at age 41, also from cancer; her work will be shown in her name.