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The new London museum that looks like a ‘reconstructed Toblerone’

The V&A has opened a new outpost in east London's Lower Lea Valley, a former industrial area transformed into a cultural quarter after the 2012 Olympics. The museum, described as looking like a 'reconstructed Toblerone', is the latest addition to the 'Olympicopolis' vision, which aimed to create a cultural legacy akin to west London's Albertopolis. The article, written by Catherine Slessor in The Guardian, offers a mixed review: praising the beauty and craftsmanship of the galleries while criticizing overuse of trendy phrases like 'lived experience' and 'transcultural identities'.

‘It’s not much but, at the same time, it’s very much’: the enduring impact of Sade’s style

The article discusses the enduring style of Sade Adu, frontwoman of the British group Sade, following the band's announcement of their induction into the 2026 Rock and Roll Hall of Fame. It highlights how Adu's signature look—scraped-back hair, red lipstick, hoop earrings, and simple black dresses or denim—has become iconic and influential, with her outfits featured in exhibitions like V&A East's 'The Music is Black' and referenced by celebrities such as Drake. The piece traces the origins of her style to her fashion design studies at Saint Martin's School of Art and her early work with designer Fiona Dealey.

The Turner Prize Has Revealed Its 2026 Nominees—and Already Courted Controversy

The Turner Prize has announced its 2026 nominees: Simon Barclay, Kira Freije, Marguerite Humeau, and Tanoa Sasraku. The award, administered by Tate Britain, includes a £25,000 prize for the winner. For the first time, the nominees' exhibition will be held at Teesside University's Middlesbrough Institute of Modern Art, an academic setting. The selection has already drawn criticism for being tame and safe, with Guardian critic Eddy Frankel describing the prize as "timid" and "fearful." Tate Britain director Alex Farquharson defended the nominees, praising the diversity and sculptural focus of their work.

Turner prize shortlist announced

The Turner Prize shortlist for 2026 has been announced, featuring four artists: Simeon Barclay, nominated for his spoken-word performance 'The Ruin'; Tanoa Sasraku, recognized for her solo exhibition 'Morale Patch' exploring the political history of oil; Kira Freije, shortlisted for her first major solo show 'Unspeak the Chorus'; and Marguerite Humeau, nominated for her exhibition 'Torches'. The shortlist was selected by a jury chaired by Alex Farquharson, director of Tate Britain, who praised the diverse range of work spanning installation, performance, and sculpture. An exhibition of the shortlisted artists will be held at Teesside University's Middlesbrough Institute of Modern Art (Mima) from September 2026 to March 2027, with the winner announced on December 10, 2026, receiving £25,000.

Playing it safe: this year’s Turner prize nominees lack the anger – and joy – of previous years

The 2026 Turner Prize nominees have been announced, featuring artists Marguerite Humeau, Tanoa Sasraku, Kira Freije, and Simeon Barclay. The shortlist is notably lacking in painting, video art, and overtly political work, instead offering sci-fi utopianism, jazz performance poetry, ephemeral sculpture, and anti-corporate satire. Critics describe the selection as timid and safe compared to previous years, missing the anger, radicalism, and transformative joy of past editions.

World Press Photo 2026 winners – in pictures

The World Press Photo 2026 winners have been announced, with Carol Guzy awarded the top honor for her image of distraught girls clinging to their father as ICE agents detain him after an immigration hearing in New York City. Finalists include Saber Nuraldin’s photograph of Palestinians scrambling for aid in Gaza, Victor J Blue’s image of Achi women outside a Guatemala City court, and other powerful works documenting climate displacement in Mexico, a wedding during a typhoon in the Philippines, police detaining a priest at a pensioners’ protest in Argentina, and a social robot in Europe.

‘They tore up everything’: the wolf hunters of Kyrgyzstan – in pictures

Photographer Luke Oppenheimer traveled to the remote Kyrgyz village of Ottuk in 2021 for a short assignment on wolves preying on livestock, but ended up staying for four years. His project, titled 'Ottuk' and published by Aliens in Residence, documents the lives of shepherds who hunt wolves to protect their herds in the Tien Shan mountains, capturing their ancient way of life, harsh winters, and the legends that shape their community.

‘We’re attached to this land like a tree is rooted in soil’: unexpectedly timely exhibition speaks up for the people of south Lebanon

An exhibition titled 'Forget Me Not: South Lebanon in Memory and Motion' was held at London's Palestine House earlier this month. It featured archival news footage from 2000, photographs, audiovisual materials, and children's drawings to document the history, culture, and resilience of southern Lebanon, a region experiencing renewed conflict.

Has the world grown weary of art biennials? In search of an antidote, a Portuguese festival turns to anarchism

Anozero, a biennial art festival held in Coimbra's Monastery of Santa Clara-a-Nova, has opened a ghostly edition that uses installations—including Taryn Simon's sound piece of laments in multiple languages—to protest plans by the Portuguese government to redevelop the 17th-century convent into a hotel under its Revive programme. Festival co-founder Carlos Antunes threatens to cancel the biennial if the development proceeds, framing the event as a warning to the developer about the spirits that haunt the building.