A Non-Aspirational Justice: Review of Hydrojustice
The article is a critical review of Andreas Philippopoulos-Mihalopoulos's book 'Hydrojustice,' which uses the concept of water as a lens to critique traditional, top-down legal justice and propose a more fluid, collective, and embodied alternative. The review frames this analysis through the recent erasure of a Banksy graffiti piece on the London Courts of Justice, which depicted a judge violently silencing a protester.
Parisian auction house Gros and Delettrez is offering a 66 million-year-old Triceratops prorsus skull on December 11, with an estimate of €300,000–€500,000 ($345,615–$576,025). The specimen, which surfaced from Wyoming's Lance Formation, is exceptionally complete with over 70 percent of its original bones and all three original horns intact. This marks the auction house's first dinosaur offering and will christen its new Rive Gauche headquarters, with the skull going on view on December 9 alongside works by Pablo Picasso and Pierre Soulages.
English painter John William Waterhouse created three paintings based on Lord Alfred Tennyson's poem "The Lady of Shalott," depicting a cursed woman from Arthurian legend. The article explores Waterhouse's deep admiration for Tennyson, noting that he filled his copy of Tennyson's works with sketches. It reveals that Waterhouse painted the story in reverse chronological order, starting with the final scene in 1888, then the moment of temptation in 1894, and finally the lady's lament in 1915. The article also identifies the model for the first painting as likely Waterhouse's wife, artist Esther Kenworthy Waterhouse, and describes symbolic details in the work, such as the snuffed candles foreshadowing death.
Diller Scofidio and Renfro (DS+R) has won a Golden Lion at the 2025 Venice Architecture Biennale for "Canal Café," a project that brews espresso using water filtered from the Venetian lagoon. The installation, part of the biennale's exhibition "Intelligens. Natural. Artificial. Collective," uses a combination of biological filtration by salt-tolerant halophytes and artificial methods like reverse osmosis to purify the polluted canal water. Michelin-starred chef Davide Oldani selected the coffee blend, and the espresso is sold for €1.20. Originally conceived for the 2008 biennale but delayed due to permit issues, the project was realized with improved filtration technology and support from engineering firms Natural Systems Utilities and SODAI, as well as Webuild.
The six artists shortlisted for the 2025 Artes Mundi 11 prize present works addressing displacement, colonial trauma, and migration amid divisive global politics. The exhibition, held at the National Museum Cardiff and other Welsh venues, features Sancintya Mohini Simpson’s subversive Indian miniature-style paintings depicting the horrors of indentured labor, alongside works by Jumana Emil Abboud, Anawana Haloba, and Sawangwongse Yawnghwe. The prize, the UK’s largest cash award for an exhibition at £40,000, continues its evolution by offering solo presentations across multiple venues.
A juvenile Ceratosaurus dinosaur fossil sold for $30.5 million at Sotheby’s natural history sale on July 16, far exceeding its high estimate of $6 million. The auction featured a six-minute bidding war among six bidders, making it the third-highest price ever for a dinosaur at auction. Other top lots included a Martian meteorite that sold for $5.3 million, a Pachycephalosaurus skull, and a Tyrannosaurus Rex foot, each fetching $1.758 million. All four top lots accepted cryptocurrency payments.
Three major museums have announced significant new acquisitions for their permanent collections. The Israel Museum in Jerusalem received a monumental 2014 sculpture by Anselm Kiefer, titled *Die Erdzeitalter (Ages of the World)*, donated by collector Martin Z. Margulies. The Smithsonian National Museum of Natural History in Washington, D.C., acquired a $1.7 million Pachycephalosaurus dinosaur skull, donated by former Google CEO Eric Schmidt and his wife Wendy. Meanwhile, the Frans Hals Museum in Haarlem purchased an early 16th-century genre painting by Maarten van Heemskerck.
The Petit Palais in Paris is hosting three winter exhibitions: a retrospective of 18th-century portraitist Jean-Baptiste Greuze (until January 25), a tribute to Finnish landscape painter Pekka Halonen (until February 22), and a solo show of contemporary artist Bilal Hamdad (until February 8). The Greuze exhibition is the first full retrospective dedicated to the artist, featuring around 100 works on loan from major collections. The Halonen show, the first major tribute to the Finnish painter in France, highlights his modernist snowy landscapes. Hamdad’s exhibition presents 20 large-scale paintings exploring urban solitude, drawing inspiration from Old Masters like Rubens and Manet.
Sotheby's held a successful three-part evening auction in New York on May 15, 2025, achieving a total of $154.2 million in hammer sales ($186.1 million with fees), within its pre-sale estimate. The sale included 12 lots from the estate of late dealer Barbara Gladstone, which sold 100% for $15.1 million, and 15 works from the collection of Daniella Luxembourg, which brought $33.6 million. The main event, Sotheby's The Now and Contemporary evening auction, featured 41 lots—including works from the Dorothy and Roy Lichtenstein collection and three deaccessioned by US museums—and achieved a 93% sell-through rate, hammering $105.4 million. A standout was Andy Warhol's 'Flowers' (1964) from the Gladstone estate, which sold for $3.1 million hammer, more than double its high estimate.
Anthony Bartley, a 27-year-old artist from Chicago's South Side, is presenting twenty acrylic paintings from 2023 to the present in his solo exhibition “Words I’ve Never Said: A Community Healing and Art Exhibition” in Hyde Park. The show explores themes of love, grief, and mental health, doubling as a creative space for community engagement. Bartley’s journey began with childhood interests in anime, Pokémon cards, and video games like Kingdom Hearts and Halo Reach, later influenced by his mother Jeanette, a dean at Triton College, who exposed him to science. He initially majored in molecular biology at Washington University in St. Louis before turning to art as a form of journaling, developing a style he calls “illustrative painting” that blends pop art and street art elements.
Artist Miriam Simun is currently presenting an exhibition about her Institute for Transhumanist Cephalopod Evolution at the art space Recess in Brooklyn. The centerpiece is a series of workshops titled “How to Become an Octopus (and sometime squid),” where she guides participants through psycho-physical exercises developed with marine biologists, engineers, dancers, and synchronized swimmers. Artnet News co-host Ben Davis attended the workshop and discusses the experience on this week's Art Angle podcast.
The 11th edition of Artes Mundi, the UK's largest contemporary art prize, has opened across multiple venues in Wales, featuring six international shortlisted artists. The multi-venue format includes a group show at the National Museum Cardiff and solo presentations at Mostyn in Llandudno, Aberystwyth Arts Centre, Glynn Vivian Art Gallery in Swansea, and Chapter Art Centre in Cardiff. Artists such as Jumana Emil Abboud, Antonio Paucar, Anawana Haloba, Sawangwongse Yawnghwe, Kameelah Janan Rasheed, and Sancintya Mohini Simpson explore themes of home, belonging, displacement, and community through diverse media including sculpture, performance, painting, and text-based installation. The winner of the £40,000 prize will be announced on 15 January 2026.
Julia Langbein's new novel *Dear Monica Lewinsky*, published by Doubleday, follows translator Jean Dornan as she revisits a traumatic relationship with a professor from her youth, set against the backdrop of the 1998 Monica Lewinsky scandal. The story interweaves medieval art, particularly the 13th-century *Golden Legend*, with Lewinsky's public shaming, as Jean prays to Lewinsky for guidance and is visited by a haloed version of her. Langbein, an art historian with a PhD from the University of Chicago, draws on her expertise to explore themes of humiliation, self-estrangement, and collective experience.
The Princeton University Art Museum’s Art@Bainbridge space has launched "Faig Ahmed: Textiles of Consciousness," a solo exhibition featuring the innovative woven sculptures of the Azerbaijani artist. The show presents ten textiles across four themed galleries, including works from his "GLITCH" series that utilize digital aesthetics and pixelated distortions to subvert traditional carpet-weaving forms. Notable pieces like "The Knot" and "Kutab" illustrate Ahmed's signature style of blending classical Islamic patterns with surreal, melting, or fragmented geometries.
Perrotin New York presents 'Antechamber,' an exhibition of over twenty new paintings by Swedish artist Jens Fänge. The works feature distorted, labyrinthine interiors populated by people, animals, and mannequins, using layered materials like oil, vinyl, linen, and burlap to create compositions that blur the line between figuration and abstraction. Recurring motifs such as doors, windows, halos, and locusts shift meaning across the show, which draws inspiration from Hans Christian Andersen's fairytales and Nathanael West's surrealist novels.
The 1-54 Contemporary African Art Fair is holding its 11th New York edition at the Halo in the Financial District through May 11. Founder Touria El Glaoui notes a market shift toward more accessible pieces and prices amid the turbulent US economy. Of 30 participating dealers, ten are US-based, including first-time participant Gallery Article 15 from Washington, DC, which specializes in Congolese contemporary art. Other US galleries like Yossi Milo from Chelsea and Knowhere Art Gallery from Martha’s Vineyard are showing works by artists such as Samuel Fosso, Ibrahim Said, Sanlé Sory, Adana Tillman, and Maria-Lana Queen, with prices ranging from $500 to $36,000.
Le Musée Nicéphore-Niépce fait du surplace
The Musée Nicéphore-Niépce in Chalon-sur-Saône remains in a state of stagnation as long-promised modernization plans continue to stall. Despite over twenty-five years of proposals for a new facility or a "Cité de l'image," the project has become a political "sea serpent," hampered by budget cuts, staff reductions, and shifting municipal priorities. Most recently, the city declined to renew the contract of Fannie Escoulen, a former Ministry of Culture official hired to steer the project, further signaling a lack of progress.
Four months after the Bondi Beach terror attack that killed 15 people during a Chanukah celebration, a major exhibition titled 'Holding Light' has opened at Bondi Pavilion Art Gallery. Curated by Shalom Collective and supported by Waverley Council, the show brings together 29 artists and 28 works selected through a community call-out, spanning visual art, installation, and digital media. Artists including Ella Dreyfus, Munganbana Norman Miller, Beck Feiner, Bibi Solimani, and David Solomons respond to themes of loss, memory, courage, and hope, with works such as Dreyfus's 'Nature Morte – Zikaron' documenting the spontaneous memorial near the beachfront.
The South Orange Performing Arts Center (SOPAC) has named Farida Sherif, a senior at Verona High School, as the recipient of its 2026 Paul Bartick Emerging Artist Award. Sherif was selected by an award committee for the strength, individuality, and compelling voice of her work, which she developed through SOPAC's Inspired Minds Young Artist Exhibition program. She will receive the award at a gallery opening reception on May 14, 2026.
Typhoon Halong severely damaged an archaeological site near Quinhagak, Alaska, that had been preserved in permafrost. The storm scattered thousands of Yup’ik artifacts—including wooden masks and tools—along the southwestern Alaskan coast. Archaeologist Rick Knecht of the University of Aberdeen raised the alarm about climate change threats, and salvage efforts are underway with the Nunalleq Museum to recover and conserve the items.
Centre LGBT+ and several faith communities in Centre County, Pennsylvania, are partnering for a new art exhibition called “Rainbow Creation,” inviting local artists to submit original works exploring and celebrating LGBT+ identity. Submissions are open until March 15, with no fee required, and works by children, youth, and adults in any medium are welcome. Selected pieces will be displayed from April 12 to June 30 at Centre LGBT+’s community center and multiple faith spaces across State College and the Centre Region. Participating congregations include Unitarian Universalist Fellowship of Centre County, St. Luke Lutheran Church, Congregation Brit Shalom, Grace Lutheran Church, St. Paul’s United Methodist Church and Wesley Foundation, University Baptist and Brethren Church, State College Friends Meeting, and State College Presbyterian Church.
Earlier this month, artist SpY installed "Halos," a large-scale installation of dozens of metallic discs suspended from the ceiling of a former railway factory in Florence. The work was part of the city's Bright Festival, transforming the brutalist industrial interior into a space of ethereal movement and reflection, with the discs interacting with natural breezes and glimmering light.