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The Best Booths at NADA New York, From Quietly Ominous Ceramics to Ecstatic Jazz Paintings

The New Art Dealers Alliance opened the 12th edition of NADA New York on May 14, 2026, at Chelsea’s Starrett-Lehigh building, coinciding with Frieze and 1-54 fairs nearby. The fair featured 110 exhibitors, including 51 first-time galleries from New York to Shanghai, with standout presentations by Andrae Green and Cyle Warner at Forgotten Lands, Ruth Owens at Voltz Clarke, and Keiko Narahashi at Tappeto Volante Gallery. This year’s edition emphasized ceramics and fiber art, marking a shift from recent years’ focus on figurative painting.

New book offers a suitably poetic vision of Blake and his legacy

A new book titled "William Blake and the Sea Monsters of Love" by biographer and critic Philip Hoare explores the life and work of William Blake, focusing on the three years the artist spent in Felpham, a coastal village in England, starting in 1800. Hoare argues that the ocean profoundly influenced Blake's art and poetry, using the sea as a metaphor to examine Blake's visionary prints, poems like "Milton," and his androgynous, fluid figures. The book also weaves in a cast of other historical figures—including Herman Melville, Paul Nash, and Nancy Cunard—whom Hoare dubs "sea monsters" for their rebellious, queer, and amphibious spirits.

Mystic Seaport Museum exhibition chronicles whale oil industry's far-reaching impact

The Mystic Seaport Museum in Connecticut has opened a new exhibition titled "Monstrous: Whaling and Its Colossal Impact," which explores the deep connection between the US whaling industry and capitalism. Featuring objects from the museum's permanent collection—including 19th-century photographs, blubber hooks, ship models, captain's logbooks, a sperm whale jawbone, a jar of blue whale fetuses, and whale oil products—the show illustrates how whale oil lit lamps and greased machines for over a century. A giant scratchboard mural by contemporary artist Jos Sances, titled "Or, The Whale" (2019-20), dominates the space, while references to Herman Melville's "Moby-Dick" permeate the exhibition, which also includes a copy of a 1930 illustrated three-volume edition.