Emails Suggest Venice Biennale Organizers Planned for Limited Russian Participation, SF Appoints First Arts and Culture Director, and More: Morning Links for April 28, 2026

Emails between Venice Biennale organizers and the Russian Pavilion commissioner reveal plans for limited Russian participation: the pavilion would open during the vernissage (May 5–8) with live performances, then close to the public after May 9, with multimedia documentation viewable from outside. The messages, dating to June 2025, also show Biennale staff helping Russian artists obtain visas. Organizers insist they complied with European sanctions, which prohibit financial support or direct collaboration with state-backed Russian entities. Separately, San Francisco has appointed Matthew Goudeau as its first executive director of arts and culture, a new role overseeing three public art agencies amid local arts closures.

Liu Ding and Carol Yinghua Lu to curate 2027 Istanbul Biennial

The Istanbul Foundation for Culture and Arts (ISKV) has announced that Liu Ding and Carol Yinghua Lu will curate the 2027 Istanbul Biennial. Liu Ding is a Beijing-based artist and curator who has participated in numerous international biennials and taught at NABA Milan, while Carol Yinghua Lu is an art historian and director of the Inside-Out Art Museum in Beijing, with a background at OCAT Shenzhen, Museion Bolzano, and Asia Art Archive. The pair, who have collaborated since 2007, most recently served as artistic directors of the 2024 Yokohama Triennale. The 19th edition of the Istanbul Biennial is scheduled for 18 September to 14 November 2027.

Our pick of the best pavilions at the 61st Venice Biennale

The article highlights standout national pavilions at the 61st Venice Biennale. The Belarus Pavilion features a powerful installation by the Belarus Free Theatre, including a wheat field built by former political prisoners, straw spiders made from prison bars, and a confession booth that runs facial recognition. The Brazil Pavilion presents a joint exhibition by Rosana Paulino and Adriana Varejão, focusing on colonial wounds and trauma through works like Paulino's 'Aracnes' and Varejão's 'Still Life amid Ruin'. The Bosnian Pavilion by Mladen Bundalo invites tactile engagement with themes of diaspora and migration, while the Austrian Pavilion by Florentina Holzinger draws attention with nude performers in water-filled pools.

​​​​Art Movements: Curators Named for El Museo's Latine Art Survey

El Museo del Barrio has announced the curatorial team for the 2027 edition of La Trienal, its landmark survey of Latine contemporary art. The show will be organized by Susanna V. Temkin, interim chief curator at the museum; Zuna Maza, assistant curator; and guest curator Kaitlin Garcia-Maestas, formerly of Socrates Sculpture Park. In other biennial news, Amanda Carneiro and Raphael Fonseca were named chief curators of the 37th Bienal de São Paulo, the jury of the 61st Venice Biennale resigned after omitting Russia and Israel from awards consideration, and Marcello Dantas was appointed senior curator of the Vancouver Biennale. Hedwig Fijen will step down as director of Manifesta, with Emilia van Lynden and Catherine Nichols taking over in a new co-leadership model. Janne Sirén will resign as director of the Buffalo AKG Art Museum, Kate Kraczon was named chief curator at the Montclair Art Museum, and Charlie White was appointed dean of WashU’s Sam Fox School of Design & Visual Arts. Marina Abramović has designed wine labels for the Ornellaia estate, with limited-edition bottles to be auctioned by Bonhams to benefit the Guggenheim Pop exhibition.

Natasha Tontey to Unveil Major New Immersive Installation Exploring Indigenous Resistance During Venice Biennale

Artist Natasha Tontey will unveil a major immersive installation titled "The Phantom Combatants and the Metabolism of Disobedient Organs" during the Venice Biennale at the Ateneo Veneto di Scienze, Lettere ed Arti. Jointly commissioned by Berlin’s LAS Art Foundation and Helsinki’s Amos Rex, the work combines video, sound, light, and sculpture to reimagine the story of Len Karamoy, a combatant in the CIA-supported Permesta movement that fought the Indonesian government from 1957 to 1961 in North Sulawesi. Tontey, a Minahasan Indigenous artist, uses LiDAR, quantum ghost imaging, and other technologies to explore Indigenous identity, ecology, and the blurring of history and myth.

Comment | The slopification of political art

The article critiques the rise of AI-generated political imagery, such as Donald Trump depicted as Jesus and viral Lego videos of the Iranian Revolutionary Guard Corps, arguing that these shallow, generic visuals fail to provide meaningful or lasting cultural commentary on current conflicts. The author contrasts this with the inventive, humorous resistance seen during the 2013 Gezi Park protests in Istanbul, which later influenced a generation of Turkish artists.

The Met Appoints Oluremi C. Onabanjo as Curator of Photographs

The Metropolitan Museum of Art has appointed Oluremi C. Onabanjo as Curator in its Department of Photographs following an international search. Onabanjo, who joins from the Museum of Modern Art (MoMA), will oversee exhibitions, acquisitions, and research for 20th-century and contemporary photography, with a specific emphasis on international practices in Africa and Asia. Her role includes the stewardship of the Walther Collection, a massive gift of over 6,500 works, and the preparation of a major exhibition scheduled for 2028.

Historic Istanbul exhibition reveals century of growth and creative vision

Yapı Kredi Culture Arts and Publishing has opened a landmark exhibition in Istanbul titled "Imprints on the Century: The Koç Group and the Arts," running until November 29, 2026, at the Yapı Kredi Culture Center in Galatasaray. Curated by YKYM Gallery Director Didem Yazıcı over two years, the show commemorates the 100th anniversary of the Koç Group, tracing its evolution from a small business registered by Vehbi Koç in 1926 to a global industrial conglomerate. The exhibition draws on archives from the Sadberk Hanım Museum, Arter, and the Rahmi M. Koç Museums, highlighting the group's contributions to archaeology, museology, contemporary art, publishing, and theater, including milestones like the first color film in Turkey and the Bauhaus-inspired Küçük Sahne theater.

Exhibition | Fahrelnissa Zeid, 'Immersion' at Dirimart, London, United Kingdom

Dirimart London has opened 'Immersion,' the first UK gallery exhibition this century dedicated to Turkish-Arab modernist Fahrelnissa Zeid. Curated by Adila Laïdi-Hanieh, the show focuses on her most innovative decades from the 1940s to 1960s, featuring works from Istanbul, London, Paris, and Ischia, with several pieces on public view for the first time.

Liu Ding and Carol Yinghua Lu to Curate the 19th Istanbul Biennial

Liu Ding und Carol Yinghua Lu kuratieren 19. Istanbul-Biennale

The 19th Istanbul Biennial, scheduled from September 18 to November 14, 2027, will be curated by Chinese artist and curator Liu Ding and art historian and curator Carol Yinghua Lu, as announced by the Istanbul Foundation for Culture and Arts (İKSV). The duo has worked together since 2007, previously co-curating the 8th Yokohama Triennale (2024), the Trans-Southeast Asia Triennial (2021), the Anren Biennale (2017), and the Shenzhen Sculpture Biennale (2012).

S&M-inspired Greek Pavilion in Venice confronts its fascist chains

The Greek Pavilion at the 2026 Venice Biennale, titled "Grecia" and conceived as a drag artist, presents an S&M-inspired installation by artist and architect Andreas Angelidakis. The immersive space features a red neon-lit floor, soft sculptures resembling beanbags, fragmented marble columns wrapped in chains, and souvenirs bearing images of queer artists and the late activist Zak Kostopoulos (Zackie Oh). The pavilion aims to deconstruct the idea of a fixed national identity, exploring themes of queerness, fascism, and historical trauma.

Open Call for Artists: Gallery A3’s 11th Annual Juried Show

Gallery A3 in Amherst, Massachusetts, has announced an open call for its 11th Annual Juried Show, scheduled for August 6–29, 2026. Submissions will be accepted online from May 10 to June 7, 2026, with an entry fee of $38 for three entries. The theme for this year's show is 'Everyday Sublime,' inviting artists to explore how awe and wonder manifest in daily life. The juror is Andrew S. Yang, a professor at the School of the Art Institute Chicago whose work has been exhibited internationally, including at the 14th Istanbul Biennial and the Museum of Contemporary Art Chicago.

What Biennials Reveal About the Art World

Ben Davis and Jo Lawson-Tancred of Artnet News have published complementary projects analyzing global art biennials. Davis compiled data from major biennials including Istanbul, Gwangju, São Paulo, Sharjah, and Venice over the past four years, tracking which artists have been shown most frequently worldwide since the 2022 Venice Biennale. Lawson-Tancred examined the upcoming Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, comparing the demographics of its artists to previous editions to trace shifts in the global art conversation.

Shiva Zahed's Istanbul gallery opens new platform for Iranian contemporary art

Shiva Zahed, an Iranian collector and former physician, has opened a new gallery in Istanbul's Pera district dedicated to Iranian contemporary art. The gallery launched with the exhibition "echos," featuring works by Shaqayeq Arabi and Fereydoun Ave, which was extended through May 10 due to strong interest. Zahed frames the space as an active platform to reposition Iranian artists within a global context, rather than a conventional exhibition venue.

Exhibition | Olivia Sterling, 'Jelly' at Dirimart Pera, Istanbul, Turkiye

Dirimart presents Olivia Sterling's first solo exhibition in Istanbul, titled 'Jelly,' at its Pera location from May 7 to June 14, 2026. The show explores themes of race, power, and desire through scenes involving food, the body, and stains, using fruit and dark colors as metaphors for consumption and objectification. Sterling's paintings incorporate letters that expose how race is constructed through language, while the title 'Jelly' evokes flexibility, fluidity, and a grotesque bodily quality that mirrors the instability of identity and social conventions.

Delicacy as Resistance. Interview with the Curator of the Turkey Pavilion at the Venice Biennale

La delicatezza come resistenza. Intervista alla curatrice del Padiglione Turchia alla Biennale di Venezia

For the 2026 Venice Biennale, the Turkey Pavilion, commissioned by the Istanbul Foundation for Culture and Arts (İKSV), will present "A Kiss on the Eyes" by artist Nilbar Güreş, curated by Başak Doğa Temür. The exhibition takes its title from a Turkish expression conveying affectionate closeness without intrusion, and features a mix of new productions and earlier works spanning sculpture, installation, painting, and works on paper and fabric. In an interview, curator Temür explains that the project avoids a retrospective or didactic approach, instead creating a spatial rhythm of approach, pause, and slight withdrawal, where intimacy, politics, irony, and fragility press against one another.

Apre a Venezia una nuova fondazione per l’arte. Il progetto dell’artista curdo Ahmet Güneştekin a Palazzo Gradenigo

Kurdish artist Ahmet Güneştekin has opened a new foundation in Venice at Palazzo Gradenigo, a 16th-century building in the Castello district. The foundation's inaugural exhibition, titled "Sessizlik/Silenzio/Silence," will open on May 6 during the Venice Biennale. The show features 11 new bronze sculptures and 11 oil paintings. The palace, closed to the public for 17 years, was purchased by the artist and is undergoing a conservative restoration led by architects Alberto Torsello and Elisa Santoro, set to complete by late 2026. The foundation, entirely self-funded through sales of Güneştekin's works and royalties, aims to provide exhibition and training opportunities for young artists, especially from Turkey, in an international context.

İrem Günaydın at thepill

İrem Günaydın is presenting a solo exhibition at thepill gallery in Istanbul, running from March 7 to May 23, 2026. The show features 46 images documenting the exhibition, with press releases available in both English and Turkish.

Turkish artist Nilbar Gures brings defiance to 61st Venice Biennale

Turkish artist Nilbar Güneş will represent Türkiye at the 61st Venice Biennale (May 9–November 22, 2026) with her exhibition "A Kiss on the Eyes" in the Arsenale's Türkiye Pavilion. Güneş, born in Istanbul in 1977 and educated at Marmara University, the Academy of Fine Arts Vienna, and the University of Applied Arts, works across photography, film, painting, performance, and mixed media. Her practice draws on personal biography to address societal issues, and she has shown internationally at venues including Osmos in New York and Vortic Art in London.

Workshop exhibition opens at AKM

The Atatürk Cultural Center (AKM) in Istanbul has launched an exhibition featuring 41 works by 21 artists produced during the fourth Arnica Art Land workshop. Held in the ancient city of Aizanoi, the multidisciplinary project encouraged artists to create works inspired by the Temple of Zeus and the world’s first stock exchange. The resulting show, curated by Fırat Neziroğlu, includes experimental practices such as sound sculptures and live body painting alongside traditional plastic arts.

Istanbul exhibition features artist voice via art at Karaköy Palace | Daily Sabah

The Kültür Medeniyet Vakfı (KÜME) opened its ArtıKÜME 2025 and ODAK exhibitions at Karaköy Palas in Istanbul on Saturday, featuring 25 projects across disciplines from digital art to calligraphy under the theme 'Mümkün' ('Possible'). The exhibition transforms the historic Karaköy Palas into a platform for experimental and process-driven works, with artists like Muharrem Dalhan presenting interactive installations such as 'Threshold,' which critiques algorithm-driven media environments. The ODAK project was also introduced as a platform tracking cultural production across Türkiye, with its first publication, the ODAK 2025 book, launched alongside the exhibition.

Maitland exhibit: Textures of Middle East come to life in paintings woven with cultural memory

Mär Martinez's first solo museum exhibition, “A loom, a fence, a wire, a thread,” opens at The Art & History Museums of Maitland, featuring paintings inspired by traditional Turkish and Middle Eastern textile practices. The works, developed during her 2024-2025 Fulbright research in Istanbul, weave together her Cuban and Syrian heritage, exploring themes of cultural memory, displacement, and resilience through imagery of carpets, barbed wire, and urban barriers.

UCF Alum and Fulbright scholar Mär Martinez exhibition in Maitland, FL

Contemporary painter Mär Martinez, a Fulbright scholar and UCF alum, presents her first solo museum exhibition, “A loom, a fence, a wire, a thread,” at the Art & History Museums of Maitland (A&H) in Maitland, Florida. The show features works developed during her 2024–25 Fulbright research in Istanbul and builds on ideas from her 2021–2023 Studio Artist Residency at A&H. Inspired by traditional Turkish and Middle Eastern textile practices, Martinez explores themes of urban life, surveillance, and cultural memory, using imagery from nighttime walks through Istanbul—fences, checkpoints, and barbed wire—combined with historic textile patterns. Her Cuban and Arab heritage and family’s experience of displacement inform her work, with weaving serving as a metaphor for endurance and resistance. The opening night is free to the public, with live music, food, and a cash bar.

Artist Mär Martinez explores the threads that bind and separate us in new exhibition

Artist Mär Martinez is presenting her first solo exhibition in Orlando, titled 'a loom, a fence, a wire, a thread,' at the Art & History Museums of Maitland. The exhibition features paintings and a loom, inspired by her experiences during a Fulbright Scholar grant in Istanbul and her family's history with Syrian textiles.

Istanbul Bets on Contemporary Art: New Space Announced During CI Bloom Fair

Istanbul scommette sull’arte contemporanea: durante la fiera CI Bloom annunciato l’arrivo di un nuovo spazio

The fifth edition of CI Bloom, the boutique contemporary art fair organized by Contemporary Istanbul, recently concluded at the Lütfi Kırdar Congress and Exhibition Hall. Featuring 28 galleries and over 300 artists, the fair introduced aggressive financial incentives to support exhibitors, including a 30% reduction in participation fees, fixed exchange rates to mitigate currency risk, and a partnership with Turkish Airlines providing free art transport and customs coverage.

Türkiye Pastel artists open ‘Dust and Light’ exhibition in Istanbul | Daily Sabah

The Türkiye Pastel Sanatçıları Topluluğu (Community of Pastel Artists), led by Javad Soleimanpour, has opened its fifth edition of the “Dust and Light” pastel painting exhibition at Mete Plaza/Mete Art in Istanbul. The show features 120 artists and 120 works, with an opening ceremony attended by art enthusiasts and guests. Honorary guest professor Sinan Canan delivered a keynote on the relationship between science and art, while painters Olga Abramova and Remzi Iren served as honorary guests and jury members. Three works received prizes, and the exhibition is free and runs through May 25.